Swervedriver Never Lose That Feeling Mp3, Flac, Wma

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Swervedriver Never Lose That Feeling mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Never Lose That Feeling Country: UK Released: 1992 Style: Alternative Rock, Indie Rock, Shoegaze MP3 version RAR size: 1123 mb FLAC version RAR size: 1535 mb WMA version RAR size: 1377 mb Rating: 4.7 Votes: 243 Other Formats: AC3 XM AA WMA DTS DMF ASF Tracklist Hide Credits A Never Lose That Feeling/Never Learn B1 Scrawl And Scream The Watchmakers Hands B2 Engineer – Philip AmesGuitar [Pedal Steel] – Patrick Arbruthnot* B3 Never Lose That Feeling Companies, etc. Distributed By – Pinnacle Phonographic Copyright (p) – Creation Records Copyright (c) – Creation Records Pressed By – MPO Published By – EMI Music Published By – EMI Songs Engineered At – Greenhouse Studio, London Mixed At – Matrix Studios Mixed At – Battery Studios, London Credits Mastered By – Porky Mixed By – Alan Moulder Producer, Engineer – Alan Moulder (tracks: A, B1, B3) Producer, Written-By, Arranged By – Swervedriver Saxophone – Stuart Dace* (tracks: A, B3) Notes Engineered at The Greenhouse Studios A, B1, and B3 Mixed at Matrix Studios B2 Mixed at Battery Studios Stuart Dace courtesy of Deep Joy Inc (Worldwide) Patrick Arbruthnot courtesy of The Rockingbirds and Heavenly A Creation Records Product Printed on centre labels: Made In France Printed on rear sleeve: Made in England ℗ & © 1992 Creation Records Barcode and Other Identifiers Barcode: 5 017556 201206 Matrix / Runout (A side runout etched): CRE 120 T A1 IT'S A PORKY PRIME CUT. MPO IS THIS A COINCIDENCE OR WHAT? Matrix / Runout (B side runout etched): CRE 120 T B1 PORKY. MPO THE CHICKENS ARE DANCING. Label Code: LC 6306 Other versions Category Artist Title (Format) Label Category Country Year Never Lose That Creation crescd 120 Swervedriver crescd 120 UK 1992 Feeling (CD, Single) Records SHOCK CD Never Lose That SHOCK CD Swervedriver Shock Australia 1992 4011 Feeling (CD, Single) 4011 Never Lose That Creation CRE 120 TP Swervedriver Feeling (12", EP, CRE 120 TP UK 1992 Records Promo) Never Lose That Creation cre 120 Swervedriver cre 120 UK 1992 Feeling (7", Single) Records Never Lose That Creation 35122 Swervedriver 35122 France 1992 Feeling (CD, Maxi) Records Related Music albums to Never Lose That Feeling by Swervedriver Swervedriver - Reel To Real Orange Goblin - Some You Win, Some You Lose Arnold - Fleas Don't Fly Swervedriver - Last Train To Satansville The Boo Radleys - Everything Is Sorrow The Controllers - Somebody's Gotta Win, Somebody's Gotta Lose / Feeling A Feeling Peggy Sue - Watchman Dannii Minogue - Don't Wanna Lose This Feeling Foals - This Orient Swervedriver - Last Day On Earth Arctic Monkeys - Favourite Worst Nightmare Swervedriver - I Wasn't Born To Lose You.

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Four Campus Eateries to Close Their Doors
AND THE AWARD GOES TO ... ▶ OPINION, PAGE 4 UNIVERSITY OF CALIFORNIA, SAN DIEGO www.ucsdguardian.org Thursday, May 29, 2008 The Student Voice Since 1967 Four Campus Eateries to Close Their Doors SUN GOD RETROSPECTIVE By Christina Homer University Centers Protests Senior Staff Writer Beginning this summer and Festival-Day Alcohol Policies extending through next school year, Sierra Summit, El Mercado and Plaza In unanimously approved early closing times for Price Center Cafe will be temporarily shut down and restrictions on alcohol sales for extensive renovations, while Club resolution, board members at Porter’s Pub and Round Table Med will close permanently. claim they were grossly Pizza. Although UCSD’s Facilities, “It’s upsetting that UCAB was Design and Construction depart- overlooked in planning of not consulted at all about topics ment has not yet set a firm date, new festival. directly related to its responsi- the John Muir College dining halls bility as the board that manages — Sierra Summit and El Mercado — By Charles Nguyen University Centers,” Bright said. will close during the summer so that Senior Staff Writer “It’s not too much for UCAB mem- renovations may begin on Stewart bers to expect simple consider- Commons. Following the comple- One of the campus’ key facil- ation.” tion of Muir’s renovations, construc- ity boards unanimously approved The policies enacted a two-drink tion will begin on the Revelle College a resolution protesting new poli- maximum and prohibited the sale dining hall, Plaza Cafe. cies that regulated operations of of pitchers at the two campus eat- Club Med, the Medical School University Centers businesses and eries.
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AD FOCUS LU Ac LU LU O Oo CD < CL. S < O Oo
AD FOCUS LU /artist/title RELEASE DATE CAMPAIGN 1 ASWAD Bubblin' July31 A nationwide TV campaign and ads on Kiss m London and Manchester, 'GreatestHils Q1EQ inBRMB, -store Power,promotions Invicta ai^postercam^igns. and Océan will support this release. There willi.u.,.i be : BLACK GRAPE Rad,08C,iVe August7 Press ads run in The Face. Vox. NME. Melody Makerani Loaded. rhere ac BLIND MELON Veab.Parlophone August 7 WÊsrn^ Adsare window will run ondisplays IR rock in stations multiples and and in aNME nationwide Kerrangl. poster Raw, campaign, Melody ; ELVIS COSTELLO Oemon JulySl m ThereMakerani will bc Select extensiue ads m the music and national press tor this DIE KRUPPS Music For Nations July31 Extensivere-release, music mcluding press co-op advettismg ads with mcluding Virgm and co-op HMV. ads wilh HMV m , FLUKE Circa August? HO PressKerrangl. ads A2in NMEposters Melody are available Makcr. Select.to retailers. Record Mcror. ID., . Sky., Loaded- GAVINOto FRIDAY Island August? Pressadvertisingand MixMagmW bewill supported run in 0, Mojo,by a higb-prpfile Voxand NME poster In-store campaign. postersare | Shag Tobacco Mercury JulySl MM __ m ■ This fe'-reiease plus Madman AcrossThe Waler, Honky Chateau and Rock Captain Fantastic & The Bro ■Q| 1 In-store01 The Westies material will will be be advertised available. in Mojo and national weekend press. TougherDIANA KiNG Than Love Columbia JulySl ■ Thereco-op willad m be Blues press & ads Sou/, in True, Smash Hitsani Echoes, and an HMV 1 KRAFTWERK EMIUK ■ ' August? a niese reissues will be advertised m the music press. InsideOutN-JOI Deconstruction JulySl m There will be advertising in the dance press.
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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
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My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63
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In “Love” Jukebox Memoir
in “Love” Jukebox Memoir (release date: 2/25/14) After recording 2012’s Domestic Disturbances, I realized I’d been struggling on the last couple of records to assimilate some of our many influences into what could be described as “The Jet Age sound.” Thus the concept for this album: To “own” the music that inspired us, without worrying about appearances. Of course, we didn’t want to sound like a wedding band, so if a song didn’t make sense to a player, if it didn’t resonate, it wasn’t gonna happen. A few songs didn’t make the cut (notably my ABBA homage—seriously), but once we’d gotten those missteps out of the way, these tracks quickly fell into place: 1. I Can’t Turn Around – Deliberately written as a state-of-the-art Jet Age song, this track brings our memoir up- to-date. I’d initially attributed the extended outro to our stint opening for The Wedding Present during 2011’s Bizarro tour, but I realized we’d been doing stuff like this since our debut, 2005’s Breathless. 2. Come Lie Down – A dream come true for me as Swervedriver’s Adam Franklin and Ride’s Mark Gardener join me on vocals. When I first started making music, Ride really showed me how guys who sing like girls could rock like The Who, while Swervedriver gave me guitar heroics to aspire to. I also cribbed from Spiritualized’s take on the Troggs’ “Anyway That You Want Me” and The Wedding Present’s “Dalliance,” which is ironic, since the latter inspired me to pare back some of my shoegazing tendencies.
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Swervedriver Mezcal Head Mp3, Flac, Wma
Swervedriver Mezcal Head mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Mezcal Head Country: UK Released: 1993 Style: Alternative Rock MP3 version RAR size: 1143 mb FLAC version RAR size: 1354 mb WMA version RAR size: 1571 mb Rating: 4.8 Votes: 771 Other Formats: AIFF VQF DMF ASF VOC AU DXD Tracklist 1 For Seeking Heat 3:46 2 Duel 5:51 3 Blowin' Cool 3:57 4 MM Abduction 2:51 5 Last Train To Satansville 6:45 6 Harry & Maggie 5:27 7 A Change Is Gonna Come 3:59 8 Girl On A Motorbike 4:09 9 Duress 8:03 10 You Find It Everywhere 4:10 Credits Engineer – Jez , Nick Addison Producer, Engineer – Alan Moulder Written-By – Marc Waterman (tracks: 9), Swervedriver Barcode and Other Identifiers Barcode: 5017556601433 Other versions Title Category Artist Label Category Country Year (Format) 31454 0129 4, Mezcal Head A&M Records, 31454 0129 4, Swervedriver Canada 1993 314540129-4 (Cass, Album) A&M Records 314540129-4 Second Motion LP-SMR-007, Mezcal Head LP-SMR-007, Swervedriver Records, Hi- US 2011 HSS-1032-1 (LP, RE, TP) HSS-1032-1 Speed Soul Mezcal Head 31454 0129 2 Swervedriver A&M Records 31454 0129 2 Canada 1993 (CD, Album) Second Motion LP-SMR-007, Mezcal Head LP-SMR-007, Swervedriver Records, Hi- US 2011 HSS-1032-1 (LP, Num, RE) HSS-1032-1 Speed Soul Second Motion SMR-007, Mezcal Head Records, Hi- SMR-007, HSS-1032, Swervedriver (CD, Album, Speed Soul, HSS-1032, US 2009 B0012422-02 RE, RM) Universal Music B0012422-02 Special Markets Comments about Mezcal Head - Swervedriver IGOT Probably goes without say, but f**k this album is amazing and never gets old! If for some reason you've been living under a rock for the last 25 years, get your head in the game and listen to this masterpiece! So damn good! Thank you Adam and Co.
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Scanned Image
Compulsion are on our to promote their new Iohri and Sandra welcome you to album The Future ls Medium, out June 17th. Catch them in Leicester (The Charlotte, 20th) or W firstofall: Stoke (The Stage July 3rd). Done Lying Down return from a six week tour of . Nottingham Music. Industry. Week is a four day Europe with Killdozer and Chumbawamba with a event for budding musicians, promoters, sound re-recorded and remixed version on 7" and cd of THE mixers and DJs. Organised by Carlos Thrale of Can’t Be Too Certain from their Kontrapunkt _ u r I S Arnold & Carlton College, one of the few album on Immaterial Records. The cd format OLDEN FLEECE To colleges in the UK to award a BTEC in popular also features three exclusive John Peel session music, in conjunction with Confetti School Of tracks. A UK tour brings them to Leicester (The 105 Mansﬁeld Road Nottingham ’ Recording Technology, Carlsboro Soundaalso Charlotte, July 3rd) and Derby (The Garrick, Traditional Cask Ales involved are the Warehouse Studios and East 4th). ’** Guest Beers "“* msterdam Midlands Arts. The four day event begins on Ambient Prog Rockers The Enid return with a Monday 22nd July comprising seminars and "‘.‘:-5-@5953‘:-5: ' string of summer dates prior to the release of Frankfurt £69 tin workshops led by professionals from all areas of their singles compilation Anarchy On 45. I I n I I - a u u ¢ u I I a n | n - o - | q | I q n I - Q - - - - I I I | ¢ | | n - - - , . , . the music industry, and evening gigs.
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Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,
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Page 1 of 1 Fire on Corridor X | Pitchfork 1/7/2009
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Music Preview
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Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions.
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Swervedriver
Swervedriver In 1990 London's indie-rock guitar scene was developing a distinctive new psychedelic sound: swirling, dreamy, mysterious and very much of the British Isles. One band stood out by hot-wiring that sound with the subversive energy of some American bands of the era and that band was Swervedriver. They had the liquid distortion of shoegaze combined with the cool swagger of Hüsker Dü, Sonic Youth, and Dinosaur Jr - giving them a unique sound and attitude. Relocating from Oxford to London, guitarists Adam Franklin and Jimmy Hartridge, bassist Adi Vines and drummer Graham Bonnar debuted with a series of landmark Creation Records EPs, Son of Mustang Ford, Rave Down, and Sandblasted. Their full-length debut, 1991's Raise, to this day is hailed by Pitchfork as an album full of "muscular, scorching guitars" that "still bring the noise like nobody's business" with Mojo stating that Son of Mustang Ford "remains one of the most glorious tunes to emerge in the wake of the so-called grunge explosion of '89, matching Adam Franklin and Jim Hartridge's motorised guitar-weaving with a beguiling, below-the-line vocal melody and lyrics that celebrated the joy of wide-open American freeways." The band toured the album extensively, including a lengthy US tour with Soundgarden that brought their wall of sound to thousands. However with both Bonnar and Vines leaving the band not long after, the 1992 EP Never Lose That Feeling looked like it might be Swervedriver's (albeit scorching) swan song. Then in late 1992, Franklin and Hartridge demoed a new tune Duress, recruited drummer Jez Hindmarsh and set about recording a second full-length album Mezcal Head with Alan Moulder (My Bloody Valentine/Led Zeppelin), which included their biggest singles Duel and Last Train To Satansville.
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