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Dissertation
Dissertation Titel der Dissertation „Josef Strzygowski - Zur Entwicklung seines Denkens“ Verfasser Mag.phil. Heinz Schödl angestrebter akademischer Grad Doktor der Philosophie (Dr.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 092 315 Dissertationsgebiet lt. Studienblatt: 315 Kunstgeschichte Betreuer: Dekan o. Univ.-Prof. Dr. Michael Viktor Schwarz Inhaltsverzeichnis 0. Vorwort 04 I. Einleitung 29 I.I Der Ruf nach Wien 29 I.II Die Wiener Lehrkanzeln für Kunstgeschichte 29 I.III Die Berufung Strzygowskis 31 I.IV Die Antrittsrede 33 I.V Ansichten und Bekenntnisse 40 I.VI Forschungsfrage 42 II. Strzygowskis Methode: Hermeneutik? 45 II.I Die frühen Jahre bis zur Wiener Antrittsvorlesung 45 „Composition“ oder: Die Griechen als Lehrer / Heilung durch Anschauung: Vom pädagogischen Eros / Von der Anschauung zur Methode / Geschichte vs. Wissenschaft / Überblick II.II München leuchtet und weist den Weg 63 Heinrich von Brunn: Innovator der Archäologie / Lehrer und Schüler Heinrich von Brunn als Lehrer / Monumente des troischen Zyklus als praktische Methodologie archäologischer Interpretation / Überblick / Beide Schüler eines Lehrers: Langbehn und Strzygowski II.III Theorie und Praxis: Zur Anschauung in den frühen Arbeiten 98 Die Dissertation / Cimabue / Michelangelo, Leonardo II.IV Ausblick: Zur weiteren Entwicklung von Strzygowskis Methode 112 Zur völkischen Erkenntnis / Erste Erfolge / urbi et orbi – Eine globale Wissenschaft Goldene Zwanziger? Ein Ausblick auf die Monographien / Die Krisis wird besichtigt: Zur Lage der Geisteswissenschaften -
Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda Mcclelland Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Summer 8-26-2013 Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda McClelland Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation McClelland, Grizelda, "Constructions of Childhood on the Funerary Monuments of Roman Athens" (2013). All Theses and Dissertations (ETDs). 1150. https://openscholarship.wustl.edu/etd/1150 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Classics Department of Art History and Archaeology Dissertation Examination Committee: Susan I. Rotroff, Chair Wendy Love Anderson William Bubelis Robert D. Lamberton George Pepe Sarantis Symeonoglou Constructions of Childhood on the Funerary Monuments of Roman Athens by Grizelda D. McClelland A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2013 St. Louis, Missouri © 2013, Grizelda Dunn McClelland Table of Contents Figures ............................................................................................................................... -
Stipendiaten Des DAI, Der Römisch-Germanischen Kommission (RGK) Und Der Kommission Für Alte Geschichte Und Epigraphik
Reisestipendiatinnen und -stipendiaten des DAI, der Römisch-Germanischen Kommission (RGK) und der Kommission für Alte Geschichte und Epigraphik • 1859/60: Alexander Conze, Adolf Michaelis • 1860/61: Adolph Kießling, Kurt Wachsmuth • 1861/62: Adolph Kießling, August Reifferscheid • 1862/63: Wolfgang Helbig, August Reifferscheid • 1863/64: Wolfgang Helbig, Reinhard Kekulé • 1864/65: Otto Benndorf, Reinhard Kekulé • 1865/66: Otto Benndorf, Bernhard Graser • 1866/67: Eugen Bormann, Karl Dilthey • 1867/68: Eugen Bormann, Karl Dilthey • 1868/69: Richard Foerster, Friedrich Matz • 1869/70: Richard Foerster, Friedrich Matz • 1870/71: Richard Engelmann, Adolf Trendelenburg • 1871/72: Gustav Hirschfeld, Otto Lüders • 1872/73: Gustav Hirschfeld, Georg Kaibel • 1873/74: Georg Kaibel, Carl Robert • 1874/75: Leopold Julius, Carl Robert, Theodor Schreiber, Rudolf Weil • 1875/76: Heinrich Dressel, Friedrich von Duhn, Gustav Körte, Rudolf Weil • 1876/77: Friedrich von Duhn, Adolf Furtwängler, Paul Knapp, Arthur Milchhoefer, Hermann von Rohden • 1877/78: Adolf Furtwängler, Georg Loeschcke, Arthur Milchhoefer, Hermann von Rohden, Victor Schultze • 1878/79: Hermann Dessau, Hermann Dopffel, Georg Loeschcke, Karl Purgold, Johannes Schmidt • 1879/80: Carl Erbes, Heinrich Holtzinger, Otto Keck, Karl Purgold, Carl Schaefer, Johannes Schmidt • 1880/81: Hermann Dessau, Konrad Lange, Hermann Luckenbach, Ernst Maass, Otto Pohl • 1881/82: Christian Hülsen, Julius Langbehn, Otto Pohl, Otto Puchstein, Eduard Schwartz • 1882/83: Julius Dürr, Ernst Fabricius, Nicolaus -
Alexander Conze, on the Origin of the Visual Arts, Lecture Held on July 30, 1896 [In the Royal Prussian Academy of Sciences] Translated and Edited by Karl Johns
Alexander Conze, On the Origin of the Visual Arts, Lecture held on July 30, 1896 [in the Royal Prussian Academy of Sciences] translated and edited by Karl Johns Editor’s introduction: Alexander Conze: The Bureaucrat and Art- Historiography Like a number of his colleagues, Alexander Conze (Hanover December 10, 1831- Berlin July 19, 1914), came to classical archaeology after first studying law. His interests and gifts seem to have tended more toward curatorial and administrative work rather than lecturing, and he will be primarily remembered for his part in bringing the Pergamon Altar to the Berlin museums. It may therefore seem ironic that he nevertheless had a great influence as a teacher and probably the greatest influence in another field, which was only later to be defined and brought to fruition in academia by his students as ‘the history of art.’ For the purposes of art historiography it is therefore significant that after nearly ten years at Halle as Extraordinarius, he was called to the University of Vienna as Ordinarius, taught from 1869 to 1877, where Franz Wickhoff, Alois Riegl, Emanuel Löwy and Julius Schlosser, among others, were influenced by his teachings. In the lectures given by Conze to the Prussian academy later in his career, it is not difficult to recognize a similarity to Schlosser in the binocular attraction of more abstract questions on the one hand and the aesthetic appeal of the individual object on the other. Conze also anticipated and presumably inspired the later studies made by Ernst Garger on the ground in relief sculpture and the historical place of the Monument of the Julii. -
NETWORKED WORLDS Mobility, Migration and Trade in Antiquity
ARCHAEOLOGY WORLDWIDE 1 • 2014 Magazine of the German Archaeological Institute Archaeology Worldwide – Volume one – Berlin, – DAI May 2014 TITLE STORY NETWORKED WORLDS Mobility, migration and trade in antiquity REPORT STANDPOINT INTERVIEW A Phoenician-Iberian Networked research – Link and barrier – joint venture Networked worlds Mediterranean studies acquire new significance ARCHAEOLOGY WORLDWIDE Places visited in this issue Spain, Los Castillejos de Alcorrín. Report, page 12 Arabian Peninsula, The Incense Route. Titel Story, page 36 Peru, Palpa. Cultural Heritage, page 20 The Mediterranean region. Titel Story, page 36 The Russian Federation, Cimmerian Bosporus, Germany, Munich. Everyday Archaeology, page 76 Taman Peninsula. Landscapes, page 28 Turkey, Thracian Bosporus. Landscapes, page 28 Tajikistan, Dushanbe. The Object, page34 Berlin, Head Office of the Morocco, Essaouira. Title Story, page 36 German Archaeological Institute COVER PHOTO A small island off Morocco’s Atlantic coast – in antiquity a peninsula – was where the west Phoenician maritime trade route met an African caravan road. There was sale and barter, the latest news was exchanged and tales were told from all corners of the world. The hotly traded goods were fish in great quantities, ivory, met- als, exotic animals, the amber-like resin of Thuja ber- berisca/citrus, and precious spices. Our cover photo shows Essaouira, the town on the mainland. It was known as the “harbour of Timbuktu” until the sixties. Caravans continued to arrive from the African hinterland and all European trading nations maintained consulates in the little coastal town. ARCHAEOLOGY WORLDWIDE Places visited in this issue ditorial E EDITORIAL DEAR READERS, Networking and connectivity are buzz- as often happens, they are adduced to words in all spheres of life today and the explain contemporary problems by refer- global world virtually seems a product of ence to the past, in line with the maxim: new forms of networking. -
Magister Artis
MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER SENATVS PVLCHRARVM ARTIVM FEDERICO MAYOR ZARAGOZA Chairman of Cultura de Paz Foundation - Former General Director of UNESCO HIS ROYAL HIGHNESS CARLOS DE BORBON Honorary President of the Spanish Association of Foundations DA JOAQUINA RISUEÑO GUINOT Widow of Julio Boix-Minguet, Chairman of Finisterre Corp., Mecenas Artium PRINCE SFORZA RUSPOLI Honorary President of Fondazione Memmo PROF. GUIDO DE MARCO (1936-2010) Former President of Malta, Former President of the United Nations General Assembly IMAC ISTITUTO MEDITERRANEO DI ARTE CLASSICA SPANISH PRESIDENCY INSTITUTO MEDITERRANEO DE ARTE CLASICO ITALIAN PRESIDENCY Excel. Sra. DA JOAQUINA RISUEÑO GUINOT MEDITERRANEAN CLASSICAL ART INSTITUTE Su. Excel. PRINCIPE SFORZA RUSPOLI MAGISTERThe IMAC Istituto Mediterraneo di Arte Classica (Mediterranean Classical Art Institute) is a European ARTIS consortium that supports independent artistic and humanistic studies. Located in Roma (Pantheon and EUR), the Institute has other sites in Cerveteri / Castello Rúspoli, Arpino (Ciceronis Arpinium), Napoli (Nea-polis), Siracusa (Sirakosion), Palermo (Panormo), Toulon (Hyères), Marseille (Massalia), Sagunto (Arse-Sagvnt), Valencia C/. Reloj Viejo, 3 (Valentia), Valldigna (Alfandec), Xàtiva (Saiti-Saetabis), Denia (Dianium-Hemeroskopeion), Benimeli (Segaria), Palma de Mallorca (Majurka-Kromyoussa), Ibiza (Ebusus), Cartagena (Cartago-Nova), Cadiz (Gades), Lisboa (Olisipo) and Porto (Portus-Galus). Each year, an international call is arranged for a Magister Artis Experience: 20 emerging artists (Architecture, Landscape Architecture, Musical Composition, Poetry or Visual Arts) participate, as well as social and political leaders and 20 scholars (from the fields of Ancient, Medieval and Modern Mediterranean Studies) from International and Cultural Relations Programs. -
Homer, Troy and the Turks
4 HERITAGE AND MEMORY STUDIES Uslu Homer, Troy and the Turks the and Troy Homer, Günay Uslu Homer, Troy and the Turks Heritage and Identity in the Late Ottoman Empire, 1870-1915 Homer, Troy and the Turks Heritage and Memory Studies This ground-breaking series examines the dynamics of heritage and memory from a transnational, interdisciplinary and integrated approach. Monographs or edited volumes critically interrogate the politics of heritage and dynamics of memory, as well as the theoretical implications of landscapes and mass violence, nationalism and ethnicity, heritage preservation and conservation, archaeology and (dark) tourism, diaspora and postcolonial memory, the power of aesthetics and the art of absence and forgetting, mourning and performative re-enactments in the present. Series Editors Rob van der Laarse and Ihab Saloul, University of Amsterdam, The Netherlands Editorial Board Patrizia Violi, University of Bologna, Italy Britt Baillie, Cambridge University, United Kingdom Michael Rothberg, University of Illinois, USA Marianne Hirsch, Columbia University, USA Frank van Vree, University of Amsterdam, The Netherlands Homer, Troy and the Turks Heritage and Identity in the Late Ottoman Empire, 1870-1915 Günay Uslu Amsterdam University Press This work is part of the Mosaic research programme financed by the Netherlands Organisa- tion for Scientific Research (NWO). Cover illustration: Frontispiece, Na’im Fraşeri, Ilyada: Eser-i Homer (Istanbul, 1303/1885-1886) Source: Kelder, Uslu and Șerifoğlu, Troy: City, Homer and Turkey Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout Editor: Sam Herman Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 269 7 e-isbn 978 90 4853 273 5 (pdf) doi 10.5117/9789462982697 nur 685 © Günay Uslu / Amsterdam University Press B.V., Amsterdam 2017 All rights reserved. -
Literaturliste.Pdf
A# Mark B. Abbe, A Roman Replica of the ‘South Slope Head’. Polychromy and Identification, Source. Notes in Abbe 2011 History of Art 30, 2011, S. 18–24. Abeken 1838 Wilhelm Abeken, Morgenblatt für gebildete Stände / Kunstblatt 19, 1838. Abgusssammlung Bonn 1981 Verzeichnis der Abguss-Sammlung des Akademischen Kunstmuseums der Universität Bonn (Berlin 1981). Abgusssammlung Göttingen Klaus Fittschen, Verzeichnis der Gipsabgüsse des Archäologischen Instituts der Georg-August-Universität 1990 Göttingen (Göttingen 1990). Abgusssammlung Zürich Christian Zindel (Hrsg.), Verzeichnis der Abgüsse und Nachbildungen in der Archäologischen Sammlung der 1998 Universität Zürich (Zürich 1998). ABr Paul Arndt – Friedrich Bruckmann (Hrsg.), Griechische und römische Porträts (München 1891–1942). Michael Abramić, Antike Kopien griechischer Skulpturen in Dalmatien, in: Beiträge zur älteren europäischen Abramić 1952 Geschichte. FS für Rudolf Egger I (Klagenfurt 1952) S. 303–326. Inventarium Von dem Königlichen Schloße zu Sanssouci, und den neuen Cammern, so wie solches dem Acta Inventur Schloss Castellan Herr Hackel übergeben worden. Aufgenommen den 20 Merz 1782, fol. 59r-66r: Nachtrag Mai Sanssouci 1782−1796 1796, in: Acta Die Inventur Angelegenheiten von Sanssouci betreffend. Sanssouci Inventar 1782-1825, vol. I. (SPSG, Hist. Akten, Nr. 5). Acta betreffend das Kunst- und Raritaeten-Cabinet unter Aufsicht des Herrn Henry 1798, 1799, 1800, 1801. Acta Kunst-und Königliche Akademie der Wissenschaften, Abschnitt I. von 1700–1811, Abth. XV., No. 3 die Königs Cabinette Raritätenkabinett 1798–1801 a[?] des Kunst-Medaillen u. Nat. Cab. Acta Commissionii Reclamationen über gestohlene Kunstsachen. 1814, vol. 1, fol. 4r–33v: Bericht Rabes über gestohlene Kunstsachen an Staatskanzler von Hardenberg, 12. Februar 1814, fol. 81r–82r: Brief Acta Kunstsachen 1814 Henrys an Wilhelm von Humboldt, 26. -
Alexander Conze, 'Greek Relief Sculpture'
Alexander Conze, ‘Greek Relief Sculpture’ translated and edited by Karl Johns Editor’s introduction: Alexander Conze: The Bureaucrat and Art- Historiography Like a number of his colleagues, Alexander Conze (Hanover December 10, 1831- Berlin July 19, 1914), came to classical archaeology after first studying law. His interests and gifts seem to have tended more toward curatorial and administrative work rather than lecturing, and he will be primarily remembered for his part in bringing the Pergamon Altar to the Berlin museums. It may therefore seem ironic that he nevertheless had a great influence as a teacher and probably the greatest influence in another field, which was only later to be defined and brought to fruition in academia by his students as ‘the history of art.’ For the purposes of art historiography it is therefore significant that after nearly ten years at Halle as Extraordinarius, he was called to the University of Vienna as Ordinarius, taught from 1869 to 1877, where Franz Wickhoff, Alois Riegl, Emanuel Löwy and Julius Schlosser, among others, were influenced by his teachings. In the lectures given by Conze to the Prussian academy later in his career, it is not difficult to recognize a similarity to Schlosser in the binocular attraction of more abstract questions on the one hand and the aesthetic appeal of the individual object on the other. Conze also anticipated and presumably inspired the later studies made by Ernst Garger on the ground in relief sculpture and the historical place of the Monument of the Julii. Conze’s theoretical bent towards the origins and early developments of art must have been a primary feature of his lectures in Vienna. -
Interactional Strategies in Late-Nineteenth-Century Classical Archaeology: the Case of Adolf Furtwängler Ulf R
7 ‘More feared than loved’: interactional strategies in late-nineteenth-century Classical archaeology: the case of Adolf Furtwängler Ulf R. Hansson Knowledge production in archaeology and elsewhere in academia is naturally dependent on the interaction between actors who connect, cluster and collaborate on fieldwork or other projects, and exchange information or test out new discoveries and ideas with colleagues within the various institutional and informal structures of the discipline such as university departments, professional societies, museums, congresses, workshops, journals, networks, etc. The strong social nature of these creative processes has long been acknowledged and applies to the whole field, including its so-called ‘instrumental’ actors. We all build on the achievements of others in our field and seek contact and exchange with colleagues working on similar material. Most of us are grateful for the opportunity to meet face to face, and we often stress the importance of collegiality and interaction for our own professional development. But not all of us are socially skilled; quite a few dread the pressure that the social arenas of the discipline generate and reproduce, while others are viewed as ‘toxic’ controversialists creating unwanted friction within the community. Tension and friction are constant presences, and perfectly legitimate professional disagreements that constitute a vital part of any healthy scientific or scholarly process can easily deteriorate into open conflict, even lifelong feuds, of a more personal kind that risk destabilising the dynamics of these institutional and informal structures, disrupting communication channels and forcing actors to rethink their positions and interactional modes and strategies. Much has been said about collegiality and the benefits of archaeologists coming together, but structural and interpersonal friction or conflict within the community, whether potentially constructive or mainly counterproductive, and the Ulf R. -
Downloaded from Manchesterhive.Com at 09/25/2021 05:40:47PM Via Free Access
7 ‘More feared than loved’: interactional strategies in late-nineteenth-century Classical archaeology: the case of Adolf Furtwängler Ulf R. Hansson Knowledge production in archaeology and elsewhere in academia is naturally dependent on the interaction between actors who connect, cluster and collaborate on fieldwork or other projects, and exchange information or test out new discoveries and ideas with colleagues within the various institutional and informal structures of the discipline such as university departments, professional societies, museums, congresses, workshops, journals, networks, etc. The strong social nature of these creative processes has long been acknowledged and applies to the whole field, including its so-called ‘instrumental’ actors. We all build on the achievements of others in our field and seek contact and exchange with colleagues working on similar material. Most of us are grateful for the opportunity to meet face to face, and we often stress the importance of collegiality and interaction for our own professional development. But not all of us are socially skilled; quite a few dread the pressure that the social arenas of the discipline generate and reproduce, while others are viewed as ‘toxic’ controversialists creating unwanted friction within the community. Tension and friction are constant presences, and perfectly legitimate professional disagreements that constitute a vital part of any healthy scientific or scholarly process can easily deteriorate into open conflict, even lifelong feuds, of a more personal kind that risk destabilising the dynamics of these institutional and informal structures, disrupting communication channels and forcing actors to rethink their positions and interactional modes and strategies. Much has been said about collegiality and the benefits of archaeologists coming together, but structural and interpersonal friction or conflict within the community, whether potentially constructive or mainly counterproductive, and the Ulf R. -
Greek and Roman Libraries in the Hellenistic Age 33 Monica Berti
The Dead Sea Scrolls at Qumran and the Concept of a Library Edited by Sidnie White Crawford Cecilia Wassen LEIDEN | BOSTON For use by the Author only | © 2016 Koninklijke Brill NV Contents Introduction 1 Part 1 General Studies The Library of Qumran in Recent Scholarship 7 Devorah Dimant On Being a ‘Librarian’: Labels, Categories, and Classifijications 15 Årstein Justnes Part 2 The Greco-Roman Context Greek and Roman Libraries in the Hellenistic Age 33 Monica Berti The Qumran “Library” and Other Ancient Libraries: Elements for a Comparison 55 Corrado Martone Is Qumran a Library? 78 Ian Werrett Part 3 The Collection as a Whole and the Question of a Library The Qumran Collection as a Scribal Library 109 Sidnie White Crawford The Linguistic Diversity of the Texts Found at Qumran 132 Stephen Reed For use by the Author only | © 2016 Koninklijke Brill NV vi contents Plates The Ancient ‘Library’ of Qumran between Urban and Rural Culture 155 Mladen Popović The Ancient “Library” or “Libraries” of Qumran: The Specter of Cave 1Q 168 Stephen Pfann Part 4 Collections within the Collection: Specifijic Evidence for a Library? Calendars in the Qumran Collection 217 Helen R. Jacobus The Aramaic Dead Sea Scrolls: Coherence and Context in the Library of Qumran 244 Daniel A. Machiela Part 5 Implications for the Identifijication of the Qumran Collection as a Library The Qumran Library in Context: The Canonical History and Textual Standardization of the Hebrew Bible in Light of the Qumran Library 261 Armin Lange Bibliography 281 Index of Modern Authors 322 Index of Biblical Literature 328 Index of Texts from the Judean Desert 330 Index of Other Ancient Sources 335 For use by the Author only | © 2016 Koninklijke Brill NV Greek and Roman Libraries in the Hellenistic Age Monica Berti This paper aims at exploring the birth and growth of libraries in ancient Greece and Rome during the last two centuries BCE and the 1st century CE.