Stipendiaten Des DAI, Der Römisch-Germanischen Kommission (RGK) Und Der Kommission Für Alte Geschichte Und Epigraphik

Total Page:16

File Type:pdf, Size:1020Kb

Stipendiaten Des DAI, Der Römisch-Germanischen Kommission (RGK) Und Der Kommission Für Alte Geschichte Und Epigraphik Reisestipendiatinnen und -stipendiaten des DAI, der Römisch-Germanischen Kommission (RGK) und der Kommission für Alte Geschichte und Epigraphik • 1859/60: Alexander Conze, Adolf Michaelis • 1860/61: Adolph Kießling, Kurt Wachsmuth • 1861/62: Adolph Kießling, August Reifferscheid • 1862/63: Wolfgang Helbig, August Reifferscheid • 1863/64: Wolfgang Helbig, Reinhard Kekulé • 1864/65: Otto Benndorf, Reinhard Kekulé • 1865/66: Otto Benndorf, Bernhard Graser • 1866/67: Eugen Bormann, Karl Dilthey • 1867/68: Eugen Bormann, Karl Dilthey • 1868/69: Richard Foerster, Friedrich Matz • 1869/70: Richard Foerster, Friedrich Matz • 1870/71: Richard Engelmann, Adolf Trendelenburg • 1871/72: Gustav Hirschfeld, Otto Lüders • 1872/73: Gustav Hirschfeld, Georg Kaibel • 1873/74: Georg Kaibel, Carl Robert • 1874/75: Leopold Julius, Carl Robert, Theodor Schreiber, Rudolf Weil • 1875/76: Heinrich Dressel, Friedrich von Duhn, Gustav Körte, Rudolf Weil • 1876/77: Friedrich von Duhn, Adolf Furtwängler, Paul Knapp, Arthur Milchhoefer, Hermann von Rohden • 1877/78: Adolf Furtwängler, Georg Loeschcke, Arthur Milchhoefer, Hermann von Rohden, Victor Schultze • 1878/79: Hermann Dessau, Hermann Dopffel, Georg Loeschcke, Karl Purgold, Johannes Schmidt • 1879/80: Carl Erbes, Heinrich Holtzinger, Otto Keck, Karl Purgold, Carl Schaefer, Johannes Schmidt • 1880/81: Hermann Dessau, Konrad Lange, Hermann Luckenbach, Ernst Maass, Otto Pohl • 1881/82: Christian Hülsen, Julius Langbehn, Otto Pohl, Otto Puchstein, Eduard Schwartz • 1882/83: Julius Dürr, Ernst Fabricius, Nicolaus Müller, Otto Puchstein, Georg Wissowa • 1883/84: Ernst Fabricius, Ernst Kroker, Paul Jonas Meier, Bernhard Moritz, Paul Wolters • 1884/85: Ferdinand Dümmler, Friedrich Koepp, Friedrich Marx, Bernhard Moritz, Otto Rossbach • 1885/86: Johannes Boehlau, Paul Hartwig, Friedrich Koepp, Johannes Merz, Carl Schuchhardt • 1886/87: Johannes Ficker, Walther Judeich, Franz Richter, Franz Winter, Paul Wolters • 1887/88: Johannes Ficker, Botho Graef, Arthur Schneider, Hermann Winnefeld, Franz Winter • 1888/89: Erich Bethe, Alfred Brueckner, Albert Ehrhard, Alfred Gercke, Hermann Winnefeld • 1889/90: Alfred Brueckner, Gerhard Ficker, Max Ihm, Otto Kern, Bruno Sauer • 1890/91: Hans Achelis, Friedrich Hauser, Otto Kern, Erich Pernice, Bruno Sauer 1891/92: Joseph Führer, Ferdinand Noack, Erich Pernice, Johannes Toepffer, Julius Ziehen • 1892/93: Arnold Breymann, Alfred Körte, Ludwig Pallat, Theodor Preger, Ernst Samter • 1893/94: Heinrich Bulle, Rudolf Helm, Ludwig Pallat, Hubert Schmidt, Ernst Steinmann • 1894/95: Ernst Bodensteiner, Albert Güldenpenning, Carl Schmidt, Hans Schrader, Adolf Schulten, Max Wellmann • 1895/96: Hans Dragendorff, Carl Fredrich, Carl Schmidt, Hans Schrader, Theodor Wiegand • 1896/97: Hans Dragendorff, Ludwig Gurlitt, Hans Lucas, Max Siebourg, Georg Stuhlfauth, Theodor Wiegand • 1897/98: Rudolf Herzog, Julius Kurth, Oskar Freiherr Lochner von Hüttenbach, Julius Schönemann, Robert Zahn, Erich Ziebarth • 1898/99: Georg Knaack, Fritz Krohn, Ernst Lommatzsch, Johannes Maybaum, Hermann Vopel, Robert Zahn • 1899/1900: Rudolph Ballheimer, Richard Delbrueck, Richard Gaede, Emil Krüger, Hermann Vopel, Carl Watzinger • 1900/01: Hugo Magnus, Paul Rabbow, Joseph Sauer, Siegfried Sudhaus, Hermann Thiersch, Carl Watzinger • 1901/02: Walter Kolbe, Wilhelm Lange, Willy Lüdtke, August Oxé, Ernst Pfuhl, Friedrich Strauß, Georg Wolff • 1902/03: Max Klußmann, Adolf Krücke, Eduard Loch, Ernst Pfuhl, Bruno Schröder, Hermann Thiersch • 1903/04: Walter Altmann, Felix Bölte, Max Kießling, Walter Kolbe, Karl Michel, Georg Weicker • 1904/05: Ludwig Curtius, Hugo Hepding, August Köster, Friedrich Mie, Max Ruhland, Joseph Wittig • 1905/06: Peter Corssen, August Köster, Karl Michel, Kurt Müller, Paul Steiner, Hans Wachtler • 1906/07: Fritz Baumgarten, August Frickenhaus, Paul Graffunder, Paul Jacobsthal, Kurt Müller, Otto Schönewolf, Fritz Weege • 1907/08: August Frickenhaus, Paul Friedländer, Paul Groebe, Otto Schönewolf, Fritz Weege • 1908/09: Carola Barth, Walter Barthel, Walter Müller, Hugo Prinz, Paul Viereck, Wilhelm Weber • 1909/10: Margarete Bieber, Hugo Kehrer, Heinrich Lattermann, Georg Lippold, Gerhart Rodenwaldt • 1910/11: Friedrich Drexel, Diedrich Fimmen, Albert Ippel, Siegfried Loeschcke, Rudolf Michel • 1911/12: Ulrich Kahrstedt, Bernhard Laum, Siegfried Loeschcke, Edmund Weigand, Otto Weinreich • 1912/13: Ernst Buschor, Friedrich Drexel, Ernst Schmidt, Edmund Weigand, Otto Weinreich • 1913/14: Walther Bremer, Ernst Buschor, Hans Kunze, Georg Matthies, Karl Anton Neugebauer • 1914/15: Kurt Latte, Georg Matthies, Friedrich Matz, Karl Menadier, Karl Anton Neugebauer • 1915/16: Hermann Fränkel, Valentin Müller • 1916-1921: Wegen des Krieges keine Stipendien vergeben • 1921/22: Bernhard Schweitzer, Wolfgang Fritz Volbach • 1922/23: Gerhard Krahmer, Karl Lehmann-Hartleben, Andreas Rumpf • 1923/24: Hans Diepolder, Ernst Langlotz, Wilhelm von Massow • 1924/25: Carl Blümel, Ernst Meyer, Walter-Herwig Schuchhardt, Joseph Vogt • 1925/26: Hermann Wolfgang Beyer, Erich Gose, Theodor Klauser, Fritz Schober • 1926/27: Erich Boehringer, Robert Heidenreich, Emil Kunze, Alfons Maria Schneider • 1927/28: Karl Kübler, Hans Schleif, Kurt Stade, Werner Technau, Oskar Thulin, Willy Zschietzschmann; RGK: Kurt Tackenberg • 1928/29: Walter Hahland, Hans Klumbach, Harald Koethe, Wilhelm Kraiker, Emil Kunze, Günter Martiny; RGK: Christoph Albrecht • 1929/30: Otto Brendel, Knut Olof Dalman, Richard Eilmann, Paul Markthaler, Hans Erich Stier, Paul Strack; RGK: Alexander Langsdorff • 1930/31: Rudolf Horn, Heinz Kähler, Friedrich Krauss, Eduard Neuffer, Werner Peek, Walter Till, Kurt Weitzmann; RGK: Kurt Bittel • 1931/32: Friedrich Wilhelm Goethert, Harald Hanson, Ernst Schäfer, Karl Schefold, Wilhelm Schleiermacher, Max Wegner, Dora Zuntz; RGK: Werner Buttler • 1932/33: Otfried Deubner, Hermann Grapow, Adolf Greifenhagen, Rudolf Horn, Johannes Kollwitz, Willy Schwabacher, Oskar Ziegenaus; RGK: Herbert Jankuhn • 1933/34: Johann Friedrich Crome, Hermann Gundert, Bruno Meyer, Hans Wolfgang Müller, Werner Peek, Hans-Ulrich von Schoenebeck, Joachim Werner; RGK: Otto Uenze • 1934/35: Heinrich Drerup, Friedrich Gerke, Roland Hampe, Walter Karnapp, Heinz Kortenbeutel, Reinhard Lullies, Herbert Nesselhauf; RGK: Peter Paulsen • 1935/36: Friedrich Wilhelm Deichmann, Bernt Götze, Gerhard Kleiner, Rudolf Naumann, Hans Riemann, Erwin Seidl, Wolfgang Züchner; RGK: Wolfgang Dehn, Hugo Hoffmann • 1936/37: Friedrich Karl Dörner, Tobias Dohrn, Ulf Jantzen, Rudolf Naumann, Karl Hermann Schelkle, Joachim Spiegel, Reinhold Strenger; RGK: Friedrich Holste, Fritz Tischler • 1937/38: Hans Besig, Frank Brommer, Hellmut Brunner, Johannes A. Potratz, Ernst Samesreuther, Hans Karl Süsserott, Joseph Wiesner, Franz Willemsen; RGK: Wolfgang Kimmig • 1938/39: Wolfgang Darsow, Erich Dinkler, Walter Hatto Gross, Wilhelm Hölscher, Heinz Luschey, Heinz Otto, Arnold Tschira; RGK: Horst Kirchner, Christian Peschek • 1939-1945: Die Reisestipendien wurden zwar vergeben, konnten aber wegen des Krieges nicht angetreten werden • 1939/40: Walter Bader, Ludwig Budde, Ludwig Joutz, Siegfried Lauffer, Rolf Nierhaus, Herbert Schaedel, Hans Weber; RGK: Martin Rudolph, Arnim Stroh • 1940/41: Hermann Gombert, Dieter Ohly, Eberhard Otto, Karl Arno Pfeiff, Wilhelm Schlikker, August Schörgendorfer, Arnold Tschira; RGK: Hans Jürgen Hundt, Hermann Schwabedissen • 1941/42: Horst-Ulbo Bauer, Joachim Hannover, Rudolf Hecker, Erich Lüddeckens, Bernhard Neutsch, Erwin Ohlemutz, Karl Peters; RGK: Heinz Knöll, Gerhard Mildenberger • 1942/43: Peter Heinrich von Blanckenhagen, Walther Reichel, Richard Seider, Hanns Stock, Friedrich Vittinghoff, Alexander Wenzel, Alfons Wotschitzky • 1943/44: Joseph Alfs, Erika Brödner, Elmar Edel, Wolfgang Helck; RGK: Kurt Böhner, Thea Elisabeth Haevernick, Hartwig Zürn • 1944/45: Klaus Wessel • 1945-1949: Keine Stipendien vergeben • 1949/50: Herbert von Buttlar, Bernhard Neutsch • 1950/51: Ulrich Hausmann, Theodor Kraus, Rolf Nierhaus, Friedrich Vittinghoff • 1951/52: Hans-Günther Buchholz, Felix Eckstein, Hans-Volkmar Herrmann, Hans Jürgen Hundt, Klaus Parlasca, Konrad Schauenburg • 1952/53: Jürgen von Beckerath, Hagen Biesantz, Paul Händel, Peter Hommel, Erika Simon, Harald Vocke, Hans Walter; RGK: Egon Gersbach, Rolf Hachmann, Wolfgang Hübener, Robert Roeren • 1953/54: Werner Fuchs, Hans-Volkmar Herrmann, Friedrich Karl Kienitz, Wolfgang Schiering; RGK: Fritz Fischer, Heinz-Eberhard Mandera • 1954/55: Günter Fuchs, Werner Fuchs, Christian Habicht, Nikolaus Himmelmann; RGK: Jürgen Driehaus, Ferdinand Maier • 1955/56: Bernard Andreae, Ernst Berger, Wolfgang Müller-Wiener, Wolfram Nagel, Jörg Schäfer; RGK: Otto Lendle, Hans-Joachim Newiger • 1956/57: Christa Ihm, Ilse Kleemann, Ingeborg Scheibler, Dietrich Schulz, Klaus Vierneisel; RGK: Siegwalt Schiek; DAI München: Jochen Bleicken • 1957/58: Lore Asche, Wolfgang Binsfeld, Heinz Cüppers, Helmut Schläger, Klaus Tuchelt, Hans Weighart; RGK: Otto-Herman Frey, Wilhelm Schüle • 1958/59: Erika Kunze, Hildegund Gropengiesser, Christiane Grunwald, Werner Hermann, Ferdinand Hinzen, Ursula Weidemann; RGK: Hermann Dannheimer, Rudolf Albert Maier • 1959/60: Guntram Beckel, Gottfried Gruben, Wolfram Kleiss, Ekkehard Meinhardt, Hans Georg Niemeyer, Ruth Mayer-Opificius, Margot Schmidt; RGK: Cornelius Ankel • 1960/61: Heinrich Bartels, Mark A. Brandes, Brigitte Briesenick, Erika Diehl, Helmut van Thiel, Leo Trümpelmann; RGK: Dietwulf Baatz • 1961/62: Jürgen Christern, Georg Daltrop, Hans Peter Laubscher, Gerhard Neumann,
Recommended publications
  • Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda Mcclelland Washington University in St
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Summer 8-26-2013 Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda McClelland Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation McClelland, Grizelda, "Constructions of Childhood on the Funerary Monuments of Roman Athens" (2013). All Theses and Dissertations (ETDs). 1150. https://openscholarship.wustl.edu/etd/1150 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Classics Department of Art History and Archaeology Dissertation Examination Committee: Susan I. Rotroff, Chair Wendy Love Anderson William Bubelis Robert D. Lamberton George Pepe Sarantis Symeonoglou Constructions of Childhood on the Funerary Monuments of Roman Athens by Grizelda D. McClelland A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2013 St. Louis, Missouri © 2013, Grizelda Dunn McClelland Table of Contents Figures ...............................................................................................................................
    [Show full text]
  • The Library of Prof. Dr. Werner Rudolf Fuchs, Professor Emeritus, Westfälische Wilhelms-Universität, Münster Including a Portion of the Library of Prof
    Ancient Art & Archaeology, Mostly Greek The Library of Prof. Dr. Werner Rudolf Fuchs, Professor emeritus, Westfälische Wilhelms-Universität, Münster including a portion of the library of Prof. Dr. Reinhard Herbig (as well as books from the libraries of Gustav Herbig and Rudolf Pagenstecher) 2,842 titles in circa 3,600 volumes WERNER FUCHS Dr.Phil. Professor em. 27.09.27 11.01.16 Zwickau, Germany Oxford, England SCHRIFTVERZEICHNIS FUER PROF.em. DR. WERNER FUCHS 1. Die Vorbilder der neuattischen Reliefs. Dissertation Tuebingen 1953. Erweitert gedruckt 1959 als 20. Ergaenzungsheft zum Jahrbuch des Deutschen Archaeologischen Instituts. 212 S., 39 Taf. 2. Zum Aphrodite-Typus Louvre-Neapel, Neue Beitraege zur klass. Altertumswissenschaft (Festschrift B. Schweitzer) 1954, 206-217 3. Das roemische Theater in Malaga, Archaeologischer Anzeiger 1954, 389- 395. 4. Dionysos aus dem Metroon-Giebel?, Athenische Mitteilungen 721, 1956, 66-73, Beilage 44-46. 5. Zu den Metopen des Heraion von Selinus, Roemische Mitteilungen 63, 1956, 102-121, Taf. 49-56. 6. Eine Bronzestatuette des Strengen Stiles im Lateran, Roemische Mitteilungen 64, 1957, 222-231, Taf. 46-47. 7. Die verschollene Kleinbronze aus Tegea, Archaeologischer Anzeiger 1956, 1-10, Abb. 1-5. 8. Juenglingskopf im Museo Barracco, Roemische Mitteilungen 65, 1958, 1-5, Taf. 1-3. 9. Anzeige von Opus Nobile Heft 1-5, Gnomon 30, 1958, 398-399. 10. Der Dornauszieher, Opus Nobile Heft 8, Bremen 1958, 3-14, Abb.15. 11. Attisches Weihrelief im Vatikan, Roemische Mitteilungen 68, 1961, 167- 181, Taf. 74-77. 12. Rezension von Tobias Dohrn, Attische Plastik vom Tode des Phidias bis zum Wirken der grossen Meister des IV Jhs.v.Chr., Gnomon 33, 1961, 237- 242.
    [Show full text]
  • Alexander Conze, on the Origin of the Visual Arts, Lecture Held on July 30, 1896 [In the Royal Prussian Academy of Sciences] Translated and Edited by Karl Johns
    Alexander Conze, On the Origin of the Visual Arts, Lecture held on July 30, 1896 [in the Royal Prussian Academy of Sciences] translated and edited by Karl Johns Editor’s introduction: Alexander Conze: The Bureaucrat and Art- Historiography Like a number of his colleagues, Alexander Conze (Hanover December 10, 1831- Berlin July 19, 1914), came to classical archaeology after first studying law. His interests and gifts seem to have tended more toward curatorial and administrative work rather than lecturing, and he will be primarily remembered for his part in bringing the Pergamon Altar to the Berlin museums. It may therefore seem ironic that he nevertheless had a great influence as a teacher and probably the greatest influence in another field, which was only later to be defined and brought to fruition in academia by his students as ‘the history of art.’ For the purposes of art historiography it is therefore significant that after nearly ten years at Halle as Extraordinarius, he was called to the University of Vienna as Ordinarius, taught from 1869 to 1877, where Franz Wickhoff, Alois Riegl, Emanuel Löwy and Julius Schlosser, among others, were influenced by his teachings. In the lectures given by Conze to the Prussian academy later in his career, it is not difficult to recognize a similarity to Schlosser in the binocular attraction of more abstract questions on the one hand and the aesthetic appeal of the individual object on the other. Conze also anticipated and presumably inspired the later studies made by Ernst Garger on the ground in relief sculpture and the historical place of the Monument of the Julii.
    [Show full text]
  • NETWORKED WORLDS Mobility, Migration and Trade in Antiquity
    ARCHAEOLOGY WORLDWIDE 1 • 2014 Magazine of the German Archaeological Institute Archaeology Worldwide – Volume one – Berlin, – DAI May 2014 TITLE STORY NETWORKED WORLDS Mobility, migration and trade in antiquity REPORT STANDPOINT INTERVIEW A Phoenician-Iberian Networked research – Link and barrier – joint venture Networked worlds Mediterranean studies acquire new significance ARCHAEOLOGY WORLDWIDE Places visited in this issue Spain, Los Castillejos de Alcorrín. Report, page 12 Arabian Peninsula, The Incense Route. Titel Story, page 36 Peru, Palpa. Cultural Heritage, page 20 The Mediterranean region. Titel Story, page 36 The Russian Federation, Cimmerian Bosporus, Germany, Munich. Everyday Archaeology, page 76 Taman Peninsula. Landscapes, page 28 Turkey, Thracian Bosporus. Landscapes, page 28 Tajikistan, Dushanbe. The Object, page34 Berlin, Head Office of the Morocco, Essaouira. Title Story, page 36 German Archaeological Institute COVER PHOTO A small island off Morocco’s Atlantic coast – in antiquity a peninsula – was where the west Phoenician maritime trade route met an African caravan road. There was sale and barter, the latest news was exchanged and tales were told from all corners of the world. The hotly traded goods were fish in great quantities, ivory, met- als, exotic animals, the amber-like resin of Thuja ber- berisca/citrus, and precious spices. Our cover photo shows Essaouira, the town on the mainland. It was known as the “harbour of Timbuktu” until the sixties. Caravans continued to arrive from the African hinterland and all European trading nations maintained consulates in the little coastal town. ARCHAEOLOGY WORLDWIDE Places visited in this issue ditorial E EDITORIAL DEAR READERS, Networking and connectivity are buzz- as often happens, they are adduced to words in all spheres of life today and the explain contemporary problems by refer- global world virtually seems a product of ence to the past, in line with the maxim: new forms of networking.
    [Show full text]
  • CHG Library Book List
    CHG Library Book List (Belgium), M. r. d. a. e. d. h. (1967). Galerie de l'Asie antérieure et de l'Iran anciens [des] Musées royaux d'art et d'histoire, Bruxelles, Musées royaux d'art et dʹhistoire, Parc du Cinquantenaire, 1967. Galerie de l'Asie antérieure et de l'Iran anciens [des] Musées royaux d'art et d'histoire by Musées royaux d'art et d'histoire (Belgium) (1967) (Director), T. P. F. H. (1968). The Metropolitan Museum of Art Bulletin: Volume XXVI, Number 5. New York: Metropolitan Museum of Art (January, 1968). The Metropolitan Museum of Art Bulletin: Volume XXVI, Number 5 by Thomas P.F. Hoving (1968) (Director), T. P. F. H. (1973). The Metropolitan Museum of Art Bulletin: Volume XXXI, Number 3. New York: Metropolitan Museum of Art (Ed.), A. B. S. (2002). Persephone. U.S.A/ Cambridge, President and Fellows of Harvard College Puritan Press, Inc. (Ed.), A. D. (2005). From Byzantium to Modern Greece: Hellenic Art in Adversity, 1453-1830. /Benaki Museum. Athens, Alexander S. Onassis Public Benefit Foundation. (Ed.), B. B. R. (2000). Christian VIII: The National Museum: Antiquities, Coins, Medals. Copenhagen, The National Museum of Denmark. (Ed.), J. I. (1999). Interviews with Ali Pacha of Joanina; in the autumn of 1812; with some particulars of Epirus, and the Albanians of the present day (Peter Oluf Brondsted). Athens, The Danish Institute at Athens. (Ed.), K. D. (1988). Antalya Museum. İstanbul, T.C. Kültür ve Turizm Bakanlığı Döner Sermaye İşletmeleri Merkez Müdürlüğü/ Ankara. (ed.), M. N. B. (Ocak- Nisan 2010). "Arkeoloji ve sanat. (Journal of Archaeology and Art): Ölümünün 100.Yıldönümünde Osman Hamdi Bey ve Kazıları." Arkeoloji Ve Sanat 133.
    [Show full text]
  • Magister Artis
    MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER ARTIS • MAGISTER SENATVS PVLCHRARVM ARTIVM FEDERICO MAYOR ZARAGOZA Chairman of Cultura de Paz Foundation - Former General Director of UNESCO HIS ROYAL HIGHNESS CARLOS DE BORBON Honorary President of the Spanish Association of Foundations DA JOAQUINA RISUEÑO GUINOT Widow of Julio Boix-Minguet, Chairman of Finisterre Corp., Mecenas Artium PRINCE SFORZA RUSPOLI Honorary President of Fondazione Memmo PROF. GUIDO DE MARCO (1936-2010) Former President of Malta, Former President of the United Nations General Assembly IMAC ISTITUTO MEDITERRANEO DI ARTE CLASSICA SPANISH PRESIDENCY INSTITUTO MEDITERRANEO DE ARTE CLASICO ITALIAN PRESIDENCY Excel. Sra. DA JOAQUINA RISUEÑO GUINOT MEDITERRANEAN CLASSICAL ART INSTITUTE Su. Excel. PRINCIPE SFORZA RUSPOLI MAGISTERThe IMAC Istituto Mediterraneo di Arte Classica (Mediterranean Classical Art Institute) is a European ARTIS consortium that supports independent artistic and humanistic studies. Located in Roma (Pantheon and EUR), the Institute has other sites in Cerveteri / Castello Rúspoli, Arpino (Ciceronis Arpinium), Napoli (Nea-polis), Siracusa (Sirakosion), Palermo (Panormo), Toulon (Hyères), Marseille (Massalia), Sagunto (Arse-Sagvnt), Valencia C/. Reloj Viejo, 3 (Valentia), Valldigna (Alfandec), Xàtiva (Saiti-Saetabis), Denia (Dianium-Hemeroskopeion), Benimeli (Segaria), Palma de Mallorca (Majurka-Kromyoussa), Ibiza (Ebusus), Cartagena (Cartago-Nova), Cadiz (Gades), Lisboa (Olisipo) and Porto (Portus-Galus). Each year, an international call is arranged for a Magister Artis Experience: 20 emerging artists (Architecture, Landscape Architecture, Musical Composition, Poetry or Visual Arts) participate, as well as social and political leaders and 20 scholars (from the fields of Ancient, Medieval and Modern Mediterranean Studies) from International and Cultural Relations Programs.
    [Show full text]
  • Homer, Troy and the Turks
    4 HERITAGE AND MEMORY STUDIES Uslu Homer, Troy and the Turks the and Troy Homer, Günay Uslu Homer, Troy and the Turks Heritage and Identity in the Late Ottoman Empire, 1870-1915 Homer, Troy and the Turks Heritage and Memory Studies This ground-breaking series examines the dynamics of heritage and memory from a transnational, interdisciplinary and integrated approach. Monographs or edited volumes critically interrogate the politics of heritage and dynamics of memory, as well as the theoretical implications of landscapes and mass violence, nationalism and ethnicity, heritage preservation and conservation, archaeology and (dark) tourism, diaspora and postcolonial memory, the power of aesthetics and the art of absence and forgetting, mourning and performative re-enactments in the present. Series Editors Rob van der Laarse and Ihab Saloul, University of Amsterdam, The Netherlands Editorial Board Patrizia Violi, University of Bologna, Italy Britt Baillie, Cambridge University, United Kingdom Michael Rothberg, University of Illinois, USA Marianne Hirsch, Columbia University, USA Frank van Vree, University of Amsterdam, The Netherlands Homer, Troy and the Turks Heritage and Identity in the Late Ottoman Empire, 1870-1915 Günay Uslu Amsterdam University Press This work is part of the Mosaic research programme financed by the Netherlands Organisa- tion for Scientific Research (NWO). Cover illustration: Frontispiece, Na’im Fraşeri, Ilyada: Eser-i Homer (Istanbul, 1303/1885-1886) Source: Kelder, Uslu and Șerifoğlu, Troy: City, Homer and Turkey Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout Editor: Sam Herman Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 269 7 e-isbn 978 90 4853 273 5 (pdf) doi 10.5117/9789462982697 nur 685 © Günay Uslu / Amsterdam University Press B.V., Amsterdam 2017 All rights reserved.
    [Show full text]
  • Ancient Art, 1958-1964 Bieber, Margarete Greek, Roman and Byzantine Studies; Summer 1965; 6, 2; Proquest Pg
    New Trends in the New Books on Ancient Art, 1958-1964 Bieber, Margarete Greek, Roman and Byzantine Studies; Summer 1965; 6, 2; ProQuest pg. 75 New Trends in the New Books on Ancient Art, 1958-1964 Margarete Bieber TABLE OF CONTENTS FOREWORD Page I PRE-GREEK ART 76 1. Oriental Art 76 2. Crete and Mycenae 77 II GREECE 78 1. Archaic Period 78 2. Vase Painting 79 3. Handbooks 82 4. Architecture 88 III REPRINTS 89 IV ETRURIA 93 V ROMAN ART 96 1. Comprehensive Books 96 2. Roman Provinces 100 3. Architecture 107 4. Sculpture 115 5. Painting and Mosaic 116 VI CATALOGUES OF MUSEUMS AND EXHIBITIONS 120 CONCLUSION 141 Foreword HERE HAS BEEN AN ENORMOUS OUTPUT of books on ancient art Tsince I reported on publications appearing between 1952-1957.1 Librarians, classicists, historians, and art lovers have asked me from time to time which of this flood of books they ought to buy for their libraries or their private reading. I thought it desirable, therefore, 1 CW 52 (1958) 72-75. 75 76 NEW TRENDS IN THE NEW BOOKS ON ANCIENT ART, 1958-1964 to compile a kind of critical bibliography of the best books which have appeared in the last six years. In the following survey, I have included those which I consider most important among works available to me, and I have mentioned a few of which I have at least seen a favourable review. I have arranged these books according to subject, giving pre­ ference to good surveys of larger fields. I have excluded encyclopedias, articles in periodicals, and reports on excavations.
    [Show full text]
  • Alexander Conze, 'Greek Relief Sculpture'
    Alexander Conze, ‘Greek Relief Sculpture’ translated and edited by Karl Johns Editor’s introduction: Alexander Conze: The Bureaucrat and Art- Historiography Like a number of his colleagues, Alexander Conze (Hanover December 10, 1831- Berlin July 19, 1914), came to classical archaeology after first studying law. His interests and gifts seem to have tended more toward curatorial and administrative work rather than lecturing, and he will be primarily remembered for his part in bringing the Pergamon Altar to the Berlin museums. It may therefore seem ironic that he nevertheless had a great influence as a teacher and probably the greatest influence in another field, which was only later to be defined and brought to fruition in academia by his students as ‘the history of art.’ For the purposes of art historiography it is therefore significant that after nearly ten years at Halle as Extraordinarius, he was called to the University of Vienna as Ordinarius, taught from 1869 to 1877, where Franz Wickhoff, Alois Riegl, Emanuel Löwy and Julius Schlosser, among others, were influenced by his teachings. In the lectures given by Conze to the Prussian academy later in his career, it is not difficult to recognize a similarity to Schlosser in the binocular attraction of more abstract questions on the one hand and the aesthetic appeal of the individual object on the other. Conze also anticipated and presumably inspired the later studies made by Ernst Garger on the ground in relief sculpture and the historical place of the Monument of the Julii. Conze’s theoretical bent towards the origins and early developments of art must have been a primary feature of his lectures in Vienna.
    [Show full text]
  • Dynamics of Identity in the World of the Early Christians
    Dynamics of Identity in the World of the Early Christians Associations, Judeans, and Cultural Minorities Philip A. Harland 2009 Th e Continuum International Publishing Group Inc 80 Maiden Lane, New York, NY 10038 Th e Continuum International Publishing Group Ltd Th e Tower Building, 11 York Road, London SE1 7NX www.continuumbooks.com Copyright © 2009 by Philip A. Harland All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitt ed, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the writt en permission of the publishers. Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Printed in the United States of America ISBN-13: 9780567613288 For Cheryl, Nathaniel, and Justin Contents Illustrations ix Preface xi Map: Italy and the Eastern Roman Empire xiv Introduction 1 Part 1: Judean and Christian Identities in the Context of Associations 23 1. Associations and Group Identity among Judeans and Christians 25 2. Local Cultural Life and Christian Identity: “Christ-Bearers” and “Fellow-Initiates” 47 Part 2: Familial Dimensions of Group Identity 61 3. “Brothers” in Associations and Congregations 63 4. “Mothers” and “Fathers” in Associations and Synagogues 82 Part 3: Identity and Acculturation among Judeans and Other Ethnic Associations 97 5. Other Diasporas: Immigrants, Ethnic Identities, and Acculturation 99 6. Interaction and Integration: Judean Families and Guilds at Hierapolis 123 Part 4: Group Interactions and Rivalries 143 7. Group Rivalries and Multiple Identities: Associations at Sardis and Smyrna 145 8.
    [Show full text]
  • Greek and Roman Libraries in the Hellenistic Age 33 Monica Berti
    The Dead Sea Scrolls at Qumran and the Concept of a Library Edited by Sidnie White Crawford Cecilia Wassen LEIDEN | BOSTON For use by the Author only | © 2016 Koninklijke Brill NV Contents Introduction 1 Part 1 General Studies The Library of Qumran in Recent Scholarship 7 Devorah Dimant On Being a ‘Librarian’: Labels, Categories, and Classifijications 15 Årstein Justnes Part 2 The Greco-Roman Context Greek and Roman Libraries in the Hellenistic Age 33 Monica Berti The Qumran “Library” and Other Ancient Libraries: Elements for a Comparison 55 Corrado Martone Is Qumran a Library? 78 Ian Werrett Part 3 The Collection as a Whole and the Question of a Library The Qumran Collection as a Scribal Library 109 Sidnie White Crawford The Linguistic Diversity of the Texts Found at Qumran 132 Stephen Reed For use by the Author only | © 2016 Koninklijke Brill NV vi contents Plates The Ancient ‘Library’ of Qumran between Urban and Rural Culture 155 Mladen Popović The Ancient “Library” or “Libraries” of Qumran: The Specter of Cave 1Q 168 Stephen Pfann Part 4 Collections within the Collection: Specifijic Evidence for a Library? Calendars in the Qumran Collection 217 Helen R. Jacobus The Aramaic Dead Sea Scrolls: Coherence and Context in the Library of Qumran 244 Daniel A. Machiela Part 5 Implications for the Identifijication of the Qumran Collection as a Library The Qumran Library in Context: The Canonical History and Textual Standardization of the Hebrew Bible in Light of the Qumran Library 261 Armin Lange Bibliography 281 Index of Modern Authors 322 Index of Biblical Literature 328 Index of Texts from the Judean Desert 330 Index of Other Ancient Sources 335 For use by the Author only | © 2016 Koninklijke Brill NV Greek and Roman Libraries in the Hellenistic Age Monica Berti This paper aims at exploring the birth and growth of libraries in ancient Greece and Rome during the last two centuries BCE and the 1st century CE.
    [Show full text]
  • The Slater Museum's Pergamon Frieze: Focus of Research
    The Muse Newsletter of the Slater Memorial Museum Winter 2010 The Slater Museum’s Pergamon Frieze: phenomenon, the commission and acquisition of Focus of Research, Restoration plaster collections of the great works of antiquity attributed legitimacy to academic institutions. In 1888, NFA Principal Robert Porter Keep, a At the same time, the Slater’s cast collection noted classics scholar, convinced William A. placed it among the great museums and research Slater to fund the acquisition plaster casts of institutions of the Western World. ancient sculpture in addition to Slater’s gift to construct Slater Memorial Hall. Thus, a museum The Slater’s cast collection is also significant was born. That Slater’s cast collection was because it represents commissioned copies taken acquired and installed at a secondary school is directly from original statuary. Cast by hand of singular historical significance. A 19th century from the original pieces in Europe, the copies Gea pleads with Athena to Spare her Sons, the Pergamon Museum. (Continued on page 3) A Message from the Director Winter is a great time to assess conditions of things indoors … like collections. Projects for the spring, summer and fall seem to have their genesis during the dark, cold days of winter. After the effort of the fall’s busy schedule, and during the holiday “break”, museum staff applied themselves to cleaning, organizing and re-housing collections in storage. Dirty, heavy work… but well worth it and satisfying (after the fact!). In this spirit, we are reviewing our progress on projects like the restoration of casts and re-installation of long-static galleries.
    [Show full text]