The Analysis of Swear Words That Are Used by White and Black Characters in 12 Years a Slave Movie
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Exploring Narrator-Reader Relationships with Jim Thompson's
Exploring Narrator-Reader Relationships with Jim Thompson’s Victims of Circumstance: Lou Ford, Dolly Dillon, William “Kid” Collins, and Charles Bigger By Nicolena Marie Crescenzo A Thesis Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of English Florida Atlantic University Boca Raton, FL December 2018 Copyright 2018 by Nicolena Marie Crescenzo ii Acknowledgements The author wishes to express sincere gratitude to her committee members for all of their support, and special thanks to my advisor for his patience and encouragement during the typing of this manuscript. The author is grateful to her family for always supporting her efforts to be successful. Last but not least, the author wishes to thank her mentors during her undergraduate studies for their recommendations academically and professionally that have helped her reach this point. iv Abstract Author: Nicolena Marie Crescenzo Title: Exploring Narrator-Reader Relationships with Jim Thompson’s Victims of Circumstance: Lou Ford, Dolly Dillon, William “Kid” Collins, and Charles Bigger Institution: Florida Atlantic University Thesis Advisor: Dr. Robert Don Adams Degree: Master of English Year: 2018 By examining Jim Thompson’s novels, published between 1952-1955–The Killer Inside Me, A Hell of a Woman, After Dark, My Sweet, and Savage Night–this essay interrogates the relationship created between the narrator and the reader, how the narrator–and Thompson in turn–highlights certain societal flaws, emphasizing how ethical consequence is born out of the attempt to attain freedom from one’s cultural circumstance–both in terms of economic restraint and mental health status. -
Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross
Excremental Ecstasy, Divine Defecation and Revolting Reception: Configuring a Scatological Gaze in Trash Filmmaking Zoe Gross Scatology, for all the sordid formidability the term evokes, is not an es- pecially novel or unusual theme, stylistic technique or descriptor in film or filmic reception. Shit happens – to emphasise both the banality and perva- siveness of the cliché itself – on multiple levels of textuality, manifesting it- self in both the content and aesthetic of cinematic texts, and the ways we respond to them. We often refer to “shit films,” using an excremental vo- cabulary redolent of detritus, malaise and uncleanliness to denote their otherness and “badness”. That is, films of questionable taste, aesthetics, or value, are frequently delineated and defined by the defecatory: we describe them as “trash”, “crap”, “filth”, “sewerage”, “shithouse”. When considering cinematic purviews such as the b-film, exploitation, and shock or trash filmmaking, whose narratives are so often played out on the site of the gro- tesque body, a screenscape spectacularly splattered with bodily excess and waste is de rigeur. Here, the scatological is both often on blatant dis- play – shit is ejected, consumed, smeared, slung – and underpining or tinc- turing form and style, imbuing the text with a “shitty” aesthetic. In these kinds of films – which, as their various appellations tend to suggest, are de- fined themselves by their association with marginality, excess and trash, the underground, and the illicit – the abject body and its excretia not only act as a dominant visual landscape, but provide a kind of somatic, faecal COLLOQUY text theory critique 18 (2009). -
Swear Words Uttered by the Main Characters in Ted 2 Movie
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SWEAR WORDS UTTERED BY THE MAIN CHARACTERS IN TED 2 MOVIE A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Rebecca Puspa Crysmasari Student Number: 141214116 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THIS THESIS IS DEDICATED TO MYSELF iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Crysmasari, Rebecca Puspa. (2018). Swear Words Uttered by the Main Characters in TED 2 Movie. Yogyakarta: English Language Education Study Program, Faculty of Teachers Training and Education, Sanata Dharma University. Swear words can be found in the mass media communication, such as magazines and movies. Swear words can be regarded as positive or negative terms. People tend to use swear words to express their certain emotions. Thus, the researcher is interested in analyzing swear words which are uttered by the main characters in a movie. This study aims to analyze swear words used by the main characters in TED 2 movie. There are two questions formulated in this research. The research questions are 1) How do Ted and John use swear words in TED 2 movie? 2) What are the motives behind the swear words uttered by Ted and John in TED 2 movie? This research was a qualitative research. The researcher applied the discourse analysis. -
The Therapeutic Implications of Swearing and Its Impact on Nurses
Swearing: Impact on Nurses and Implications for Therapeutic Practice Teresa Elizabeth Stone RN, RPN, BA, MHM A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy University of Newcastle January 2009 Teresa Elizabeth Stone 1 Declaration I hereby certify that the work embodied in this thesis is the result of original research and has not been submitted for a higher degree to any other University or Institution. Signed: ……………………………………………………. Date: ………………………………………………… Teresa Elizabeth Stone Teresa Elizabeth Stone 2 Dedication This thesis is dedicated to my Mother and Pa who have given me a lifetime of love and support. Teresa Elizabeth Stone 3 Acknowledgments My list of dramatis personae for this study is long. My principal supervisor, Mike Hazelton, remained unfailingly encouraging and optimistic and his wealth of experience in research was invaluable. He told me he had been caught laughing to himself while reading through the questionnaire, a cameo of him that I treasure. Ed Clayton and Kim Colyas worked wonders with my statistics, and I painfully and slowly learned much and forgot more. Margaret McMillan came in slightly later in the piece, was completely inspirational, and really got me over the line. Jill Valdar is the editor and friend every girl needs, despite language that made her hair curl. Associate Professor Brian Taylor was a wonderful resource for all things linguistic and he gave freely of his own time. Heartfelt thanks to my wonderful husband Scott, who is forever supportive, and to Claudia, my dog, who has patiently accompanied me, snoring, as I wrote. Thanks, too, to the many nurses who participated in the study. -
Alternative Spelling and Censorship: the Treatment of Profanities in Virtual Communities Laura-Gabrielle Goudet
Alternative spelling and censorship: the treatment of profanities in virtual communities Laura-Gabrielle Goudet To cite this version: Laura-Gabrielle Goudet. Alternative spelling and censorship: the treatment of profanities in virtual communities. Aspects of Linguistic Impoliteness, 2013. hal-02119772 HAL Id: hal-02119772 https://hal.archives-ouvertes.fr/hal-02119772 Submitted on 4 May 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Alternative spelling and censorship: the treatment of profanities in virtual communities Laura-Gabrielle Goudet Université Paris 13, Sorbonne Paris Cité [email protected] [Author’s version of a paper published in Aspects of Linguistic Impoliteness (2013), Cambridge Scholars Publishing] Introduction Discourse on the internet is characterized by the paradoxical ability of users to write and communicate in alternative ways, with minimal supervision or external regularization—in most, not all communities—while new norms arise and are replaced according to users of virtual communities. On most websites, there is no regulating organ, except the Terms of Service that every registered user has to abide by. The standard version (used on websites like Facebook) includes a clause stipulating that the user should not: “use the Services […] to : upload, post, transmit, share, […] any User content [deemed] harmful, threatening, unlawful, defamatory, infringing, abusive, inflammatory, harassing, vulgar, obscene, […] hateful, or racially, ethnically or otherwise objectionable”. -
No. 18-302 on Writ of Certiorari to the United States Court of Appeals For
No. 18-302 IN THE ___________ ANDREI IANCU, UNDER SECRETARY OF COMMERCE FOR INTELLECTUAL PROPERTY AND DIRECTOR, UNITED STATES PATENT AND TRADEMARK OFFICE, PETITIONER, V. ERIK BRUNETTI RESPONDENT. On Writ of Certiorari to the United States Court of Appeals for the Federal Circuit __________ BRIEF FOR THE CATO INSTITUTE, DKT LIBERTY PROJECT, AMERICANS FOR PROSPERITY, P.J. O’ROURKE, AND NADINE STROSSEN AS AMICI CURIAE SUPPORTING RESPONDENT __________ Thomas Berry Ilya Shapiro 768 N. Wakefield St. Counsel of Record Arlington, VA 22203 Trevor Burrus CATO INSTITUTE 1000 Mass. Ave. N.W. Washington, D.C. 20001 (202) 842-0200 [email protected] i QUESTION PRESENTED Does the government get to decide what language is “scandalous”? ii TABLE OF CONTENTS QUESTION PRESENTED ........................................... i TABLE OF AUTHORITIES ....................................... iii INTEREST OF AMICI CURIAE ................................. 1 INTRODUCTION AND SUMMARY OF ARGUMENT ........................................................... 3 ARGUMENT ................................................................ 7 I. “VULGAR” LANGUAGE PLAYS AN IMPORTANT ROLE IN SOCIETY ........................ 7 A. Vulgar Language Is Necessary for Full and Authentic Expression ...................................... 7 B. Distaste for “Vulgar” Language Often Arises from Prejudice ................................................ 14 C. Profane Language Is Beneficial for Science and Health ..................................................... 17 II. THE GOVERNMENT CANNOT -
'And I Swear...' – Profanity in Pop Music Lyrics on the American Billboard Charts 2009-2018 and the Effect on Youtube Popularity
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 02, FEBRUARY 2020 ISSN 2277-8616 'And I Swear...' – Profanity In Pop Music Lyrics On The American Billboard Charts 2009-2018 And The Effect On Youtube Popularity Martin James Moloney, Hanifah Mutiara Sylva Abstract: The Billboard Chart tracks the sales and popularity of popular music in the United States of America. Due to the cross-cultural appeal of the music, the Billboard Chart is the de facto international chart. A concern among cultural commentators was the prevalence of swearing in songs by artists who were previously regarded as suitable content for the youth or ‗pop‘ market. The researchers studied songs on the Billboard Top 10 from 2009 to 2018 and checked each song for profanities. The study found that ‗pop‘, a sub-genre of ‗popular music‘ did contain profanities; the most profane genre, ‗Hip-hop/Rap‘ accounted for 76% of swearing over the ten-year period. A relationship between amount of profanity and YouTube popularity was moderately supported. The researchers recommended adapting a scale used by the British television regulator Ofcom to measure the gravity of swearing per song. Index Terms: Billboard charts, popularity, profanity, Soundcloud, swearing, YouTube. —————————— —————————— 1 INTRODUCTION Ipsos Mori [7] the regulator of British television said that profane language fell into two main categories: (a) general 1.1 The American Billboard Charts and ‘Hot 100’ swear words and those with clear links to body parts, sexual The Billboard Chart of popular music was first created in 1936 references, and offensive gestures; and (b) specifically to archive the details of sales of phonographic records in the discriminatory language, whether directed at older people, United States [1]. -
“Every Kid Goes Through Phrases”
Antti Iivari “Every Kid Goes Through Phrases” Wordplay and Rickyisms in the Finnish Subtitles of Mike Clattenburg’s Trailer Park Boys School of Marketing and Communication Master’s Thesis in English Studies Language expertise in a specialised society Vaasa 2020 2 UNIVERSITY OF VAASA School of Marketing and Communication Author: Antti Iivari Master’s Thesis: “Every Kid Goes Through Phrases” : Wordplay and Rickyisms in the Finnish Subtitles of Mike Clattenburg’s Trailer Park Boys Degree: Master of Arts Programme: Language expertise in a specialized society Supervisor: Helen Mäntymäki Date: 2020 Sivumäärä: 58 ABSTRACT: Tekstitykset ovat yksi luetuimmista käännösteksteistä. Näin esillä oleva tekstityyppi on jatkuvan arvostelun kohteena. Tekstiä on helppo arvostella, jos se ”ei kuulosta oikealta”, mutta tarkkaa syytä tähän voi olla hankala arvioida. Huumori ja sanaleikit ovat olleet hankalia käännettäviä tekstityypistä riippumatta. Suora vastine ei välttämättä sisällä kaikkia lähdetekstin merkityksiä ja voi myös olla, ettei sitä voida edes käyttää tekstityksessä esimerkiksi merkkimäärän rajoituk- sien takia. Tämä tutkielma on ammentanut inspiraatiota tästä nopeasti ohitettavasta arvostelusta. Ensin- näkin tutkielmassa oltiin kiinnostuneita, kuinka Trailer Park Boys -sarjan Netflix-tekstitykset suo- riutuivat. Sarja sisältää paljon Ricky -nimiseen hahmoon perustuvia humoristisia sanaleikkejä, joita sarjan seuraajat kutsuvat ”Rickyismeiksi”. Tutkimuksessa kysyttiin lähtökohtaisesti, ovatko näiden sanaleikkien käännökset tarkoituksenmukaisia -
Abdul-Hakim, I
African American English Bibliography A Abdul-Hakim, I. (2002). Florida preservice teachers' attitudes toward African-American Vernacular English. (Doctoral dissertation, The Florida State University, 2002), Dissertation Abstracts International 64(10). (AAT 3109259) Abrahams, R. D. (1962). Playing the dozens. Journal of American Folklore, 75, 209-218. Abrahams, R. D. (1964). Deep down in the jungle...: Negro narrative folklore from the streets of Philadelphia. Hatboro, PA: Folklore Associates. Abrahams, R. D. (1970). Rapping and capping: Black talk as art. In J. F. Szwed (Ed.), Black American (pp. 132-142). New York: Basic Books, Inc. Abrahams, R. D. (1972). Joking: The training of the man of words in talking broad. In T. Kochman (Ed.), Rappin' and stylin' out: Communication in black America (pp. 215-240). Urbana, IL: University of Illinois Press. Abrahams, R. D. (1974). Black talking on the streets. In R. Bauman & J. Sherzer (Eds.), Explorations in the ethnography of speaking (pp. 240-262). London: Cambridge University Press. Abrahams, R. D. (1975). Negotiating respect: Patterns of presentation among black women. In C. R. Farrer (Ed.), Women and folklore (pp. 58-80). Austin: University of Texas Press. Abrahams, R. D. (1976). Talking black. Rowley, MA: Newbury House. Abrahams, R. D. (1993). Black talking on the streets. In L. M. Cleary & M. D. Linn (Eds.), Linguistics for teachers (pp. 173-198). New York: McGraw-Hill. Adams, T. M., & Fuller, D. B. (2006). The words have changed but the ideology remains the same: Misogynistic lyrics in rap music. Journal of Black Studies, 36(6), 938- 957. Adger, C. T. (1994). Enhancing the delivery of services to black special education students from non-standard English backgrounds. -
An Assessment of Emotional-Force and Cultural Sensitivity the Usage of English Swearwords by L1 German Speakers
Graduate Theses, Dissertations, and Problem Reports 2019 An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers Sarah Dawn Cooper West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the German Linguistics Commons Recommended Citation Cooper, Sarah Dawn, "An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers" (2019). Graduate Theses, Dissertations, and Problem Reports. 3848. https://researchrepository.wvu.edu/etd/3848 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. An Assessment of Emotional-Force and Cultural Sensitivity The Usage of English Swearwords by L1 German Speakers Sarah Dawn Cooper Thesis submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in World Languages, Literatures, and Linguistics Cynthia Chalupa, Ph.D., Chair Jonah Katz, Ph.D. -
24 Let Your Kid Swear
R ule 24 Let Your Kid Swear illian was fi ve years old. She knew her mother didn’t like hearing the Jword “stupid.” So she said it. “That’s not a word we use in our family,” her mother said. Jillian looked her mother in the face. “Stupid Mommy,” she replied. No matter what word is “bad” in your family, many kids savor the shock value. They like to see you jump. Bad words are powerful words, and young kids want to experience power. Help your child learn social conventions and learn to use power wisely. You can save your ears and give kids freedom of speech—by changing the timing and location. Renegade Reason Most kids love to say banned words—let them. In the bathroom. Bad words vary by family. Some make a sailor blush. Some are potty talk. In other homes, words like “stupid,” “dummy,” “shut up” or “bor- ing” are banned. No matter what your tastes, you have the right to set limits on words you don’t want to hear. But be wary. Complete censorship 1S usually backfi res. R “Poop!” said Ben, a fi ve-year-old. All his friends dissolved into giggles, 1L 886393_NotShare_TX_p1-370.indd6393_NotShare_TX_p1-370.indd 306306 44/2/12/2/12 99:46:46 AAMM Let Your Kid Swear|307 and their teacher reacted spectacularly. Nearby, Emma got a mischievous glint in her eye: “Poop—poop—poop—poop—poop,” she chanted. Censoring speech has two major problems. One is practical: You can’t control spoken words. Just as you can’t force your child to sleep, you can’t truly stop her from saying something. -
A Study of Swearing in Shakespeare's Hamlet Asst.Lecturer.Saadiya
A Study of Swearing in Shakespeare's Hamlet Set by Asst.Lecturer.Saadiya Wudaa Al-Quraishy University of Al-Qadissiya College of Education 2008 Abstract Swearing is part of everyday language use .This phenomenon is related originally to profanity or bad language . It is the use of taboo language to express certain emotions such as fear, anger, frustration, contempt, hatred…etc. to listeners. As a way of expressing emotions, the meanings of the swearwords, are not to be taken literally but as connotative: (1) Piss off ! (insulting request which means 'go away'). (2) Kiss my arsehole.(violent rejection to something). Swearwords can be related to different sources: religious terms (e.g. God damn it, go to hell), terms related to excrements or the organs that produce them (e.g. shit, buttocks), and terms that are related to sex and genitals(e.g. cunt, cuckold). The study examines the linguistic, semantic, and psychological aspects of this phenomenon. It covers different linguistic categories of swearwords, such as their being nouns, verbs, adjectives, adverbs and interjections. They are used to issue different types of swearing: abusive ,cathartic, social, emphatic and blasphemous. Finally, the study limits itself to analyzing this phenomenon in selected texts taken from Shakespeare's Hamlet. 1.1. Swearing Andersson and Trudgill (1992:53) admit that swearing might (a) refer to something taboo in a given culture ,(b) be interpreted non-literally and (c)be used to express strong emotions and attitudes. Bousfield and Clupeper (2008:5 ) similarly show that swearing is the use of taboo language with the purpose of expressing the speaker's emotional state and communicating that information to listeners.