A WORD-LIST from SOUTH CAROLINA University of South Carolina Dialect Is Generally Understood to Be at Variance with Standard
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Exploring Narrator-Reader Relationships with Jim Thompson's
Exploring Narrator-Reader Relationships with Jim Thompson’s Victims of Circumstance: Lou Ford, Dolly Dillon, William “Kid” Collins, and Charles Bigger By Nicolena Marie Crescenzo A Thesis Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of English Florida Atlantic University Boca Raton, FL December 2018 Copyright 2018 by Nicolena Marie Crescenzo ii Acknowledgements The author wishes to express sincere gratitude to her committee members for all of their support, and special thanks to my advisor for his patience and encouragement during the typing of this manuscript. The author is grateful to her family for always supporting her efforts to be successful. Last but not least, the author wishes to thank her mentors during her undergraduate studies for their recommendations academically and professionally that have helped her reach this point. iv Abstract Author: Nicolena Marie Crescenzo Title: Exploring Narrator-Reader Relationships with Jim Thompson’s Victims of Circumstance: Lou Ford, Dolly Dillon, William “Kid” Collins, and Charles Bigger Institution: Florida Atlantic University Thesis Advisor: Dr. Robert Don Adams Degree: Master of English Year: 2018 By examining Jim Thompson’s novels, published between 1952-1955–The Killer Inside Me, A Hell of a Woman, After Dark, My Sweet, and Savage Night–this essay interrogates the relationship created between the narrator and the reader, how the narrator–and Thompson in turn–highlights certain societal flaws, emphasizing how ethical consequence is born out of the attempt to attain freedom from one’s cultural circumstance–both in terms of economic restraint and mental health status. -
Free Land Attracted Many Colonists to Texas in 1840S 3-29-92 “No Quitting Sense” We Claim Is Typically Texas
“Between the Creeks” Gwen Pettit This is a compilation of weekly newspaper columns on local history written by Gwen Pettit during 1986-1992 for the Allen Leader and the Allen American in Allen, Texas. Most of these articles were initially written and published, then run again later with changes and additions made. I compiled these articles from the Allen American on microfilm at the Allen Public Library and from the Allen Leader newspapers provided by Mike Williams. Then, I typed them into the computer and indexed them in 2006-07. Lois Curtis and then Rick Mann, Managing Editor of the Allen American gave permission for them to be reprinted on April 30, 2007, [email protected]. Please, contact me to obtain a free copy on a CD. I have given a copy of this to the Allen Public Library, the Harrington Library in Plano, the McKinney Library, the Allen Independent School District and the Lovejoy School District. Tom Keener of the Allen Heritage Guild has better copies of all these photographs and is currently working on an Allen history book. Keener offices at the Allen Public Library. Gwen was a longtime Allen resident with an avid interest in this area’s history. Some of her sources were: Pioneering in North Texas by Capt. Roy and Helen Hall, The History of Collin County by Stambaugh & Stambaugh, The Brown Papers by George Pearis Brown, The Peters Colony of Texas by Seymour V. Conner, Collin County census & tax records and verbal history from local long-time residents of the county. She does not document all of her sources. -
Swear Words Uttered by the Main Characters in Ted 2 Movie
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SWEAR WORDS UTTERED BY THE MAIN CHARACTERS IN TED 2 MOVIE A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Rebecca Puspa Crysmasari Student Number: 141214116 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THIS THESIS IS DEDICATED TO MYSELF iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Crysmasari, Rebecca Puspa. (2018). Swear Words Uttered by the Main Characters in TED 2 Movie. Yogyakarta: English Language Education Study Program, Faculty of Teachers Training and Education, Sanata Dharma University. Swear words can be found in the mass media communication, such as magazines and movies. Swear words can be regarded as positive or negative terms. People tend to use swear words to express their certain emotions. Thus, the researcher is interested in analyzing swear words which are uttered by the main characters in a movie. This study aims to analyze swear words used by the main characters in TED 2 movie. There are two questions formulated in this research. The research questions are 1) How do Ted and John use swear words in TED 2 movie? 2) What are the motives behind the swear words uttered by Ted and John in TED 2 movie? This research was a qualitative research. The researcher applied the discourse analysis. -
Curing Narratives: a Contemporary Poetics of Agency
CURING NARRATIVES: A CONTEMPORARY POETICS OF AGENCY By MELANIE ALMEDER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1999 Copyright 1999 by Melanie Almeder ACKNOWLEDGMENTS I am greatly indebted to the support of my family and the inspiration of their many ongoing successes: Robert, the brilliant philosopher: Virginia, the brilliant teacher and rescuer of animals: Lisa, the wonderful healer and activist: Chris, the insightful brother and the guardian of environmental good health. I have had the good fortune to work with inspiring teachers and guides at the University of Florida. I only hope Elizabeth Langland knows her importance to her students: she is a model toward which we aspire: a brilliant scholar, an insightful, original, and lucid writer, and a gracious, generous human being. I thank her for all of her time and care. Phil Wegner. Malini Schueller. John Cech. and Sue Rosser have all been generous with their time and comments and have pushed this project toward more complexity and invention. I am grateful to them. I am indebted, as well, to dear friends who have made this project possible with their support, conversation, and affirmation. I am indebted to Lori Amy. bravest of brave, who carefully read chapters, offered rigorous critique, and is a model of fresh, meaningful living and writing methods. Angela Bascik. lucid theorist among us. storyteller, truth teller, discussed this business of "agency" until the ultimate agent himself. Alexander, arrived. Monica Beth Fowler, queen of cameos, patron saint of strays, has reminded me of the myriad day-to-day humor and generosity that heals. -
Gang Project Brochure Pg 1 020712
Salt Lake Area Gang Project A Multi-Jurisdictional Gang Intelligence, Suppression, & Diversion Unit Publications: The Project has several brochures available free of charge. These publications Participating Agencies: cover a variety of topics such as graffiti, gang State Agencies: colors, club drugs, and advice for parents. Local Agencies: Utah Dept. of Human Services-- Current gang-related crime statistics and Cottonwood Heights PD Div. of Juvenile Justice Services historical trends in gang violence are also Draper City PD Utah Dept. of Corrections-- available. Granite School District PD Law Enforcement Bureau METRO Midvale City PD Utah Dept. of Public Safety-- GANG State Bureau of Investigation Annual Gang Conference: The Project Murray City PD UNIT Salt Lake County SO provides an annual conference open to service Salt Lake County DA Federal Agencies: providers, law enforcement personnel, and the SHOCAP Bureau of Alcohol, Tobacco, community. This two-day event, held in the South Salt Lake City PD Firearms, and Explosives spring, covers a variety of topics from Street Taylorsville PD United States Attorney’s Office Survival to Gang Prevention Programs for Unified PD United States Marshals Service Schools. Goals and Objectives commands a squad of detectives. The The Salt Lake Area Gang Project was detectives duties include: established to identify, control, and prevent Suppression and street enforcement criminal gang activity in the jurisdictions Follow-up work on gang-related cases covered by the Project and to provide Collecting intelligence through contacts intelligence data and investigative assistance to with gang members law enforcement agencies. The Project also Assisting local agencies with on-going provides youth with information about viable investigations alternatives to gang membership and educates Answering law-enforcement inquiries In an emergency, please dial 911. -
III MEMETIC REFRAMING Christian Patterson's Redheaded Peckerwood
III MEMETIC REFRAMING Christian Patterson’s Redheaded Peckerwood In December 1957, Charles Starkweather and his girlfriend Caril Ann Fugate embarked on a murder spree that shocked the US population. And even today, more than sixty years later, the so-called ‘Starkweather case’ keeps haunting the North American people as part of the country’s collective imagination. This situation is testified to by Christian Patterson’s evolving photobook Redheaded Peckerwood (2011, 2012, 2013),404 which contains a visually diverse selection of photographs, each of which points suggestively to the Starkweather case.405 The historical murder spree is undoubtedly Redheaded Peckerwood’s narrative centre. However, I argue that the criminal case merely serves a reflection on how ‘frames’, which are sets of conventions that govern the representation of historical events, are disseminated in culture.406 That argument, I claim, is conditioned by a memetic principle of rereading that allows the frame to appear multiple times according to the meme’s emergent logic of imitation through variation. ‘Memes’, according to Richard Dawkins’s initial definition of the phenomenon, are units of cultural transmission that propagate themselves in ever-changing form by leaping from brain to brain, often via magazines, computers, movies, and other technological platforms.407 Humans cannot entirely control these processes,408 and I argue that the same might be said of the process of rereading Redheaded Peckerwood, since it is partially governed by algorithms. The smartphone revolution around 2010 introduces the so-called ‘post-digital’ era, that is, the situation wherein humans no longer control the digital realm, since portable digital devices allow for a permanent extension of subjectivity across the Internet.409 Within this contemporary context, I contend that humans are habituated to meeting ambiguity and elusiveness with immediate online searches. -
'And I Swear...' – Profanity in Pop Music Lyrics on the American Billboard Charts 2009-2018 and the Effect on Youtube Popularity
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 02, FEBRUARY 2020 ISSN 2277-8616 'And I Swear...' – Profanity In Pop Music Lyrics On The American Billboard Charts 2009-2018 And The Effect On Youtube Popularity Martin James Moloney, Hanifah Mutiara Sylva Abstract: The Billboard Chart tracks the sales and popularity of popular music in the United States of America. Due to the cross-cultural appeal of the music, the Billboard Chart is the de facto international chart. A concern among cultural commentators was the prevalence of swearing in songs by artists who were previously regarded as suitable content for the youth or ‗pop‘ market. The researchers studied songs on the Billboard Top 10 from 2009 to 2018 and checked each song for profanities. The study found that ‗pop‘, a sub-genre of ‗popular music‘ did contain profanities; the most profane genre, ‗Hip-hop/Rap‘ accounted for 76% of swearing over the ten-year period. A relationship between amount of profanity and YouTube popularity was moderately supported. The researchers recommended adapting a scale used by the British television regulator Ofcom to measure the gravity of swearing per song. Index Terms: Billboard charts, popularity, profanity, Soundcloud, swearing, YouTube. —————————— —————————— 1 INTRODUCTION Ipsos Mori [7] the regulator of British television said that profane language fell into two main categories: (a) general 1.1 The American Billboard Charts and ‘Hot 100’ swear words and those with clear links to body parts, sexual The Billboard Chart of popular music was first created in 1936 references, and offensive gestures; and (b) specifically to archive the details of sales of phonographic records in the discriminatory language, whether directed at older people, United States [1]. -
A Historical and Phonetic Study of Negro Dialect. T
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1937 A Historical and Phonetic Study of Negro Dialect. T. Earl Pardoe Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the Speech and Rhetorical Studies Commons Recommended Citation Pardoe, T. Earl, "A Historical and Phonetic Study of Negro Dialect." (1937). LSU Historical Dissertations and Theses. 7790. https://digitalcommons.lsu.edu/gradschool_disstheses/7790 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. A Historioal and phonetic Study of Negro Dialect* A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Dootor of Philosophy in Louisiana State University* By T. Earl pardoe 1937 UMI Number: DP69168 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI Dissertation Publishing UMI DP69168 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProOuest ProQuest LLC. 789 East Eisenhower Parkway P.O. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Blasting at the Big Ugly: a Novel Andrew Donal Payton Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2014 Blasting at the Big Ugly: A novel Andrew Donal Payton Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Fine Arts Commons Recommended Citation Payton, Andrew Donal, "Blasting at the Big Ugly: A novel" (2014). Graduate Theses and Dissertations. 13745. https://lib.dr.iastate.edu/etd/13745 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Blasting at the Big Ugly: A novel by Andrew Payton A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTERS OF FINE ARTS Major: Creative Writing and Environment Program of Study Committee: K.L. Cook, Major Professor Steve Pett Brianna Burke Kimberly Zarecor Iowa State University Ames, Iowa 2014 Copyright © Andrew Payton 2014. All rights reserved. ii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii ABSTRACT iv INTRODUCTION 1 BLASTING AT THE BIG UGLY 6 BIBLIOGRAPHY 212 VITA 213 iii ACKNOWLEDGEMENTS I am graciously indebted: To the MFA Program in Creative Writing and Environment at Iowa State, especially my adviser K.L. Cook, who never bothered making the distinction between madness and novel writing and whose help was instrumental in shaping this book; to Steve Pett, who gave much needed advice early on; to my fellow writers-in-arms, especially Chris Wiewiora, Tegan Swanson, Lindsay Tigue, Geetha Iyer, Lindsay D’Andrea, Lydia Melby, Mateal Lovaas, and Logan Adams, who championed and commiserated; to the faculty Mary Swander, Debra Marquart, David Zimmerman, Ben Percy, and Dean Bakopolous for writing wisdom and motivation; and to Brianna Burke and Kimberly Zarecor for invaluable advice at the thesis defense. -
White Supremacist Prison Gangs in the United States a Preliminary Inventory Introduction
White Supremacist Prison Gangs in the United States A Preliminary Inventory Introduction With rising numbers and an increasing geographical spread, for some years white supremacist prison gangs have constitut- ed the fastest-growing segment of the white supremacist movement in the United States. While some other segments, such as neo-Nazis and the Ku Klux Klan, have suffered stagnation or even decline, white supremacist prison gangs have steadily been growing in numbers and reach, accompanied by a related rise in crime and violence. What is more, though they are called “prison gangs,” gangs like the Aryan Brotherhood of Texas, Aryan Circle, European Kindred and others, are just as active on the streets of America as they are behind bars. They plague not simply other inmates, but also local communities across the United States, from California to New Hampshire, Washington to Florida. For example, between 2000 and 2015, one single white supremacist prison gang, the Aryan Brotherhood of Texas, was responsible for at least 33 murders in communities across Texas. Behind these killings were a variety of motivations, including traditional criminal motives, gang-related murders, internal killings of suspected informants or rules-breakers, and hate-related motives directed against minorities. These murders didn’t take place behind bars—they occurred in the streets, homes and businesses of cities and towns across the Lone Star State. When people hear the term “prison gang,” they often assume that such gang members plague only other prisoners, or perhaps also corrections personnel. They certainly do represent a threat to inmates, many of whom have fallen prey to their violent attacks. -
24 Let Your Kid Swear
R ule 24 Let Your Kid Swear illian was fi ve years old. She knew her mother didn’t like hearing the Jword “stupid.” So she said it. “That’s not a word we use in our family,” her mother said. Jillian looked her mother in the face. “Stupid Mommy,” she replied. No matter what word is “bad” in your family, many kids savor the shock value. They like to see you jump. Bad words are powerful words, and young kids want to experience power. Help your child learn social conventions and learn to use power wisely. You can save your ears and give kids freedom of speech—by changing the timing and location. Renegade Reason Most kids love to say banned words—let them. In the bathroom. Bad words vary by family. Some make a sailor blush. Some are potty talk. In other homes, words like “stupid,” “dummy,” “shut up” or “bor- ing” are banned. No matter what your tastes, you have the right to set limits on words you don’t want to hear. But be wary. Complete censorship 1S usually backfi res. R “Poop!” said Ben, a fi ve-year-old. All his friends dissolved into giggles, 1L 886393_NotShare_TX_p1-370.indd6393_NotShare_TX_p1-370.indd 306306 44/2/12/2/12 99:46:46 AAMM Let Your Kid Swear|307 and their teacher reacted spectacularly. Nearby, Emma got a mischievous glint in her eye: “Poop—poop—poop—poop—poop,” she chanted. Censoring speech has two major problems. One is practical: You can’t control spoken words. Just as you can’t force your child to sleep, you can’t truly stop her from saying something.