Exploring Narrator-Reader Relationships with Jim Thompson's
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Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Swear Words Uttered by the Main Characters in Ted 2 Movie
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SWEAR WORDS UTTERED BY THE MAIN CHARACTERS IN TED 2 MOVIE A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Rebecca Puspa Crysmasari Student Number: 141214116 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THIS THESIS IS DEDICATED TO MYSELF iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Crysmasari, Rebecca Puspa. (2018). Swear Words Uttered by the Main Characters in TED 2 Movie. Yogyakarta: English Language Education Study Program, Faculty of Teachers Training and Education, Sanata Dharma University. Swear words can be found in the mass media communication, such as magazines and movies. Swear words can be regarded as positive or negative terms. People tend to use swear words to express their certain emotions. Thus, the researcher is interested in analyzing swear words which are uttered by the main characters in a movie. This study aims to analyze swear words used by the main characters in TED 2 movie. There are two questions formulated in this research. The research questions are 1) How do Ted and John use swear words in TED 2 movie? 2) What are the motives behind the swear words uttered by Ted and John in TED 2 movie? This research was a qualitative research. The researcher applied the discourse analysis. -
Jim Thompson's Oklahoma
Smithsonian Channel: Original Programming in HD and On D... http://www.smithsonianchannel.com/site/smithsonian/show_sou... Search The Darkest Guidebook Ever? Before Jim Thompson became the dean of American noir novelists with classics like The Killer Inside Me (soon to be a major motion picture with Kate Hudson and Casey Affleck) and The Grifters, he grew up in a place where life mirrored pulp. Born in Oklahoma in 1914, by his twenties Thompson had bounced around Oklahoma towns, worked as a West Texas oil hand, and procured booze and women to hotel guests as a bellboy. In the 1930s, as the Great Depression deepened, Thompson was struggling to avoid poverty by writing about the outlaws, bad cops and wild spaces of Oklahoma. First he wrote for the pulps – Master Detective, True Detective, and more. But when he couldn’t eke out a living for his family with the pay from those magazines, Thompson took a job writing for the tours section of the WPA guide to Oklahoma. Gradually his writing skills made him invaluable and he worked his way up to become the guide’s main editor. The result may be one of the darkest guidebooks ever. Thompson kicked off a chapter about local folklore with an account of an Oklahoman who "ran amuck on a visit to town and, in the course of a few minutes, killed a representative of each of five races." Retracing his steps with the WPA guidebook is like getting a Coen Brothers' tour of the Blood Simple or No Country for Old Men. It opens your eyes to a side of America that Thompson saw for real before he made it up. -
Downloaded from by Guest on 26 June 2020
UC Irvine UC Irvine Previously Published Works Title Crime Fiction and Black Criminality Permalink https://escholarship.org/uc/item/8zw7q50m Author Martin, Theodore Publication Date 2018-10-17 DOI 10.1093/alh/ajy037 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Crime Fiction and Black Criminality Theodore Martin* Downloaded from https://academic.oup.com/alh/article-abstract/30/4/703/5134081 by guest on 26 June 2020 Nor was I up to being both criminal and detective—though why criminal Ididn’tknow. Ralph Ellison, Invisible Man 1. The Criminal Type A remarkable number of US literature’s most recognizable criminals reside in mid-twentieth-century fiction. Between 1934 and 1958, James M. Cain gave us Frank Chambers and Walter Huff; Patricia Highsmith gave us Charles Bruno and Tom Ripley; Richard Wright gave us Bigger Thomas and Cross Damon; Jim Thompson gave us Lou Ford and Doc McCoy; Dorothy B. Hughes gave us Dix Steele. Many other once-estimable authors of the middle decades of the century—like Horace McCoy, Vera Caspary, Charles Willeford, and Willard Motley—wrote novels centrally concerned with what it felt like to be a criminal. What, it is only natural to wonder, was this midcentury preoccupation with crime all about? Consider what midcentury crime fiction was not about: detec- tives. Although scholars of twentieth-century US literature often use the phrases crime fiction and detective fiction interchangeably, the detective and the criminal were, by midcentury, the anchoring pro- tagonists of two distinct genres. While hardboiled detectives contin- ued to dominate the literary marketplace of pulp magazines and paperback originals in the 1940s and 1950s, they were soon accom- panied on the shelves by a different kind of crime fiction, which was *Theodore Martin is Associate Professor of English at the University of California, Irvine, and the author of Contemporary Drift: Genre, Historicism, and the Problem of the Present (Columbia UP, 2017). -
'And I Swear...' – Profanity in Pop Music Lyrics on the American Billboard Charts 2009-2018 and the Effect on Youtube Popularity
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 02, FEBRUARY 2020 ISSN 2277-8616 'And I Swear...' – Profanity In Pop Music Lyrics On The American Billboard Charts 2009-2018 And The Effect On Youtube Popularity Martin James Moloney, Hanifah Mutiara Sylva Abstract: The Billboard Chart tracks the sales and popularity of popular music in the United States of America. Due to the cross-cultural appeal of the music, the Billboard Chart is the de facto international chart. A concern among cultural commentators was the prevalence of swearing in songs by artists who were previously regarded as suitable content for the youth or ‗pop‘ market. The researchers studied songs on the Billboard Top 10 from 2009 to 2018 and checked each song for profanities. The study found that ‗pop‘, a sub-genre of ‗popular music‘ did contain profanities; the most profane genre, ‗Hip-hop/Rap‘ accounted for 76% of swearing over the ten-year period. A relationship between amount of profanity and YouTube popularity was moderately supported. The researchers recommended adapting a scale used by the British television regulator Ofcom to measure the gravity of swearing per song. Index Terms: Billboard charts, popularity, profanity, Soundcloud, swearing, YouTube. —————————— —————————— 1 INTRODUCTION Ipsos Mori [7] the regulator of British television said that profane language fell into two main categories: (a) general 1.1 The American Billboard Charts and ‘Hot 100’ swear words and those with clear links to body parts, sexual The Billboard Chart of popular music was first created in 1936 references, and offensive gestures; and (b) specifically to archive the details of sales of phonographic records in the discriminatory language, whether directed at older people, United States [1]. -
Talking Book Topics March-April 2015
Talking Book Topics March–April 2015 Volume 81, Number 2 About Talking Book Topics Talking Book Topics is published bimonthly in audio, large-print, and online formats and distributed at no cost to individuals who are blind or have a physically disability and who participate in the Library of Congress reading program. It lists digital audiobooks and magazines available through a network of cooperating libraries and covers news of developments and activities in network library services. The annotated list in this issue is limited to titles recently added to the national collection, which contains thousands of fiction and nonfiction titles, including bestsellers, classics, biographies, romance novels, mysteries, and how-to guides. Some books in Spanish are also available. To explore the wide range of books in the national collection, access the NLS International Union Catalog online at loc.gov/nls or contact your local cooperating library. Talking Book Topics is available online in HTML at www.loc.gov/nls/tbt and in downloadable audio files on the NLS Braille and Audio Reading Download (BARD) service at http://nlsbard.loc.gov/. Library of Congress, Washington 2015 Catalog Card Number 60-46157 ISSN 0039-9183 Where to write Order talking books through your local cooperating library. If you wish to make changes in your current subscription, please also contact your local cooperating library. Patrons who are American citizens living abroad may request delivery to foreign addresses by contacting the overseas librarian by phone at (202) 707-5100 or e-mail at [email protected]. Only send correspondence about editorial matters to: Publications and Media Page 1 of 86 Section, National Library Service for the Blind and Physically Handicapped, Library of Congress, Washington DC, 20542-0002. -
24 Let Your Kid Swear
R ule 24 Let Your Kid Swear illian was fi ve years old. She knew her mother didn’t like hearing the Jword “stupid.” So she said it. “That’s not a word we use in our family,” her mother said. Jillian looked her mother in the face. “Stupid Mommy,” she replied. No matter what word is “bad” in your family, many kids savor the shock value. They like to see you jump. Bad words are powerful words, and young kids want to experience power. Help your child learn social conventions and learn to use power wisely. You can save your ears and give kids freedom of speech—by changing the timing and location. Renegade Reason Most kids love to say banned words—let them. In the bathroom. Bad words vary by family. Some make a sailor blush. Some are potty talk. In other homes, words like “stupid,” “dummy,” “shut up” or “bor- ing” are banned. No matter what your tastes, you have the right to set limits on words you don’t want to hear. But be wary. Complete censorship 1S usually backfi res. R “Poop!” said Ben, a fi ve-year-old. All his friends dissolved into giggles, 1L 886393_NotShare_TX_p1-370.indd6393_NotShare_TX_p1-370.indd 306306 44/2/12/2/12 99:46:46 AAMM Let Your Kid Swear|307 and their teacher reacted spectacularly. Nearby, Emma got a mischievous glint in her eye: “Poop—poop—poop—poop—poop,” she chanted. Censoring speech has two major problems. One is practical: You can’t control spoken words. Just as you can’t force your child to sleep, you can’t truly stop her from saying something. -
Adverse Childhood Experience (ACE) Questionnaire Finding Your ACE Score
Adverse Childhood Experience (ACE) Questionnaire Finding your ACE Score While you were growing up, during your first 18 years of life: 1.!Did a parent or other adult in the household often ... Swear at you, insult you, put you down, or humiliate you? or Act in a way that made you afraid that you might be physically hurt? Yes No If yes enter 1 ____ 2.!Did a parent or other adult in the household often ... Push, grab, slap, or throw something at you? or Ever hit you so hard that you had marks or were injured? Yes No If yes enter 1 ____ 3.!Did an adult or person at least 5 years older than you ever... Touch or fondle you or have you touch their body in a sexual way? or Try to or actually have oral, anal, or vaginal sex with you? Yes No If yes enter 1 ____ 4.!Did you often feel that ... No one in your family loved you or thought you were important or special? or Your family didn’t look out for each other, feel close to each other, or support each other? Yes No If yes enter 1 ____ 5.!Did you often feel that ... You didn’t have enough to eat, had to wear dirty clothes, and had no one to protect you? or Your parents were too drunk or high to take care of you or take you to the doctor if you needed it? Yes No If yes enter 1 ____ 6.!Were your parents ever separated or divorced? Yes No If yes enter 1 ____ 7.!Was your mother or stepmother: Often pushed, grabbed, slapped, or had something thrown at her? or Sometimes or often kicked, bitten, hit with a fist, or hit with something hard? or Ever repeatedly hit over at least a few minutes or threatened -
On the Usage of Swear Words on Reddit
Universität Potsdam Philosophische Fakultät Masters Thesis Swearing in a public place On the usage of swear words on reddit Verfasser: Jonas Thomä This work is licensed under a Creative Commons License: Attribution 4.0 International To view a copy of this license visit http://creativecommons.org/licenses/by/4.0/ Published online at the Institutional Repository of the University of Potsdam: URN urn:nbn:de:kobv:517-opus4-409521 http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-409521 Deutsche Zusammenfassung Die vorliegende Arbeit behandelt das Vorkommen von Schimpfwörtern auf der online Plattform "Reddit". Die drei zugrundeliegenden Forschungsfragen sind: Wie oft werden Schimpfwörter benutzt? Wie werden diese von den Lesern aufgenommen? Beeinflusst das Thema einer Konversation die Reaktion der Leser und die allgemeine Häufigkeit der Nutzung? Die zugrundeliegenden Daten beinhalten fast 900 Millionen Wörter und stammen aus dem Februar 2017. Sie sind damit höchstaktuell und repräsentativ. Im Vergleich zu anderen Untersuchungen ist das Korpus damit wesentlich größer. Zusätzlich werden im theoretischen Teil die linguistischen Grundlagen zu Schimpfwörtern erörtert. Dazu gehören u.a. Konzepte wie die Höflichkeitstheorie, das Thema Tabu und die dazugehörenden Worte und Zensur. Dies wird getan um die Faktoren, die die Benutzung und Verwendung von Schimpfwörtern beeinflussen darzulegen. Dabei wird herausgestellt, was Schimpfwörter so besonders im Vergleich zu anderen Wortgruppen macht. Zudem werden weitere Forschungsergebnisse, die aus anderen Korpora stammen dargelegt und hinterher mit den Resultaten verglichen. Dies beinhaltet Korpora die sich ebenfalls aus Onlinekommunikationen zusammensetzen, sowie Korpora die gesprochene Sprache wiedergeben. Die Ergebnisse aus allen dargestellten Korpora behandeln Ergebnisse aus der englischen Sprache. Die Ergebnisse dieser Studie weisen daraufhin, dass die Schimpfwörter auf Reddit ungefähr gleichhäufig wie auf anderen Plattformen benutzt werden. -
Política De Desenvolupament De La Col·Lecció Del Fons Especial De Gènere
Biblioteca la Bòbila fons especial de gènere negre i policíac Les cobertes originals de les novel·les de Jim Thompson gènerenegre, 28 El fons especial, 28 L’Hospitalet, gener de 2017 Amb motiu de l'exposició "40 anys sense BIBLIOTECA LA BÒBILA Jim Thompson", la Biblioteca la Bòbila Pl. de la Bòbila, 1 presenta la col·lecció de cobertes originals 08906 L’Hospitalet de les novel·les de Jim Thompson, extretes Tel. 934 807 438 del magnífic blog Arte salvaje, realitzat per [email protected] l'editorial Es Pop el 2014 arrel de la HORARIS publicació en castellà de la biografia Arte tardes: de dilluns a divendres, de 15.30 a 20.30 h. salvaje: una biografía de Jim Thompson, de matins: dimecres, dijous i dissabtes, de 10 a 13.30 h. Robert Polito. TRANSPORTS Metro: L5 Can Vidalet Trambaix: T1, T2, T3 Ca n’Oliveres Bus: LH2, EP1 Biblioteca la Bòbila FONS ESPECIAL DE GÈNERE NEGRE I POLICÍAC Cobertes de Jim Thompson 2 gènerenegre, 28 1 2 3 4 5 6 7 8 9 Cobertes de Jim Thompson 3 gènerenegre, 28 10 11 12 13 14 15 16 17 18 Cobertes de Jim Thompson 4 gènerenegre, 28 19 20 21 22 23 24 25 26 27 Cobertes de Jim Thompson 5 gènerenegre, 28 28 29 30 31 32 33 34 35 36 Cobertes de Jim Thompson 6 gènerenegre, 28 37 38 39 40 41 42 43 44 Cobertes de Jim Thompson 7 gènerenegre, 28 1. NOW AND ON EARTH (Aquí y ahora) Primera edició. New York: Modern Age, 1942. -
WED 5 SEP Home Home Box Office Mcr
THE DARK PAGESUN 5 AUG – WED 5 SEP home home box office mcr. 0161 200 1500 org The Killing, 1956 Elmore Leonard (1925 – 2013) The Killer Inside Me being undoubtedly the most Born in Dallas but relocating to Detroit early in his faithful. My favourite Thompson adaptation is Maggie A BRIEF NOTE ON THE GLOSSARY OF life and becoming synonymous with the city, Elmore Greenwald’s The Kill-Off, a film I tried desperately hard Leonard began writing after studying literature and to track down for this season. We include here instead FILM SELECTIONS FEATURED WRITERS leaving the navy. Initially working in the western genre Kubrick’s The Killing, a commissioned adaptation of in the 1950s (Valdez Is Coming, Hombre and Three- Lionel White’s Clean Break. The best way to think of this season is perhaps Here is a very brief snapshot of all the writers included Ten To Yuma were all filmed), Leonard switched to Raymond Chandler (1888 – 1959) in the manner of a music compilation that offers in the season. For further reading it is very much worth crime fiction and became one of the most prolific and a career overview with some hits, a couple of seeking out Into The Badlands by John Williams, a vital Chandler had an immense stylistic influence on acclaimed practitioners of the genre. Martin Amis and B-sides and a few lesser-known curiosities and mix of literary criticism, geography, politics and author American popular literature, and is considered by many Stephen King were both evangelical in their praise of his outtakes. -
The Secrets of Great Mystery Reading List
Below is a list of all (or nearly all!) of the books Professor Schmid mentions in his course The Secrets of Great Mystery and Suspense Fiction. Happy reading! • Megan Abbott, Die a Little; Queenpin; The End of Everything; Dare Me; The Fever • Pedro Antonio de Alarcón, “El Clavo” • Sherman Alexie, The Business of Fancydancing: Stories and Poems; The Lone Ranger and Tonto Fistfight in Heaven; Reservation Blues; Indian Killer • Margery Allingham, The Beckoning Lady • Rudolfo Anaya, Bless Me, Ultima; Zia Summer; Rio Grande Fall; Shaman Winter; Jemez Spring • Jakob Arjouni, Kismet; Brother Kemal • Paul Auster, City of Glass; Ghosts; The Locked Room • Robert Bloch, Psycho; The Scarf; The Dead Beat; Firebug • Pierre Boileau and Thomas Narcejac, She Who Was No More; The Living and the Dead • Jorge Luis Borges, “Death and the Compass” • Poppy Z. Brite, Exquisite Corpse • W.R. Burnett, Little Caesar • James M. Cain, Double Indemnity; The Postman Always Rings Twice • Paul Cain, Fast One • Andrea Camilleri, The Shape of Water • Truman Capote, In Cold Blood • Caleb Carr, The Alienist; The Italian Secretary: A Further Sherlock Holmes Adventure • John Dickson Carr, The Hollow Man • Vera Caspary, Laura; Bedelia • Raymond Chandler, “The Simple Art of Murder”; The Big Sleep; Farewell, My Lovely; The Long Goodbye; Playback • Agatha Christie, The Mysterious Affair at Styles; Murder on the Orient Express; The Body in the Library; The Murder at the Vicarage; The Murder of Roger Ackroyd; Death on the Nile; The ABC Murders; Partners in Crime; The Secret Adversary;