Stephen Vitiello [email protected] www.stephenvitiello.com

Professional Practice/Work Experience

2004- Commonwealth University, School of the Arts, Department of Kinetic Imaging, Richmond, VA, Professor. Hired at the rank of Assistant Professor (2004), later promoted to Associate Professor with tenure (2009) to Professor (2014). Interim Chair (since 2018)

2001-2005 The Kitchen, New York, NY, Media Archivist Oversee the Kitchen’s ongoing initiatives in the cataloguing, preservation, restoration, distribution and access planning of its unique repository of performance documentation, video art, and audiotapes

1999-2000 Solomon R. Guggenheim Museum, New York, NY, Video Researcher. Year-long project to document over 2000 film, video and audio tapes from the archives of the artist Nam June Paik. Supervised restoration and made recommendations to Guggenheim Curator of works for major exhibition of Paik’s Work

1991-2002 Nam June Paik, New York, NY, Archivist, Producer. Project based producer of videotapes, installations and exhibitions for world-renowned artist. Archive and restoration work as well as collaborations on videos and installations for numerous museum exhibitions and unique works for collectors

1988-2000 Electronic Arts Intermix, New York, NY, Director of Distribution. Supervised distribution of artists’ videos. Coordinated exhibitions and contracts with educators, curators, artists, broadcasters. Frequent international travel included festival representation, juries, and lectures on history of video, restoration, programming and sound for moving images

1986-1988 American Federation of Arts, New York, NY, Film Program Assistant. Coordinated film prints and videotapes for touring exhibitions of avant-garde media. Assisted in acquisition of documentaries on contemporary art and artists for distribution to universities, museums and public libraries

Awards, Residencies, Grants & Fellowships 2016 National Endowment for the Arts (NEA) Art Works: Media Arts grant to VCU’s Institute for Contemporary Art, Richmond to support a new sound installation ($25,000)

Distinguished Award in Teaching, VCU, School of the Arts Dean’s Exploratory Research Grant, VCU, School of the Arts. Funds to support research-based field recordings 2015 Presidential Distinguished Alumni Award, SUNY Purchase 2014 Artist in Residence, Massachusetts Institute of Technology (M.I.T.) Buckner W. Clay Artist in Residence, ArtLab, Mountain Lake Biological Station, Pembroke, VA 2012-2013 Faculty Research Grant, Office of the Dean, School of the Arts, Virginia Commonwealth University. Funds to support the production costs for an LP based on the Rauschenberg Residency 2012 Rauschenberg Residency, Robert Rauschenberg Foundation, Captiva, FL (pilot year) Sirius Art Centre Residency, Cobh, Co. Cork, Ireland 2011-2012 John Simon Guggenheim Memorial Foundation Fellowship 2011 Virginia Museum of Fine Arts (VMFA) Fellowship Alpert/Ucross Foundation Residency Prize, Wyoming 2006 Creative Capital, “Emerging Fields, and Innovative Literature” category Short-listed for the Nam June Paik Award, with exhibition and performance at the Museum of Applied Arts, Cologne, Germany 2005 Faculty Research Grant, Office of the Dean, School of the Arts, Virginia Commonwealth University. Funds to support the completion of a sound installation presented in conjunction with the 2006 Winter Olympics in Italy 2003 New York Foundation for the Arts Fellowship, Performance/Multi Disciplinary. Funding received in support of ongoing artistic projects 2001 Penny McCall Award, Penny McCall Foundation. $30,000 received in support of ongoing artistic projects (by nomination) 1999 Independent Radio and Fellowship, Jerome Foundation/Media Alliance. Grant received to support sound installation produced in connection with WorldViews residency in the World Trade Center

Gallery Affiliation/Representation 2006-2015 American Contemporary, NYC (Previously Museum 52, London) 2005-2010 Galerie Almine Rech, Paris 2000-2010 The Project, New York, NY

Solo and Two Person Exhibitions 2019 Singing Amongst the Weeds, collaborative exhibition with Kasey Fowler-Finn PhD, Sediment Arts, Richmond, VA 2017-2019 You Are the Magic, Culture Lab, City Place, West Palm Beach, FL, commissioned by Related Group, organized by Culture Corps, New York, NY

2015 A Scuttering Across the Leaves, Center for the Arts at Virginia Tech, Blacksburg, VA 2014 Stephen Vitiello, American Contemporary, New York, NY Light Reading, Baryshnikov Arts Center, New York, NY Sense Objects: Leah Beeferman and Stephen Vitiello, Fridman Gallery, New York, NY Scraped and Bowed, Spazioersetti, Udine, Italy Electro-Dynamic Drawings: Andrew Deutsch and Stephen Vitiello, Henry Art Gallery, Seattle, WA 2012 And the room into my buzzing head, Testsite, Austin, TX Field Recordings: Saul Becker and Stephen Vitiello, Horticultural Society of New York, New York, NY 2011 More Songs About Buildings and Bells, Museum 52, New York, NY All Those Vanished Engines, MASS MoCA, North Adams, MA (long-term installation, 2011-2016 or longer) 2010 Stephen Vitiello: Tall Grasses, Salina Art Center, Salina, KS A Bell For Every Minute, the High Line, New York, NY The Sound of Red Earth, Sydney Park, Sydney, Australia The Birds, Art Gallery of New South Wales, Sydney, Australia Something Like Fireworks, Davis Museum and Cultural Center, Wellesley College, MA 2009 Andrew Deutsch and Stephen Vitiello - Sounds Scores: Paper, Wood, Stone and Glass, The Warehouse Gallery, Syracuse, NY 2008 Finding Pictures in Search of Sounds, Museum 52, London The Project, New York, NY Four Color Sound, Diverseworks, Houston, TX Stephen Vitiello: Duets, MC, Los Angeles, CA 2007 Slow Planes, Fast Trees, Contemporary Art Centerof Virginia, Virginia Beach, VA Reverberations: Steve Roden and Stephen Vitiello, Lora Reynolds Gallery, Austin, TX Night Chatter, Weatherspoon Art Museum, Greensboro, NC Smallest of Wings, Broadgate Arena, London, UK 2006 Sound Works and Drawings, The Project, New York, NY Night Chatter, Museum 52, London, UK 2005 Smallest of Wings, The Project, New York, NY Wind in the House, Wind in the Trees, Galerie Almine Rech, Paris, France Dolly Ascending, Diapason, NY 2004 My Blue Sky, The Project, Los Angeles, CA 2002 The Project, New York, NY Marfa Recordings, Apex Art, New York, NY Wet, Engine 27, New York, NY 2001 World Trade Center Recordings, Diapason Gallery for Sound, New York, NY 2000 Light Readings, Texas Gallery, Houston, TX

Group Exhibitions (Selected) 2019 Making Art Public: 50 Years of Kaldor Public Art Projects, Art Gallery of New South Wales, Australia Traversées/Kimsooja, Baptistere Saint-Jean, Poitiers, France as part of a city-wide exhibition organized by Ville de Poitiers organized by artistic curator, Kimsooja By Any Means: Modern and Contemporary Drawings from the Morgan, Morgan Library & Museum, New York, NY Sounding New, Museum of Contemporary Art, Lyon, France 2018 Declaration, Institute for Contemporary Art, Richmond, VA 2017 Now Hear This! An Exercise in Listening, Montalvo Arts Center, Saratoga, CA 2016 Dark Sounds in White Nights, Alexandrinsky Theatre, St. Petersburg, Russia Beijing Media Art Biennale, Beijing, China 2015 From Field Recording to Data Sonification in Late Capitalism, Labor Neunzehn, Berlin Embracing Modernism: Ten Years of Drawings Acquisitions, The Morgan Library and Museum, New York, NY Light and the Space of the Void, Sandra Gering Gallery, New York, NY It's gonna take a lot of love, Franklin Street Works, Stamford, CT 2014 The First International Biennial of Contemporary Art of Cartagena de Indias, Cartagena, Colombia In The Garden of Sonic Delights, Caramoor, Katonah, NY With Hidden Noise, Henry Art Gallery, Seattle, WA With Hidden Noise, Wave Hill, Bronx, NY 2013 Soundings: A Contemporary Score, Museum of , New York, NY Reading List: Artists’ Selections from the MoMA Library Collection, The Lewis B. and Dorothy Cullman Education and Research Building, New York, NY Silence, Berkeley Art Museum, Berkeley, CA A City Shaped, STUK Arts Centre, Leuven, Belgium Fruits of Captiva, Robert Rauschenberg Foundation, New York, NY New York Electronic Art Festival, Governor’s Island, NY 2012 Silence, Menil Collection, Houston, TX Tokyo Art Meeting (III): Art & Music—Search for New Synesthesia, Museum of Contemporary Art, Tokyo Things Not Seen Before: A Tribute to (with 33-1/3 –Performed by Audience), Bob Rauschenberg Gallery at Edison State College, FT Myers, FL Forte Piano: The Shapes of Sound, Parco della Musica Auditorium, Rome, Italy Sounds Like Silence, Hartware MedienKunst Verein, Dortmund, Germany Hybrid Forms, Austin Museum of Art/Arthouse, Austin, TX Westobou Festival, Augusta, Georgia 2011 September 11, PS 1/MoMA, Long Island City, NY

Just Listen, National Sculpture Factory presented at the Old Beamish Factory, Cork, Ireland On Shuffle, Lehmann Maupin Gallery, New York,NY Después del Silencio, La Casa Encendida, Madrid, Spain Memories and Meanings: Objects Speak, Tribute WTC Visitor Center, New York City 2009 What Sound Does a Color Make? Center for Art, Design and Visual Culture, Baltimore, MD 2008 (dis)concert, Steve Turner Contemporary, Los Angeles, CA The Marfa Projects, Ballroom Marfa, Marfa, TX Every Sound You Can Imagine, Contemporary Art Museum, Houston, TX 2007 Between Thought and Sound: Graphic Notation in Contemporary Music, The Kitchen, New York, NY Organizing Chaos, P.S. 1 Contemporary Art Center, Long Island City, NY Soundwaves: The Art of Sampling, the Museum of Contemporary Art San Diego Good Morning City Noise, Galeri Soemardja, Bandung, Indonesia Silence, Gigantic Art Space, New York, NY Networked Nature, Foxy Production, New York, NY Lost and Found City, Storefront for Art and Architecture, New York, NY Intervenciones, Museo de arte de el Salvador (MARTE), San Salvador, El Salvador 2006 2006 Biennale of Sydney, Museum of Contemporary Art, Sydney, Australia The Invisible Show, Marco, Museum of Contemporary Art, Vigo, Spain Green Flame (New Crowned Hope), Kunstlerhaus, Vienna, Austria Boys and Flowers, Western Bridge, Seattle, WA Echoes from the Mountains, Cultural Olympics, Torino, Italy Sonic Presence, Kunsthall, Bergen, Norway What Sound Does a Color Make? Center for Art and Visual Culture, Baltimore, MD Nam June Paik Award, Museum of Applied Arts, Cologne, Germany Playing John Cage, Arnolfini, Bristol, UK Human = Nature, Firehouse Gallery, Burlington, VT Bienal Do Mercusol, Porto Alegre, Brazil 2005 Audiofiles, USF Contemporary Art Museum, Tampa, FL In Resonance, Seattle Center, Seattle, WA What Sound Does a Color Make? Eyebeam, New York, NY INAUDITA, Sound Art Museum, Rome, Italy The Forest: Politics, Poetics and Practice, Nasher Museum of Art at Duke University, Durham, NC 2004 Synaesthesia: A Neuro-Aesthetics, Digital Studio at the ICA, London, UK The Morrow Sound Cube, The Kitchen, New York, NY Yanomami: Spirit of the Forest, Banco Do Brasil, Rio de Janeiro, Brazil Treble, SculptureCenter, Long Island City, NY

Rock’s Role (After Ryoanji), Art in General, New York, NY 2003 Yanomami: Spirit of the Forest, Cartier Foundation, Paris, France Attack! Kunst und Krieg in den Seeiten der Medien, Kunsthalle Wien Open House, Chinati Foundation, Marfa, TX 2002 Unknown Quantity, Cartier Foundation, Paris, France The 2002 Whitney Biennial, Whitney Museum of American Art, New York, NY The Photogenic: Photography through its Metaphors in Contemporary Art, Institute for Contemporary Art, Philadelphia, PA The LP Show, The Andy Warhol Museum, Pittsburgh, PA 2001 The LP Show, Exit Art, New York, NY National/International Studio Program Exhibition, P.S. 1, New York, NY BitStreams, Whitney Museum of American Art, New York,NY 2000 Scenes of Sounds, The Tang Museum, Saratoga Springs, NY Camille Norment, Nadine Robinson, Stephen Vitiello, The Project, New York, NY Postmasters Gallery, New York, NY Greater New York, P.S. 1 in collaboration with the Museum of Modern Art, L.I.C., NY

Soundtracks, Composer Commissions and Internet Projects (selected) 2019 Soundtrack for Film About A Father Who, feature-length documentary by Lynne Sachs 2017 Latency/Contemplation 2, video by Seoungho Cho Soundtrack for The Washing Society by Lynne Sachs and Lizzie Olesker 2016 Soundtrack for Lynne Sachs’ feature-length film, Tip of My Tongue, premiered at the Museum of Modern Art in 2017 Soundtrack for Sasha Waters-Freyer’s film, dragons and seraphim 2014 Music for John Brown, dance/theater work by Dean Moss (premiere at The Kitchen, NY) 2013 Soundtrack for Lynne Sachs’ feature-film, Your Day is My Night (premiere at Museum of Modern Art, NY) Soundtrack for Situation 6, John Lucas and (video is also online listed as Stopand Frisk) 2011 Nameless Forest, dance choreographed by Dean Moss (premiere at The Kitchen, NY) Up Through the Trees, a collaboration with Taylor Deupree and Ryuichi Sakamoto (online releasepublished by R. Sakamoto) 2010 Soundtrack for At the Still Point, by Paweł Wojtasik 2009 Soundtrack for Below Sea Level, by Paweł Wojtasik, installation at MASS MoCA 2008 First Vertical/First Horizontal, commissioned by Beta Collide, Salem, OR for various performances and CD release

2006 One Violin, 5.1 composition featuring (Grammy Award winning ensemble) eighth blackbird, commissioned by the Third Practice Festival, University of Richmond for DVD of surround sound compositions (Everglade) 2005 Rush and Lullaby, multi-channel composition for the ensemble eighth blackbird, presented at the Third Practice Festival, University of Richmond, VA 2004 News, sound work created for lecture series, “Performing Democracy” at Goethe House, NY. Re-played in 2005 The World Today, BBC3 Radio, commission of audio work and interview sound/surface, online commission created in collaboration with Scanner, Tate Modern, London, UK 2001 Sound Archive 7.01-7.31.01, San Francisco Museum of Modern Art, Walker Art Center, ZKM online artist project 2000 Tetrasomia, online artist project, Dia Center for the Arts, New York, NY See Through Knot, a score for choreography by John Jasperse, for White Oak Dance Project, featuring Mikhail Baryshnikov. See Through Knot premiered at the Brooklyn Academy of Music and toured to subsequent venues Fantastic Prayers, CD ROM produced in collaboration with Constance De Jong and Tony Oursler, Dia Center for the Arts 1995 Fantastic Prayers, Dia Center for the Arts, New York, NY Internet collaboration with Constance De Jong and Tony Oursler

Collections (selected) Museum of Modern Art, NY Whitney Museum of American Art, New York, NY Smithsonian American Art Museum The Hammer Museum New Art Trust – The Kramlich Collection Museum of Contemporary Art, Lyon, France Great Meadows, Kentucky Morgan Library and Museum, New York, NY Museo de arte de El Salvador, San Salvador, El Salvador Lora Reynolds, Austin, TX Julie Mehretu, New York, NY Western Bridge, Seattle, WA Sound Art Museum, Rome, Italy

Performances (selected) 2019 Conforte Moderne, Poitiers, France Fridman Gallery, New York, NY 2018 Institute for Contemporary Art, Boston, MA

Institute for Contemporary Art, Richmond, VA The Guesthouse, Cork, Ireland 2017 Walker Art Center – Sculpture Garden, Minneapolis, MN 2016 Goethe-Institut, Boston 50th anniversary celebration of 9 Evenings: Theater and Engineering, Fridman Gallery, New York, NY Museo Nacional de Bellas Artes, Havana, Cuba 2014 Strasbourg Museum, Strasbourg, France (with Steve Roden) Eclats, Bordeaux, France (with Steve Roden) Baryshnikov Arts Center, New York, NY Semiotext(e) presents The Return of Schizo- Culture, PS 1/MoMA, L.I.C., NY Issue Project Room, Brooklyn, NY (with Taylor Deupree) 2013 Shards, Museum of Modern Art, New York, NY (with Camille Norment) From Another Room, St. Colman’s Cathedral, Cobh, Co. Cork, Ireland 14 Strange Music for Nam June Paik, Smithsonian Art Museum, Washington, D.C. (with Ryuichi Sakamoto) Way Down East, Brown University, Providence, RI 2012 As if they were not there: Sound Art in the Rothko Chapel, Rothko Chapel, Houston, TX (with Steve Roden) Way Down East, UNC-Chapel Hill, Chapel Hill, NC The Stone, New York, NY (with Ryuichi Sakamoto) Sound Series at Presents, Presents Gallery, Brooklyn, NY Harvestworks, New York, NY 2011 Strange Attractor, Crawford Art Gallery, Cork, Ireland 2010 Art Gallery of New South Wales, Sydney, Australia 2009 Box Music, Send + Receive Festival, Winnipeg, Canada Box Music, Casa del Popolo, Montreal, Canada Center for Contemporary Music Composers Series, Mills College, Oakland, CA 2008 New Albion at Summerscape Festival, , Tivoli, NY (with Pauline Oliveros) Chinati Foundation, Marfa, TX (with Steve Roden) 2007 OptoSonic Tea, Diapason Gallery for Sound, New York, NY David Tudor’s Rainforest IV realized by Composers Inside Electronics, The Kitchen, New York, NY Flutter, World Financial Center, Winter Garden, New York, NY

2006 Austin Museum of Digital Art, Austin, TX Judith Wright Centre of Contemporary Arts, Brisbane, Australia Museo Picasso, Malaga, Spain 2005 Videobrasil, 15th International Electronic Art Festival, Sao Paolo, Brazil Heaven and Hell, GALA Theatre-Tivoli, Washington, DC 2004 Tune (In) Kitchen, The Kitchen, New York, NY Lines in the Sand, a theater performance by Joan Jonas, Tate Modern, London, UK Lines in the Sand, a theater performance by Joan Jonas, The Kitchen, New York, NY sound/surface, Tate Modern, London, UK 2003 San Francisco Electronic Music Festival, San Francisco, CA Nomadic Nights, Fondation Cartier pour l’art contemporain, Paris, France 2002 International Festival Musique Actuelle Victoriaville, Victoriaville, Canada Marfa Theatre, Marfa, TX - co-presented by Chinati Foundation 2001 Surface Noise, The Whitney Museum of American Art at Philip Morris 2000 Twister, the Corcoran Gallery, Washington, DC Paik Performance 2000, Solomon R. Guggenheim Museum, New York, NY New York Festival of Composers and Improvisers, The Knitting Factory, New York, NY 1999 Tracks and Traces Festival, Paradiso, Amsterdam, The Netherlands Musiques en Scene, the Museum of Contemporary Art, Lyon, France

Discography 2019 I Drew A Fish Hook and it Turned into a Flower, collaboration with Molly Berg (IIKKI Books) Fridman Variations, collaboration with Taylor Deupree (12k) I Always Wanted A Standing Cat, with Steve Roden (4 x 7” on Champion Version) A New Glow (7” Champion Version) 2018 Quiver, collaboration with Yui Onodera (Mikroton Recordings) Black Iris, collaboration with the Quiet Club (FarPoint Recordings) 2017 Afterglow (or Abendrot) (Champion Version) May 18/Loops To Clouds, with Taylor Deupree (Champion Version) Sound Digressions: Spectrum, 2017, LP by Tony Oursler (Galerie Mitterrand, Paris) 2016 Test Drift, with Emil Schult and Andrew Deutsch (Magic If) 2015 Nuvole, with Robert Donne and the Ooray (Geographic North) 2014 Captiva, with Taylor Deupree (12k) Fable, with Lawrence English (Dragon’s Eye Recordings) The Spaces Contained in Each, with steve roden (Room 40) Sense Objects (Textual Records) Richmond Tape Club, No. 5 (SMTG Ltd) 2013 Between You And The Shapes You Take, with Molly Berg (12k) Dowsing (Farpoint Recordings)

2011 MOSS (12k) Acute Inbetweens, with Lawrence English(Cronica) Birds in a Box, with Machinefabriek (Nuun) Age of Insects, with mem1 (Dragon’s Eye) Aspect: The Chronicle of New Media Art (DVD). Featured in Hi-Tech,Volume 17 2010 The Sound of Red Earth (Kaldor Public Art Projects) 2009 The Gorilla Variations, with Molly Berg (12k) 2008 Box Music, with Machinefabriek (12K) Stephen Vitiello with eighth blackbird (Magic If) Four Color Sound (Texas Gallery) Audible Geography (Room 40) 2007 Listening to Donald Judd, CD (Sub Rosa) Untitled/Exchange (A Question of Re-Entry) On Isolation (Room 40) From The Kitchen Archives, No 4: Composers Inside Electronics (Orange Mountain Music) (producer) The Smallest of Wings (UTC) 2006 Inductive Music (Magic If) An Anthology Of Noise & Electronic Music Volume 4 (Sub Rosa) From The Kitchen Archives, No 3: Amplified: New Music Meets Rock 1981-1986 (Orange Mountain Music) (producer) 2005 Scratchy Monsters, Laughing Ghosts, CD (New Albion Records) Buffalo Bass Delay, CD (Hallwalls) From The Kitchen Archives No. 2: Steve Reich and Musicians Live 1977 (Orange Mountain Music) (producer) The Bode Sound Project (iea) 2004 Noli me legere…to Maurice Blanchot (SIRR) The Relay Project issue 1 (The Relay Project) Melatonin: Meditations on Sound in Sleep (Room 40) A Call for Silence (, UK) From The Kitchen Archives: New Music, New York 1979 (Orange Mountain Music) (producer) 2003 Scanner/Stephen Vitiello (Audiosphere) Splitting Bits, Closing Loops: Sound on Sound, compilation CD (Leonardo Music Journal CD Series 13) Surface Tension, producer of CD, accompanies book (Errant Bodies Press) Sound Polaroids, unique track on CD with Scanner (Bip Hop) 2002 Humming Bird Feeder (ver.02) (Lucky Kitchen) Whitney Biennial, 2002, track on compilation included with exhibition catalog (Whitney Museum of American Art)

2001 Bright and Dusty Things (New Albion Records) 17:48 from the Texas Gallery (Texas Gallery) Sounds Building in the Fading Light (Creamgarden) Nam June Paik: Works 1958-1979, (producer) (Sub Rosa) 2000 Scratchy Marimba, CD (Sulfur U.S./Sulphur U.K.)

Special Events 2016 TedxRVA, Richmond Ted X talk, Richmond, VA 2006 Opening Up Art, Tate Modern Collection with UBS, Tate Modern, London, England. Field Phased, installation commissioned by Vamp, London, UK for on-night exhibition at the Tate Modern’s Turbine Hall 2005 MediaScope: Stephen Vitiello, The Museum of Modern Art, New York, NY

Curator 2018 Soundscapes, Miles C. Horton Jr. Gallery at Virginia Tech’s Moss Arts Center, Blacksburg, VA 2011-2015 With Hidden Noise, touring exhibition with 7 venues in the U.S. and Australia for Independent Curators International 2010 Midnight Concert Series, 01SJ Biennial, San Jose, CA 2005-2008 Hidden City, Peregrine Productions, Philadelphia, PA. (Curatorial advisor) 2005 Performance-Video Program for Videobrasil festival, Sao Paulo, Brazil 2004 Kitchen Benefit at Town Hall, New York, NY 2002 New York, New Sounds New Spaces, Museum of Contemporary Art, Lyon, France 1999-2000 Sound Art Program for The American Century: Art and Culture 1950-2000, Whitney Museum of American Art, NewYork, NY 1996 Young and Restless, Museum of Modern Art, New York, NY

Interviews with Stephen Vitiello (Print, Radio, Television and online publications) 2013 “Steve Roden and Stephen Vitiello," BOMB Magazine, # 125, Fall House of Jack, Joy FM, Melbourne, Australia 2012 Tyler Green’s Modern Art Notes Podcast Quiet Design Podcast, distributed via iTunes Interview with Stephen Vitiello by Katie Geha, Glasstire.com 2011 Stephen Vitiello: Listening with Intent, 27-minute documentary produced by ABC- TV, Australia Stephen Vitiello: Live at WFMU, 2-hour broadcast, redistributed online via the Free Music Archive Studio 360, WNYC Radio, New York, NY. NPR broadcast and podcasted interview 2010 ABC Radio National, Sydney, Australia “The Bells of New York,” Today Programme, BBC Radio, August 30

Farber, Jim, “Stephen Vitiello’s ‘A Bell For Every Minute’ at High Line Park highlights amazing clangs of 59 bells,” The Daily News, July 29 Blackman, Charles, “Stephen Vitiello Interview,” Artwriter.com, August 2008 Traub, Peter, “Interview: Stephen Vitiello,” Networked Music Review, March 16 “The Front Row,” interview on Houston Public Radio, KUHF 88.7 fm 2007 Payne, Bret, “Stephen Vitiello: Capture and Process,” TapeOp: The Creative Music Recording Magazine, May/June Weekend America, American Public Radio, feature on David Tudor’s Rainforest IV performance at The Kitchen, NY 2006 Uitti, Frances-Marie, “Stephen Vitiello,” Contemporary Music Review, Vol. 25, No. 5, October Rimbaud, Robin, “Artworker of the Week: Stephen Vitiello,” Kultureflash.com, September 26 Fernandez, Lupe Nunez, “Interview with Stephen Vitiello, Showing at Museum 52, London,” Saatchi Online: Daily Magazine Lansky, Paul, “Interview: Stephen Vitiello,” Artkrush, January 11-24 The Ticket, BBC Radio (UK), interview and recordings played Stephen Vitiello: Sculptor of Sound, feature on Virginia-based National Public Radio program “With Good Reason” Whoosh: Stephen Vitiello. Nationally syndicated radio feature on American Public Radio’s Weekend America, featuring interview and sound work created for the Cultural Olympics in Torino 2003 France Culture, French National Radio feature with interview All Things Considered, National Public Radio feature on Yanomami Recordings The Savvy Traveler, National Public Radio feature on Yanomami Recordings 2002 Art on the Edge, SAFm, nationally broadcast radio feature, South Africa Studio 360, National Public Radio feature on World Trade Center Recordings 2001 Sunday Morning, interviewed on CBS-TV, feature story on Nam June Paik 1998 Cooke, Lynne, “Interview with Tony Oursler, Stephen Vitiello and Constance De Jong,” Tony Oursler, Kunstverein Hannover (catalog for exhibition by Tony Oursler)

Articles (writing by Stephen Vitiello) 2013 “Nam June Paik: Musician and Media Artist: Stephen Vitiello interviews Composer Ryuichi Sakamoto,” Eye Level (Smithsonian Art Museum’s Blog), April 9 2012 “Stephen Vitiello, Jennie C. Jones; Artists on Artists,” BOMB Magazine, #118, Winter 2008 “The San Francisco Tape Music Center: 1960s Counterculture and the Avant- Garde,” Modern Painters

2005 “Top Ten: The Best Music of The Year,” Artforum, December 2001 “Music from the 91st floor,” The Wire, November

Books, Monographs, Catalogs and/or Chapters (writing by Stephen Vitiello) 2019 Torres, Edwin (editor), The Body in Language: An Anthology, Counterpath 2017 “Bells in Danny’s Sky,” short essay and photos for Danny McCarthy’s catalog, Beyond Silence (A Bell Rings In An Empty Sky) published by Crawford Art Gallery and Farpoint Recordings 2014 Chiu, Melissa and Michelle Yun (editors), Nam June Paik: Becoming Robot, Press Robson, Julien (editor), Great Meadows: The Making of Here, Hatje Cantz 2011 Kelly, Caleb (editor), Sound (Whitechapel: Documents of Contemporary Art) Continuum and MIT Press Williams, Dawn (editor), Strange Attractor, Crawford Art Gallery and Farpoint Recordings 2010 Kistler, Ashley and Dinah Ryan (editors), TheNameless Hour: Places of Reverie, Paths of Reflection, The Anderson Gallery, Richmond, VA Schaffner, Ingrid (editor), Queer Voice, exhibition catalog, Institute of Contemporary Art, University of Pennsylvania 2006 Various, 8 Artists Try Not to Talk About Art, discussion with Robin Rimbaud (aka Scanner), Space Studios, London, UK One to One, Conversation Avec Tony Oursler, preface by Stephen Vitiello, Facteur Humain, Belgium 2003 Vitiello, Stephen, Sounds Found, One Star Press, Paris, France

Books, Monographs, and/or Chapters (writing about Stephen Vitiello) 2019 Toop, David, Inflamed Invisible: Collected Writings on Sound and Art, 1976-2018, Goldsmiths Press, pp. 128, 130 2017 Scrimshaw, Will, Immanence and Immersion: on the acoustic condition in contemporary art, Bloomsbury Academic 2015 Orange, Hillary (editor), Reanimating industrial spaces: conducting memory work in post-industrial societies, Walnut Creek Press, pp. 109, 116-117 Phillips, Aine (editor), Performance Art in Ireland: A HISTORY, The University of Press Books, pp.138-9, 145-6, 162 2014 Albert, Bruce, “Yanomami: Back to the Image(s)” in: Fondation Cartier Trente ans pour l'art contemporain, vol 2, Paris : Fondation Cartier pour l 'Art Contemporain, pp. 242, 243, 244 Meyers, Victoria, Shape of Sound, Artifice Books on Architecture 2013 Wilson, Michael, How to Read Contemporary Art: Experiencing the Art of the 21st Century, Ludion, Antwerp & Abrams, New York, pp. 364-365

2011 DeWitte, Debra, Ralph Larmann and M. Kathryn Shields, Gateways to Art: Understanding the Visual Arts, Thames and Hudson, p. 239 2009 Kim-Cohen, Seth, In the Blink of an Ear: Towards a Non-Cochlear Sonic Art, Continuum, pp. 128-131 2007 Licht, Alan, Sound Art: Beyond Music, Between Categories, Rizzoli International Publications, New York, pp. 16, 31, 285-286 Altshuler, Bruce, Collecting the New: Museums and Contemporary Art, p. 26: "... idea was discussed by speaker Stephen Vitiello at the panel Digital Happy Hour…" 2006 Wands, Bruce, Art of the Digital Age, Thames & Hudson, photographs and description in the chapter “Performance, Music and Sound Art” pp. 125, 140-141 Meyers, Victoria, Designing With Light. Laurence King Publishing, London, U.K. Discussed in the chapter, “Music With Light”, pp. 15-18 Collins, Nicolas, Handmade Electronic Music: The Art of Hardware Hacking, Routledge, New York and London. Included in the chapter “Visual Music” and elsewhere, pp. 166-167, 192, 219, 229-230 and on accompanying CD, track 18 2005 Danto, Arthur C, Unnatural Wonders: Essays form the Gap Between Art and Life, Farrar, Strauss and Giroux, New York. Discussed in the chapter “The Art of 9/11: One Year Later,” p. 212 Lotringer, Sylvere & Paul Virilio, The Accident in Art, Semiotext(e), New York, NY. Discussed in the chapter “The Museum of Accidents,” pp. 106-107 Bjelajac, David, American Art: A Cultural History. Second Edition. Prentic Hall, NJ. In Chapter 9, “Globalization and the Culture Wars: 1980-2003,” description and photograph, p.475 2004 Lovejoy, Margot, Digital Currents: Art in the Electronic Age. Routledge, NY and London, 3rd edition, pp. 203, 261 Toop, David, Haunted Weather: Music, Silence and Memory, Serpent’s Tail, London, U.K., extensive quote in the chapter “Moving Through Sound”, pp. 124-127 2003 Danto, Arthur C, The Abuse of Beauty. Open Court, Chicago and La Salle, Illinois. Work described in the opening chapter “Beauty and the Philosophical Definition of Art,” p. 17 Clayton, Jay, Charles Dickens in Cyberspace: The Afterlife of the Nineteenth Century in Postmodern Culture, Back Matter: "... of American Art. Curated by Stephen Vitiello. New York: January IT- 16,2000. ..." 1999 Marks, Laura, The Skin of the Film :Intercultural Cinema, Embodiment and the Senses, Duke University Press. P.180: “…with an exquisite score for string instruments by Steven Vitiello, which ranges from a gentle melody…”

Exhibition Catalogues 2019 Lavigne, Emma and Emmanuelle de Montgazon, Traversées KIMSOOJA, exhibition in Poitiers, France, published by Silvana Editoriale, Milan, Italy

2013 London, Barbara, Soundings: A Contemporary Score, The Museum of Modern Art, New York, NY 2012 Kamps, Toby, Steve Seid and Jenni Sorkin. Silence, Menil Collection, Houston, TX Hasegawa, Yuko, Tokyo Art Meeting (III) Art & Music—Search for New Synesthesia Published by Filmart-Sha Co., Ltd Daniels, Dieter and Inke Arns. 4’33” Sounds Like Silence, Spector Books, Leipzig, Germany 2011 Eleey, Peter, September 11, MoMA PS1 2009 Between Thought and Sound, published by The Kitchen, New York, NY 2008 Vitiello, Stephen, Finding Pictures, In Search of Sounds, Museum 52, London, catalog/artist book of photographs, scores and drawings 2007 Bray, Natalie and Regine Basha, Stephen Vitiello: Slow Planes, Fast Trees, published by the Contemporary Art Center of Virginia Olsen, Marisa, Networked Nature, published by Rhizome and the College Art Association for exhibition at Foxy Production, New York and The Warehouse Gallery, Syracuse, NY 2006 2006 Biennale of Sydney, Sydney, Australia The Invisible Show, MARCO, Museum of Contemporary Art, Vigo New Crowned Hope (see Green Flame section), Verlager, Vienna, Austria Nam June Paik Award, Museum of Applied Arts, Cologne, Germany Human=Nature, The Firehouse Gallery, Burlington, VT Bienal Do Mercusol, Porto Alegre, Brazil (Biennial exhibition from 2005, multiple catalogs published post-exhibition in 2006) Contemporary Art: Under the Influence, Artists for Chinati, Philips de Pury & Company, NY Sonambiente 2006: Berlin Klang Kunst (Sound Art), Berlin, Germany 2005 Forde, Kathleen, What Sound Does a Color Make? Independent Curators International, NY 15th Festival Internacional De Arte Electronica, Sao Paulo, Brazil Goncharov, Kathleen, The Forest: Politics, Poetics, and Practice, Nasher Museum of Art at Duke University, Durham, NC 2004 Thompson, Liz, Site Matters: The Lower Manhattan Cultural Council's World Trade Center Artists Residency, 1997-2001, LMCC, New York, NY In Resonance, Bumbershoot Arts Festival, Seattle Center Mois De La Photo: Berlin, Paris, Vienna, Maison Europeenne de La Photo Yanomami: o espirito da floresta, Centro Cultural Banco Do Brasil 2003 Albert, Bruce and Davi Kopenawa, Yanomami: l’esprit de la foret, Fondation Cartier pour l’art contemporain, Paris Virilio, Paul, Unknown Quantity, published by Thames and Hudson, UK for the exhibition at the Cartier Foundation, Paris

2002 Rinder, Lawrence, Whitney Biennial 2002: 2002 Biennial Exhibition, Whitney Museum, New York, NY 2001 Herkenhoff, Paulo,“Stephen Vitiello” in Strangers/Etrangers: 2000-2001 P.S. 1 National and International Studio Program, P.S. 1 Contemporary Art Center, L.I.C., NY 2000 Herzog, Amy, “Stephen Vitiello, Greater New York”, CD ROM and online catalogue as part of Greater New York: New Art in New York Now, a P.S. 1 project organized in collaboration with The Museum of Modern Art, NY Stainback, Charles, S.O.S.: Scenes of Sounds, The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY

Articles (and notable press mentions) 2017 Vandso, Anette, “The resonating past – Stephen Vitiello’s World Trade Center Recordings as a lieu de memoire,” Sound Effects: An Interdisciplinary Journal of Sound and Sound Experience, Vol 7, No 2 Higgins, Bart, “The Future of Everything: What to Do With Dead Malls,” The Wall Street Journal, October 25 2015 Brownell, Ginanne, “Website Gives Stage to New-Media Artists,” , October 13 2014 Lutz, Phillip, “Stop. Hey, What’s That Sound? ‘In The Garden of Sonic Delights’ in Katonah,’” The New York Times, July 18 2013 Gopnik, Blake, “Did You Hear That? It Was Art: Museums Embrace Works Made of Sound,” The New York Times, August 1 Gopnik, Blake, “The Art That Roared,” Thedailybeast.com, August 2 Russeth, Andrew, “Now Hear This: For 42 Years, Barbara London Has Been Making Noise at MoMA,” The New York Observer (and galleristny.com), August 6 Beta, Andy, “The Art of Noise, Explored,” The Wall Street Journal, August 6 O’Mahony, Don, “Family Visit Bears Fruit For Sound Artist,” Irish Examiner, June 21 Vogel, Carol, "Inside Art: Sound Art at MoMA, and Big Works at Christie's and Sotheby's," The New York Times, April 5 Stults, Chris, “Eder Santos and Stephen Vitiello: Cinema 2009” essay for the Wexner Center of the Arts website 2011 Helfand, Glen, “September 11,” Artforum.com Vogel, Carol, “MoMa PS 1 Plans 9/11 Exhibition,” The New York Times, July 28 2010 Donoghue, Katy, “Stephen Vitiello: The Archivist,” Whitewall Magazine, Summer Vogel, Carol, “Inside Art,” The New York Times, March 18 Berman, Greta, “The High Line: Sights and Sounds Above Manhattan,” The Julliard Journal Online, October Fortescue, Elizabeth, “Unusual Ear for Art,” Daily Telegraph, August 16

Wilson, Ashleigh, “Sound artist recreates ‘loud silence’ of bush,” The Australian, August 13 “Hitchcock’s dread resonates for sound man,” The Sun-Herald, August 8 Stuart, Robyn, “Stephen Vitiello: A Furnace of Sound,” Das Superpaper, Issue 15 Morgan, Joyce, “Stone the crows, Broome has come to the Brickworks,” Sydney Morning Herald, August 19 2009 Rhodes, Nancy Keefe, “Sound Scores at the Warehouse,” Syracuse City Eagle, May 07 2008 Timin, Alyssa, “Picturing Music: The Return of Graphic Notation,” New Music Box, February 27 Kilston, Lyra, Working Practice: Steve Roden and Stephen Vitiello,” Modern Painters, February 2007 Freed, James, “Quiet, Please? Not for This Art,” The New York Times, March 28 2005 Kim-Cohen, Seth, “The Lost Voice,” ArtReview, May 2004 Pollak, Barbara, "Stephen Vitiello: Feel the Noise," from the issue dedicated to: “25 Movers, Shakers, Makers,” Artnews Boxer, Sarah, “Sounds of a Silent Place,” The New York Times, September 11 Raven, Lucy, “Surround Sound,” NYFA Quarterly, spring 2002 Minaliza 1000, "SCI-ART: Art for the Sake of Life, Art for the Sake of Light," NY Arts, December Vogel, Carol, “Inside Art,” The New York Times, June 28 2000 Goldsmith, Kenneth, “Don't quit your day job,” New Music Box, The American Music Center, April 1999 Khazam, Rahma, “Stephen Vitiello's Art of Noises are a moveable feast,” The Wire, July

Reviews 2020 Haase, Amine , “Poitiers, DIE STADT UND DIE KUNST Traversées / Kimsooja, Poitiers,” Kunstforum International, Volume 265, January - Feb 2019 Lequeux, Emmanuelle Le Monde, “Avec Kimsooja, Poitiers se laisse traverser par l’art contemporain, La plasticienne sud-coréenne jouit d’une carte blanche dans la cité poitevine,” 12-23 Gottshalk, Kurt, “New Ear Festival,” The Wire, Issue 422, April Dalla Villa Adams, Amanda, “Bug Songs: A new sound art exhibit at Sediment Gallery explores the effect of climate change and the way insects communicate,” Style Weekly, March 26 2018 Brock, Hovey, “Declaration, A Group Exhibition,”The Brooklyn Rail, June 5 2017 Mercier, Clementine, “Tony Oursler, Sharp Riffs,” Liberation, September 22 2013 Cotter, Holland, “Going to MoMA to See the Sounds,” The New York Times, August 9

Rosenberg, Karen, “A Roving Art Fair Finds a Home Court Advantage,” The New York Times, May 10 2011 Smith, Roberta, “Three Ways To Look Back, None Easy,” The New York Times, September 9 2010 Scott, Andrea K. “Chime After Chime” , August 16 Wilson, Michael, “Stephen Vitiello, A Bell For Every Minute,” Time Out New York, July 29 Esplund, Lance, “Big Brother and Bells Toll,” The Wall Street Journal, August 21 2008 Ollman, Leah, “Stephen Vitiello’s installation art at MC,” The Los Angeles Times, August 22 Britt, Douglas, “Light, sound, video, smoke: all part of DiverseWorks’ atmosphere (installations by Hearn, Vitiello are tied together, complementary),” Houston Chronicle, June 5 Cain, Nick, “Stephen Vitiello: Finding Pictures in Search of Sounds at Museum 52,” The Wire, May Krukowski, Damon, “David Tudor’s Rainforest IV,” Artforum, January 2007 Green, Kate, “Steve Roden and Stephen Vitiello, Lora Reynolds Gallery,” Modern Painters, December Smith, Roberta. 'ORGANIZING CHAOS'; Chaotic Creation in Silence and Smashing Guitars,” The New York Times, July 6 Taylor, Kate, “Seeing a Symphony on a Grid,” The New York Sun, September 4 2006 Bell, Eugenia, “Stephen Vitiello, Museum 52,” (critics pick), Artforum.com, September Graves, Jen. “Silhouettes and Frosting: An Airy Show at Western Bridge,” The Stranger, April 6-April 12 DeLaurenti, Chris, “Buffalo Bass Delay,” ei magazine, Winter/Spring Humes, Pete, "Sound artist creates 'Whoosh' for Cultural Olympics," Richmond Times Dispatch, February 12 2005 Chan, Dawn, “In Resonance,” NY Arts, October Pfeiffer, Paul, “Stephen Vitiello: Buffalo Bass Delay,” Bomb, Fall Wilson, Michael, “Stephen Vitiello,” Artforum, April Greene, Rachel, “Stephen Vitiello, ‘The Smallest of Wings,’” Time Out, New York, January 27-February 2 Mueller, Stephen, "The Speed of Sound: Stephen Vitiello and Christian Marclay lay down new aural art challenges," Gay City News, February 3-9 Lebovici, Elisabeth, ”Vitiello, son et Lumiere,” Liberation, January 14 Flavorpill, January 11 Sloan, Dena. “When Sound Becomes Art,” Richmond Times Dispatch, April 7 2004 Cox, Christoph, “Treble,” Artforum, September Schofield, Jack, “Art sounds,” , Thursday, August 5 Tangari, Joe, “Melatonin: Meditations on Sound in Sleep,” Pitchfork Media, July 27th

Licht, Alan, “Treble – New York Sculpture Center,” The Wire, July Gladstone, Valerie, “Moving at the Sound of Light,” The New York Times, April 18 Smith, Roberta, “New Sound, New York,” The New York Times, May 21 Lockwood, Alan, “New Sound, New York Takes Manhattan,” The Brooklyn Rail, May Philbrick, Jane, "Joan Jonas in New York," PAJ: A Journal of Performance and Art, issue # 78 2003 Muchnic, Suzanne, “Into the mind of the shaman,” Los Angeles Times, August 3 Riding, Alan, “Artists Touched by Amazon Tribe,” The New York Times, June 16 Sedofsky, Lauren, “Ce Qui Arrive,” Artforum, February Bousteau, Fabrice & Geoffroy-Schneiter, Berenice, “Yanomami: Le Monde Sans Image,” Beaux Arts, May 2002 Gann, Kyle. “Music Boxes and Photocells in a Land Beyond Time,” The Village Voice, May 1-7 The New Yorker, March 11 Cotter, Holland, “Spiritual America, From Ecstatic to Transcendent,” The New York Times, March 8 Woodard, Josef, “Experiments Take Festival Frontier of Sound,” Los Angeles Times, August 6 Cotter, Holland, “Never Mind the Art Police, These Six Matter,” The New York Times, May 5 Caux, Jacqueline, Art Press, June Thon, Ute, “Neuer Blick nach Innen,” Art, May Boschmann, Hella, “Man kann die Twin Towers noch hoeren,” Die Welt, June 25 Trainor, James, “Stephen Vitiello,” Frieze, May Rauterberg, Hanno, “Danke, Herr, fur Video,” Die Zeit, May