CLAUDIA RANKINE Curriculum Vitae Home Address And
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Celebrating the Best American Poetry 2018 at Villanova[3]
Celebrating the Best American Poetry 2018 at Villanova February 6, 2019 5:00 Connelly Center Cinema 6:15 (St. David’s Room) Reception and Book Signing Villanova University is honored to host the regional launch of the thirtieth anniversary edition of The Best American Poetry, guest edited by Dana Gioia, David Lehman, general editor. For three decades, the Best American Poetry has served as an annual occasion to recognize new work by American authors; inclusion is one of the great honors established and emerging poets may receive. The anthology was officially launched at New York University, in September 2018, but Villanova now brings together six of the anthology’s authors, along with David Lehman, for an evening of reading, discussion, and fellowship on our campus. David Lehman will chair the event, which will feature short readings from six poets: Maryann Corbett, Ernest Hilbert, Mary Jo Salter, Adrienne Su, Ryan Wilson, and Villanova’s own James Matthew Wilson. The public is warmly invited to this special evening to celebrate the achievement of contemporary letters and to join us for food and conversation afterwards. This event is sponsored by the Honors Program, the Villanova Center for Liberal Education, the Department of English, and the Department of Humanities. For more information, contact James Matthew Wilson, at [email protected] About the poets Maryann Corbett was born in Washington, DC, and grew up in northern Virginia. She earned a BA from the College of William and Mary and an MA and PhD from the University of Minnesota. She has published three books of poetry: Breath Control (2012); Credo for the Checkout Line in Winter (2013), which was a finalist for the Able Muse Book Prize; and Mid Evil (2014), the winner of the Richard Wilbur Award. -
COVER Feature
COVER FE ATURE 90 PROVINCETOWN ARTS 2016 Over the Years, Listening and Talking, with Marie Howe By Richard McCann About the writing of the poem, she says: Don’t hold back. She says: Write into things. Shine a light into the underlit places. About the writing of the poem, she says: The hard part is getting past the blah blah blah. Past the I think I think I think. Once, one New Year’s Eve in Provincetown, Heidegger, she says. Vorhanden. Objectively pres- maybe in the late 1990s, a bunch of us were back- ent. Present-at-hand. ing back home down Commercial Street in the Over the years, we have made an unintended snow. Mark Doty. Tony Hoagland. Maybe Nick habit of talking about poetry by talking about Flynn. Marie. And me. The snow had started to that snow. fall while we were huddled in a restaurant, laugh- She says: The things of the world don’t need ing and talking. As soon as we stepped out, we our language. Not in order to become more than could feel the winds pick up. The snowstorm was what they already are. turning into a blizzard. I’ve never had a mentor, not as a writer, except We had to link our arms, just so we could make maybe for Tillie Olsen, who used to tell me stories it down the street. from her life. Walking back one night from a lec- Then Tony called out, I know how each of you ture about the stages of grieving, for instance, not would write about this snow. -
The Progressive Stages of the Black Aesthetic in Literature
Notes 1. TOTAL LIFE IS WHAT WE WANT: THE PROGRESSIVE STAGES OF THE BLACK AESTHETIC IN LITERATURE 1. This was the problem of nomenclature that had bogged down some of Douglass' thoughts toward the correction of racism. He was tom, as was true of many black leaders, between a violent response to white violence and arrogance, and his own Christian principles. Yet this dissonance did not lead to inaction: cf., the commentary preceding The Life and Times of Frederick Douglass' in Early American Negro Writers, edited by Benjamin Brawley (New York: Dover, 1970). 2. Although I have chosen as the focus of my inquiry Major, Baker, Gayle, and Baraka because of the quantity and quality of their comments, and because of their association with Reed, it is still an arbitrary choice which excludes many other critics who were import ant to the formation of the new black aesthetic. Certainly Hoyt Fuller, the former editor of Black World, deserves his place among the leading black aestheticians, as does Larry Neal. An excellent reference for a more full discussion of other personalities in the new black aesthetic is Propaganda and Aesthetics: The Literary Politics of Afro-American Maga zines in the Twentieth Century, by Abby A. Johnson and Ronald Mayberry Johnson (Amherst: University of Massachusetts Press, 1979). 3. This method of delivery was one of the mainstays of effective communication for those obsessed with the power of the word in the 1960s: Baraka, Cleaver, Sonia Sanchez, even Jane Fonda. Ntozake Shange would write in 1980 that blacks had so claimed 'the word' that it hardly mattered who spoke or what was said; the listener was immediately comfortable with simply the grace and rhythm of the words issuing forth. -
The Anorexic Aesthetic: an Analysis of the Poetics of Glück, Dickinson
The Anorexic Aesthetic: An Analysis of the Poetics of Glück, Dickinson, and Bidart Alexandra Haley Rigl Submitted to the Department of English, Vanderbilt University, in partial fulfillment of the requirements for Honors in the Major, April 11, 2014 Table of Contents Introduction.....................................................................................1 I. Louise Glück.....................................................................................................5 II. Emily Dickinson: The Ascetic Aesthetic as a Historical Analog of the Anorexic Aesthetic..........................................................................................................28 III. Frank Bidart: Enacting Anorexia in Persona ..................................................53 Conclusion.......................................................................................................69 Selected Bibliography.....................................................................................71 1 The Anorexic Aesthetic in Poetry “And so the poet may come to have a ‘vested interest’ in his handicaps; these handicaps may become an integral part of his method; and in so far as his style grows out of a disease, his loyalty to it may reinforce the disease.” Kenneth Burke Discussing the correlation between the mind and body, scholar Kenneth Burke identifies a peculiar yet profound imitation of life in art, specifically drawing a connection between artist and disease in such a way that suggests a nosological classification of a writer’s form -
1 Creative Expression in Writing (EGL 32 W)
Creative Expression in Writing (EGL 32 W) - Preliminary Syllabus Instructor: Brittany Perham Term: Fall 2015 Required Materials 1. Great American Prose Poems: From Poe to the Present, edited by David Lehman ISBN-13: 978-0743243506 Available at Powell’s Books here: GAPP Available at Amazon.com here: GAPP 2. Short Takes: Brief Encounters with Contemporary Nonfiction, edited by Judith Kitchen ISBN-13: 978-0393326000 Available at Powell’s Books here: Short Takes Available at Amazon.com here: Short Takes 3. Sudden Fiction: American Short-Short Stories, edited by Robert Shepard & James Thomas ISBN-13: 978-0879052652 Available at Powell’s Books here: Sudden Fiction Available at Amazon.com here: Sudden Fiction 4. Online reading (posted online in the form of links) 5. Handouts (posted online in the form of .pdf files) The Online Community The fabulous thing about the Online Writers’ Studio is that it brings together like-minded people from all over the world. Together we will form a community of writers who will challenge and support each other. This is your class. Grading Most students enroll in this course under the non-graded (NGR) or the Credit/No Credit (i.e. pass/fail) options. If you would prefer to be graded, or if you must receive a letter grade to meet the requirements of your academic program, participation will serve as the basis of your grade. In order to receive an A, you must turn in all three pieces of writing for workshop, fulfill your responsibilities as workshop member, and participate thoughtfully in class discussion. If you complete less than 60% of the course work on time, you will receive an F. -
Culture and Humor in Postwar American Poetry
Palacký University, Olomouc Culture and Humor in Postwar American Poetry Jiří Flajšar Olomouc 2014 Reviewers: doc. Mgr. Jakub Guziur, Ph.D. Mgr. Vladimíra Fonfárová “The research and publication of this book was in the years 2012–2014 financed by the Faculty of Arts, Palacký University, Olomouc from the Fund for the Research Advancement.” All rights reserved. No part of this publication may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, now known or hereafter invented, without written permission by the copyright holder. © Jiří Flajšar, 2014 © Palacký University, Olomouc, 2014 First Edition ISBN 978-80-244-4158-0 This book is dedicated to my family. Contents Introduction 7 Crisis or Not: On the Situation of American Poetry and Its Audience 17 Humor as a Method in Postwar American Culture Poetry 33 Allen Ginsberg: Odyssey in the American Supermarket 43 Kenneth Koch: The Poet as Serious Comic 63 “Reality U.S.A.”: The Poetry of Mark Halliday 81 R.S. Gwynn: The New Formalist Shops at the Mall 107 Campbell McGrath: The Poet as a Representative Product of American Culture 127 Tony Hoagland: The Poetry of Ironic Self-Deprecation 185 Billy Collins: The Genteel Commentator 207 Culture, Identity, and Humor in Contemporary Chinese-American Poetry 215 Bibliography 227 Index 247 Introduction The United States themselves are essentially the greatest poem. —Walt Whitman Something we were withholding made us weak Until we found out that it was ourselves We were withholding from our land of living —Robert Frost What counted was mythology of the self, Blotched out beyond unblotching. -
Walt Whitman, Clarence Major, and Changing Thresholds of American Wonder Linda Furgerson Selzer
Volume 29 | Number 4 (2012) pps. 159-170 Special Focus: Whitman's Influence Walt Whitman, Clarence Major, and Changing Thresholds of American Wonder Linda Furgerson Selzer ISSN 0737-0679 (Print) ISSN 2153-3695 (Online) Copyright © 2012 by The nivU ersity of Iowa. Recommended Citation Selzer, Linda Furgerson. "Walt Whitman, Clarence Major, and Changing Thresholds of American Wonder." Walt Whitman Quarterly Review 29 (2012), 159-170. Available at: http://dx.doi.org/10.13008/2153-3695.2032 This Essay is brought to you for free and open access by Iowa Research Online. It has been accepted for inclusion in Walt Whitman Quarterly Review by an authorized administrator of Iowa Research Online. For more information, please contact [email protected]. WALT WHITMAN, CLARENCE MAJOR, AND CHANGING THRESHOLDS OF AMERICAN WONDER LINDA FURGERSON SELZER ALTHOUGH WALT WHITMAN never ventured further into the West than his 1879 trip to Colorado, his imagined Western landscapes play a central role in the distinctively American poetic voice that energizes the mul- tiple editions of Leaves of Grass. Contemporary African American poet, novelist, and painter Clarence Major has lived and worked for much of his adult life in the West, so it is not surprising that its material and figurative landscapes are also central to his multiple artistic projects. In addition, Major consciously engages Whitman’s imagined West in his essays and poetry, and his poem set on the coast of Northwestern California, “September Mendocino,” is a direct response to Whitman’s better-known “Song of the Redwood-Tree.” Whitman’s poem, com- posed in the year after his paralytic stroke on January 23, 1873, was first published inHarper’s New Monthly Magazine in 1874. -
Reading by David Lehman
FOR IMMEDIATE PRESS RELEASE 4-5-17 EVENTS: Poets of National Stature Reading Series presents: Leading poet David Lehman o Reading by David Lehman, author of Poems in the Manner Of… at Writer’s Block o Dylan, the Nobel, & the Jewish American Songbook, lecture & discussion led by David Lehman. WHO: David Lehman is one of America’s leading poets using humor and everyday language to bring us great insight into the most powerful thoughts and feelings of life. He wrote an article recently regarding Bob Dylan and the Nobel Prize for the Wall Street Journal and was quoted prominently on the topic in the Washington Post. David Lehman’s books include Yeshiva Boys, A Fine Romance: Jewish Songwriters American Songs, and most recently, Poems in the Manner of.... He edits the Best American Poetry series the Oxford Book ofAmerican Poetry. As series editor, he has earned high acclaim for his pivotal role in garnering contemporary American poetry a larger audience. One of the foremost editors, literary critics, and anthologists of contemporary American literature, David Lehman is also one of our most accomplished poets. WHEN: Reading by David Lehman: Saturday, May 20, 7:00-8:30 p.m., Writer’s Block 1020 Fremont St #100, Las Vegas, NV 89101. Dylan, the Nobel, & the Jewish American Songbook – Lecture & Discussion by David Lehman: Sunday, May 21, 3 - 4:30 p.m. Congregation Ner Tamid, Beit Tefillah (Room) 55 N Valle Verde Dr, Henderson, NV 89074. COST: Both events are free and open to the public. CONTACT: Bruce Isaacson, CC Poet Laureate 702-205-7100 or [email protected] Angela M. -
Click Here For
GRAYWOLF PRESS Nonprofi t 250 Third Avenue North, Suite 600 Organization Minnneapolis, Minnesota 55401 U.S. Postage Paid Twin Cities, MN ADDRESS SERVICE REQUESTED Permit No 32740 GRAYWOLF PRESS Graywolf Press is a leading independent publisher committed to the discovery and energetic publication of twenty-fi rst century American and international literature. We champion outstanding writers at all stages of their careers to ensure that adventurous readers can fi nd underrepresented and diverse voices in a crowded marketplace. We believe works of literature nourish the reader’s spirit and enrich the broader culture, and that they must be supported by attentive editing, compelling design, and creative promotion. Winter 2019 www.graywolfpress.org Graywolf Press Visit our website: www.graywolfpress.org Our work is made possible by the book buyer, and by the generous support of individuals, corporations, founda- tions, and governmental agencies, to whom we offer heartfelt thanks. We encourage you to support Graywolf’s publishing efforts. For information, check our website (listed above) or call us at (651) 641-0077. GRAYWOLF STAFF Fiona McCrae, Director and Publisher Yana Makuwa, Editorial Assistant Marisa Atkinson, Director of Marketing and Engagement Pat Marjoram, Accountant Jasmine Carlson, Development and Administrative Assistant Caroline Nitz, Senior Publicity Manager Mattan Comay, Marketing and Publicity Assistant Ethan Nosowsky, Editorial Director Chantz Erolin, Citizen Literary Fellow Casey O’Neil, Sales Director Katie Dublinski, Associate Publisher Josh Ostergaard, Development Officer Rachel Fulkerson, Development Consultant Susannah Sharpless, Editorial Assistant Karen Gu, Publicity Associate Jeff Shotts, Executive Editor Leslie Johnson, Managing Director Steve Woodward, Editor BOARD OF DIRECTORS Carol Bemis (Chair), Trish F. -
The Best American Poetry 2009 Series Editor David Lehman 1St Edition Download Free
THE BEST AMERICAN POETRY 2009 SERIES EDITOR DAVID LEHMAN 1ST EDITION DOWNLOAD FREE David Wagoner | 9780743299770 | | | | | The Best American Poetry 2009 : Series Editor David Lehman Views Read Edit View history. The list doesn't have to make any sense at all. All right, I'll say weird stuff about the fifty states, just meaningless stuff, and string it all togetherthinks Bibbins's clogged brain one fall morning at the New School. Please enter a valid email address. The editor groups poems of particular styles together, and they seemed to progress from more traditional to those that have a more modern flavor. Email address. Known for his marvelous narrative skill and humane wit, David Wagoner is one of the few poets of his generation to win the universal admiration of his peers. Like, what are the things I would do if I met Moses in a laundry room in a twenty-fifth century spaceship? He has been a contributing editor at The American Scholar[35] sincewhere he acts as quiz master for the weekly column Next Line, Pleasea public poetry-writing contest, in addition to writing various articles. A smile of complicity. For years, the Best American Poetry series, edited by David Lehman, has been on a downward slope using slope in the most generous sense of the word. Lehman, David December 4, And poets in America today are defining nothing as much as they are defining poetry itself. About This Item. Join HuffPost. See our disclaimer. This is gibberish pretending to be poetry. To ensure we are able to help you as best we can, please include your reference number:. -
Furiousflower2014 Program.Pdf
Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa. -
The Art of Losing POEMS of GRIEF and HEALING
The Art of Losing POEMS OF GRIEF AND HEALING EDITED BY Kevin Young NEW YORK BERLIN LONDON CONTENTS Introduction XV I. Reckoning Between grief and nothing, I will take grief. W. H. Auden Musee des Beaux Arts 3 Robert Pinsky Dying 4 Rita Dove The Wake 6 Emily Dickinson "After great pain, a formal feeling comes—" 7 "My life closed twice before its dose—" 8 Brenda Hillman Secret Knowledge 9 Much Hurrying 10 Sharon Olds The Race n Terrance Hayes The Whale 13 D. H. Lawrence Silence 15 Wilfred Owen Futility 16 Anne Sexton Lament 17 Stevie Smith Not Waving But Drowning 18 Dylan Thomas Do Not Go Gentle into That Good Night 19 Lucie Brock-Broido Pyrrhic Victory 20 Philip Larkin The Mower 21 Mary Jo Bang No More 22 Ruth Stone Loss 24 Brenda Shaughnessy Ever 25 Nick Flynn Sudden 26 Ted Hughes Do Not Pick Up the Telephone 27 Vll W. H. Auden Funeral Blues 29 Natasha Trethewey Graveyard Blues 30 Donald Hall Without 31 Jean Valentine For a Woman Dead at Thirty 33 Adrienne Rich Final Notations 34 Albert Goldbarth One Continuous Substance 35 Jane Cooper Iron 36 Kevin Young Bereavement 37 Li-Young Lee This Hour and What Is Dead 40 Gerard Manley Hopkins [Carrion Comfort] 42 Forrest Hamer from Choir Practice 43 John Berryman To Bhain Campbell 44 Epilogue 45 Derek Walcott Sea Canes 46 Elizabeth Alexander Autumn Passage 47 Jane Kenyon Let Evening Come 49 II. Regret I believe, but what is belief? Robert Frost Nothing Gold Can Stay 53 Joel Brouwer The Spots 54 Frank Bidart Like 56 Anne Stevenson Dreaming of the Dead 57 Stephen Dobyns Grief 59 Theodore Roethke Elegy for Jane 60 Donald Justice On the Death of Friends in Childhood 61 Simon Armitage The Shout 62 Michael S.