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Click Here For GRAYWOLF PRESS Nonprofi t 250 Third Avenue North, Suite 600 Organization Minnneapolis, Minnesota 55401 U.S. Postage Paid Twin Cities, MN ADDRESS SERVICE REQUESTED Permit No 32740 GRAYWOLF PRESS Graywolf Press is a leading independent publisher committed to the discovery and energetic publication of twenty-fi rst century American and international literature. We champion outstanding writers at all stages of their careers to ensure that adventurous readers can fi nd underrepresented and diverse voices in a crowded marketplace. We believe works of literature nourish the reader’s spirit and enrich the broader culture, and that they must be supported by attentive editing, compelling design, and creative promotion. Winter 2019 www.graywolfpress.org Graywolf Press Visit our website: www.graywolfpress.org Our work is made possible by the book buyer, and by the generous support of individuals, corporations, founda- tions, and governmental agencies, to whom we offer heartfelt thanks. We encourage you to support Graywolf’s publishing efforts. For information, check our website (listed above) or call us at (651) 641-0077. GRAYWOLF STAFF Fiona McCrae, Director and Publisher Yana Makuwa, Editorial Assistant Marisa Atkinson, Director of Marketing and Engagement Pat Marjoram, Accountant Jasmine Carlson, Development and Administrative Assistant Caroline Nitz, Senior Publicity Manager Mattan Comay, Marketing and Publicity Assistant Ethan Nosowsky, Editorial Director Chantz Erolin, Citizen Literary Fellow Casey O’Neil, Sales Director Katie Dublinski, Associate Publisher Josh Ostergaard, Development Officer Rachel Fulkerson, Development Consultant Susannah Sharpless, Editorial Assistant Karen Gu, Publicity Associate Jeff Shotts, Executive Editor Leslie Johnson, Managing Director Steve Woodward, Editor BOARD OF DIRECTORS Carol Bemis (Chair), Trish F. Anderson, Karin Birkeland, Kathleen Boe, Milo Cumaranatunge, Rick Dow, Mary Ebert, Mark Jensen, Tom Joyce, Michelle Keeley, Chris Kirwan, Jill Koosmann, Jim McCarthy, Zachary McMillan, Maura Rainey McCormack, Cathy Polasky, Mary Polta, Paula Roe, Gail See, James Short, Roderic Southall, Debra Stone, Judy Titcomb BOARD EMERITUS Marilynn Alcott, Ann Bitter, Page Knudsen Cowles, Sally Dixon, Colin Hamilton, Betsy Hannaford, Diane Herman, Ed McConaghay, Katherine Murphy, Mary Polta, Bruno A. Quinson, Gail See, Kay Sexton, Margaret Telfer, Melinda Ward, John Wheelihan, Margaret Wurtele NATIONAL COUNCIL Maura Rainey McCormack (Chair), Catherine Allan, Susan Anderson, Marion Brown, Edwin Cohen, Page Knudsen Cowles, Gabriella De Ferrari, Ellen Flamm, Vicki Ford, Lee Freeman, Paul Griffiths, Betsy Hannaford, John Michael Hemsley, James Hoecker, Barbara Holmes, Mark Jensen, Georgia Murphy Johnson, Sheela Lampietti, Shawn Liu, Chris LaVictoire Mahai, Kevin Martin, Elise Paschen, Bruno Quinson, Susan Ritz, Marita Rivero, Eunice Salton, Salvatore Scibona, Sushma Sheth, Stephanie Stebich, Kathryn B. Swintek, Kate Tabner, Margaret Telfer, Nancy Temple, Diane Thormodsgard, Joanne Von Blon, Kristin Walrod, Tappan Wilder, Catherine Wyler ACKNOWLEDGMENTS This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund, and through a grant from the Wells Fargo Foundation. Additional support has been provided by the Amazon Literary Partnership, the College of Saint Benedict, the Jerome Foundation, the Lannan Foundation, the McKnight Foundation, the National Endowment for the Arts, the Elizabeth C. Quinlan Foundation, and Target. Cover design: Kapo Ng and Bookmobile Cover art: Gail Schneider, Right Ear A play about the imagined fault line between black and white lives by Claudia Rankine, THE author of Citizen: An American Lyric WHITE CARD The White Card A Play A Play CLAUDIA RANKINE CLAUDIA RANKINE By the author of Citizen: An American Lyric Claudia Rankine’s first published play, The White Card, poses the essential question, Can American society progress if whiteness remains invisible? Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for up-and-coming Drama, 80 pages, 5½ x 8 artist Charlotte. Their conversation about art and representations of race Paperback, $16.00 March spirals toward the devastation of Virginia and Charles’s intentions. One 978-1-55597-839-6 year later, the second scene brings Charlotte and Charles into the artist’s Ebook Available studio, and their confrontation raises both the stakes and the questions of Brit., trans., audio, 1st ser., dram.: Aragi, Inc. what—and who—is actually on display. Rankine’s The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gal- ALSO AVAILABLE lery, the theater, and the imagination itself. Don’t Let Me Be Lonely, Poetry/Essay, Paperback (978-1-55597-407-7), $16.00 “The White Card stages a conversation that is both informed and Citizen, Poetry/Essay, Paperback derailed by the black/white American drama. The scenes in this one- (978-1-55597-690-3), $20.00 act play, for all the characters’ disagreements, stalemates, and seem- ing impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond.” —Claudia Rankine CLAUDIA RANKINE is “Playwright and poet Claudia Rankine steps boldly into the breach to begin the author of five works of a conversation and challenges us to stay in the room in The White Card, her poetry, including Citizen: groundbreaking piece of theater. By the end of the play, there is a sense An American Lyric, a New that the characters have been altered by their raw, highly-charged encoun- York Times best seller and ters with each other.” —Broadway World winner of the National Book Critics Circle Award. She “An intense and achingly relevant play. Rankine observes the details of is a MacArthur Fellow and white complacency with piercing vision.” —WBUR Iseman Professor of Poetry at Yale University. 1 A novel on the political madness of our time and the internet’s deep workings, by the author of The Infernal Trump Sky Alpha A Novel MARK DOTEN Twice a week, the president pilots his ultraluxury airship Trump Sky Alpha (seats start at $50,000), delivering, as he travels between DC, NYC, and Mar-a-Lago, a streaming YouTube address to the nation, in which he trum- Fiction, 192 pages, 5½ x 8¼ pets his successes and blasts his enemies—until the day his words plunge Paperback, $16.00 the world into nuclear war. One year later, with 90 percent of the world’s February 978-1-55597-828-0 population destroyed, a journalist named Rachel has taken refuge in the Ebook Available Twin Cities Metro Containment Zone. Rachel goes on assignment to docu- Brit., trans., 1st ser., audio, dram.: ment the final throes of humor on the internet in those moments before the The Clegg Agency end, hoping along the way to discover the final resting place of her wife and daughter. ALSO AVAILABLE What she uncovers, hidden amid spiraling memes and Twitter jokes in a The Infernal, Fiction, Paperback working archive of the internet’s remnants, are references to a little-known (978-1-55597-701-6), $18.00 book that inspired a shadowy hacktivist group called the Aviary. Their role in the downfall of the internet, and the enigmatic presence of a figure known only as Birdcrash, take on immense and terrifying dimensions as Rachel ventures further into the ruins of the internet. Mark Doten, a satirist of unparalleled vision, brilliantly details how the internet has infiltrated every aspect of our lives, laying the groundwork for the tumult of our cur- rent political moment, and, in the kaleidoscopic, queer, all- consuming, par- Trump Sky Alpha MARK DOTEN is the allactic swirl of , for the future headed our way. author of The Infernal. One of Granta’s Best of Young Praise for The Infernal American Novelists of 2017, “Doten’s debut is the most audaciously imaginative political novel I’ve ever he is the literary fiction edi- read. The sheer poundage of originality is remarkable.” tor at Soho Press and teaches in Columbia University’s —The New York Times Book Review gradu ate writing program. “Thrilling inventiveness and wild, dark humor. Every bit as harrowing He lives in Brooklyn. to consider as the inane and bloodthirsty era it depicts.” —The Believer 2 An eerie, watery reimagining of the Oedipus myth set on the canals of Oxford, from the author of Fen EVERYTHING UNDER Everything Under A N o v e l D A I S Y J O H N S O N DAISY JOHNSON The dictionary doesn’t contain every word. Gretel, a lexicographer by a novel trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language “An exceptionally talented young English author.”—NPR of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending Fiction, 272 pages, 5½ x 8¼ her days updating dictionary entries. Paperback, $16.00 One phone call from her mother is all it takes for the past to come rush- January 978-1-55597-826-6 ing back. To fi nd her, Gretel will have to recover buried memories of her Ebook Available fi nal, fateful winter on the canals. A runaway boy had found community Brit.: Random House Group Ltd and shelter with them, and all three were haunted by their past and stalked Trans., dram.: Eve White Literary Agency by an ominous creature lurking in the canal: the bonak. Everything and 1st ser., audio: Graywolf Press nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it. ALSO AVAILABLE: In this electrifying reinterpretation of a classical myth, Daisy Johnson Fen , Fiction, Paperback (978-1-55597-774-0), $16.00 explores questions of fate and free will, gender fl uidity, and fractured family relationships.
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