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Carolyn Smart
CAROLYN SMART Professor Department of English, Queen’s University Kingston, ON K7L 3N6 613-533-6000 Ext. 74434 Electronic mail: [email protected] Academic Background: BAH Trinity College, University of Toronto, 1973 Employment--Academic: 2016- Professor, Department of English, Queen’s University 2010-2016 Continuing Adjunct, Department of English, Queen's University 2003-2009 Term Adjunct, Department of English, Queen’s University 1989-2003 Adjunct I, Department of English, Queen’s University Associated Literary Activities: Associate Editor, McGill-Queen’s Press, MacLennan Poetry Series, 2013 - Consultant, Broadview Press, Creative Writing texts, 2013- The Banff School of Fine Arts, Faculty, Writing with Style, Poetry, 2011 Editorial Board member, McGill-Queen’s Press, MacLennan series, 1996-2006 Awards and Honours: Fred Cogswell Award For Excellence in Poetry, 2nd prize, for CAREEN, 2016 Dora Mavor Moore Award: Outstanding New Play, nomination for HOOKED, 2015 Showcase Award, Alberta Magazine Publishers Association, finalist, 2014 K.M. Hunter Artist Awards (Literature) nominated, 2011 ReLit Award, long-listed, 2010 CBC Literary Contest, 1st Prize, Personal Essay Category, for an excerpt from AT THE END OF THE DAY, 1993 National Magazine Awards, Honourable Mention, for a poem published in Quarry, 1992 Publications—Books Authored CAREEN, Brick Books, London ON 2015, 2016 HOOKED - Seven Poems, Brick Books, London ON 2009, 2010, 2011 AT THE END OF THE DAY, A MEMOIR, Penumbra, Manotick ON 2001 THE WAY TO COME HOME, Brick Books, London ON -
David Goodis: Five Noir Novels of the 1940S and 50S Pdf, Epub, Ebook
DAVID GOODIS: FIVE NOIR NOVELS OF THE 1940S AND 50S PDF, EPUB, EBOOK David Goodis, Robert Polito | 848 pages | 16 Oct 2014 | The Library of America | 9781598531480 | English | New York, United States David Goodis: Five Noir Novels of the 1940s and 50s PDF Book To see what your friends thought of this book, please sign up. My impression, and I'm nowhere near the end of reading all of Goodis, is that he is a kind of American Sartre, a two-fisted Dante being backed into a solid wall of desperation and doubt. It will allow future generations to plunge into the luxurious sensation one experiences when reading a Goodis novel, even though it never lasts for long, and is accompanied by the dismal knowledge that it will soon be over. Robert Polito Editor. Parry steps into the room, and addresses his best friend:. May 27, Ben rated it liked it. Goodis is more like a Mickey Spillane with a soul. Robin Friedman I don't feel that this is a fault, however, because I believe Goodis's surrealism is intentional. One of the problems with this is clunky plotting. How to read this? Project support for this volume was provided by the Geoffrey C. He is overly reliant on coincidence and often having a character overhear long sections of dialogue. I much-loved the anthology, especially "Street of No Return. Nicholson Baker. No trackbacks yet. And then the reach for the lever that opens the strongbox and While hitchhiking he is picked up by a woman named Irene Janney. -
Alexandra Chasin CV
Alexandra Chasin CV Employment 2012- Associate Professor, Literary Studies, Eugene Lang College, The New School 2008-2012 Assistant Professor, Literary Studies, Eugene Lang College, The New School Co-Chair, Literary Studies, 2008-2011 2006-2008 Instructor, Writing Department, Eugene Lang College, The New School 2005-2006 Instructor, Institute for Research on Women and Gender, Columbia University 1999-2003 Visiting Faculty, Department of English, University of Geneva 1998-99 Stephen Baker Asst. Professor of Lesbian and Gay Studies, Yale University, with appointments in American Studies and Women’s and Gender Studies 1993-99 Assistant Professor, Department of English, Boston College Director, Program in American Studies, 1997-98 Education 2002 M.F.A. Vermont College of Fine Arts, in Fiction Writing 1993 Ph.D. Stanford University, in Modern Thought and Literature 1987 M.A. Stanford University, in Modern Thought and Literature 1984 B.A. Brandeis University, summa cum laude, with Highest Honors in European Cultural Studies Books Brief. Jaded Ibis Press, 2012 [app/novel] Kissed By. Fiction Collective 2, 2007 [fiction] Selling Out: The Gay and Lesbian Movement Goes to Market. New York: St. Martin’s, 2000 [nonfiction] Short Fiction “This Was Your Last Human," Gigantic Worlds, eds. Barron, Michel, and Nieto, forthcoming. Brief excerpt in The Doctor T. J. Eckleburg Review, January 8. 2013 [online] “A White of Many Colors,” New Orleans Review 37.1, 2011 “Savvy Cremains,” in Moon Milk Review Anthology 2011, ed. Rae Bryant (Moon Milk Review, 2011) -
Poetry in America for Teachers: the City from Whitman to Hip Hop
Poetry in America for Teachers: The City from Whitman to Hip Hop SYLLABUS | Spring 2017 Course Team Instructor Elisa New, PhD, Powell M. Cabot Professor of American Literature, Harvard University Teaching Staff Carra Glatt, PhD, Harvard University Christopher Spaide, Doctoral Candidate, Harvard University Josephine Reece, Doctoral Candidate, Harvard University Khriseten Bellows, National Board Certified Master Teacher Course Developers Adrienne Raphel, Course Developer and Doctoral Candidate, Harvard University Emily Silk, Course Developer and Doctoral Candidate, Harvard University Caitlin Ballotta Rajagopalan, Course Manager, Poetry in America Leah Reis-Dennis, Producer, Poetry in America Course Overview Poetry in America for Teachers is a course designed specifically for secondary school educators interested in developing their expertise as readers and teachers of literature. In this course, available for Professional Development, undergraduate credit, or graduate credit, we will consider those American poets whose themes, forms, and voices have given expression to visions of the city since 1850. Beginning with Walt Whitman, the great poet of nineteenth-century New York, we will explore the diverse and ever-changing environment of the modern city – from Chicago to Washington, DC, from San Francisco to Detroit – through the eyes of such poets as Carl Sandburg, Emma Lazarus, Edna St. Vincent Millay, Langston Hughes, Marianne Moore, Frank O’Hara, Gwendolyn Brooks, Allen Ginsberg, Robert Hayden, and Robert Pinsky, as well as contemporary hip hop and spoken word artists. For a preview of what you can expect in this course, watch our trailer at http://bit.ly/PoetryCityPreview. Course Objectives This course will develop teaching expertise relevant to the Common Core English Language Arts (ELA) standards in grades 6-12. -
Fiction | Nonfiction | Poetry | Hybrid | Dramatic Writing
FICTION | NONFICTION | POETRY | HYBRID | DRAMATIC WRITING Join us for two weeks of seminars, parties, workshops, salons, agent consultations, readings, and more! There are 14 lines in a sonnet and nearly infinite ways of using those lines to impact your reader. There are 14 days in Lit Fest 2019 and more than infinite ways of experiencing it. Even though we may not be the best at math, we do have some impressive numbers for you: 20+ 100+ 13 visiting authors craft seminars public readings 12 9 informative business panels with nighttime salons (featuring live storytelling, authors, agents, and editors a movie night, and spirited conversations) Oh, plus parties, food trucks, and unofficial gatherings on the porch. Lit Fest 2019 contains multitudes. Whether you’re a veteran or a first-timer, we hope you’ll join us for two weeks of literary fun. TABLE OF CONTENTS SEE THE FULL CALENDAR OF EVENTS ON PAGE 32 Advanced Workshops ........................... 2 Salons and Parties ............................. 25 Weeklong and weekend advanced workshops in novel, poetry, Celebrate the kickoff and close of Lit Fest 2019 with parties that short story, memoir, narrative nonfiction, and dramatic writing are include a catered dinner, live music, games, and more. Salons are limited to 10 students each (12 in poetry) and participation is by informal, dynamic evening discussions or performances featuring application only. Weeklong advanced workshops meet five times three or more speakers with varying perspectives on a theme; (typically Monday through Friday) for sessions of about three hours audience participation is encouraged. The ticket price for salons and include an opportunity to meet one-on-one with the instructor. -
“Putting My Queer Shoulder to the Wheel”: America's Homosexual
1 “Putting my Queer Shoulder to the Wheel”: America’s Homosexual Epics in the Twentieth Century Catherine A. Davies University College London UMI Number: U592005 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592005 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 I, Catherine Davies, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 Index Pages 4 Abstract 5 Introduction 47 “Stranger in America”: Hart Crane’s Homosexual Epic 105 “It occurs to me that I am America”: Ginsberg’s Epic Poems and the Queer Shoulder 165 “Narcissus bent / Above the gene pool”: Merrill’s Epic of Childlessness 203 John Ashbery’s Flow Chart: “The natural noise of the present” 247 Postscript 254 Bibliography 4 Abstract This thesis examines five poems by four twentieth-century poets who have explored the epic tradition. Some of the poems display an explicit concern with ideas of American nationhood, while others emulate the formal ambitions and encyclopaedic scope of the epic poem. -
Click Here For
GRAYWOLF PRESS Nonprofi t 250 Third Avenue North, Suite 600 Organization Minnneapolis, Minnesota 55401 U.S. Postage Paid Twin Cities, MN ADDRESS SERVICE REQUESTED Permit No 32740 GRAYWOLF PRESS Graywolf Press is a leading independent publisher committed to the discovery and energetic publication of twenty-fi rst century American and international literature. We champion outstanding writers at all stages of their careers to ensure that adventurous readers can fi nd underrepresented and diverse voices in a crowded marketplace. We believe works of literature nourish the reader’s spirit and enrich the broader culture, and that they must be supported by attentive editing, compelling design, and creative promotion. Winter 2019 www.graywolfpress.org Graywolf Press Visit our website: www.graywolfpress.org Our work is made possible by the book buyer, and by the generous support of individuals, corporations, founda- tions, and governmental agencies, to whom we offer heartfelt thanks. We encourage you to support Graywolf’s publishing efforts. For information, check our website (listed above) or call us at (651) 641-0077. GRAYWOLF STAFF Fiona McCrae, Director and Publisher Yana Makuwa, Editorial Assistant Marisa Atkinson, Director of Marketing and Engagement Pat Marjoram, Accountant Jasmine Carlson, Development and Administrative Assistant Caroline Nitz, Senior Publicity Manager Mattan Comay, Marketing and Publicity Assistant Ethan Nosowsky, Editorial Director Chantz Erolin, Citizen Literary Fellow Casey O’Neil, Sales Director Katie Dublinski, Associate Publisher Josh Ostergaard, Development Officer Rachel Fulkerson, Development Consultant Susannah Sharpless, Editorial Assistant Karen Gu, Publicity Associate Jeff Shotts, Executive Editor Leslie Johnson, Managing Director Steve Woodward, Editor BOARD OF DIRECTORS Carol Bemis (Chair), Trish F. -
Festival Program
LOCATION OF EVENTS All panels and featured events are held in: 1. ATKINSON HALL (Theater & AuditoriumDUHRQVWÁRRU near check-in table. Room 4004 is on 4th Floor near elevator) 2. LITERATURE BUILDING (DeCerteau Room, Bookfair (Faculty Lounge), and Innovation in a Box (Room 145) are all on 1st Floor in the hallway to the right past the glass double-door entry. Signage will direct you to the locations. 3. PRICE CENTER EAST BALLROOM (2nd Floor) These three locations are within 5-7 mins walking distance. Find Food Court at THE PRICE CENTER, plus wine & Beer and good salads at The Loft upstairs at PRICE CENTER EAST. There’s a student Food Co- op at old Student Center on left of map, and Whole Foods, Trader Joes, and restaurants uphill from SHERATON. GETTING AROUND UCSD PARK: Pay to park in GILMAN PARKING STRUC- TURE or HOPKINS PARKING STRUCTURE for short walk to venues. SHUTTLE: There MAY be a nightime shuttle from Price Center E. to the Sheraton from 11PM-12AM. We are working on it. There will be no other Shuttle to/from the Sheraton. WALK/BUS: Walk or take city bus (30 or 42) from SHERATON uphill to GILMAN PARKING STRUCTURE where you can catch CAMPUS LOOP SHUTTLE to take you to ATKINSON HALL or Voigt Drive near the LITERATURE BLDG. 2 3 W E L C O M E T O short of a critical practice, and how critical practices arise and rely on creative alignments. It might be said that &Now writers—in their differing modes—are self- T O M O R R O W L A N D . -
2019–20 LOFT MENTOR SERIES Poetry and Creative Prose Guidelines
2019–20 LOFT MENTOR SERIES Poetry and Creative Prose Guidelines The Loft Literary Center invites poets, fiction, and nonfiction writers to apply to the 2019–2020 Mentor Series in Poetry and Creative Prose. This program offers advanced criticism and professional development opportunities to 12 writers: four each in the genres of poetry, fiction, and nonfiction. THE PROGRAM Twelve emerging writers are selected through a competitive judging process to work intensively with six nationally acclaimed writers of prose and poetry. Three of the mentors spend an extended period of time working with the entire group and conducting genre-specific workshops and individual conferences with the four writers in their genres. The other three mentors come in for intensive weekends of craft seminars with the full group and individual manuscript conferences with the writers in their genre. All participants are featured in a public reading—four fellows with two mentors—throughout the course of the year. Eligibility ● Work must be in the genres of fiction, nonfiction, or poetry. Nonfiction may include memoir, personal essay, literary journalism, and biography. It does not include reportage, blogs, or opinion pieces. ● You may apply in more than one genre, but can only win in one. If you are applying in both fiction and nonfiction, you must submit different work samples. ● You must be a resident of Minnesota for a minimum of 12 months on the date of your application. ● You must not have published (traditional or self-published) more than one book in any genre. ● You may submit work previously published in magazines, journals, or anthologies. -
IFS Brochure . PDF File
2 Welcome to IFS 2015! In the early 1980s when it first began to dawn on me that Self was in everyone and that parts weren’t what they seemed, I had a vision of huge possibility. If it panned out that Self was in there untouched by trauma and accessed by simply getting parts to step back, and if parts could quickly transform from their extreme states to their valuable ones, then that information could change everything. I realized that this paradigm could revolutionize many fields: medicine, education, spirituality, mediation and international relations, criminal justice, and corporate leadership, to name just a few. But I was a therapist and was caught up in the systems thinking movement that was going to revolutionize the mental health field. This was the only field in which I had any expertise or credibility. So I devoted all my energy to helping IFS gain respect and popularity within psychotherapy, hoping that along the way, people with expertise and credibility in other fields would expand it in those directions. At this point, IFS has achieved a level of respectability within psychotherapy, although there are miles to go before we rest. There are also a number of talented people who have brought IFS in small ways to other fields, including health and executive coaching, mediation, and education. In each case, they have been received very well and have been excited by the results, but they have limited time and energy to devote to spreading it. The movie Inside Out is but one of many omens that our culture may be more open to the idea of parts and that the time is ripe for IFS to have a bigger influence in many other areas. -
ENGLISH College of Arts and Sciences Newsletter 2014/2015 Dear Friends
DEPARTMENT OF ENGLISH College of Arts and Sciences NEWSLETTER 2014/2015 Dear Friends, We begin the 2014-15 academic Professors in the English Department. I am especially pleased to note that year with a newly formatted department the inimitable Joyce Troy, administrative assistant to the English Department newsletter. After some consideration, we Graduate Office, received a SUNY Chancellor’s Award for Excellence in decided to move to an annual newsletter – Classified Service, in recognition of her many years of outstanding service to one that is in color and longer, with more faculty and students at UB. content. I hope you enjoy learning about research coming out of the English As always, I am deeply impressed by the creativity and accomplishments Department by faculty like Ruth Mack, a of our students and alumni. To single out just one instance, this past spring specialist in Eighteenth Century Literature a collection of English and Art majors planned and executed a major public who spent last year at the Radcliffe arts project in the hallway linking Clemens to Lockwood Library. Now people Institute for Advanced Study, or Arabella walking through the corridor enjoy poetry by English majors written on the Lyon, Director of UB’s new and highly walls in lettering designed by Art majors. This kind of collaborative project successful Center for Excellence in not only elevates a well-trafficked but otherwise unremarkable hallway, Writing, whose recent book on democracy, rhetoric, and rights received the it represents the kind of creative work we aim to promote in the Arts and 2014 Best Book Award from the Rhetoric Society of America. -
Reviving the Queer Political Imagination
Reviving the Queer Political Imagination: Affect, Archives, and Anti-Normativity Ryan Conrad A Thesis in the Humanities Interdisciplinary Program Centre for Interdisciplinary Studies in Society and Culture Presented in Partial Fulfilment of the Requirements For the Degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada April 2017 © Ryan Conrad, 2017 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Ryan Conrad Entitled: Reviving the Queer Political Imagination: Affect, Archives, and Anti-Normativity and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Humanities) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Rebecca Duclos Susan Knabe External Examiner Monika Gagnon External to Program Anne Whitelaw Examiner Deborah Gould Examiner Thomas Waugh Thesis Supervisor Approved by: Graduate Program Director 10 April 2017 Dean of Faculty Abstract Reviving the Queer Political Imagination: Affect, Archives, and Anti-Normativity Ryan Conrad, PhD Concordia University, 2017 Through investigating three cultural archives spanning the last three decades, this dissertation elucidates the causes and dynamics of the sharp conservative turn in gay and lesbian politics in the United States beginning in the 1990s, as well as the significance of this conservative turn for present-day queer political projects. While many argue