Electroacoustic Music Studios BEAST Concerts in 1995

Total Page:16

File Type:pdf, Size:1020Kb

Electroacoustic Music Studios BEAST Concerts in 1995 Electroacoustic Music Studios BEAST Concerts in 1995 Rumours, Birmingham, England, 22nd - 23rd January Bangor, Wales, 4th February 10th Barber Festival of Contemporary Music, Birmingham, England, 25th January - 4th March Durham, England, 16th February Plugged!, South Bank Centre, London, England, 18th - 19th February More about BEAST concerts:- Tunbridge Wells, 23rd February Concert news Manchester, 25th February Concert archives Rumours, Birmingham, England, 19th - 20th March Sonorities, Belfast, Northern Ireland, 1st May 1995 Aspekte, Salzburg, Austria, 22nd - 25th May Music Live '95, Birmingham, England, May Web, Birmingham, England, 24th -29th May Bath International Music Festival, Bath, England, 31st May Rumours, 22nd - 23rd January 1995 Midlands Arts Centre, Birmingham, England Sunday 22nd January 1. Paul Koonce - Whitewash 2. Joseph Anderson - In Mosaic 3. Ambrose Field - Geosphere 4. Dave Liffen -Trumpet Involuntary 5. Michel Redolf - Desert Tracks Monday 23rd January 1. Brays School - Making a Splash 2. Robert Normandeau - Éclats de voix 3. Bartley Green School - Evolution 4. Paul Dolden - In the Natural Doorway I Crouch 5. Trevor Wishart - Tongues of Fire 6. Three local schools - H-Too-Eau 7. Francis Dhomont - Chiaroscuro 4th February 1995 University of Bangor, Bangor, Wales 1. Jonty Harrison - Klang 2. Joseph Hyde - Songlines 3. Pete Stollery - Shortstuff 4. Andrew Lewis - Ascent 5. Denis Smalley -Pentes 6. Trevor Wishart - Vox 5 7. Alejandro Viñao - Go 10th Barber Festival of Contemporary Music, 25th January - 4th March 1995 Barber Institute, University of Birmingham, Birmingham, England 8th February 1st March Imaginary Guitars New Music Ensemble and BEAST BEAST with Tim Brady (electric guitar) 9th February 3rd March BEAST with Daryl Buckley (guitar). 1.10 pm 1. Pierre Schaeffer - Concertino diapson New Music Ensemble and BEAST 2. Michael Whiticker - In Prison Air 3. Pierre Schaeffer - Variations sur une flûte mexicaine 7.30 pm 4. Haydn Reeder - Draw Near to the Bell 5. Pierre Schaeffer - Suite 14 Fine Arts Brass Ensemble and BEAST 6. Alistair MacDonald - Quite Still 7. Joseph L. Anderson - Loch Lomond 4th March 8. Richard Barrett - Colloid New Music Ensemble and BEAST 10th February 1. Dan Rodger - Invention BEAST with Philip Mead, piano 2. Richard Walley - All Things are Numbered 11th February 3. Mario Verandi - Flamenco Figuras 4. Joseph L. Anderson - On Yon Green Mountains 9.30 am 5. Bernard Parmegiani - De Natura Sonorum Piano/tape/electronics workshop 11.30 am Sound/Space public diffusion workshop 7.30 pm New Music Ensemble and BEAST 16th February 1995 Durham, England Sound diffusion for the Sonic Arts Network Plugged!, 18th - 19th February 1995 Purcell Room, South Bank Centre, London, England A celebration of 5 years of the Sonic Arts Network. 18th February 19th February 7.30 pm Percusion... Plus! 2 pm Mixed Media Marathon 1. Joakim Sandgren - Det är du som drömmer 1. Rebecca Price and Jeremy Arden - Dream Sequence I 2. Sarah Collins - South American Trip 2. Howard Frederic - The Raven's Kiss 3. Jean-Claude Risset - Invisible Irène 3. Ella Tallyn and Transient v. Resident - Vision Junk 4. Martin Wesley-Smith - For Marimba and Tape 4. Alistair Riddell - Dave Reviews 5. Gabriella Ortiz - El Trompo 5. Daniel Copey and David Benke - SILENTFILM 6. Rodolfo Caesar - Nemitoia 6. David Lloyd-Howells - Edge of Shadows 7. Michael Rosas Cobian - De Luna a Luna 7. Neal Farwell - Stone 8. Michael Hobbs - Log Cycle 9. David Benke - Electronic Poem I 10. Francis White - Valdrada 11. Rozenn Nobilet, Andy Visser and Barnaby Oliver - Wonderfullworld 12. Marisa Manchado - F por F 13. Dan Lander - I'm Looking at my Hand 14. James Piekarski - Caleb's Ramble 15. Ofr Hamburger and Adrian Moore - Astonishing Lives Later 16. Kesken - rappaus ja muraali 17. Kesken - RECIRCLE 18. Kesken - Half-Deaf 19. Jeremy Arden - Bear 20. Suse Bohse and Evelyn Ficarra - Those Roads 21. Robert Normandeau - Spleen 22. Lorne Christie and Joseph Hyde - Songlines 7.30 pm Imaginary Guitars 1. Paul Lansky - Dancetracks 2. Tim Brady - Time Lapse Exposure 3. Alain Thibault - Incertitude pourpre 4. Steve Mackey - Cairn/Grungy 5. Peter Cusack - Two Small Boys Go Shopping 6. Tim Brady - Colorless green ideas sleep furiously 7. René Lussier - Roche Noire 23rd February 1995 Tunbridge Wells, England Sound diffusion for the Sonic Arts Network 23rd February 1995 Manchester, England Sound diffusion for the Sonic Arts Network Rumours, 19th - 20th March 1995 Midlands Arts Centre, Birmingham, England Sunday 19th March Music by Rudolfo Caesar, Jonty Harrison, Denis Smalley and Jean-Claude Risset. Monday 20th March 1. Pierre Schaeffer - Quatre Études de Bruit 2. Christian Zanés - Stop! L'horizon 3. François Bayle - Mimaméta 4. Bernard Parmegiani - Dedans-Dehors Sonorities, 1st May 1995 Belfast, Northern Ireland Details unknown. Aspekte, 22nd - 25th May 1995 Salzburg, Austria A festival of contemporary music featuring BEAST and works by Birmingham composers including:- Joe Hyde - Songlines Andrew Lewis - Ascent Adrian Moore - Sieve Jonty Harrison - Hot Air Alistair MacDonald - Kilim Mathew Adkins - Clothed in th Soft Horizon Other featured composers included Andre Ruschkowski, Luigi Nono, Simon Emmerson and Denis Smalley. Music Live '95, May 1995 Birmingham, England Details unknown. Web, 24th - 29th May 1995 The Icehouse at the Bond, Digbeth, Birmingham A mix of specially commissioned music by BEAST composers in an environment designed by Lorne Christie. Pictured above: the centre of the installation [photo: Kevin Busby]. Pictured above: the flyer for the event. Bath International Music Festival, 31st May 1995 Guildhall, Bath, England A concert presented by Birmingham Contemporary Music Group and BEAST. Broadcast live by BBC Radio 3. 1. Toru Takemitsu - Rain-Spell 2. Jonathan Harvey - Mortuos Plango, Vivos Voco 3. Roger Marsh - Kagura 4. Igor Stravinsky - Three Japanese Lyrics 5. Igor Stravinsky - Two Poems of Balmont 6. Jonathan Harvey - One Evening (UK premiere) 7. Pierre Boulez - Dérive I Above: Jonathan Harvey and Alistair MacDonald in rehearsal Photo by Kevin Busby Electroacoustic music studios BEAST Concerts in 1994 Concerts in 1996 .
Recommended publications
  • Delia Derbyshire (1937–2001) 1962 Dartington Summer School
    News Delia Derbyshire (1937–2001) 1962 Dartington summer school. France). The Gold Pierre was Later, in collaboration with Brian awarded to Ludger Bru¨ mmer (Ger- Hodgson and David Vorhaus, she set many) for Nyx, and the Silver Pierre Delia Derbyshire, British pioneer of up Kaleidophon, an independent stu- to Jonty Harrison (UK) for Abstracts electronic music, died in Northamp- dio where she worked on the classic for tape and large orchestra. No mag- ton, England, on 3 July 2001, aged album Electric Storm (1968), which isterium was awarded. Residencies 64. Born in Coventry, England, she was credited to White Noise and re- went to Abdul Wahid Hasnizam (Ma- was educated at Coventry Grammar leased on Island Records. This studio laysia) for Fatihah, Paavo Impio (Fin- School and Girton College, Cam- continued to put together electronic land) for Kaleva, Mei-Fang Lin bridge, graduating in music and music for the London theatre of the (Taiwan) for Interaction, Felipe Perez mathematics. She joined the British late 1960s. In 1973 she left the BBC Santiago (Mexico) for Ofaniel (angel Broadcasting Corporation (BBC) in and after a short period with a pri- de la luna), Juan Pablo Sorrentino 1960 as a studio manager and trans- vate studio she gave up composi- (Argentina) for Mi Primer Cello, and ferred in 1962 to the Radiophonic tional work for many years. Rogelio Sosa (Mexico) for Tenso II. Workshop, where she remained until Recently, she had returned to take In the category for electroacoustic 1973. During that time she produced an interest in electronic music, en- music alone, prizes were awarded to music and sound for almost 200 ra- couraged by members of a younger Natasha Barrett (UK) for Utility of dio and television programs.
    [Show full text]
  • The Sound Effect
    COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright The Sound Effect: a Study in Radical Sound Design Ian Robert Stevenson A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Architecture, Design & Planning The University of Sydney 2015 ABSTRACT ABSTRACT This research project combines a theoretical intervention into sound ontology, with an empirical investigation into listening experience, in parallel with two technologically focused, research-led creative practice projects.
    [Show full text]
  • Capital & Regional Plc Annual Report 2000 Creating Places That Live
    Capital & Regional plc Capital & Regional plc 10 Lower Grosvenor Place, London SW1W 0EN T: 020 7932 8000 F: 020 7802 5600 www.capreg.com Annual Report 2000 Capital & Regional plc Annual Report 2000 Creating places that live Our retail and leis expertise is focus Centres, Retail Pa Capital & Regional is a specialist property company, owning and developing some of the most exciting and distinctive retail and leisure properties throughout the UK. The current portfolio value is over £800m of which 90% is retail and leisure, totalling over seven million sq ft. Capital & Regional’s objective is to use its in-house expertise to create value for tenants and shareholders through the innovative and dynamic management of property assets. Contents 39 Auditors’ Report 01 Highlights 40 Consolidated Profit and Loss Account 02 Chairman and Chief Executive’s Review 41 Note of Historical Cost Profits and Losses 06 Operating Review 41 Statement of Total Recognised Gains and Losses 08 Shopping Centres 41 Reconciliation of Movements in 14 Retail Parks Shareholders’ Funds 20 Xscape 42 Consolidated Balance Sheet 26 Principal Properties 43 Consolidated Cash Flow Statement 28 Board of Directors 44 Company Balance Sheet 30 Financial Review 45 Notes to the Financial Statements 34 Five Year Record 58 Directors’ Report 35 Report on Directors’ Remuneration 60 Notice of the Annual General Meeting 67 and Interests 67 Advisers and Corporate Information 38 Corporate Governance Statement 68 2001 Financial Calendar 01 Capital & Regional plc ure property ed on Shopping rks and Xscape Highlights Pre-tax profit up 5% to £13.4m (1999: £12.8m) Net rental income up 25% to £57m (1999: £45.5m) Earnings per share increased by 10% to 13.4p (1999: 12.2p) Fully diluted net assets per share decreased by 4% to 360p (1999: 376p) Dividends per share up 10% to 5.5p (1999: 5.0p) Disposals to date of £246m – £62m of trading and investment assets during year.
    [Show full text]
  • It Worked Yesterday: on (Re-) Performing Electroacoustic Music
    University of Huddersfield Repository Berweck, Sebastian It worked yesterday: On (re-)performing electroacoustic music Original Citation Berweck, Sebastian (2012) It worked yesterday: On (re-)performing electroacoustic music. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/17540/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ It worked yesterday On (re-)performing electroacoustic music A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy Sebastian Berweck, August 2012 Abstract Playing electroacoustic music raises a number of challenges for performers such as dealing with obsolete or malfunctioning technology and incomplete technical documentation. Together with the generally higher workload due to the additional technical requirements the time available for musical work is significantly reduced.
    [Show full text]
  • Electroacoustic Music Studios BEAST Concerts in 1994
    Electroacoustic Music Studios BEAST Concerts in 1994 Norwich, 7th February Manchester, 22nd February Nottingham, 18th March More about BEAST concerts:- The Acousmatic Experience, Amsterdam, The Netherlands, 7th - 10th April Concert news Edinburgh, Scotland, 17th May Concert archives London, 11th November Birmingham, 13th November Huddersfield Contemporary Music Festival, Huddersfield, 18th November Rumours, Birmingham, England, 4th - 5th December 7th February 1994 Norwich, England Sound diffusion for the Sonic Arts Network 22nd February 1994 Manchester, England Sound diffusion for the Sonic Arts Network 18th March 1994 Nottingham, England Sound diffusion for the Sonic Arts Network The Acousmatic Experience, 7th - 10th April 1994 Amsterdam, The Netherlands A series of concerts performed by BEAST. 7th April 8.15 pm Karlheinz Stockhausen - Hymnen 8th April 8.15 pm 1. Yves Daoust - Suite Baroque: toccata 2. Jonty Harrison - Pair/Impair 3. Yves Daoust - Suite Baroque: "Qu'ai-je entendu" 4. Kees Tazelaar - Paradigma 5. Yves Daoust - Suite Baroque: "Les Agrémants" 6. Barry Truax - Basilica 7. Yves Daoust - Suite Baroque: "L'Extase" 8. Denis Smalley - Wind Chimes 9th April 2 pm 1. Barry Truax - The Blind Man 2. Bernard Parmegiani - Dedans/Dehors 3. Francis Dhomont - Espace/Escape 4. Jan Boerman - Composition 1972 8.15 pm 1. Michel Chion - Requiem 2. Robert Normandeau - Mémoires Vives 3. Bernard Parmegiani - Rouge-Mort: Thanatos 4. Erik M. Karlsson - La Disparition de l'Azur 10th April 2 pm 1. Pierre Schaeffer & Pierre Henry - Synphonie Pour un Homme Seul 2. John Oswald - Plunderphonics [extract] 3. Carl Stone - Hop Ken 4. Mark Wingate - Ode to the South-Facing Form 5. Erik M. Karlsson - Anchoring Arrows 8 pm 1.
    [Show full text]
  • Jonty Harrison
    Department of Music | Stanford University presents Jonty Harrison electroacoustic music CCRMA Stage | Monday, January 10, 2011, 8:00 pm CONCERT PROGRAM Klang (1982) Unsound Objects (1995) Streams (1999) — intermission — BEASTory (2010) Undertow (2007) Internal Combustion (2005-06) All compositions by Jonty Harrison Sound diffusion by the composer PROGRAM NOTES Klang (1982), 2 channels, 9'00 As well as the immediate concern with ‘sound’, the title also reflects the onomatopoeic nature of the family of sounds providing the raw material for the piece – sharp, metallic attacks with interesting resonances rich in harmonics. The starting point was the discovery of two earthenware casseroles, from which two kinds of material were recorded in the Electroacoustic Music Studio of the University of East Anglia during the summer of 1981: attack/resonance sounds made by tapping the lids on or in the bowls, and continuous rolling sounds made by running the lids around the insides of the bowls. Different pitches resulted from the various combinations of lids and bowls, and different qualities of resonance emerged according to the attack position; very close microphone placement maximised the movement within the stereo image. Other related material was also used, both 'concrete' (such as cow-bells, metal rods and aluminium bars) and electronically generated (analogue and digital). The final impetus for the piece came when the composer was invited by János Décsenyi of Magyar Rádió to work in the Radio's Electronic Music Studio in Budapest. Although continuous, Klang falls into six short, fairly clearly defined sections: Introduction; Development 1 (duet); Development 2 (interruption of duet; increase in complexity towards first climax); Development 3 (relatively static section); Development 4 (proliferation of material from Development 3 into glissando structures; build-up to second (main) climax; slow release to:) Coda.
    [Show full text]
  • Sonic Arts Network file:///Users/Daniel2016/Documents/Unla COSAS Y WEBSITES
    Sonic Arts Network file:///Users/daniel2016/Documents/UNLa COSAS y WEBSITES... In conjunction with De Montfort University and Phoenix Arts Leicester CLICK HERE FOR TRAVEL & ACCOMMODATION DETAILS Sonic Arts Network and De Montfort University invite you to the audio big top. Experience the travelling aural carnival that is SoundCircus: Your ears will bear witness to, and be amazed by, a disarmingly diverse range of experimental sound practices from across the UK and beyond… SEE and HEAR new commissions from Kaffe Matthews and Pete Batchelor! EXPERIENCE the untold delights of performances, installations, presentations and papers from a host of established and emerging artists! MARVEL at the sheer quantity of work with over 60 artists presenting at the event 1 de 7 19/8/16 16:38 Sonic Arts Network file:///Users/daniel2016/Documents/UNLa COSAS y WEBSITES... including: Adaadat, BEAST, Codec/X, Peter Cusack, John Levack Drever, Iris Garrelfs, Jonty Harrison, Modified Toy Orchestra, Adrian Moore, Pippa Murphy, Seed Records, Daniel Schachter, Volcano the Bear, David Zicarelli YOU WILL GASP IN AMAZEMENT AND BE LOST FOR WORDS!!! Each year the SAN Conference showcases the best work from artists in the UK using experimental approaches to sound and technology. It also provides a platform for artists to meet, listen and respond. SoundCircus will focus on new cultural trends and aims to highlight the broad range of approaches and thinking that surrounds the sonic arts through a variety of performances, installations and research presentations. Friday 11 June SoundCircus kicks off with a live spectacle featuring the talents of Leicester’s very own iconoclastic avant-post rock/jazz/folk improvisers Volcano the Bear.
    [Show full text]
  • Practical and Theoretical Explorations Into Composing with Disembodied Sound
    Phonographies: Practical and Theoretical Explorations into Composing with Disembodied Sound by John Levack Drever B. Mus, M. Mus A thesis submittedto the University of Plymouth In partial fulfilment for the degreeof DOCTOR OF PHILOSOPHY Dartington College of Arts August 2001 CONTAINS MUSIC CD UNABLE TO COPY CONTACT UNIVERSITY IF YOU WISH TO SEE THIS MATERIAL Copyright Statement This copy of the thesis and accompanying audio CDs have been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author'sprior consent. Abstract Candidate's Name: John Levack Drever B. Mus, M. Mus Title of Thesis: Phonographies:Practical and Theoretical Explorations into Composingwith DisembodiedSound This is PhD submissionis both practical and theoretical. The practical element consistsof nine electroacousticcompositions. The dissertationacts as a discursive accompanimentto the compositions, addressingmany of the contextual and philosophical issuesthat have arisen during the compositional processand the perfannance of the works. It charts out discoursesurrounding the different genresof electroacousticmusic that the works relate to as well as examining models of work in the respective genres (i. e. sonic art, text.. sound, acousmatic composition, inusique concrite and soundscapecomposition), and placesthem into a broader cultural and historical context. Chapter 2 is concerned with the impact of the advent of, and subsequent rapid development of electroacoustically mediatized sound on society and the individual. It relatesa diverse mix of conjectureson disembodiedsound from different fields, practices and cultures, including sonic art. Chapter3 exploresthe emerging genre of soundscapecomposition.
    [Show full text]
  • Nicola Candlish Phd 2012
    Durham E-Theses The Development of Resources for Electronic Music in the UK, with Particular Reference to the bids to establish a National Studio CANDLISH, NICOLA,ANNE How to cite: CANDLISH, NICOLA,ANNE (2012) The Development of Resources for Electronic Music in the UK, with Particular Reference to the bids to establish a National Studio, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3915/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘The Development of Resources for Electronic Music in the UK, with Particular Reference to the bids to establish a National Studio’ Nicola Anne Candlish Doctor of Philosophy Music Department Durham University 2012 Nicola Anne Candlish ‘The Development of Resources for Electronic Music in the UK, with Particular Reference to the Bids to Establish a National Studio’ This thesis traces the history and development of the facilities for electronic music in the UK.
    [Show full text]
  • Nycemf 2021 Program Book
    NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ VIRTUAL ONLINE FESTIVAL __ www.nycemf.org CONTENTS DIRECTOR’S WELCOME 3 STEERING COMMITTEE 3 REVIEWING 6 PAPERS 7 WORKSHOPS 9 CONCERTS 10 INSTALLATIONS 51 BIOGRAPHIES 53 DIRECTOR’S NYCEMF 2021 WELCOME STEERING COMMITTEE Welcome to NYCEMF 2021. After a year of having Ioannis Andriotis, composer and audio engineer. virtually all live music in New York City and elsewhere https://www.andriotismusic.com/ completely shut down due to the coronavirus pandemic, we decided that we still wanted to provide an outlet to all Angelo Bello, composer. https://angelobello.net the composers who have continued to write music during this time. That is why we decided to plan another virtual Nathan Bowen, composer, Professor at Moorpark electroacoustic music festival for this year. Last year, College (http://nb23.com/blog/) after having planned a live festival, we had to cancel it and put on everything virtually; this year, we planned to George Brunner, composer, Director of Music go virtual from the start. We hope to be able to resume Technology, Brooklyn College C.U.N.Y. our live concerts in 2022. Daniel Fine, composer, New York City The limitations of a virtual festival meant that we could plan only to do events that could be done through the Travis Garrison, composer, Music Technology faculty at internet. Only stereo music could be played, and only the University of Central Missouri online installations could work. Paper sessions and (http://www.travisgarrison.com) workshops could be done through applications like zoom. We hope to be able to do all of these things in Doug Geers, composer, Professor of Music at Brooklyn person next year, and to resume concerts in full surround College sound.
    [Show full text]
  • Electroacoustic Music Studios Past BEAST
    Electroacoustic Music Studios Past BEAST Concerts in 2002 See the Concert News page for forthcoming concerts! The St. Dunstan's Experiment, Birmingham, England, 19th January Birmingham, England, 17th February Birmingham, England, 2nd March Birmingham, England, 3rd March The St Dunstan's Experiment Album Launch Party, Birmingham, England, 28th April More about BEAST concerts:- Words and Music, Birmingham/Market Drayton/Manchester/London, England Concert news 7-11, London, England, 11th May Concert archives Industry, Birmingham, England, 7th June Birmingham, England, 13th June Sounding Out, Stoke-on-Trent, England, 11th June 2002 Artsfest, Birmingham, England, 7th September 2002 Inside-Outside, Birmingham, England, 3rd October 2002 Scateren, Birmingham, England, 13th - 16th November 2002 The St. Dunstan's Experiment, 19th January 2002 St. Dunstan's Social Club and Church, Birmingham, England 3 pm - 11 pm (Bar open all day!) Curated by Matt Price and Richard Whitelaw. P.A. by BEAST. Tele:funken and Dreams of Tall Buildings were unable to appear, but Misty's Big Adventure was added to the programme. This supersedes the information in the flyers for the event. Left: Ben Sadler of File audio magazine at the mixer (photograph by Philip Duckworth). Live:- Plus pre-recorded material from:- Misty's Big Adventure Mike in Mono (Plone) Highlights from the first 2 issues of File audio magazine Ohne/Projects The Young Baron BEAST Harvey Dent L'Augmentation Pram The Modified Toy Orchestra ... and others. Grandmaster Gareth Tickets: £6 on the door or £5 in advance. Venue: St.Dunstan's Social Club and Church, King's Heath, Birmingham. Sunday, 17th February 2002 CBSO Centre, Birmingham, England 7.30 pm A concert of works by Jonty Harrison to celebrate his 50th birthday.
    [Show full text]
  • Planning for Inclusive Access in Wales
    Planning for Inclusive Access in Wales Good Practice Guidance Toolkit disability wales anabledd cymru The Way to Go Project This good practice guidance is the final stage of the ‘ Way to Go ’ Project launched by Disability Wales in 2010 with grant funding from the Welsh Government Advancing Equality Fund. The Project aimed to equip planning officers, and disability and access organisations, with the practical tools to work together to ensure a fully inclusive built environment in Wales. This included consultation, engagement and a modular programme of training courses for access groups and planners. The Toolkit brings together the issues and lessons from the training programme to provide an online resource for planners to enable them to plan for inclusive access and to engage effectively with access and disability groups. Editors: Carol Thomas & Caroline Lewis, Access Design Solutions UK Ltd and Andrew Lewis, Lewis Consultancy Advisory Group: Alan Hunt, Pembrokeshire County Council; Vin West, Arfon Access Group; Helen Cook, Tenant Participation Advisory Service (TPAS); Andrea Gordon, Guide Dogs; Huw Thomas, Cardiff University School of Planning and Geography; Laura Crawford, Conwy Access Group; Gail Radcliffe, Conwy County Borough Council; Steve Tilston, Denbighshire County Council ‘Way to Go’ Trainers: James Davies, Planning Aid Wales; Helen Kane, Access-Included; Ann Lukens, Group Works; Dr Robert Gravelle, Consultant, and Disability Wales Staff Commissioned by Disability Wales Access Design Solutions UK Ltd. www.accessdesignsolutions.co.uk
    [Show full text]