Electroacoustic Music Studios Past BEAST
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Delia Derbyshire (1937–2001) 1962 Dartington Summer School
News Delia Derbyshire (1937–2001) 1962 Dartington summer school. France). The Gold Pierre was Later, in collaboration with Brian awarded to Ludger Bru¨ mmer (Ger- Hodgson and David Vorhaus, she set many) for Nyx, and the Silver Pierre Delia Derbyshire, British pioneer of up Kaleidophon, an independent stu- to Jonty Harrison (UK) for Abstracts electronic music, died in Northamp- dio where she worked on the classic for tape and large orchestra. No mag- ton, England, on 3 July 2001, aged album Electric Storm (1968), which isterium was awarded. Residencies 64. Born in Coventry, England, she was credited to White Noise and re- went to Abdul Wahid Hasnizam (Ma- was educated at Coventry Grammar leased on Island Records. This studio laysia) for Fatihah, Paavo Impio (Fin- School and Girton College, Cam- continued to put together electronic land) for Kaleva, Mei-Fang Lin bridge, graduating in music and music for the London theatre of the (Taiwan) for Interaction, Felipe Perez mathematics. She joined the British late 1960s. In 1973 she left the BBC Santiago (Mexico) for Ofaniel (angel Broadcasting Corporation (BBC) in and after a short period with a pri- de la luna), Juan Pablo Sorrentino 1960 as a studio manager and trans- vate studio she gave up composi- (Argentina) for Mi Primer Cello, and ferred in 1962 to the Radiophonic tional work for many years. Rogelio Sosa (Mexico) for Tenso II. Workshop, where she remained until Recently, she had returned to take In the category for electroacoustic 1973. During that time she produced an interest in electronic music, en- music alone, prizes were awarded to music and sound for almost 200 ra- couraged by members of a younger Natasha Barrett (UK) for Utility of dio and television programs. -
The Sound Effect
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright The Sound Effect: a Study in Radical Sound Design Ian Robert Stevenson A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Architecture, Design & Planning The University of Sydney 2015 ABSTRACT ABSTRACT This research project combines a theoretical intervention into sound ontology, with an empirical investigation into listening experience, in parallel with two technologically focused, research-led creative practice projects. -
The ICC, Broad Street, Birmingham B1 2EA (Rooms 11A & B) 0121 200 2000
The ICC, Broad Street, Birmingham B1 2EA (Rooms 11a & b) 0121 200 2000 Location and Transport The ICC Birmingham is superbly positioned at the heart of the UK and its transport network. A truly international city, Birmingham is within easy reach of one of the country's main international airports, the UK's largest interchange rail station and a motorway network that connects The ICC to every part of the UK and beyond. Rooms 11a & b will be clearly posted from the main mall of The ICC. Walking from Birmingham New Street Station Allow 10-15 minutes to walk this route: . Leave the platform heading West on New Street heading towards Temple Street . At Hill Street, turn right . Adjacent to the Birmingham City Council building and just after Birmingham Town Hall, turn left, heading toward Broad Street . Cross the main road and The ICC will be on the right hand side . Once inside the complex, from either the Brindley Place or the Centenary Square entrance, please follow signs from the mall to rooms 11a & b. National Rail Travel – lines to Birmingham New Street Station . Virgin Trains . London-Midland . Wrexham & Shropshire . CrossCountry Trains . Chiltern Railways . Arriva Trains Wales London trains travel from London Euston N.B Do not leave the train at Birmingham International station. Buses The easiest routes are buses to Broad Street or Cambridge Street, where you can then follow the walking directions to the Icc Birmingham. For specific routes, see Travel West Midland’s website for services to Broad Street or type in your own search criteria. For Midland Metro routes, see the Travel Metro Website. -
Birmingham Central Moor Street – B4 7SS PLEASE NOTE
Birmingham Central Moor Street – B4 7SS PLEASE NOTE: there is currently building work taking place around the Victoria Square/Paradise Circus area. The information provided was correct at time of writing, but please follow any diversions towards the ICC/Library/Symphony Hall if required. From hotel to venue (20-25mins/0.9miles) From the entrance, walk straight ahead to the street (Carrs Lane), turn right onto Carrs Lane and continue straight ahead Cross the road at the pedestrian crossing, bear left onto the High Street (which is pedestrianised) and continue straight ahead Take the first right onto Union Street (also pedestrianised) and continue straight ahead, until reaching the end of the street Turn left onto Corporation Street (leaving the pedestrianised area) and continue straight ahead Cross the road when safe and take the second right into New Street (which, again, is pedestrianised) Continue along New Street to the end of the street, where you will come to Victoria Square On the square, continue ahead, towards the Town Hall, and walk along the street on the left- hand side of the Town Hall (Paradise Street) Continue straight ahead along Paradise Street, crossing the pedestrian crossing, to enter Fletchers Walk At the end of Fletchers Walk, you have two routes available: steps or ramp… 1. To take the steps, turn right at the end of Fletchers Walk and continue straight ahead, up the steps. Turn left at the top of the steps and continue ahead into Centenary Square (walking past Baskerville House, The Library of Birmingham and The REP Theatre to your right). -
The ICC, Birmingham Travel Information
The ICC, Birmingham 8 Centenary Square, Birmingham, B1 2EA www.theicc.co.uk View map Travel information Travelling to Birmingham The ICC is located centrally in Birmingham city centre and is easily accessible by road from all over the UK. Visitors from any direction can travel in to Birmingham using many different routes connected to the following motorways: M1, M5, M6 Toll, M40 and M42. If using a satellite navigation system - please follow the postcode B1 2EA. Parking The Barclaycard Arena, King Edwards Road, Birmingham, West Midlands, B1 2AA http://www.arenabham.co.uk/getting-here And when you get here, you’ll find parking’s a walk in the park thanks to the thousands of spaces near to our venue. Our closest spaces are at Arena Birmingham (King Edward’s Road, B1 2AA). You can reserve your space in advance to save you the hassle of paying when you arrive. Mobile payments can be made via www.parkjockey.com/pay and quote location code 5020. Daytime Parking Charges (between midnight and 5pm) Daily Parking Charges effective 1st December 2017 Up to 1 hour £2.50 Up to 2 hours £3.50 Up to 3 hours £4.50 Up to 6 hours £9.00 Up to 9 hours £15.00 Up to 24 hours £20.00 All charges are inclusive of VAT and apply 24 hours a day, seven days a week Birmingham Airport is a major international hub just 10.5 miles (16.9) from the city centre and is directly linked to Birmingham International Railway Station via an Airlink Shuttle. -
Electroacoustic Music Studios BEAST Concerts in 1994
Electroacoustic Music Studios BEAST Concerts in 1994 Norwich, 7th February Manchester, 22nd February Nottingham, 18th March More about BEAST concerts:- The Acousmatic Experience, Amsterdam, The Netherlands, 7th - 10th April Concert news Edinburgh, Scotland, 17th May Concert archives London, 11th November Birmingham, 13th November Huddersfield Contemporary Music Festival, Huddersfield, 18th November Rumours, Birmingham, England, 4th - 5th December 7th February 1994 Norwich, England Sound diffusion for the Sonic Arts Network 22nd February 1994 Manchester, England Sound diffusion for the Sonic Arts Network 18th March 1994 Nottingham, England Sound diffusion for the Sonic Arts Network The Acousmatic Experience, 7th - 10th April 1994 Amsterdam, The Netherlands A series of concerts performed by BEAST. 7th April 8.15 pm Karlheinz Stockhausen - Hymnen 8th April 8.15 pm 1. Yves Daoust - Suite Baroque: toccata 2. Jonty Harrison - Pair/Impair 3. Yves Daoust - Suite Baroque: "Qu'ai-je entendu" 4. Kees Tazelaar - Paradigma 5. Yves Daoust - Suite Baroque: "Les Agrémants" 6. Barry Truax - Basilica 7. Yves Daoust - Suite Baroque: "L'Extase" 8. Denis Smalley - Wind Chimes 9th April 2 pm 1. Barry Truax - The Blind Man 2. Bernard Parmegiani - Dedans/Dehors 3. Francis Dhomont - Espace/Escape 4. Jan Boerman - Composition 1972 8.15 pm 1. Michel Chion - Requiem 2. Robert Normandeau - Mémoires Vives 3. Bernard Parmegiani - Rouge-Mort: Thanatos 4. Erik M. Karlsson - La Disparition de l'Azur 10th April 2 pm 1. Pierre Schaeffer & Pierre Henry - Synphonie Pour un Homme Seul 2. John Oswald - Plunderphonics [extract] 3. Carl Stone - Hop Ken 4. Mark Wingate - Ode to the South-Facing Form 5. Erik M. Karlsson - Anchoring Arrows 8 pm 1. -
Sonic Arts Network file:///Users/Daniel2016/Documents/Unla COSAS Y WEBSITES
Sonic Arts Network file:///Users/daniel2016/Documents/UNLa COSAS y WEBSITES... In conjunction with De Montfort University and Phoenix Arts Leicester CLICK HERE FOR TRAVEL & ACCOMMODATION DETAILS Sonic Arts Network and De Montfort University invite you to the audio big top. Experience the travelling aural carnival that is SoundCircus: Your ears will bear witness to, and be amazed by, a disarmingly diverse range of experimental sound practices from across the UK and beyond… SEE and HEAR new commissions from Kaffe Matthews and Pete Batchelor! EXPERIENCE the untold delights of performances, installations, presentations and papers from a host of established and emerging artists! MARVEL at the sheer quantity of work with over 60 artists presenting at the event 1 de 7 19/8/16 16:38 Sonic Arts Network file:///Users/daniel2016/Documents/UNLa COSAS y WEBSITES... including: Adaadat, BEAST, Codec/X, Peter Cusack, John Levack Drever, Iris Garrelfs, Jonty Harrison, Modified Toy Orchestra, Adrian Moore, Pippa Murphy, Seed Records, Daniel Schachter, Volcano the Bear, David Zicarelli YOU WILL GASP IN AMAZEMENT AND BE LOST FOR WORDS!!! Each year the SAN Conference showcases the best work from artists in the UK using experimental approaches to sound and technology. It also provides a platform for artists to meet, listen and respond. SoundCircus will focus on new cultural trends and aims to highlight the broad range of approaches and thinking that surrounds the sonic arts through a variety of performances, installations and research presentations. Friday 11 June SoundCircus kicks off with a live spectacle featuring the talents of Leicester’s very own iconoclastic avant-post rock/jazz/folk improvisers Volcano the Bear. -
Practical and Theoretical Explorations Into Composing with Disembodied Sound
Phonographies: Practical and Theoretical Explorations into Composing with Disembodied Sound by John Levack Drever B. Mus, M. Mus A thesis submittedto the University of Plymouth In partial fulfilment for the degreeof DOCTOR OF PHILOSOPHY Dartington College of Arts August 2001 CONTAINS MUSIC CD UNABLE TO COPY CONTACT UNIVERSITY IF YOU WISH TO SEE THIS MATERIAL Copyright Statement This copy of the thesis and accompanying audio CDs have been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author'sprior consent. Abstract Candidate's Name: John Levack Drever B. Mus, M. Mus Title of Thesis: Phonographies:Practical and Theoretical Explorations into Composingwith DisembodiedSound This is PhD submissionis both practical and theoretical. The practical element consistsof nine electroacousticcompositions. The dissertationacts as a discursive accompanimentto the compositions, addressingmany of the contextual and philosophical issuesthat have arisen during the compositional processand the perfannance of the works. It charts out discoursesurrounding the different genresof electroacousticmusic that the works relate to as well as examining models of work in the respective genres (i. e. sonic art, text.. sound, acousmatic composition, inusique concrite and soundscapecomposition), and placesthem into a broader cultural and historical context. Chapter 2 is concerned with the impact of the advent of, and subsequent rapid development of electroacoustically mediatized sound on society and the individual. It relatesa diverse mix of conjectureson disembodiedsound from different fields, practices and cultures, including sonic art. Chapter3 exploresthe emerging genre of soundscapecomposition. -
Nicola Candlish Phd 2012
Durham E-Theses The Development of Resources for Electronic Music in the UK, with Particular Reference to the bids to establish a National Studio CANDLISH, NICOLA,ANNE How to cite: CANDLISH, NICOLA,ANNE (2012) The Development of Resources for Electronic Music in the UK, with Particular Reference to the bids to establish a National Studio, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3915/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘The Development of Resources for Electronic Music in the UK, with Particular Reference to the bids to establish a National Studio’ Nicola Anne Candlish Doctor of Philosophy Music Department Durham University 2012 Nicola Anne Candlish ‘The Development of Resources for Electronic Music in the UK, with Particular Reference to the Bids to Establish a National Studio’ This thesis traces the history and development of the facilities for electronic music in the UK. -
Birmingham City Centre Tram Extension Opens to Passengers Ahead of Schedule
11th December 2019 Birmingham city centre tram extension opens to passengers ahead of schedule Two more Birmingham city centre tram stops have today been opened to passengers offering direct services to Christmas markets, attractions and shows. West Midlands Metro trams are from today picking up and dropping off passengers at the new Town Hall and Library stops following successful testing. A six minute peak time service will deliver passengers to the Library of Birmingham, Symphony Hall, ICC, Birmingham Rep, the Council House and Town Hall and offices in and around Centenary Square and Victoria Square. They can also use the tram to visit the German Christmas Market, big wheel and ice rink in the city centre. It is the first time in the UK that trams have used battery power to run along a modern line specifically built without overhead wires, preventing the need to attach cables to historic listed buildings such as Birmingham Town Hall and also reducing the line’s carbon footprint. Laura Shoaf, managing director of Transport for West Midlands (TfWM), which commissioned the extension, said: “This tram extension is open in time for Christmas, but will serve the West Midlands for years to come. We said it would be open by the end of 2019, and here it is ready to go with three weeks to spare. “We are offering people a convenient, fast and reliable service direct to some of Birmingham’s premier visitor attractions as well as the key office developments springing up around Centenary Square. “Our network is expanding rapidly with further extensions in development, and combined with our investment in rail, bus, roads and cycling, is transforming transport in the West Midlands.” Work on the first section of the Westside extension began in June 2017 and construction was carried out by the Midland Metro Alliance (MMA), a consortium set up by the West Midlands Combined Authority (WMCA) to build a series of tram extensions across the region. -
Jewellery Quarter Development Site
JEWELLERY QUARTER DEVELOPMENT SITE FOR SALE WITH PLANNING PERMISSION LAND AT 20-25 LEGGE LANE JEWELLERY QUARTER BIRMINGHAM B1 3LD PROPERTY REFERENCE: 15889 FREEHOLD OPPORTUNITY SITE EXTENDING TO 0.78 ACRES (0.32 HECTARES) GROSS PLANNING PERMISSION FOR 100 APARTMENTS UNCONDITIONAL OFFERS INVITED FOR THE FREEHOLD INTEREST HIGHLIGHTS APPROXIMATE BOUNDARIES FOR IDENTIFICATION PURPOSES ONLY. LAND AT 20-25 LEGGE LANE PROPERTY REFERENCE:15889 JEWELLERY QUARTER AVISON YOUNG | 3 BRINDLEYPLACE | BIRMINGHAM | B1 2JB BIRMINGHAM B1 3LD THE PROPERTY IS LOCATED IN AN AREA OF BIRMINGHAM’S CITY CENTRE KNOWN AS THE JEWELLERY QUARTER, WHICH LIES TO THE NORTH-WEST OF THE CORE OF THE CITY CENTRE. More specifically, the site is situated to the south of Legge Lane and is surrounded by a mix of residential and commercial uses together with redevelopment schemes under construction. The property is situated a short walk from local Jewellery Quarter amenities including The Chamberlain Clock (5 minutes), St Paul’s Square (8 minutes) and Jewellery Quarter Rail Station and Tram Stop (8 minutes). City centre amenities also available within the wider surrounding area include Brindleyplace, Paradise, Birmingham Library, The Bullring and The Mailbox. Nearby mainline rail travel can be accessed at Snow Hill Station (16 minutes’ walk), New Street Station (20 minutes’ walk) and Moor Street Station (23 minutes’ walk) offering connections to London (1 hour 25 minutes’ duration), Manchester (1 hour 27 minutes’ duration) and Liverpool (1 hour 40 minutes’ duration). Junction 6 of the M6 Motorway at the intersection with the A38M is located approximately 3.5 miles distant and Junction 1 of the M5 Motorway is located approximately 3.7 miles distant via the A41 Birmingham Road. -
Freehold Residential Development Opportunity
FOR SALE FREEHOLD RESIDENTIAL DEVELOPMENT OPPORTUNITY LAND AND BUILDINGS AT 176-183 MOSELEY STREET | DIGBETH | BIRMINGHAM B12 0RT CGI of proposed development avisonyoung.co.uk/15684 HIGHLIGHTS n Freehold site extending to 0.57 acres n Exceptional access to culture, leisure, (0.23 hectares) gross transport and jobs n Planning permission for the erection of 131 n An area alive with new opportunities that residential units varying from 6 to 7 storeys is experiencing major transformation n Situated in Birmingham’s City Centre n Unconditional offers invited for the freehold interest LAND AND BUILDINGS AT 176-183 MOSELEY STREET | DIGBETH | BIRMINGHAM B12 0RT CGI of proposed development AVISON YOUNG | 3 BRINDLEYPLACE | BIRMINGHAM | B1 2JB | avisonyoung.co.uk/15684 THE SITE n The property is located in the Digbeth district of central Birmingham, approximately 0.6 miles/13 minutes’ walk from the Bullring and other city centre amenities. n The property benefits from dual frontages at the intersection of Moseley Street with Alcester Street with access to the central car park via Moseley Street. n Digbeth has a traditional industrial heritage which is undergoing considerable residential redevelopment. Surrounding uses include a mix of residential apartment schemes, various commercial properties, manufacturing premises, public houses, offices and a hotel. n Junction 6 of the M6 Motorway at the intersection with the A38M is located approximately 3.6 miles distant and Junction 3 of the M5 Motorway is located approximately 7.4 miles distant via the Hagley Road West and Quinton Expressway. n Nearby mainline rail travel can be accessed at Birmingham New Street Station (17 minutes’ walk) and Moor Street Station (17 minutes’ walk) offering connections to London (1 hour 25 minutes’ duration), Manchester (1 hour 27 minutes’ duration) and Liverpool (1 hour 40 minutes’ duration).