Tahireh Hamidi Mohammad Reza Jamali

Total Page:16

File Type:pdf, Size:1020Kb

Tahireh Hamidi Mohammad Reza Jamali QUID 2017, pp. 2706-2719, Special Issue N°1- ISSN: 1692-343X, Medellín-Colombia COMPARATIVE ANALYSIS OF GHIDAFEH STORY IN FERDOWSI 'S SHAHNAMEH AND NUSHABEH IN NIZAMI'S ESKANDAR NAMEH (Recibido 05-06-2017. Aprobado el 07-09-2017) Mohammad Reza Jamali Tahireh Hamidi Department ofPersian Language and Department ofPersian Language and Literature,Torbat-e Heydarieh Branch,Islamic Literature,Torbat-e Heydarieh Branch,Islamic Azad University, Torbat-e Heydarieh,Iran Azad University, Torbat-e Heydarieh,Iran Abstract. Ghidafeh story which is narrated in Ferdowsi's Shahnameh is one of the most attractive parts in Shahnameh. On the other hand, Nushaberh has a special and great position in Eskandar Nameh. In this article is attempt to analysis and study of these two stories with a comparative view due to large similarities between them. Results of research indicates that the aim of two poets is devoting some parts of their poems to wisdom women and also, showing the ability and authority of women. Also , Nizami has been influenced by Ghidafeh story of Ferdowsi's Shahnameh in writing the story of Nushaberh or two poets have been used one or common sources . Keywords: Ferdowsi, Nizami , Ghidafeh, Nushabeh , Comparative Literature, Dominion of the Women Citar estilo APA: Reza, M. & Hamidi, T (2017). Comparative analysis of ghidafeh story in ferdowsi 's shahnameh and nushabeh in nizami's eskandar nameh. Revista QUID (Special Issue), 2706-2719. .. 1. STATEMENT OF THE PROBLEM country's affairs to these women which one of them is Ghidafeh - king of Andalusia - and other In this paper, a kind of journey of Eskandar is Nushabeh - king of Brdeh – were able to Nameh in Ferdowsi's Shahnameh and Nizami's confront with Macedonian Eskandar by Eskandar Nameh was investigated in which we courage, strength and authority were succeed to meet with hero women called " Ghidafeh " and protected their land from enemy's attack ; While "Nushabeh " . Valiant women who wisdom, many countries were run by famous men at that intelligence and their tact was remarkable time , but they could not resist against Eskandar characteristics . Ferdowsi and Nizami have and Eskandar destroyed all of them ; it can be known the position of these two women much made a new step to introducing the heroine higher than men. characters of two these women and also , it can be as a confirm sign on the ability of women. On These two notable characters (Ghidafeh and the other hand, today, some are staring to women Nushabeh ) has a special importance with a new character by a closed view and they do not and rare topic and points of good governance but accepted the women at the macro level of social until researchers have no pay attention to it . In responsibility where women are considered less this article we are no trying to prove the than men . This study will make it clear that not superiority of one over the other since they had only position of women is no lesser than men but been located in a different position , time and in many cases also have greater status and condition . Here , for the first time , study and invalidity of some opinions about frailty and analysis of the characters of these two female disability for women will be proved by stating the kings has been examined and tried to expressed merits of these two women 's governor. it in the intellectual and historical contexts as briefly and the main objective of Ferdowsi and 4. INTRODUCTION Nizami in construction and study of these two stories has been specified. So , first , the The oldest work surviving for past 2500 years procedure of Ghidafeh story and her mode with which is devoted to governance practices is Eskandar and then , the story of Nushabeh has book of Plato's Republic (347- 437 ( . This great been examined and analyzed. At the end of paper, work has been given a special attention to it has been explained that why these two great women as well as men and Plato, despite the poets included the plan and description of two belief in the gender superiority of men over women in their poetry and where are their used women , not implicitly but explicitly, has been sources? stated about adequacy of women in charge of anything even governance . But in fact , across 2. REVIEW OF LITERATURE the history, women could rule on the land in certain circumstances rarely . By a quick look at In the context of literature should be noted that our far past to the present , we can be see a few Eskandar subject and so on has been considered governor's women which the most important of in the most published researches and works them are: about Ferdowsi and Nizami but there is no a coherent and purposeful works for the study and In Holy Quran has been referred to Bilqis who analysis of the characters and governors of was Queen of Saba and she was wife of Soliman. "Ghidafeh and Nushabeh and there is no We see Egyptian Queen Cleopatra in the history independent works in such context . Wonderfully of Rome and Egypt , Yemen 's Queen of Saba in , but there is one question why this subject so the history of the West , daughter of Khosrow far has not been considered by researchers . Parvis who named Pourandokht and then , other daughter of Khosrow Parvis who named Azar 3. IMPORTANCE AND Midokht in history of Iran . In myth and SIGNIFICANCE OF THE fictional texts , Ghidafeh and Jomhereh and in RESEARCH Iran's history after the Islam , we observe some names like as who was Fakhr Al Doleh 's wife Due to various and large opinions about the which a few time , she order the sentence on empowerment of women in the past and now , behalf of his son – Majd Al Doleh –and then , we implementing the research for this capability and observe Abash Khatun from Atabakan Solghari . ability is necessary in spite of various restrictions In Iran's history except of Seideh , when others since women can be participate as men or even have been reached to the rule that there was no better than them in society and social activities . son for charging the kingdom and Iranian 's The plan and creation these two stories by two people based on their beliefs to the sole great Persian poets – Ferdowsi and Nizami – Kingdom of noble princes in the royal family, about women , especially , delivering the inevitably, they were taken to the government that he has been taken other separated news and if there was no this belief woman has not and information . Others had dispersed. In fact, reached such a position in Iran. Nizami is written such eloquent and beautiful story by using Ferdowsi Shahnameh and access Although in recent centuries , position of women to and scientific possibilities and by using the oral has been completely transformed concern to past literature with the power of the mind, think, and in many world countries , women can be thought, imagination, knowledge , initiative, accept some political , social and occupational ability and taste which in terms of volume activities alongside men but number female's content is also much more than the story of King , President , Minister or First Person of Ghidafeh in Ferdowsi country is very low and it does not exceed the number of fingers. This shows that various Ferdowsi and Woman societies has no believe to women's capabilities for administration the country , so , they fear to Ferdowsi has been talked about resourcefulness deliver the country to women in order the running and effectiveness of woman, wife 's faithful, . woman 's beauty and perfection , woman's power, love, dignity, affection and sometimes Perhaps one of the most interesting topics in the about some negative traits of them has been works of Ferdowsi and Nizami is that among expressed in all over his unique 's Shahnameh the few women kings who have been raised in and it also has a draw the face of women as an their work, "Ghidafeh and Nushabeh " run their immortal character . "In all the important stories country by integrity , independence , justice and of Shahnameh , we see the woman's presence . authority . Shanameh is not a story against the woman among the unfamiliar people…. The most Assigning an important part of poems of these women in Shahnameh is a full-fledged symbol of poets to mentioned woman kings shows that in woman while having the wisdom and targeted thought of these great poets the magnanimity, they also being enjoy of the sovereigns of women is no absurd and far- essence of femininity completely "(Islami fetched but is also highly desirable. Especially , Nadoushan, 1996: 20). they were very good and successful within their kingdom . Also , it shows that thoughts of these In Eskandar Nameh chapter , Ferdowsi is drawn two valuable poets how much was positive in a the face of Delara -wife's Dara - , Roshanak her period that there has been emphasized on the daughter , face of Andalucia 's king (Spain) and conceal the women and their weakness other women. Delara according to current ignorance . is mother of Roshanak who is Queen of Iran . She Shahnameh Resources: who is stay away from enemies sent to Syria with family members and other elders of country Great Ferdowsi has been used three main sources come back to Estakhr after the failure of the in order to composition of his unique work : Iranian Revolutionary Guards and Death of Dara . She has a powerful behavior against the invaders A: Available line resources in Arabic that . She gives consent to marry her daughter , originally has been translated from Pahlavi to Roshanak with Eskandar by requesting him and Arabic.
Recommended publications
  • General Index
    General Index Italic page numbers refer to illustrations. Authors are listed in ical Index. Manuscripts, maps, and charts are usually listed by this index only when their ideas or works are discussed; full title and author; occasionally they are listed under the city and listings of works as cited in this volume are in the Bibliograph- institution in which they are held. CAbbas I, Shah, 47, 63, 65, 67, 409 on South Asian world maps, 393 and Kacba, 191 "Jahangir Embracing Shah (Abbas" Abywn (Abiyun) al-Batriq (Apion the in Kitab-i balJriye, 232-33, 278-79 (painting), 408, 410, 515 Patriarch), 26 in Kitab ~urat ai-arc!, 169 cAbd ai-Karim al-Mi~ri, 54, 65 Accuracy in Nuzhat al-mushtaq, 169 cAbd al-Rabman Efendi, 68 of Arabic measurements of length of on Piri Re)is's world map, 270, 271 cAbd al-Rabman ibn Burhan al-Maw~ili, 54 degree, 181 in Ptolemy's Geography, 169 cAbdolazlz ibn CAbdolgani el-Erzincani, 225 of Bharat Kala Bhavan globe, 397 al-Qazwlni's world maps, 144 Abdur Rahim, map by, 411, 412, 413 of al-BlrunI's calculation of Ghazna's on South Asian world maps, 393, 394, 400 Abraham ben Meir ibn Ezra, 60 longitude, 188 in view of world landmass as bird, 90-91 Abu, Mount, Rajasthan of al-BlrunI's celestial mapping, 37 in Walters Deniz atlast, pl.23 on Jain triptych, 460 of globes in paintings, 409 n.36 Agapius (Mabbub) religious map of, 482-83 of al-Idrisi's sectional maps, 163 Kitab al- ~nwan, 17 Abo al-cAbbas Abmad ibn Abi cAbdallah of Islamic celestial globes, 46-47 Agnese, Battista, 279, 280, 282, 282-83 Mu\:lammad of Kitab-i ba/Jriye, 231, 233 Agnicayana, 308-9, 309 Kitab al-durar wa-al-yawaqft fi 11m of map of north-central India, 421, 422 Agra, 378 n.145, 403, 436, 448, 476-77 al-ra~d wa-al-mawaqft (Book of of maps in Gentil's atlas of Mughal Agrawala, V.
    [Show full text]
  • “The Spinning of the Mill Lightens My Soul”1
    PERSICA XVII, 2001 “THE SPINNING OF THE MILL LIGHTENS MY SOUL”1 Asghar Seyed-Gohrab Leiden University Introduction Within a more than four centuries old relationship between Dutch and Persian culture, there are a wide range of subjects luring the researcher to launch an investigation.2 One may, for instance, choose to examine the Persian names of flowers in Dutch, or to linger on Rembrandt’s interest in the Persian miniature painting, or to study the 17th century translation of Sa‘di’s (d. 1292) Bustan in Dutch and so on and so forth.3 As a native Per- sian living in the country of tulips, clogs and mills, I have chosen to study the mill in Persian literature. In recent years I have been more and more fascinated by the mills in the foggy, flat and green Dutch landscape, while being constantly reminded of the wide- spread literary metaphors, popular beliefs, riddles, proverbs and folksongs based on this ancient invention of mankind in Persian literature. It should be, however, stated at the outset that although I deal briefly with the relationship between ancient Persian windmills and their Western counterparts, this essay does not pretend to peruse the link between these windmills; the study is an attempt to demonstrate how the mill, whether a windmill, watermill or handmill, is presented in Persian literary sources as well as in popular ex- pressions. Moreover, a study of the mill at literary level is conductive; especially since in molinological literature, Persian literary sources are usually neglected. It is generally believed that the Persians played a major role in the invention, the development and the spread of the mill.
    [Show full text]
  • The Shahname of Firdausi: Persian Educational Repository
    2012 International Conference on Management and Education Innovation IPEDR vol.37 (2012) © (2012) IACSIT Press, Singapore The Shahname of Firdausi: Persian Educational Repository + Mostafa Bahraman and ANISWAL Abd Ghani School of Humanities, University Sains Malaysia Abstract. The Shahname of Firdausi is the longest and oldest national epic poem of Iranians and Persian speakers around the world. The Shahname is regarded by Persian speakers as a literary masterpiece; it is also a repository of Persian’s history and cultural values. Firdausi wrote the Shahname in “pure” Persian. He eschewed words drawn from the Arabic language which had by his time infiltrated the Persian language following the Arab conquest of Persia in the 7th century. He did this to preserve and purify the Persian language. It is believed that the main reason the modern Persian language today mirrors the language of the Shahname is due to Firdausi (Yousefi, 1969 & Safa, 2002). In fact the Shahname prescribes the modern Persian language. The Shahname is the mold which produced the bases of contemporary Persian language. This paper aims to focus on selected aspects of the language of the Shahname and its significance as the blueprint for the modern Persian language. Many Persian experts believe that studying the Shahname is a prerequisite to achieving mastery of the Persian language. Therefore this study proposes that the Shahname of Firdausi is a valuable resource for those seeking to be familiar with Persian language and literature. Keywords: The Shahname, Firdausi, Persian language. 1. Introduction other spellings are Shahnameh, Shahnama, and Shah-Nama (is a huge) (ﺷﺎهﻨﺎﻣﻪ :The Shahname (Persian poetic opus composed by the Persian poet “Firdausi” (another spelling is Ferdowsi) around 1000 AD.
    [Show full text]
  • PERSIAN MANUSCRIPTS and MINIATURES 5*1^'—'•Ii/‘Di/‘
    Chester Beatty Library 10011294 10011294 THE CHESTER BEATTY LIBRARY A CATALOGUE OF THE PERSIAN MANUSCRIPTS AND MINIATURES 5*1^'—'•ii/‘di/‘.. ''*“■^7^ u» »> •* ’’^iwwi^riWl 182. NIZAMI, KHAMSAH f. 182^. THE QUEEN OF THE FAIRIES INVITES A KING TO SHARE HER THRONE THE CHESTER BEATTY LIBRARY A CATALOGUE OF THE PERSIAN MANUSCRIPTS AND MINIATURES VOLUME II MSS. 151-220 BY M. MINOVI, B. W. ROBINSON the late J. V. S. WILKINSON, and the late E. BLOCHET EDITED BY A. J. ARBERRY s DUBLIN HODGES FIGGIS & CO. LTD i960 PRINTED IN GREAT BRITAIN LETTERPRESS AT THE UNIVERSITY PRESS, OXFORD BY VIVIAN RIDLER PLATES BY MESSRS. EMERY WALKER, LTD., LONDON DEDICATION Dedicated to the memory of James Vere Stewart Wilkinson late librarian of the Chester Beatty Library in tribute to his fine Persian scholarship FOREWORD N the death of Mr. J. V. S. Wilkinson I was invited by Sir Chester Beatty to edit the second and third volumes of the Catalogue of his Persian manuscripts. I ac­ Ocepted the invitation with much pleasure, being grateful for the opportunity of bringing to completion the work done so skilfully by my old and much lamented friend. Mr. B. W. Robinson joined the team of cataloguers at the same time, and his expert knowledge of Persian painting has further enhanced the authority of this catalogue. The manuscripts described in this second volume range in date over the second half of the fifteenth and the first half of the sixteenth centuries, and include some of the finest productions in existence of Persian miniature art and illumination.
    [Show full text]
  • A Study About the Persian Cultural Legacy and Background of the Sufi Mystics Shams Tabrizi and Jalal Al-Din Rumi
    تٚ ٗاّ ـكاٝٗك ظإ ٝ ـهق کىیٖ اٗكیّٚ تهذه تهٗگمنق A Study about the Persian Cultural Legacy and Background of the Sufi Mystics Shams Tabrizi and Jalal al-Din Rumi By Rahgozari Minutalab October 2009, Open Source. The author is not association with any modification of the current article but any author is free to use the materials within this article. ٓ٘گه تٛ ٚه گكایی کٚ ذٞ ـاْ او إٓ ٓایی ٓلهَٝ ـٞیُ انوإ کٚ ذٞ تً گهإ تٜایی تػ ٕٚا ِکاف قنیا کٚ ذٞٓ ٌٞی وٓاٗی تكنإ هثای ٚٓ نا کٚ و ٞٗن ٕٓطلایی تّکٖ ٌثٞی ـٞتإ کٚ ذٞ یٌٞق ظٔاُی چػٍٍٓ ٞ قّ نٝإ کٖ کٚ ذٞ ٍٗى او إٓ ٞٛایی تٚ ٔق اٗكنآی ذٜ٘ا کٚ ٌل٘كیان ٝهری قن ـٍثه اٌد تهکٖ کػ ِٚی ٓهذٙایی تٍرإ و قیٞ ـاذْ کٚ ذٞیی تٚ ظإ ٌٍِٔإ تّکٖ ٌپاٙ اـره کٚ ذٞ آكراب نایی چٞ ـٍَِ نٝ قن آذُ کٚ ذٞ ـإُی ٝ قُفَٞ چٞ ـٙه ـٞن آب ٍٞؼإ کٚ ذٞ ظٛٞه توایی تٍکَ و تی اٞٔﻻٕ ّٞ٘ٓ كهیة ٞؿﻻٕ کٚ ذٞ او ِهیق أِی کٚ ذٞ او تِ٘ك ظایی ذٞ تٚ نٝغ تیوٝاُی و قنٚٗٝ تاظٔاُی ذٞ او إٓ لٝاُعﻻُی ذٞ و پهذٞ ـكایی ذٞ٘ٛ ٞو ٗاپكیكی و ظٔاٍ ـٞق چٚ قیكی ؽٌهی چٞ آكراتی و قنٕٝ ـٞق تهآیی ذٞ چٍٖ٘ ٜٗإ قنیـی کٜٓ ٚی تٚ ویه ٍٓـی تكنإ ذؾٍٓ ٞ ذٖ نا کٜٓ ٚی ٝ ـَٞ ُوایی چٞ ذؼُ َٞ کإ ٗكانق چٞ ذٞ ظإ ظٜإ ٗكانق کٚ ظٜإ کاُٛ اٌد ایٖ ٝ ذٞ ظإ ظإ كىایی ذٞ چٞ ذؾٍ لٝاُلوانی ذٖ ذؿ ٞﻻف چٞتٍٖ اگه ایٖ ؿﻻف تّکٍد ذٞ ِکٍرٚ قٍ چهایی ذٞ چٞ تاو پای تٍرٚ ذٖ ذٞ چٞ ک٘كٙ ته پا ذٞ تٚ چ٘گ ـٞیُ تایك کٚ گهٙ و پا گّایی چٚ ـَٞ اٌد ون ـآُ چٞ تٚ آذُ اٗكنآیك چٞ ک٘ك قنٕٝ آذُ ٛ٘ه ٝ گٜهٗٔایی ٓگهیى ای تهاقن ذٞ و ٛ ِٚؼِای آلن و تهای آرؽإ نا چِٞ ٚق اگه قنآیی تٚ ـكا ذٞ نا ٍٞٗوق نؾ ذٞ چٞ ون كهٝوق کٚ ـٍَِ واقٙ ای ذٞ و هكیْ آِ٘ایی ذٞ و ـاک ٌه تهآٝن کٚ قنـد ٌهتِ٘كی ذٞ تپه تٚ هاف ههتد کٚ ِهیلره ٛٔایی و ؿﻻف ـٞق تهٕٝ آ کٚ ذٞ ذؾٍ آتكانی و کٍٖٔ کإ تهٕٝ آ کٚ ذٞ ٗوك تً نٝایی ِکهی ِکهكّإ کٖ کٚ ذٞ ه٘ك ِٞٗو٘كی تٞ٘او ٗای قُٝد کػ ٚظٍْ ـٞٗ َٞایی )قیٞإ ًِٔ( TABLE OF CONTENT Introduction and reason for this article ..........................................................................................
    [Show full text]
  • The Cases of Ralph Waldo Emerson, Nathaniel Hawthorne, and Edgar Allan Poe Dissertation P
    THE MIDDLE EAST IN ANTEBELLUM AMERICA: THE CASES OF RALPH WALDO EMERSON, NATHANIEL HAWTHORNE, AND EDGAR ALLAN POE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ahmed Nidal Almansour ***** The Ohio State University 2005 Dissertation Committee: Approved by Professor Steven S. Fink, Adviser Professor Jared Gardner _______________________ Professor Elizabeth Hewitt Adviser English Copyright by Ahmed Nidal Almansour 2005 ABSTRACT The presence of the Middle East in the works of American artists between the Revolution and the Civil War is pervasive and considerable. What makes this outlandish element of critical significance is that its proliferation coincided with the emerging American literary identity. The wide spectrum of meanings that was related to it adds even more significance to its critical value. In its theoretical approach, this work uses Raymond Schwab’s The Oriental Renaissance as a ground for all its arguments. It considers the rise of the Oriental movement in America to be a continuation of what had already started of Oriental researches in Europe. Like their counterparts in Europe, the American writers who are selected for this study were genuinely interested in identifying with the Oriental thought. The European mediation, however, should not be allowed to hold any significance other than pointing to the fact that French, German, and English Orientalist organizations were more technically equipped. The sentiment of identification with the East resonated equally on both sides of the Atlantic. This work investigates three cases from antebellum America: Ralph Waldo Emerson, Nathaniel Hawthorne, and Edgar Allan Poe.
    [Show full text]
  • Keywords Iranian Traditional Art, Craft, Mentoring System, Islamic Chivalry (Futuwwah), Old Texts and Documents
    International Journal of Arts 2015, 5(1): 1-7 DOI: 10.5923/j.arts.20150501.01 A Glance at Iranian Traditional Art Education History (Referring to Old Texts and Documents) Neda Seifi1,*, Hasan Bolkhari Ghehi2, Mehdi Mohammadzadeh1 1Tabriz Islamic Art University, Tabriz, Iran 2University of Tehran, Tehran, Iran Abstract Passing through old texts and documents, we encounter many noteworthy points about Iranian traditional art education. Despite the valuable sources, a clear scheme of this art is still missing. For sure, the excellent system of education known as mentoring system has led to such an outstanding past. Meanwhile, some movements such as Islamic chivalry, known as Futuwwah seem to be very influential. Futuwwah was a movement based on ethical principles such as chivalry, generosity, athletics and manliness. Iran researchers believe that this flow has been present since Alexander‟s attack to Iran (334 B.C). Howsoever, Futuwwah became more popular later by the arrival of Islam and it was divided into different classes and sects where the main principle was magnanimity and chivalry. The most important category included chivalrous craftsmen who were actively working since the 12th and 13th (A.D) centuries. These craftsmen had their own doctrine written in Futuwwahnamahs. Study of all these sources may open an entry towards an unknown yet mystical, magical and ethical world. Here in this article the writer aims to focus on the main problem which is tracing the roots of Iranian Islamic art education. The intended procedure is going through as many texts as one is allowed to deal with in such a short time.
    [Show full text]
  • THE MAKING of the ARTIST in LATE TIMURID PAINTING Edinburgh Studies in Islamic Art Series Editor: Professor Robert Hillenbrand
    EDINBURGH STUDIES IN ISLAMIC A RT EDINBURGH STUDIES IN ISLAMIC A RT S E RIES E DITOR:ROBE RT HILLE NBRAND Painting Timurid late in Artist the of Making The S E RIES E DITOR:ROBE RT HILLE NBRAND This series offers readers easy access to the most up-to-date research across the whole range of Islamic art, representing various parts of the Islamic world, media and approaches. Books in the series are academic monographs of intellectual distinction that mark a significant advance in the field. Isfahan and its Palaces Statecraft, Shi ’ ism and the Architecture of Conviviality in Early Modern Iran Sussan Babaie This beautifully illustrated history of Safavid Isfahan (1501–1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early modern and Perso-Shi ’ i practice of kingship. An immense building campaign, initiated in 1590/1, transformed Isfahan from a provincial, medieval and largely Sunni city into an urban-centered representation of the first Imami Shi ’ i empire in the history of Islam. The historical process of Shi ’ ification of Safavid Iran, and the deployment of the arts in situating the shifts in the politico-religious agenda of the imperial household, informs Sussan Babaie’s study of palatial architecture and urban environments of Isfahan and the earlier capitals of Tabriz and Qazvin. Babaie argues that, since the Safavid claim presumed the inheritance both of the charisma of the Shi ’ i Imams and of the aura of royal splendor integral to ancient Persian notions of kingship, a ceremonial regime was gradually devised in which access and proximity to the shah assumed the contours of an institutionalized form of feasting.
    [Show full text]
  • Homa Katouzian: a Bio-Bibliography” Iran Nameh, 30:4 (Winter 2016), IV-XXIII
    Mohamad Tavakoli-Targhi, “Homa Katouzian: A Bio-Bibliography” Iran Nameh, 30:4 (Winter 2016), IV-XXIII. Homa Katouzian: A Bio-Bibliography Mohamad Tavakoli-Targhi This special issue of Iran Nameh is dedicated to Dr. Mohamad Ali Homayoun (Homa) Katouzian for his lifetime service to Iranian Studies. Born on 17 November 1942 in Tehran to Maryam and Mohamad Hadi Katouzian, he graduated from Alborz High School (formerly American College) in June 1960. During the same year, he was admitted to the University of Tehran’s Medical School. After a year at the University of Tehran, he changed course and decided to move to England to study economics. Katouzian completed his undergraduate studies in Economics at the University of Birmingham in 1967. In the same year, he began his graduate studies at the University of London receiving an M.Sc. in Economics in 1968. Immediately after graduation from the University of London in 1968, Katouzian was offered a lecturer position at Leeds University, which he accepted. He was then hired in 1969 as a Lecturer in Economics (Assistant Professor) at the University of Kent at Canterbury, where he was tenured in 1971 and promoted to Senior Lecturer (Associate Professor). In the fall of 1972 he taught at the newly-reorganized Pahlavi University as a Visiting Professor of Economics. In 1973 he served as Senior Associate Member of St. Antony’s College, where he was later appointed as a Visiting Iranian Fellow in 1975-1976. Subsequently, he served as Economic Consultant to the Organization of American States (1976), the Iran Planning Institute (1977), the International Labour Organization (1980), and the United Nations Conference of Trade and Development (1982).
    [Show full text]
  • The Analysis of the Component of the Political Legitimacy from the Perspective of Islamic-Iranian Intellectual Trends
    Journal of Politics and Law; Vol. 9, No. 10; 2016 ISSN 1913-9047 E-ISSN 1913-9055 Published by Canadian Center of Science and Education The Analysis of the Component of the Political Legitimacy from the Perspective of Islamic-Iranian Intellectual Trends Habib Ashayeri1 & Mohammad Reza Mayeli2 1 Department of Political Science, Central Tehran Branch, Islamic Azad University, Tehran, Iran 2 Faculty of Political Science, Central Tehran Branch, Islamic Azad University, Tehran, Iran Correspondence: Habib Ashayeri, Department of Political Science, Central Tehran Branch, Islamic Azad University, Tehran, Iran. E-mail: [email protected] Received: June 13, 2016 Accepted: August 4, 2016 Online Published: November 30, 2016 doi:10.5539/jpl.v9n10p12 URL: http://dx.doi.org/10.5539/jpl.v9n10p12 Abstract The study of the component of the political legitimacy in particular from the perspective of Islamic-Iranian intellectual trends during the third to eight centuries A.H. shows the drawing of a pyramid-shape society either from the viewpoint of political philosophy or other trends. In this case, the views of Farabi, Avicenna, Khajeh Nasir and other thinkers can be referred to, such that it will be possible to establish a common attribute among the ideal king society, philosopher king and Imam or Sultan within the framework of Iranian – Islamic political thought. Of course all thinkers consider some distinguishing features for the head and ruler based on their own thoughts and analyses. However, accepting the belief of “Imamate”, [The Shia Islamic Doctrine], the Shiites placed the concept of legitimacy within a specific framework based on the rule of grace and also Qur-anic exact text.
    [Show full text]
  • GHAREHGOZLOU, BAHAREH, Ph.D., August 2018 TRANSLATION STUDIES
    GHAREHGOZLOU, BAHAREH, Ph.D., August 2018 TRANSLATION STUDIES A STUDY OF PERSIAN-ENGLISH LITERARY TRANSLATION FLOWS: TEXTS AND PARATEXTS IN THREE HISTORICAL CONTEXTS (261 PP.) Dissertation Advisor: Françoise Massardier-Kenney This dissertation addresses the need to expand translation scholarship through the inclusion of research into different translation traditions and histories (D’hulst 2001: 5; Bandia 2006; Tymoczko 2006: 15; Baker 2009: 1); the importance of compiling bibliographies of translations in a variety of translation traditions (Pym 1998: 42; D’hulst 2010: 400); and the need for empirical studies on the functional aspects of (translation) paratexts (Genette 1997: 12–15). It provides a digital bibliography that documents what works of Persian literature were translated into English, by whom, where, and when, and explores how these translations were presented to Anglophone readers across three historical periods—1925–1941, 1942–1979, and 1980–2015— marked by important socio-political events in the contemporary history of Iran and the country’s shifting relations with the Anglophone West. Through a methodical search in the library of congress catalogued in OCLC WorldCat, a bibliographical database including 863 editions of Persian-English literary translations along with their relevant metadata—titles in Persian, authors, translators, publishers, and dates and places of publication—was compiled and, through a quantitative analysis of this bibliographical data over time, patterns of translation publication across the given periods
    [Show full text]
  • CENTER for IRANIAN STUDIES NEWSLETTER Vol
    CENTER FOR IRANIAN STUDIES NEWSLETTER Vol. 16, No. 1 SIPA-Columbia University-New York Spring 2004 ENCYCLOPÆDIA IRANICA SHIRIN EBADI Fascicles 3 and 4 of Volume XII Published; Fascicle 5 in Press AT COLUMBIA UNIVERSITY The third and fourth fascicles plies to studies of significant his- of Volume XII of the Encyclopædia torians or their writings, i.e., the Iranica were published in the Fall identification and interpretation of of 2003 and Spring of 2004, respec- major historical texts, especially tively. They feature 83 entries on vari- with an eye to the cultural forces and ous aspects of Iranian culture and his- other factors which shape the assump- tory, including five series of articles on tions and methods of such works and specific subjects: fourteen major entries their authors. Beyond that, it encom- on Persian historiography, ten entries passes analysis of the nature and pur- under the rubric of The Histories of pose of historical literature and its lit- Herodotus’ account of ancient Persia, erary techniques. At another level, it re- Columbia University’s Center for five entries on Ernst Herzfeld, a great fers to the so-called “philosophy of his- Iranian Studies and The Institute of Hu- archeologist and historian of the ancient tory,” i.e., theoretical and epistemologi- man Rights at the Law School are plan- Iranian past, two entries on Persian col- cal discussions of historical writing as ning a reception in honor of Ms. Shirin lections at Hermitage Museum of St. an intellectual activity as well as grand Ebadi, the recipient of the 2004 Nobel Petersburg, and three entries on homo- schemes of the meaning of history as a Peace Prize.
    [Show full text]