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Having learned from middle schoolers, Kovacic to speak on writing like a kid, Page 3 The Chautauquan Daily

Brick (Peter Mark Kendall) and Maggie (Carly Zien) share an intimate moment in Chautauqua Theater Company’s Cat on a Hot Tin Roof, playing through July 7 at Bratton Theater. Roxana Pop | Staff Photographer

Seventy-Five Cents Chautauqua, New York The Official Newspaper of Chautauqua Institution | Friday, July 5, 2013 Volume CXXXVIi, Issue 12 Ideas for and by ‘Next Greatest Generation’ converge at panel

devlin geroski America’s value system. Dalia ting great people networked, tise in his or her given field, cause, because the people now Staff Writer Mogahed, senior research ad- people from different walks of but also on a strong history of play a role in the plan instead visor at the Gallup Center for life, can achieve really interest- bringing together people with of doing something just be- Throughout the week, sev- Muslim Studies, lectured on ing things,” Megan Smith said. conflicting viewpoints. cause they’re told to.” eral men and women have U.S. engagement in the Islamic The conversation will bring “When I was a squadron Mogahed comes to the offered their unique perspec- world, and political commen- ideas about the next great- planner and an operations panel with much experience tives on “The Next Greatest tator Chris Hayes outlined est generation, or the millen- officer, I would get together in treading controversial Generation.” Vice President of meritocracy’s role in what he nial generation, to a head. with my staff, and we would ideological grounds. She has Google[x] Megan Smith spoke called the “fail decade.” The panel participants will debate,” James Smith said. about the “creative collabora- At 10:45 a.m. today in the discuss the challenges and re- “And I would encourage that worked to “democratize the tion age” wrought by technolo- Amphitheater, all four lectur- sponsibilities facing this gen- debate, no matter which side debate” between Americans and Muslims. Smith gy and the Internet, and James ers will share their different eration, along with ways to it came from, whether or not I Smith of the United States perspectives at a special panel address those challenges and liked the ideas being present- Hayes, host of “All In with Army explained the potential discussion. responsibilities. ed. Group discussion is what Chris Hayes,” will moder- role of the “military millenni- “I think this particular Each member of the panel inspires people to understand ate and participate in today’s al” generation in rehabilitating panel will illustrate how get- draws not only on an exper- your ideas and to join your panel.

Smith Katie McLean | Staff Photographer Mogahed Roxana Pop | Staff Photographer Hayes Brian Smith | Staff Photographer Claiborne, through Ariely shares ways Simple Way, fights Reminisce we lie to everyone, poverty by living it with musical bliss especially selves nikki lanka devlin geroski Staff Writer Staff Writer The neighborhood of Kensington, Pa., is Artists of ’70s, ’80s Chautauquans enjoyed Dan Ariely so prime for resurrection. much last year that the Institution booked It was once a hub of the working class. him again this season — not only for a single Native and immigrant workers hustled to to rock Amp tonight lecture, either. From Monday to Wednesday and from factories, produc- this week, Ariely taught a ing everything from tex- Andrew Manzella three-day special seminar tiles to glass to hats. Cathe- Guest Writer on irrational behavior. drals, schools and homes At 4 p.m. today in the Hall were stuffed together so Several legends of the 1970s of Philosophy, the Duke Uni- tightly that one could reach and ’80s, including Christopher Cross, Dennis “Fly” Amero. Hall returned to the versity psychology and be- through a neighbor’s win- Orleans, Gary Wright, FireFall, John Ford group when he completed his second con- havioral economics profes- dow and grab a bedpost. Coley and more, will be sailing smoothly gressional term. sor will take to the podium But after the boom came to the Amphitheater for tonight’s 8:15 p.m. “Now that Larry [Hoppen] has passed again, this time presenting the bust. Industries declined Claiborne concert, titled “Sail Rock 2013.” away, Fly and I are the two guitar players Ariely his latest book, The (Honest) throughout the 20th century More than three decades have passed for the band,” said Hall. “It’s been really Truth About Dishonesty: How and employment went with it. A once-thriv- since his peak in fame, but according to fun to get to know him, because he was We Lie to Everyone — Especially Ourselves. A ing community fell victim to poverty, drugs Coley — known for the musical duo Eng- always my replacement, and now we are book signing will follow the presentation. and crime. land Dan & John Ford Coley and such able to perform together … and also to Ariely is systematic in his approach to prob- But Shane Claiborne believes Kensington singles as “I’d Really Love to See You To- write together.” lem-solving. He attempts to understand why is still worth saving. night” — only one thing has changed. Hall said that he often recounts the fun people make poor decisions and then offers so- Claiborne helped found The Simple Way, “I think we’ve all probably gotten bet- — and not so fun — times of his past with lutions to help improve decision-making skills. a diverse community living and working in ter, as far as our musicianship,” Coley his band mates. “For example, once you realize that we Kensington. He will speak at today’s 2 p.m. said. “Personally, I don’t think I could “Mostly it’s like, do you remember the make decisions about money in relative Interfaith Lecture in the Hall of Philosophy hold a candle back then to what I am ca- time we drove from Albany to Buffalo ways, you can think about how to de-bias about the practices of a religious movement pable of doing now.” in a blizzard of lake-effect snow, and we that tendency and get people to use their followed a set of headlights right off the called New Monasticism and his commit- Much has changed for the band Or- money in a more sensible way,” Ariely said. Thruway into the grass, and had to be The (Honest) Truth About Dishonesty ment to living out Christianity the way he leans. A few group members have been In , believes Jesus would. towed out by AAA?,” Hall said. “I think Ariely points out overlooked moments of added, some taken away. For the sake of “Our faith is not just a ticket into heaven and any band that’s been around this long has dishonesty in everyday life and attempts to his political career as U.S. congressman a license to ignore the world around us,” he said. those kinds of stories.” address these situations. serving New York’s 19th district, Orleans See Claiborne, Page 4 band member John Hall was replaced by See Sail Rock, Page 4 See Ariely, Page 4

Archives Literary V isual S ymphony Arts Arts review

‘ A full-tilt 26 years in kinetic act’ Battle of the making Seaman, Gomyo Lake Erie I rion reflects on Public vs. prove up to Tall ships captain publishing book, private art Sibelius’ task in Rybka to give years running Tolle to deliver Tuesday CSO Heritage Lecture Writers’ Center VACI lecture concert Page 2 Page 3 Page 4 Page 11

High 79° Low 70° High 77° Low 69° High 74° Low 67° Today’s Weather Rain: 50% Saturday Rain: 50% S unday Rain: 40% Sunset: 8:57 p.m. Sunrise: 5:49 a.m. Sunset: 8:57 p.m. Sunrise: 5:49 a.m. Sunset: 8:56 p.m. Add your voice to this week’s online conversation by using the hashtag #CHQ in all your social posts, and connect with the Daily on Facebook, , Instagram and Storify. www.chqdaily.com Page 2 The Chautauquan Daily Friday, July 5, 2013 News

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Briefly News from around the grounds

Gate pass photo deadline All employees as well as holders of season, season-weekend and season “guest of” passes must have photographs taken for their passes by Saturday, July 6. Access to the grounds and venues will be denied for those without a photograph following the July 6 deadline. Hours of operation at the Main Gate Welcome Center are 7 a.m. to 11 p.m. daily. Beatles Seminar Greg and Jeff Miller and Tim Renjilian will be hosting the last day of a four-day Beatles seminar from 9 to 10:30 a.m. today. Anyone interested can sign up for the class through the Chautauqua Foundation by phone at 716-357-6220, by email at [email protected] or in person at the Colonnade. Bird, Tree & Garden Club news • Meet naturalist Jack Gulvin at 9 a.m. today under the green awning at the lake side (back) of Smith Wilkes Hall for a Nature Walk through the grounds. • At 11:30 a.m. Friday, July 19, the popular Mushroom Sandwich sale will take place at Smith Wilkes Hall. Chautauqua Dialogues From 3:30 to 5 p.m. every Friday, the Department of Re- ligion holds small-group discussions of the week’s Inter- faith Lecture Series theme. Sign up after the 2 p.m. Inter- faith Lectures at the Hall of Philosophy. Non-perishable food collection Chautauquans can dispose of their sealed, non-perishable foods, such as boxed and canned items, in gold-papered cartons on the floor inside the north entrance of the post BRIAN SMITH | STAFF PHOTOGRAPHER office. Mayville Food Pantry makes the food available to North Carolina Dance Theatre in Residence presents a preview performance of its Tuesday Amphitheater program at 4 p.m. today in needy individuals and families in the Chautauqua Lake Carnahan-Jackson Dance Studios. A $5 fee will be collected at the door. Central School District. For more information, contact Lou Wineman at 716-357-5015. Chautauqua Literary and Scientific Circle news • The CLSC will hold a Guild of Seven Seals Brown Bag at Tall ships captain Rybka to tell story of 12:10 p.m. today in the Alumni Hall dining room to share member book reviews and discussing classic books. • The CLSC Class of 1992 will meet in the Alumni Hall Battle of Lake Erie in Heritage Lecture Garden Room Tuesday, July 9, at 9:15 a.m. Plans will be discussed for meeting with the class-sponsored CLSC au- george cooper combination of the two. thor David Wroblewski during Week Six. Staff Writer The war earned the U.S. a • The CLSC Class of 2006 will hold its first organizational grudging respect from Great meeting at 4 p.m. Sunday in the Alumni Hall Garden Room Though often overlooked Britain and contributed to the to set agenda for the season’s events, including the Victo- and misunderstood, the War United States’ sense of itself rian tea. Enter through the back door of the building. For of 1812 was formidable in the as an independent country. more information, call Sandi Stupiansky at 716-269-2003. history of the United States. The Battle of Lake Erie • The CLSC Class of 1984 will meet for dessert at 6:30 p.m. To contribute to Chautau- took place on Sept. 10, 1813, Monday on Eleanor Aron’s porch, 33 Janes. Members and qua’s further understanding and it started off poorly for guests welcome. Call 716-357-4572 for more information. of the war, and especially of Commodore Perry, the bat- the Battle of Lake Erie, the Chautauqua Women’s Club news tle’s eventual hero. Although Oliver Archives Heritage Perry’s forces were large, • The Women’s Club silent auction is at 1 p.m. Sunday be- Lecture Series will sponsor they were scattered, Rybka hind the Colonnade. Captain Walter Rybka’s lec- said, and the situation at one • The Women’s Club invites members to come to the Club- ture at 3:30 p.m. today in the house from 2 to 5 p.m. today for mah jongg. Bring your Hall of Christ. point seemed hopeless. But a National Mah Jongg League 2013 card — cards will be change in wind and timely Roertb Lowry | Courtesy of Erie Maritime Museum Rybka’s talk is titled Carronade firing. The Niagara as she sails today — built in 1988. available at the door or at Chautauqua Bookstore. “Don’t Give Up the Ship! Re- maneuvering turned the tide • The Women’s Club offers social bridge sessions for men counting the Battle of Lake in a battle that saw consider- and women. Games begin at 12:30 p.m. Saturday at the Club- Erie 200 years later.” able destruction to the en- 1812. One signature render- out of New York City, and he house. Single players welcome; membership not required. Rybka is curator of the emy’s vessels. ing is of the fall of the USS has never looked back, hav- • Bill Plante presents for this week’s Contemporary Issues Erie Maritime Museum and In the end, it was Perry’s Lawrence, a ship that was ing been able to turn his love Forum on “The Political Climate in the Wake of the 2012 senior captain of the US Brig words to General William brutally damaged in the Bat- for sailing into a career. He Elections” at 3 p.m. Saturday in the Hall of Philosophy. Niagara, a reconstructed Henry Harrison that history tle of Lake Erie. has always worked in 19th- Chautauqua Literary Arts Friends news flagship of Commodore Oli- remembers: “We have met “It shows the kind of dam- century ships, combining ver Hazard Perry. the enemy and they are ours.” age that can be done in war,” sailing and historical restora- • The Friends invite Chautauquans to a lemonade social To the British, the War of The Erie Maritime Mu- Rybka said. tion. Once a full time captain, at 3:30 p.m. Sunday at Alumni Hall. Kevin Young, poetry 1812 is a nickel sideshow to seum commemorates many Born in Brooklyn, N.Y., he eventually moved ashore writer-in-residence, and Kent Gramm, prose writer-in-res- the Napoleonic Wars, Rypka aspects of Lake Erie mari- Rybka took a summer job as a to supervise the Erie Mari- idence, will read from their work. said. It is a victory to the Ca- time history, Rybka said, but youth with the restored 1885 time Museum, an institution, • All are invited to an open mic session at 5 p.m. every nadians and to Americans, a mainly focuses on the War of Pioneer schooner that sailed he added, well worth a visit. Sunday in the Alumni Hall Ballroom. Read your own po- etry or prose to a receptive audience. Theater discussion The Friends of Chautauqua Theater will host a discussion of Cat on a Hot Tin Roof with Susan Laubach and Barb Ja- cobs at 12:45 p.m. Sunday in Hultquist Center 101. Voice master class There will be a voice master class with John McMurray of the English National Opera at 10 a.m. today in Fletcher Music Hall. There is a $5 fee. Breakfast at Wimbledon Watch the Wimbledon tennis finals on a big-screen TV from 9 a.m. to 12:30 p.m. Saturday and Sunday at the Pier Club (by Miller Bell Tower). Complimentary strawberries and cream, Danish pastries and orange juice will be provided. Sandy D’Andrade’s 11th annual trunk show and sale Sandy D’Andrade’s 11th Annual Trunk Show and Sale will be held from 9 a.m. to 4 p.m. today at the Main Gate Wel- come Center. The sale benefits Chautauqua Opera Com- pany’s Young Artists program. Bring your gate pass. Chautauqua Prize Dinner The Athenaeum Hotel will host The Chautauqua Prize Dinner at 6 p.m. Tuesday, July 9. The meal is a five-course, farm-to-table dinner inspired by the 2013 Chautauqua Prize winner, Timothy Egan’s Short Nights of the Shadow Catcher. Call the hotel at 716-357-4444 for reservations. Prices are $109 per meal or $129 per meal with wine pair- ings. Tickets must be purchased by Saturday. Hebrew Congregation news • Soloist Susan Goldberg Schwartz will lead a Havdalah Service from 6:45 to 7:30 p.m. Saturday on the Alumni Hall lawn. Rain location will be the Alumni Hall porch. • At 8 p.m. Sunday in the Hurlbut Church sanctuary, the Shirley Lazarus Speaker Series features George Schnee, on the architecture of the Everett Jewish Life Center. Sixth Annual Joe Rait Memorial Chautauqua Excursions Pay tribute to longtime Chautauquan Joe Rait with one of two Sunday Chautauqua Excursions to Jamestown, N.Y.. The trip costs $15, which should be paid Sunday upon arrival. Option 1: Meet at Tasty Acre at 2 p.m. to carpool to the Jamestown Jammers baseball game. Option 2: The same as Option 1, with an added tour of the Robert H. Jackson Center. Meet at Tasty Acre at 1:15 p.m. Friday, July 5, 2013 The Chautauquan Daily Page 3 LITERARY ARTS Having learned from Irion to give talk on book 26 years in the making middle schoolers, kelsey burritt said. “I hate to do the mar- Staff Writer keting, and I hate to go out and push myself, and say, Kovacic to speak on As he boarded a Chautau- ‘Look at what I have done! qua Institution bus, a man Won’t you buy my book?’ “ called out to Mary Jean Irion, The “sticks” in the title of writing like a kid who sat in a rocking chair by Irion’s presentation today re- the entrance to the Athenae- fer to life and language. The um Hotel. “smoke,” she said, is what kelsey burritt “Peter, is that you?” she Staff Writer happens after one rubs those responded, and a smile broke sticks together — and in her out across her face. “Oh, how case, produces She-Fire. Kristin Kovacic, Push- nice to see you. You keep “I really wasn’t sure what cart Prize-winning prose writing.” kind of book I had pro- writer and essayist, taught The man on the bus pulled middle school students this duced and what to do with away, and Irion laughed. it,” she said. “It’s a different year for the first time. “I don’t know him at all, kind of thing than I’ve ever Kovacic, who usually except that I rode in a bus done before.” teaches at the high school with him a time or two sev- The book’s narrative fol- level (Pittsburgh School for eral years ago and found out lows observations from the the Creative and Perform- that he was interested in writ- safari; a second layer uses ing Arts), described it as a ing,” she said. “So he gave me metaphor as a means to poet- year of growth. a couple of things he’d writ- “At first it was really dis- Kovacic ten, and I criticized them and icize those observations; and maying, how different it was handed them back to him, a third and final layer weaves — the opposite of teaching at it’s easy to discipline stu- and so we have this tie.” in the author’s self-reflection. Chautauqua, for example,” dents but more challenging Such is the presence of Iri- benjamin hoste | staff photographer “It’s a travelogue, it’s an she said. “Kids are all body — and in the long run more on at the Institution. Twen- Mary Jean Irion, founder of the Chautauqua Writers’ Center, poses epic poem that is not devel- — they don’t sit still. Rather rewarding — to observe stu- ty-five years ago, she led for a portrait Wednesday at the Athenaeum Hotel. oped, and a memoir,” Irion than see that as a classroom dents and learn from them. the charge in founding the said. “Those three elements are braided together all management problem, I “They are in love with Chautauqua Writers’ Cen- Christmas one year. 2003, Irion sent the manu- along the way.” started to see that as a dif- their ideas, [but] they’re ter. Although she retired as “They said, ‘That’s good, script out and received posi- Irion could not care less ferent way of being in the also in love with one an- its president in 1997, she has you ought to publish it,’ ” she tive feedback but no offers. about money or fame. She world, a different way of ex- other’s ideas,” Kovacic said. remained a steadfast teacher, said. “I knew that it wasn’t “Everybody said, ‘It won’t periencing life — with your “If you’re going to teach in only hopes to have contrib- mentor and inspirational fig- something that would be make the bottom line. It’s not entire body.” a middle school, the first uted somehow to the human urehead in the Institution’s publishable. I kept thinking, going to pay for itself. It’s not Kovacic will give a thing you have to learn is spirit — what she defines literary arts program. ‘What is in there? What is in going to sell,’ ” Irion said. “It Brown Bag lecture at 12:15 how to harness their in- At 3:30 p.m. today on the as the love of life, as giving there that’s good?’ And I be- sat around on a shelf in my p.m. today on the porch of credible interest in one porch of Alumni Hall, Irion one’s self to the world. gan to rework it, and I’d re- cabinet for years. I gave up Alumni Hall titled “Writing another. It can be used for will give a special book talk Looking off into the drea- write it, and I’d rewrite it and on it — I just didn’t think Like a Kid, Again: Effective good or evil, but they are titled “Rubbing Sticks into I’d rewrite it again.” ry gray of the rainy Chau- Literary Approaches from much more interested in She-Fire and Smoke.” She anymore about it.” tauqua afternoon, Irion Irion said the rewriting Then, two years ago, her Children and Adolescents.” one another than they are will elaborate on the process process was like performing speculated that She-Fire was While adjusting to mid- in anything you can say.” of writing and self-publish- husband self-published a an answer to her first book, a brass rubbing — placing a novel. Seeing his success, she dle schoolers, Kovacic had This interest in one an- ing her latest book, She-Fire: sheet of paper across an old From the Ashes of Christianity. decided to self-publish, too, to face a learning curve. She other lends a tremendous A Safari Into the Human Spirit. tombstone — and the more From the Ashes ends with a and took She-Fire off her shelf. found she was learning just power to the act of listening. She and her husband, Paul, she rubbed, the more writing call to the reader to return to During the book’s first year as much from her students When students feel they are once owned a house on the was revealed. myth, particularly focusing as she was teaching them. being heard, they get an in- grounds called Fernwood, “Every time I worked it of publication, Irion said she on the myth of the phoenix “There are things we fectious kind of energy. which served as the base for over more details came out has distributed approximately — the mythical creature that can learn from very young “I’ve seen that happen in the Writers’ Center before it of the information that I had 100 copies — what she called a could only be born from its people,” she said. “They are our workshops at Chautau- moved to Alumni Hall. For in the first place,” she said. relative success for a self-pub- own ashes. constantly learning from qua — where I hear people the entire season, the Irions “I think that if I do another lished work. A healthy por- “Maybe [She-Fire] is a new us, and we’re constantly telling stories, and for the would host literary events rewriting of it right now tion of those copies were sent myth, maybe it isn’t — we telling them what to do first time someone’s listen- and accommodate visiting I probably could pull out to family, friends and people don’t know,” Irion said. “At … but I don’t think we do ing to them with a kind of authors. But this season, the some more detail that is not who had helped her through- the beginnings, we really enough listening to young intention they’ve never had,” Irions are staying in the Ath- there yet.” out the years. don’t know what we’re work- people or what they’re try- Kovacic said. “I actually enaeum. Their visits to the In- Twice Irion thought she “So often people who love ing with ... There is a mystery ing to tell us.” think that’s a more powerful stitution have become shorter had finished the book, but the arts … are just terrible at about it that we don’t under- The first lesson she teaching tool than any sort and less frequent in recent publishers would not have the business end of it, and I stand, and we’re trying to learned was the lesson of of writing technique.” years. Irion said she believed it. Once in 1997 and again in think I’m one of those,” she figure out.” body over mind — the val- As important as it is to this would be their last visit ue of positively channeling get things right, it is also im- to the Institution. physical energy. Kovacic said portant to note that getting Irion takes pride in the her students taught her to it right and being correct history of the Writers’ Center think of herself not just as a mean two very different and looks toward its future brain with memories, but as things for Kovacic. Cor- with optimism. a person embodied with life. rections oversaturate the “I hope that [the Writers’ The second was a lesson school environment; with Center] will always be inter- in listening. the emphasis on testing in ested in teaching people to “In a school environment, schools, almost everything write according to who they you’re constantly telling boils down to whether an are,” Irion said. “I’m hoping people to listen,” she said. answer is correct or incor- it will keep language a lively “But when are they truly lis- rect. But getting it right force in life, so it’s not always tening? When are you truly deals with a more personal, a matter of writing about the listening rather than just creative impulse. past that we treasure, but being obedient? What’s the “Worrying about get- what’s going on right now.” difference between obedi- ting it right is a profound, In 1986, two years before ence — doing what you’re I think, energy for writers,” starting the Writers’ Center, supposed to do — and true Kovacic said. “You want to Irion went on a safari in Ke- interest — the thing that you honor people, but you want nya. What began as a journal do because you have to, and to tell the truth about what of the trip would — 26 years you want to?” happened, and you care so later — become She-Fire. Listening is instrumental much about getting it right Irion gave the original 74- for the teacher as well as for that you are going to write page journal to her fellow sa- the student. 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& & 8#4(*$;&:&F#*)1#6&#B&).(&8#0)&#B&;#5*&A.:5):595:&(!F(*1(68(7 Friday, July 5, 2013 The Chautauquan Daily Page 5 Music Two questions with the cast, directors of ‘Peter Grimes’

C had m. weisman opera can be. There’s noth- Staff Writer ing staid, nothing reserved about this. If it were a play, The Daily sat down with it would be an amazing play. six key players in the Chau- The fact that it is augmented tauqua Opera Company’s production of Peter Grimes, by music is all the better. You with the goal of better grasp- don’t have to be an opera ing how the show might be or music lover to “get” the received both by opera lov- piece. ers and also by those who have never experienced what Ray: This piece covers the composer Richard Wagner operatic gamut, from full- called “a total work of art.” blast ensembles with full- The performance is at 8:15 cast orchestra and chorus to p.m. Saturday in the Amphi- gorgeous soft a cappella sec- theater. tions. It is both intimate and grandiose and serves as an What would you like an opera excellent introduction to op- lover who’s never seen this show to know? era. Peter is someone we can really relate to.

Jay Lesenger (artistic/general Kravitz: Seeing an opera director): Peter Grimes is one in person is an experience of the greatest operas ever like no other. [Peter Grimes] written. It is grand opera at is easy to understand. It’s its grandest, with beauti- an exciting, enthralling and ful arias and ensembles and great “Sea” and “Storm” in- gripping story that is made terludes, which set the mood all the more so by the fact for each scene with fantastic that it is one of the greatest orchestral coloring. scores ever written in the op- The poor fisherman Peter BRIAN SMITH | STAFF PHOTOGRAPHER eratic canon. Grimes is complex. He is nei- Kevin Ray and Benson take a break to watch the Wednesday Amphitheater rehearsal of Chautauqua Opera’s Peter Grimes. Ray ther a villain nor a hero, but plays the role of Grimes and Benson as Grimes’ assistant in the production, which will be staged at 8:15 p.m. Saturday in the Amp. Cokorinos: Opera is not a a man shaped by his commu- superficial art form. If you nity and his circumstances. invest the right effort in it, it companies rarely mount this ford): It’s rare to find music like the outsider who isn’t ac- What would you like someone Peter Grimes has incredible pays you back with insights. piece. To have a chance to see this that really paints the pic- cepted in his society. We who’s never seen an opera to theatrical momentum. By Like any art, if you engage it in Chautauqua, [opera lov- ture of what’s happening to have compassion for him know about this show? the end, the Chautauqua au- with it on its own level, you’ll ers] just cannot miss it. They these people and really digs and his situation, but he also dience will be engrossed and find something really pro- moved. There will be lots to have to clear their schedules. into the heart of the story. It makes some very, very bad Lesenger: Peter Grimes will found. This opera is a very talk about afterward. will make you cry, make you decisions along the way that engage, entertain and move Philip Cokorinos (swallow): laugh and will make you an- break our heart. even the newest of operago- deep opera. If you don’t pay Steven Osgood (conductor): Stick it out. It’s a really pow- gry. It will make you want to ers. It is simply great theater attention deeply, you’ll miss For an opera company of erful piece. Enjoy the exposi- get up out of your chair and David Kravitz (Captain Bal- with interesting and psycho- it. Come well rested with an this size to mount a produc- tion and by the second half, jump up on the stage with us. strode): This is one of the great- logically complex characters. open ear and an open mind. tion of Peter Grimes is almost you’ll be caught up in it. est operas ever written. If you unheard of — for it to be this Kevin Ray (Peter Grimes): are someone who likes opera, Osgood: This is a great Baldwin: Buckle up. It’s strong is miraculous. Big Elizabeth Baldwin (Ellen Or- We can all relate to Peter, you will love Peter Grimes. example of how theatrical gonna be a fun ride. Lesenger to share Israelievitch master class gives students joy of opera in another perspective on performances annual master class kelly tunney lowed musicians to focus on same issues. Staff Writer what the music itself could “A master class is semi- mean. public and informal,” he Jacques Israelievitch, chad m. weisman By the time “Often students will just said. “It’s not really like a strings chair in Chautau- Staff Writer the curtains fall listen to recordings and concert; it’s a performance, qua Music Festival’s Instru- on Peter Grimes, imitate what they hear,” he but it’s also a working ses- mental Program, will host a Jay Lesenger, L e s e n g e r ’ s said. “My advice is to hold sion. So you don’t expect it to violin master class at 2 p.m. Chautauqua Opera thoughts will be off on listening to record- be completely perfect. If it’s Company’s gener- today in McKnight Hall. on the work to Israelievitch ings, try to determine what so perfect, then what is there al/artistic director, Five students will each play you think the music says to come. Preceding to talk about?” will present his an- one piece and he will cri- you when you just read it Falstaff are The nual master class Lesenger tique their performances. and try to develop an inter- Romeo and Juliet times there are big differ- at 1:15 p.m. today Israelievitch said he hopes ences between styles in these pretation from that.” Project and Wag- in Fletcher Music to open a dialogue between composers, and we want to Master classes allow stu- ner & Verdi: A 200th Birthday Hall. himself and the students so bring out certain things that dents to receive feedback Celebration. “It’s a quieter day for that they can have a new are special to the composer, on their work without go- The master class is a me,” he said. perspective on the pieces. be it humor or pathos, de- ing through the formalities Of course, for Lesenger, chance for Lesenger to “Sometimes it’s not even a pending on personality.” of a recital. When hosting a a quiet day at Chautau- share the joy of opera with matter of improving things,” Israelievitch compared master class, Israelievitch qua Institution includes a the Chautauqua commu- he said, “but having perhaps the way musicians used to said, he tries to give advice whirlwind of activity. He nity firsthand. a second opinion on how to will teach the class between learn pieces to the way they that is helpful not only to “One of the great things do it.” do now. Prior to recording the student performing but meetings and amid prepa- about Chautauqua is that ration for the following He will also discuss the technology, musicians had also to other students who people are interested in [the students’ performance styles only their teachers and the may be struggling with the evening’s mainstage per- musical] process, so it’s a Peter Grimes and how they chose to inter- written music to help them formance of . chance for them to see how He is also anticipating pret the composers’ works. in the interpretation of a it’s done,” Lesenger said. the arrival of the cast of Fal- “Each composer comes piece. Instead of relying on a staff, a Chautauqua Opera The class will feature from a different background, recording that someone else production that will take singers from the Chau- a different period of music,” had already interpreted in place later in July. tauqua Institution’s Voice Israelievitch said. “Some- his or her own way, this al- Lesenger is also tasked Program, led by Marlena with helping singers devel- Malas. Malas will hold her op their voices and acting own master class on July abilities. Of all his job de- 15, which will consist of mands, “this is the easiest students from Lesenger’s thing for [him] to do.” Young Artists program.

» on the grounds Skateboarding Skateboarding is not permitted on the grounds. Page 6 The Chautauquan Daily Friday, July 5, 2013 PHILANTHOPY ‘Summer camp’ Chautauqua, Wegmans sponsors Sail Rock 2013

devlin geroski “Our thoughts on the Jamestown Jammers, a minor volunteering renew Scott’s spirit Staff Writer [Sailing Rock] concert is that league baseball team based it seems like quintessential in Jamestown, N.Y. When it’s devlin geroski For the 18 years that Weg- summer entertainment,” she time to budget for commu- Staff Writer mans has been in the area, the said. “And it’s close to the nity relations, the Wegmans grocery store has been part- beginning of the summer staff is always proud to part- When Susan B. Scott nering with Chautauqua In- as well as the Chautauqua ner with the Institution. leaves Clearwater, Fla., and stitution. That tradition will season. It just seemed to be a “Traditions are impor- heads to Chautauqua Insti- live on at 8:15 p.m. tonight in great fit for us.” tant,” Lingenfelter said, tution for the summer, her the Amphitheater at the Sail The concert will feature “but I think today in our grandchildren affectionately Rock 2013 concert, which is ’70s and ’80s hits by artists fast-paced society we don’t say, “Grandma’s going off sponsored by Wegmans. such as Christopher Cross, put much stock in them. to camp!” And to hear Scott Elizabeth Lingenfelter, Orleans, Gary Wright, Fire- But when you walk through speak with excitement about Wegmans store manager and fall, John Ford Coley, Robbie Chautauqua’s gates, you take the activities she’s involved lifelong resident of Chautau- Dupree and Player. a deep breath and you feel with on the grounds, the qua County, spoke to why Wegmans does plenty like you can slow down and comparison makes sense. she and Wegmans’ commu- of service work around the maybe unplug a little bit — But when she explains nity relations team chose to community, partnering with and I think it’s more impor- how Chautauqua “renews sponsor this concert in par- United Way and local food tant at this point than ever to her spirit,” it’s plain that ticular. banks and sponsoring the do that.” the Institution isn’t simply camp for Scott; it’s a place for personal rejuvenation. Scott first came to the Institution 15 years ago Hagen, Booth funds support morning panel to visit her cousins, who had recently inherited her Benjamin Hoste | Staff Photographer The Susan Hirt Hagen board of directors of Erie The Dr. Edwin grandmother’s house. She Susan Scott, of 12 Pratt, with her cat Abbey in front of her home. Lecture Fund and the Dr. Indemnity Company, man- Booth Memorial Fund hon- liked it enough to keep com- Edwin Prince Booth Memo- agement company for the ors the memory of Dr. Booth, ing back, and with each suc- helping others and vol- other deferred means rial Fund support the panel Erie Insurance Group. She a minister, theologian, teach- cessive visit she has become unteering,” Scott said. require no outlay of discussion with this week’s is also a trustee of the H.O. er and author. As both a his- more involved with life and In Clearwater, current funds. lecturers at 10:45 a.m. today Hirt Trusts, a member of the torian and a citizen he was activities on the grounds. Scott spent 12 years as Scott wants to keep in the Amphitheater. Council of Fellows of Penn intensely interested in inter- Currently, she’s active a volunteer at a shel- the Institution going Susan Hirt Hagen of State Erie, The Behrend Col- national affairs, and his bio- with the Chautauqua Dance ter for women who for her children and Erie, Pa., created the Susan lege, and a former trustee of graphical and historical lec- Circle, Chautauqua Wom- had suffered spousal grandchildren and for Hirt Hagen Lecture Fund the Erie Community Foun- tures at the Institution made en’s Club and the Episcopal abuse and domestic others that love it just in 1993. A lifelong Chautau- dation. him one of the most popular Church. violence. Additional- as much as she does. quan and property owner Mrs. Hagen has been speakers on the grounds in This year, Scott is also ly, she worked on the board “I get such a good feel- for many years, Mrs. Hagen named Woman of the Year the 1950s and 1960s. Booth, participating in the Chau- of a mental health associa- ing when my children and served on Chautauqua In- for community service in a Chautauquan since boy- tauqua Connections pro- tion and volunteered at cold grandchildren visit — I want stitution’s board of trustees the Erie area and has been hood, was an object of Chau- gram, serving as the connec- weather shelters and food to share Chautauqua with from 1991 to 1999. She and a board member, volunteer tauqua pride, as were his tion for two dance students banks through Religious them,” she said. “And maybe her husband, Thomas Bailey and contributor to many so- lectures. He appeared at the she worked with last year Community Services. I’m naïve, but I don’t think Hagen, chairman and owner cial service, arts and educa- Chautauqua Literary and with the Dance Circle. With her willingness anybody goes away disap- of Custom Group Industries tional organizations. She has Scientific Circle Round Table “It’s good to see how to reach out and help her pointed if they’ve spent a and board chairman of Erie served as chair of the United in the summer of 1969, short- they’ve progressed,” Susan community, it comes as no week here. There’s just so Insurance Group compa- Way of Erie County, Pa., the ly before his death. said. “When I met them at surprise that Scott recently much to offer, so much good nies, are charter members of first woman to serve in that Originally from Pitts- the picnic this year, the first helped the Institution com- and so many good people.” the Bestor Society and also capacity, and is a recipient of burgh, Booth was an Al- thing they said was that munity by including Chau- For more information on how participated in the historic its highest honor, the Alexis legheny College graduate they were glad to be back.” tauqua in her will. you can make a future gift to Chautauqua Town Meeting de Tocqueville Award. who earned his seminary Scott is the chairman of “I think philanthropy is Chautauqua and become a mem- in Riga, Latvia. Mrs. Hagen’s For her more than 10- and doctoral degrees at Bos- membership for the Wom- one of the most important ber of the Eleanor B. Daugherty philanthropy made possible year commitment to curtail ton University. He spent his en’s Club, which she loves things at Chautauqua,” Society, which honors those who the rebuilding of the Hagen- teenage pregnancy and the teaching career as a professor to be a part of because it Scott said. “The first couple have made a provision in their Wensley House, the Insti- school dropout rate in Erie in Boston University’s Theo- benefits other Institution years I came here, I thought will or other estate plans, please tution’s guest house, in the County, the trustees of Penn logical Seminary and was programs. Just last year, the Institution was wonder- contact Karen Blozie, director 2010–11 off-season. State University, in 2008, a professor emeritus when the Women’s Club raised ful. And the more I visited, of gift planning, at 716 357- Mrs. Hagen is a graduate named in her honor the Su- he died in December 1969. $70,000 to support scholar- the more I realized that it’s 6244 or by email at kblozie@ of Wittenberg University. san Hirt Hagen Center for Booth was president and lec- ships for programs such as got to keep going.” ciweb.org. Daugherty Society She is an emerita member Organizational Research turer of the Institute on Reli- theater and music. She thinks that planned members enjoy many benefits of its board of trustees and and Evaluation (CORE) at gion in an Age of Science and In the past, she’s served giving, such as through throughout the summer season, a recipient of the Univer- Penn State Erie, The Behrend a member of the American on the board of the Episco- one’s will, is a great way to such as opportunities to attend sity’s Alumni Citation for College. In 2009 she received Academy of Arts and Scienc- pal House, and she current- help the Institution. Even if special events with selected lec- community service. She re- the Edward C. Doll Commu- es. He authored seven books. ly serves on the altar guild. one is not currently able to turers and artistic directors as ceived an honorary doctor- nity Service Award from the Both of his sons, Harry “Faith is my biggest value, support the Institution, gifts well as an annual luncheon in and with that comes a lot of made through a bequest or their honor. ate from her alma mater in Erie Community Founda- and Frances, have lectured 2011. She also holds a Mas- tion and in 2010 received the at the Institution. His sister, ter of Science in counseling Distinguished Citizen of the Helen Booth, was an active from Gannon University and Commonwealth Award at Bird, Tree & Garden Club received its Distinguished the 112th Annual Meeting of member. Miss Booth and Alumnae Award. For a num- The Pennsylvania Society. her brother, William Wallace ber of years, Mrs. Hagen Mr. and Mrs. Hagen, who Booth Sr., a Pittsburgh attor- CHAUTAUQUA was the managing partner also spend a portion of the ney and Chautauquan, are of a consulting firm en- year in Sarasota, Fla., are the deceased. Six generations of gaged in conflict resolution parents of a son and daugh- the Booth family have par- and group relations. She is ter have three grandchil- ticipated at Chautauqua In- HEALTH CARE currently a member of the dren. stitution.

2013 FORUM CHQHEALTHCARE.COM WEEK NINE • AUG. 19 – 23 Friday, July 5, 2013 The Chautauquan Daily Page 7 lecture Hayes: ‘We are seeing a society that is reinscribing a caste system’ Jess Miller | Staff Writer magine Edward Snowden’s last day at the National Security Agency — he quietly drops files onto his flash drive, packs up his laptop, exits the NSA’s Hawaiian office, packs his bags, boards airline security and finally breathes a Isigh of relief as his plane crosses into international airspace. “I think this is a useful these institutions for the past So why haven’t these cri- moment because it illumi- 40 years, now reports that ses resulted in mass social nates two camps of political Congress has an approval rat- movements, comparable to thinking in this country,” ing of 11 percent, an all-time those of the 1930s and 1960s? said Chris Hayes, host of “All low, Hayes said. Congress is Hayes said it is because In with Chris Hayes” on MS- even less popular than Paris of the nation’s movement NBC and the author of Twi- Hilton. More importantly, toward meritocracy, a sys- light of the Elites: America After Congress, along with the tem that has created an un- Meritocracy. “They have to do president, newspapers, uni- accountable, elite group of with a deep dispositional ap- versities, big corporations and people who run the banks, proach towards trust and au- labor unions, was more popu- Wall Street, large corpora- thority and the pillar institu- lar after the Watergate scandal tions and the United States tions of American life.” than it is today, he said. government. Hayes delivered his “I’ll say that again: In the “We exist in a strange sort morning lecture to a packed years after Watergate, Amer- of limbo,” he said. “People Amphitheater at 10:45 a.m. icans had more trust in their don’t trust their institutions Thursday. He was the fourth institutions than any time but they’re not ready to take speaker for the Week Two since,” Hayes said. “And to the streets to overthrow theme, “The Next Greatest over the last decade we have them. There has been, by Generation.” seen at or near all-time lows and large, no accountabil- He called these two camps for almost every institution ity for the elites at the helm insurrectionists and insti- in American life.” of the institutions who have tutionalists. Insurrection- What is the one exception? produced the crisis. … We’ve ists are people like Glenn “The military is by far the accepted the inequality of ac- Beck and documentary most trusted,” Hayes said. countability in this country.” filmmaker Michael Moore, He asked the audience to Meritocracy, Hayes said, who are skeptical of concen- consider, on this Indepen- is a fundamentally flawed trated power and pillars of dence Day, how the Founding system that takes those soci- institutions like Congress, Fathers would view a situa- ety deems smart enough, tal- the news media, banks and tion in which Congress is the ented enough and fortunate large corporations. least-trusted institution and enough and catapults them Institutionalists are people the standing army — which into positions of power. He BRIAN SMITH | STAFF PHOTOGRAPHER who fundamentally believe almost none of them wanted used his own high school as Chris Hayes, MSNBC political commentator and host of “All in with Chris Hayes,” delivers Thursday’s that those institutions deserve — is the most trusted. a microcosmic example. morning lecture in the Amphitheater. the trust of the public, and that Hayes, while confessing to Hunter College High insurrectionists like Snowden be an insurrectionist himself, School is a free public high are disturbing that trust. For is worried that this lack of school, open to all five bor- vate courses and one-on-one “We are seeing a society Chris Hayes example, Hayes named Nan- trust in the most fundamen- oughs of New York City; stu- tutors. Not surprisingly, entry that is reinscribing a caste cy Pelosi, The Washington Post tal institutions will result in dents just have to pass a test host, “All In with system, that is getting less Chris Hayes,” MSNBC editorial page and Sens. John a population unable to “pro- to be admitted. But the actual into the school has slanted in mobile and less dynamic, that McCain and Dianne Feinstein duce the level of social con- acceptance number is tiny, be- favor of rich, primarily white author, Twilight institutionalists because they sensus necessary to get the cause Hunter has continually students whose parents can is shutting down opportuni- of the Elites: may consider Snowden’s ac- kind of change we need.” been ranked among the best afford the test prep. Latinos ties for mobility at the same America After tions to be treasonous. In the past 10 years, which high schools in the country and blacks, which make up time that we cling harder Meritocracy “An institutionalist looks Hayes called the “fail de- and a large percentage of its 50 percent of New York City’s and harder to this faith of the population, comprise just four meritocracy,” he said. at the Snowden situation and cade,” the institutions’ spec- graduates go on to Ivy League rolled his giant rock up the sees Snowden walking up to tacular rate of failure should colleges. When Hayes was ac- percent of the student popula- For those wondering how tion at Hunter, Hayes said. to reverse the trend of meri- mountain only to watch it the edifice of national secu- have urged Americans out cepted in 1991, the entrance roll back to the bottom again. rity and pulling out this cor- into the streets, he said. En- exam taken by him and thou- “That single Hunter test tocracy and replace the pow- “Equality is never a final nerstone and gleefully run- ron collapsed, 19 men com- sands of others was purely a is no match for the forces er currently monopolized ning off to Hong Kong while mitted the largest act of ter- test of intellectual ability. of wealth and power that by a class of elites, Hayes state, democracy is never a it collapses into rubble,” ror ever on American soil, But in the last decade, a are collecting outside the offered an example from stable equilibrium,” he said. Hayes said. the housing bubble exploded huge, multi-million dollar test school’s walls,” Hayes said. Greek mythology. “They are processes and they The General Social Survey, and thousands of Americans prep industry has developed Hunter is just one example He compared the struggle are struggles, and our task which has been polling Amer- died in a war that shouldn’t around the city. Parents pay of what Hayes called “mas- against meritocracy to the now, and always, is to recog- icans on their views about have happened, he said. thousands of dollars for pri- sive, escalating inequality.” struggle of Sisyphus, who nize that the struggle is ours.”

by that is — there was all this of the inability to mobilize some ference between starvation ly different in a billion different Egyptians to mobilize? Things [Franklin D. Roosevelt]-Obama kind of revolutionary fervor is and hunger is kind of a perfect ways. But I want to just sort of are terrible. We live under a comparison in the era when in some ways the left being metaphor for the difference extract this comparison. There state of emergency. Unemploy- President Obama was elected. victim of its own success, between the Depression and are people in Egypt who woke ment is 25 percent among the There was a Newsweek cover which is to create a safety net our own time. And this is not to up every day for 30 years in this youth or higher, food prices of him riding in the Roosevelt that means that people aren’t minimize the grinding misery, tiny little community of people are going up, why can’t we get Editor’s note: This Q&A has inaugural car, with a cigarette, literally going to die if things despair, difficulty of the lives of that were the opposition, the people mobilize?” You would been edited for clarity and length. the glasses and the top hat. don’t get better. And that’s tens of millions of Americans secular liberal opposition of have said, “I don’t know.” And Read the full transcript at People were like, “He’s no good. That’s actually the silver who are trying to make ends Egypt. It was like 17 people and then one morning, there were chqdaily.com. FDR.” You’ve got to keep in lining in this whole thing. We meet in a basically impossible they had a think tank, and they millions of people in the streets. mind though, the absolute don’t have people whose lives environment. It’s simply to say had underground meetings and Change does not come through Why is it seemingly levels of privation were like are on the line — I mean, well, that it really does matter what they’d lectured at universities, some kind of steady linear so hard to rally Amer- the misery of the Depression, we do have people whose lives the absolute standards are of and it was just like, nothing. diagonal. It comes from punc- Q: versus what we went through. are on the line, there are 16,000 life in terms of what it produces icans these days around a No one cared. They weren’t tuated equilibrium. And the There was no social safety net. troops in Afghanistan — we in terms of reaction. I think the even enough of a threat to be cause that, if successfully periods of equilibrium can feel There were no food stamps. do not have people who are other thing that I would say really well and truly oppressed addressed, would be to our like stasis, but you never know There was no Social Security facing starvation because of is, there were people in Egypt by [Hosni] Mubarak. And you benefit? when you are on the precipice or Medicare. There was no un- what Washington is or isn’t do- — and let me just begin this can imagine the version of of something greater. A: You know, this is the big employment insurance. There ing. We do have people facing statement by saying I am not Chautauqua in Alexandria, question. One is, absolute was no disability. People were hunger over what Washington here comparing the situation in in 2009, someone asking the ­ —Transcribed by privation matters. What I mean starving in the streets. So, part is or isn’t doing, but the dif- Egypt to America. It’s extreme- question, “Why can’t we get Nikki Lanka Page 8 The Chautauquan Daily Friday, July 5, 2013 Religion All of us can take up our mat and walk

od’s love is loose in the world and lurks in to control the ending.” a world that needs to go negative,” said the The radical nature of Jesus’ love was such that he Rev. Otis Moss III at the 9:15 a.m. Thursday healed the man without his permission. He did not ask to “G morning devotional service. His topic was be healed, yet Jesus responded to his situation by seeing “Radical Love” and the Scripture was John 5:1-9. him as better than he was at that point. Love sees one into “Neighbor, oh Neighbor, God is calling us to live radical the future. love,” he said. “Love is loose in the world. It is a powerful Morning Worship “Jesus enters into radical love and tells him to do some- concept that has taken a thousand years to conceive. It has thing he had never done — stand up,” Moss said. “It was a consumed the poetic mind.” Column by Mary lee Talbot power the man did not realize he had. Then Jesus told him to Moss described a story often told by preacher and theo- take up his mat and walk.” logian Fred Craddock, which tells the tale of a Christmas could be healed. The mat was the symbol of his past and his pain, Moss with Craddock’s family in rural Tennessee. His father was “The man’s friends brought him to the pool; they brought said. Jesus told him to take it with him to show people that an alcoholic who had moments of sobriety. A few days be- him to of healing but did not push him to the next he had been healed. fore Christmas, the parents gathered the children togeth- level,” Moss said. “His friends did not even come back to “We want to hide our mat, but all God’s children have er to tell them there would be no presents and no food for check on him. There is nothing worse than seeing healing a mat,” Moss said. “Jesus says don’t hide it, let everyone the holiday. The parents wanted the children to prepare but [knowing] you can’t get there. know, ‘I have some mats but I can stand on my own feet themselves. and walk.’ ” “And there is nothing worse than church folk who go When Craddock got up Christmas morning and went Moss then recited the first verse from the old hymn, “Love through a different door so they don’t have to step over hu- downstairs, there were presents everywhere and a feast on Lifted Me”: manity in pain. Church folk should not be shielded from the table. He never asked how the miracle occurred. When “I was sinking deep in sin, far from the peaceful shore,/ pain; it should motivate them to transform the moment.” he was a teenager he was talking to his father and noticed Very deeply stained within, sinking to rise no more,/ But the When one is satisfied and desensitized, one is living in that he was missing some teeth. His father had pulled out Master of the sea, heard my despairing cry,/ From the waters hell. the gold teeth from his mouth and sold them so the children lifted me, now safe am I./ Love lifted me! Love Lifted me!/ would have Christmas. “I think hell is a cold place,” Moss said. “Like the former When nothing else could help/ Love lifted me!” “When you see the holes in his mouth, you see the pow- planet Pluto, there is light but no heat. We are so far from “Love has the power that this country needs,” Moss said. er of love,” Moss said. “When you see the holes in [Jesus’] God that we can see light but never feel heat. We have to “We need a love story that says no one is too dirty to be hands, you see the power of love so that the next generation move closer to the orbit of the Son.” cleaned, too sinful to be saved. Take love and justice together, will be fed. Love is loose in the world.” How does one move closer to God? he asked. It happens for God’s sake,” he said. Moss’ sister read to him from work by Maya Angelou and when one looks at the pain of humanity and one’s heart The Rev. George Wirth presided. Maddison Williams from Zora Neale Hurston. He later realized “that this was the syl- breaks for someone else. the International Order of The King’s Daughters and Sons labus for Morehouse [College].” Moss attended Morehouse “It creates a calling in you,” Moss said. Scholarship Program read the Scripture. She is from Calera, College and his sister was giving him a “head start.” Jesus was on his way to a feast and stopped when he saw Okla., and studies political science at Southeastern Oklahoma God’s love is radical by nature. It is not sentimental, it is someone in need. He walked up to the man and asked him if State University. Jared Jacobsen, organist and coordinator of married to justice, he said. Love without justice is sentimen- he wanted to be healed. The man did not answer Jesus’ ques- worship and sacred music, led the choir. tality and justice without love is naked brutality. Love and tion but complained about how rude the people were who Joe Musser, pianist, and Barbara Hois, flutist, played “An- justice together become radical love. got into the pool ahead of him. dante Pastoral et Scherzettino” by Paul Taffanel. The Motet “Jesus was always encountering people with no require- “That was not the question Jesus asked,” Moss said. “The Choir sang an arrangement of “America the Beautiful” by Mark ment of discipleship,” Moss said. “He did not demand that man loved his victim status. It was difficult for him to see Hayes. At the beginning of the piece, the Rev. Moss read the they follow him. Jesus would look at them and say, ‘I love himself as a hero and rewrite his script.” first lines of the Declaration of Independence, the United States you so much I want to enter into your life.’ ” Moss told a story about his son, Elijah, who writes his own Constitution, President Lincoln’s Gettysburg Address and Jesus was dialoguing with people, and those conversa- comic books. Moss once asked him, “Do you know you are Martin Luther King Jr.’s “I Have a Dream.” tions changed lives. The man at the pool in John had been the hero [of these comics]?” Elijah replied, “I know, Dad, I The Geraldine M. and Frank E. McElree Chaplaincy and the there for 38 years. People were brought to the pool and hoped wrote it.” William Jackson Fund for Religious Initiatives provide support for they could get in after an angel stirred the waters so they “If we want to write our own story,” Moss said, “we have this week’s chaplain. Friday, July 5, 2013 The Chautauquan Daily Page 9 Religion

Orenstein: ‘Religion is a holy process that requires patience and practice’

Fredo villaseñor | Staff Writer

abbi Debra Orenstein’s Wednesday Interfaith Lecture was for people both old and young; when it came to the uncertain future of Judaism, she did not Benjamin Hoste | Staff photographer Rleave either off the hook. Rabbi Debra Orenstein speaks at the afternoon Interfaith Lecture Series on Wednesday at the Hall of Philosophy.

The spiritual leader of their sense of victimization. own happiness and feel Judaism stands and where the morning lecture by Paula erations, she really is not that Congregation B’nai Israel in “Jews have been victims; entitled to immediate self- it ought to go. She used five Kahumbu. “And if you be- radical. To prove it, she stat- Emerson, N.J., Orenstein be- that is a fact,” Orenstein gratification. words to denote the points lieve in the Bible, then that is ed what she thinks the fu- lieves that religion should said. “But I believe we need “I want religion to make she would make: paradigm your problem because God ture of religion really needs: be a vehicle for spirituality. to overcome the tendency to people’s lives better, but it shift, polity, planet, popula- has given us an assignment the Sabbath. If young people today see be hypervigilant. We have to will not always make our tion and purpose. to be responsible for the The Sabbath promotes religion as an outmoded ex- risk being vulnerable again, lives easier,” Orenstein said. One of the most important earth and all life on it.” harmony, peace, freedom pression or an impediment especially with Christians “Religion is not a consumer paradigm shifts in Jewish All world religions share and the importance of giv- to spirituality, religious lead- and Muslims and others product; it’s a holy process history, she claimed, began in culpability in the state of the ing thanks. ers and organizations have who want to forge a new and that requires patience and 1781 with the emancipation planet, Orenstein said. They “The Sabbath was born af- failed. better relationship with us.” practice.” of French Jewry. Jews were have not lived up to their ter creation,” Orenstein said. “We have failed, at least Though Jews around the Though they may seem given the freedom of full teaching of stewardship. If “It’s the crown of creation in the way we communicate world are still threatened, unusual in today’s con- citizenship, and being Jewish religions are worried about and it’s the celebration of our mission in the world,” they also possess significant sumer culture, the religious became a choice rather than a becoming irrelevant in to- the planet. It gives us a day state-enforced identity. Orenstein said, “and perhaps power, she said. Jews need demands and values of self- day’s world, they will cer- when we live in harmony we’ve even failed in the way What is special about to- to work on using that power sacrifice are precisely what tainly become irrelevant if with nature, rather than try- that we try to realize our day’s generations is that ev- wisely in their communities should be maintained and they are not at the forefront ing to manage or control it.” mission.” erything they do for church- and especially in Israel. celebrated by religious com- of protecting the earth. And not only nature. Every religious tradition es, synagogues or mosques is Then Orenstein directed munities, Orenstein said. Orenstein used the word Orenstein said that the Sab- needs to consider the ways done freely, not out of fear or “population” to denote the bath also promotes harmony her critiques to the younger Improved religious edu- in which young people may guilt, Orenstein said. diminishing number of prac- with one another. Whether generation. She noted that cation is her solution to this be right in their critiques, “They simply choose,” she ticing Jews. Many things need enslaved or free, every person a phrase like, “I’m spiritual difference in attitude be- Orenstein said. Those fol- said. “The paradigm shift to be done to remedy this, but deserves a day of rest, a day to lowing each tradition need toward choice is our reality, one in particular is a rethink- spend time with friends, fam- to consider how it can be and it can also be our oppor- ing of religion’s purpose. ily and God. No petitionary improved. Orenstein shared tunity.” “Yes, we want to draw on prayers are given during the the ways in which her own Orenstein used “polity” the wisdom of the past and Sabbath, rather only thanks tradition of Judaism could I want religion to make people’s lives better, to mean “organized commu- yes, we seek to create a bright- for what there already is. improve. nity.” er future, but the Holy Spirit “Sabbath moves us from Her first point: “We need but it will not always make our lives easier. “Among the younger gen- lives in the eternal present,” commodity time — from the to remove barriers to educa- erations in the Jewish com- Religion is not a consumer product; it’s a holy Orenstein said. “We have to world of work and commerce tion.” munity, there’s a lot of disap- enter into the sacred sanctu- where time is money and all The high cost of Jewish ed- process that requires patience and practice.” pointment that elders didn’t ary of the present moment the hours are billable — into ucation is a barrier for many engage in serious God-talk and continually challenge organic time, the world of people, and people do not al- — Rabbi Debra Orenstein or questions of meaning,” ourselves to discern and to the human body and of na- ways feel welcome in Jewish Orenstein said. act on our highest purpose. ture, where we sleep and eat houses of study. Adults often Though this is certainly but not religious,” could be tween the younger and older What does God want from and read and visit at our lei- feel infantilized if they do a concern for young people generations. me now? What does God sure,” Orenstein said. not know Hebrew, Orenstein taken as a serious critique today, it would be a mis- “There’s one consistent want from us, collectively?” “So maybe I’m more radical said. This barrier has led to of religion. However, the take for them not to recog- finding across all the socio- Near the end of her lec- than I thought, because Shab- a very small number of Jews phrase might also reveal that nize the achievements of logical studies of the Ameri- ture, Orenstein said that al- bat is pretty countercultural,” today being educated in Jew- the deficiency lies not in reli- their forebears, such as liv- gion but in the young people can Jewish community: though she was invited to she concluded. “It insists on ish studies. ing through the Holocaust represent the younger gen- ‘24/6’ in a ‘24/7’ world.” “Secondly, we need to themselves. When Jews are educated in and building strong and build relationships between “Sometimes it just their tradition, they affiliate safe communities afterward Orthodox and non-Ortho- means, ‘I don’t want to be more, they observe more, from which to start over, dox Jews so the community beholden to anyone or any- they attend synagogue more Orenstein said. can stay whole,” Orenstein thing,’ Orenstein said. “ ‘I and they support the Jewish The planet should be a said. don’t want to be responsi- community more,” she said. principal concern of reli- Even if there are things ble to a community,’ ‘I don’t “Education is key.” gious communities today, that Jews within different want my relationship with Orenstein did not want to she argued. movements do not or never God to cost me anything,’ dwell too much on problems “Elephants are in cri- will agree on, she said, this ‘I want to serve, but on my and blame. She said she also sis, we learned in lecture,” makes it all the more im- own terms.’ wanted to articulate where Orenstein said, referencing portant for there to be a dia- Orenstein said such logue. statements, which all be- “Third, we need to en- gan with the word “I,” courage spiritual conversa- show that today’s youth are tions that take Torah person- overly concerned with their ally,” she said. It troubles Orenstein that so few Jewish people share their personal and spiritual concerns with one another when they go to synagogue. “Judaism, or any faith, is meant to touch every part of your life and especially those parts that are dearest and most sensitive for you,” she said. Orenstein also suggested that Jews must overcome Page 10 The Chautauquan Daily Thursday, July 5, 2013 Classifieds

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The Robert S. and Sara M. Presbyterian Association of Inc. Syndicate, Features King by Dist. Puzzles, Conceptis 2013 Lucas Religious Lectureship Chautauqua and maintained 3 2 1 Fund, an endowment held in a summer home on the Difficulty Level 7/05 the Chautauqua Foundation, grounds for 40 years. provides funding for today’s Mrs. Lucas attended Ju- 2 p.m. lecture by Shane Clai- niata College and graduated 6 3 8 9 2 4 7 5 1 borne. from Shippensburg State The Lucas Religious Lec- Teachers College. She was an tureship fund originated in elementary school teacher 4 9 1 5 7 3 6 2 8 1980 with contributions to before her marriage. In But- the Chautauqua Foundation ler, she served on the board 5 7 2 6 1 8 4 3 9 in honor of the couple’s 50th of directors of the Butler wedding anniversary by Area Public Library. She was their daughter and her hus- 1 5 9 7 8 2 3 4 6 active in the Alice Wick Mis- band. Lucas, who died the fol- sionary Society of Covenant 2 8 4 3 6 5 1 9 7 lowing year, practiced inter- United Presbyterian Church, nal medicine in Butler, Pa., the Butler Senior Women’s for more than 50 years. He Club, the Butler Medical 3 6 7 1 4 9 5 8 2 was a member of the Cov- Auxiliary, the Literary Club enant United Presbyterian and the Butler Garden Club. 9 2 6 4 5 7 8 1 3 Church where he served as The Lucases’ daughter, elder, trustee and deacon Sylvia Miller, of Milwaukee, GREG FUNKA | STAFF PHOTOGRAPHER 8 1 5 2 3 6 9 7 4 and was involved extensive- continues the family’s Chau- Naturalist Jack Gulvin will host a Purple Martin Chat, showing

ly in professional and civic tauqua traditions with her birdhouses and babies up close, at 4:15 p.m. today at the purple Inc. Syndicate, Features King by Dist. Puzzles, Conceptis 2013 activities. Dr. and Mrs. Lu- children and grandchildren martin houses located at the lakeside between the Sports Club 7 4 3 8 9 1 2 6 5 cas were active in the United in her family home, the Dixie. and Miller Bell Tower. Bring chairs for guaranteed seating. Difficulty Level 7/04 Friday, July 5, 2013 The Chautauquan Daily Page 11 symphony ‘A full-tilt kinetic act’ Seaman, Gomyo prove up to Sibelius’ task in Tuesday CSO concert anthony bannon Guest Reviewer

his is a small world, big idea story. A story about a place that stretches through more than a century of time; a place where it also seems easy to connect the dots; a place where the dots add up Tto notions far larger than what seems possible.

First, the big idea. By their nature, big ideas REVIEW step outside of words. Music is one of their haunts. And Finnish composer Jean Si- audience and readied them belius (1865–1957) is one of for a rousing appreciation of their masters. the subsequent allegro pace Sibelius’ Violin Concerto in of the final movement. This D-minor, Op. 47 — the artist’s final movement was marked only concerto — was the oc- by strong timpani and bass, casion for big ideas and con- their bold rhythms holding nected dots Tuesday evening the movement’s looping rondo in the Amphitheater. Chris- form, recalling the theme of topher Seaman, again filling the first movement, empow- the role of guest conductor, ering the final rhapsodic rhet- opened the season for the oric of the concerto, prompt- Chautauqua Symphony Or- ing an amazing dazzle of chestra last week, performing impossible fingering and bow with Karen Gomyo, virtuoso work from Gomyo. violinist, who last performed Now for the small-world with the CSO in 2011. ideas. The small world also BRIAN SMITH | STAFF PHOTOGRAPHER This concerto is a force of sweeps around Sibelius, who Guest violinist Karen Gomyo bows to the Chautauqua audience after being presented flowers by Marty Merkley, Institution vice president life, a crucible that suggests was considered by George and director of programming, Tuesday evening in the Amphitheater. Gomyo performed Jean Sibelius’ Violin Concerto, Op. 47 in D minor, it can hold all things, from Eastman as a candidate for with the Chautauqua Symphony Orchestra under the baton of guest conductor Christopher Seaman, below. silence to gravitas, from fra- the first director of Rochester grance to full feeling. Breath- University’s Eastman School His cultivated manner is Romeo and Juliet, here an op- ing deeply, as if alive, pulsing of Music. Instead, Eastman manifest on the podium, too, portunity to develop the push with life the concerto pro- instead selected Chautau- as his conducting style, while and pull of love against the poses the unknown; then, quan Howard Hanson, who assured, is modest and un- counterweight of dark and a bit like all of us, changes famously held the position derstated. He appeared here looming disaster. Seaman’s its mind, shifts its terms, in- from 1921 to 1961. Christo- without the tuxedoed flourish most frequent conducting vents anew, recalls the past, pher Seaman, after 13 years of the stereotypical maestro, gesture was to quiet things repeats itself, surprises, sat- as artistic director of the instead in a handsome, dark down — “softly,” he gestured, isfies, forges again into new Rochester Philharmonic red open-necked shirt and a so that we could hear, for ex- directions, renews itself, Orchestra, only recently black vest, also unfastened. ample, the strings of the harp. reaches for soaring heights stepped down as the orches- The concert evening be- His work is a lesson in ci- and then falls, as if into a sa- tra’s lifetime laureate — but gan with “The Polovtsian vility and grace, even in a red cred space, into silence. not before giving ample Dances” from Borodin’s shirt. And the audience, in This requires a special gift, homage during his tenure to Prince Igor. It is a familiar appreciation of the maestro’s and Seaman and Gomyo are both Sibelius and Hanson. excerpt for orchestra, sans two-concert visit, stood in an up to the task. Seaman, well Sibelius also drew the at- voice, because of its flourish- applause, saying “thank you” versed in Sibelius’ work and tention of the American wa- ing style — an apt opener. after the four-minute final fond of his language; Go- tercolorist Charles E. Burch- returned to direct the Burch- ular work. For good reason he The Polovtsian were a Tatar piece, a lovely lift from the myo in a vibrant lavender field (1893–1967), who lived people in Central Asia, an full orchestra into the sum- gown playing from memory, in Buffalo, N.Y., from 1921 field Penney Art Center, so also was partial to Alexander I play into this small-world Borodin (1833–1887), whose exotic subject as conquer- mer night, the pas de deux without a score before her. until his death. Burchfield ors of a wandering Russian from “The Nutcracker Suite.” Together, they conspired to considered Sibelius a natu- scenario, too. expressive nationalistic mu- Burchfield and Sibelius sic provided a counterweight prince — and their dances ignite Sibelius’ quiet, melodic ralist soulmate, and Burch- are rousing and sensual en- Anthony Bannon is executive potentiality to a full-tilt ki- field’s journals, available at never met, but Burchfield, to Pyotr Ilyich Tchaikovsky who made drawings inspired (l840–1893), whose romantic gagements for the full or- director of the Burchfield Pen- netic act. That transformation the Burchfield Penney Art chestra. Seaman handles it ney Art Center and a research took place right away, during Center at Buffalo State Col- by Sibelius’ work, wondered compositions lead to Sibel- if they would get along. ius. These are the “Branches with a modest parsimony, professor at State University of the first of three movements lege, are filled with com- giving the orchestra some- New York College at Buffalo. He — with the soloist melodical- ments about the composer’s “Perhaps I would not like of Classical Music;” thus, the him … so much at variance didactic sensibility of Sea- place to go, room to grow, was appointed as director emeri- ly, exquisitely emerging from “power and beauty … mag- letting the drama unfold for tus and senior scholar status at a faint bed of violins dressed nificent genius … infinite is a man and his work,” he man’s concert. wrote. Seaman is a thoughtful high-style effect. George Eastman House, the In- in D-minor, and reaching, sadness and melancholy that The conductor’s wisdom ternational Museum of Photogra- extending into gorgeous, life- goes with absolute beauty.” Still, one day Burchfield artistic director, always the recorded in his journal, “For teacher. His tenure in Roches- also showed with the concert phy and Film, in Rochester, N.Y. affirming vigor, jaunty and The two men never met, ending with works by Tchai- joyful, passionate yet power- but Burchfield’s journals breakfast, I played Sibelius’ ter left a powerful mark, par- Violin Concerto … .” A fine ticularly because of his care- kovsky — another romance ful … which pulled several in are loaded with respect for from the “Overture” from the Amp to their feet for im- the composer’s “elemental way to start the day — an ful dedication to education. pulsive applause, eager to af- sounds of nature … strange aesthetic version of a Break- He held pre-concert talks and firm the miracle of what was and intricate beauties.” Af- fast of Champions. a parallel series called “Sym- just heard. ter 16 years as director of Burchfield composed his phony 101,” during which he The second movement, George Eastman House in pictures while listening to led the orchestra to analyze an adagio, inspired sheer rev- Rochester, N.Y., (and living concert music, recording in and interpret composers, erence, and its deep swoon in the Brighton house that his journals the music he en- styles and periods of work into silence, as if into a sacred Howard Hanson built), I joyed while painting a partic- throughout history. space, distilled awe from the stepped down last year and Page 12 The Chautauquan Daily Friday, July 5, 2013 PROGRAM

D.C. Comic

katie mclean | staff photographer Chautauqua-favorite political humorist Mark Russell stands at his piano during his Wednesday evening performance in the Amphitheater.

9:00 Men’s Club Speaker Series. Mark 12:45 Chautauqua Catholic Community 3:30 Lecture. (Programmed by the 12:30 (12:30 2:30) Social Bridge – Powers, Chautauqua Fire Chief, will Seminar Series. “The Next Writers’ Center.) “Rubbing Sticks (Programmed by the Chautauqua discuss the house fires of the off Greatest Generation: Religion and into She-Fire and Smoke” Mary Women’s Club.) For men and season and fire prevention. Men’s Spirituality in the Next Generation of Jean Irion, author. Alumni Hall women. Women’s Clubhouse Club Meeting. United Methodist House Catholics-One Pastor’s View.” Rev. 4:00 THEATER. Cat on a Hot Tin Roof. 2:00 Public Shuttle Tours of Grounds. 9:15 DEVOTIONAL HOUR. The Rev. Otis Ray Kemp,CANCELED Senior Research Fellow, (Reserved seating; purchase tickets Fee. (Purchase tickets at Main Gate Moss III, pastor, Trinity United Church, Woodstock Theological Center, at Main Gate Welcome Center, Welcome Center.) Leave from Main Chicago. Amphitheater Washington, DC. Methodist House Colonnade and 45 min. before curtain Sa Gate Welcome Center Fr Chapel SU AT Rday friday 9:15 Biblical Heroes Revisited! at Bratton kiosk.) Bratton Theater 2:00 JULY 5 JULY 6 Concert. Thursday Morning (Programmed by Chabad Lubavitch of 1:15 Master Class. (Programmed by 4:00 Book Presentation and Signing. Brass. Civil War Performance. Hall Chautauqua.) Esther Vilenkin. Alumni the Chautauqua Opera Guild.) Jay Dan Ariely, author, The (Honest) of Christ Hall Library Lesenger. Fee for non-members. Truth About Dishonesty: How We 2:15 THEATER. Cat on a Hot Tin Roof. Fletcher Music Hall 10:00 . (School of Lie to Everyone — Especially 7:00 (7 – 11) Farmers Market. Voice Master Class 7:00 (7–11) Farmers Market. (Reserved seating; purchase tickets Music.) John McMurray, English 2:00 INTERFAITH LECTURE SERIES. Ourselves. Hall of Philosophy at Main Gate Welcome Center or 8:45 Catholic Mass. Chapel of the Good 7:15 (7:15 8) Mystic Heart National Opera. Fee.McKnight Hall Shane Claiborne, founding partner, 4:00 (4-5:30) Piano Performance Class. Colonnade lobby ticket offices, and – Shepherd Meditation: Spiritual Practices 10:15 Service of Blessing and Healing. The Simple Way. Hall of Philosophy (School of Music.) Fee. Sherwood- 45 minutes before curtain at the Marsh Studios 8:45 Hebrew Congregation Special Bratton kiosk.) Bratton Theater. of World Religions. Leader: UCC Chapel 2:00 (2-5) Mah Jongg. (Programmed Study Session. Hurbut Church Subagh Singh Khalsa. (Sikhism/ 10:45 LECTURE. Panel discussion by the Chautauqua Women’s Club) 4:00 Studio Preview. North Carolina 3:00 LECTURE. (Programmed by Kundalini Yoga and Meditation.) featuring week’s lecturers. Memberships available at the door. Dance Theatre in Residence 9:30 Hebrew Congregation Sabbath Chautauqua Women’s Club.) Donation. Bring gate pass. Main Amphitheater Women’s Clubhouse previews July 9 performance. Fee. Service. Service led by Rabbi Contemporary Issues Forum. Gate Welcome Center Conference Carnahan-Jackson Dance Studios Frank Muller, Susan Goldberg “The Political Climate in the Wake 10:45 Story Time. Four year olds. Smith 2:00 Public Shuttle Tours of Grounds. Room Schwartz, soloist. Hurlbut Church of the 2012 Elections.” Bill Plante, Memorial Library Fee. (Purchase tickets at Main Gate 4:00 Public Shuttle Tours of Grounds. Fee. Leave from Main Gate Welcome Ctr. Sanctuary White House correspondent, CBS 7:45 Episcopal Holy Eucharist. 12:10 Welcome Center.) Leave from Main CLSC Seven Seals Brown Bag. 9:30 Chabad Lubavitch Community News. Hall of Philosophy Chapel of the Good Shepherd (Programmed by the CLSC Alumni Gate Welcome Center 4:15 Purple Martin Chat. (Programmed by the Chautauqua Bird, Tree & Garden Shabbat Service. Rabbi Zalman 4:00 Public Shuttle Tours of Grounds. 8:00 Morning Meditation. (Sponsored Association.) Alumni Hall Kate Kimball 2:00 (2-4:30) Violin Master Class. Club.) Jack Gulvin, BTG naturalist. Vilenkin. Kiddush will follow. Fee. (Purchase tickets at Main Gate by Unity of Chautauqua.) Hall of Room (School of Music.) Jacques Purple martin houses between Sports Everett Jewish Life Center Library Welcome Center.) Leave from Main Missions Israelievitch, violin. Fee. McKnight 12:10 Catholic Mass. Chapel of the Good Club and Miller Bell Tower Gate Welcome Center Hall 10:00 All Day Workshop. Ron Meyers, 8:45 Catholic Mass. Chapel of the Shepherd 5:00 Hebrew Congregation Evening ceramist. Ceramics Studios, School 5:00 Catholic Mass. Hall of Philosophy Good Shepherd 3:30 Chautauqua Heritage Lecture 12:15 Brown Bag Lecture. (Programmed Service. “Kabbalat Shabbat: of Art 5:30 Operalogue. (Programmed by the Series. “Don’t Give Up the Ship!: 8:55 (8:55 9) Chautauqua Prays For by the Writers’ Center.) “Writing Welcome the Sabbath.” Service led 12:00 Public Shuttle Tours of Grounds. Chautauqua Opera Guild.) Peter – Recounting the Battle of Lake Erie Peace Through Compassion. Like a Kid, Again: Effective Literary by Rabbi Frank Muller. Miller Bell Fee. (Purchase tickets at Main Gate Grimes. Lecture with excerpts from 200 Years Later.” Captain Walter Hall of Missions Grove Approaches from Children and Tower (Pier Building in case of rain) Welcome Center.) Leave from Main the opera. Jay Lesenger, general Adolescents.” Kristin Kovacic, prose Rybka, curator, Erie Maritime 9:00 Nature Walk. (Programmed by 6:00 (6 7:45) Chautauqua Choir Gate Welcome Center and artistic director of Chautauqua Museum, sr. captain, US Brig – the Chautauqua Bird, Tree & writer-in-residence. Alumni Hall Porch Opera with Chautauqua Opera Niagara. Hall of Christ Rehearsal. All singers welcome. (Two 12:30 Chautauqua Heritage Lecture Fee for non- Garden Club.) Jack Gulvin, BTG 12:15 Challah Baking. (Programmed by rehearsals required to sing at Sunday Series. 154th New York Infantry Young Artists. 3:30 (3:30-5) Chautauqua Dialogues. naturalist. Meet under green Chabad Lubavitch of Chautauqua.) worship services.) Lenna Hall Regiment Descendents’ Reunion members. Smith Wilkes Hall (Sponsored by the Dept. of awning at back of Smith Wilkes Everett Jewish Life Center Porch and Lecture. “The Hardtack 6:00 (6 7:45) Chautauqua Choir Religion.) Facilitator led group 6:30 Shabbat Dinner. (Sponsored by – Hall. Regiment at Chancellorsville and Rehearsal. All singers welcome. 12:30 Jum’a/Muslim Prayer. Instruction at discussions. No fee, but sign Hebrew Congregation.) Prepaid tickets Gettysburg.” Mark Dunkelman, (Two rehearsals required to sing at 12:30 p.m.; prayer at 1 p.m. Hall of up required at 2 p.m. Interfaith required. Everett Jewish Life enter regimental historian and author, The Sunday worship services.) Elizabeth Christ Lectures. Locations to be 7:00 Visual Arts Lecture Series. Brian Hardtack Regiment. Introduction by S. Lenna Hall announced Tolle, sculptor/installation artist, Jon Schmitz, Institution archivist faculty at Parsons School of Design. 6:30 Havdalah Service. (Sponsored and historian. Hall of Philosophy Hultquist Center by Hebrew Congregation.) Susan Concert by Thursday Morning Goldberg Schwartz, leader and 8:15 SPECIAL. Sail Rock 2013. Brass to follow in the Hall of Christ. soloist. Alumni Hall lawn (Alumni Amphitheater Hall Porch in case of rain) 8:15 CHAUTAUQUA OPERA. Peter Grimes by Benjamin Britten with the Chautauqua Symphony Orchestra. Steven Osgood, guest conductor; Jay Lesenger, director. Amphitheater