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SHEET music SHEET MUSIC 27 America the Beautiful At Last (from Cadillac Records) SHEET MUSIC Words by Katherine Lee Bates, music by Samuel A. Ward Music by Harry Warren, lyric by Mack Gordon / recorded by Beyoncé Piano/Vocal/Chords ...............................$3.95 00-PVM01132____ Piano/Vocal/Chords ...............................$3.95 00-32178____ Numeric American Honey Arr. Dan Coates Words and music by Cary Barlowe, Shane Stevens, and Hillary Easy Piano ..............................................$3.95 00-32552____ 8th of November Lindsey / recorded by Lady Antebellum August Rush (Piano Suite) (from August Rush) Recorded by Big & Rich Piano/Vocal/Chords ...............................$3.99 00-34678____ Composed by Mark Mancina / arr. Dave Metzger Piano/Vocal/Chords ...............................$3.95 00-26211____ An American in Paris Advanced Piano Solo .............................$3.95 00-29201____ 21 Guns By George Gershwin / paraphrased by Maurice C. Whitney Auld Lang Syne Sheet Music Lyrics by Billie Joe, music by Green Day / recorded by Green Day / Advanced Piano Solo .............................$4.95 00-PS0004____ (from the motion picture Sex and the City) arr. Carol Matz Transcr. William Daly Traditional / arr. Mairi Campbell and Dave Francis / Easy Piano ..............................................$3.95 00-34018____ Advanced Piano Solo ...........................$14.95 00-0092B____ as recorded by Mairi Campbell and Dave Francis 10,000 Reasons (Bless the Lord) An American in Paris (Blues Theme) Piano/Vocal/Chords ...............................$3.95 00-31853____ Words and music by Matt Redman and Jonas Myrin / By George Gershwin / performance miniature transcr. and arr. Ave Maria and Prelude No. 1 recorded by Matt Redman Jan Thomas Ave Maria by Johann Sebastian Bach / Charles François Gounod, Piano/Vocal/Guitar ................................$3.99 00-39445____ Easy Piano Solo ......................................$3.50 00-PS0350____ Prelude No. -
Christopher Cross Biography Christopher Cross Is a Music Icon. in 2011, the Oscar and Five-Time Grammy Winning Artist Is Back W
Christopher Cross Biography Christopher Cross is a music icon. In 2011, the Oscar and five-time Grammy winning artist is back with an amazingly crafted new album, Doctor Faith. It’s his first album of new and original material in over 12 years. Cross' 1980 self-titled debut album rocketed to the #2 spot. Breaking out as the biggest new star of that year, he virtually defined adult contemporary radio with a series of smoothly sophisticated ballads including the #1 hit, "Sailing." If the charts weren’t evidence enough, at the 1981 Grammy Awards Christopher walked off with an unprecedented and record-setting five Grammys, including Best New Artist and Song of the Year for "Sailing." The self-titled debut album, featuring lead single "Ride Like the Wind," and the massively successful second single "Sailing" made Cross a superstar. In the wake of two more Top 20 hits, "Never Be the Same" and "Say You'll Be Mine,” he soon scored a second #1, as well as an Academy Award, with "Arthur's Theme (Best That You Can Do)," which he co-wrote with Burt Bacharach, Carole Bayer Sager, and Peter Allen for the smash Dudley Moore film Arthur. Christopher's much-anticipated second album Another Page was released in 1983 and produced the hits "All Right," "No Time for Talk," and a Top Ten entry for "Think of Laura. He charted 8 songs into the Billboard Top-40 charts between 1980 and 1983. Four years, two albums, eight hit singles, several world tours, five Grammy's, and one Oscar marked Christopher's meteoric rise to the top. -
The Boy from Oz Music and Lyrics by Peter Allen Book by Martin Sherman and Nick Enright with (In Alphabetical Order) Andrew Bongiorno, Michayla Brown, Marcus S
and Bruce W. Zisterer present in association with Nicholas Caprio, Michael C. Kricfalusi, Todd Milliner, and Jack Morrissey The Boy From Oz Music and Lyrics by Peter Allen Book by Martin Sherman and Nick Enright with (in alphabetical order) Andrew Bongiorno, Michayla Brown, Marcus S. Daniel, Michael Taylor Gray*, Erica Hanrahan-Ball*, Kelly Lester*, Chelsea Martin, Michael Mittman, Nathan Mohebbi, Bess Motta, Jessica Pennington*, Shanta’ Marie Robinson Scenic Designer Lighting Designer Costume Designer Yuri Okahana Derrick McDaniel Michael Mullen Properties Designer Sound Designer Hair and Wig Designer Michael O’Hara Eric Snodgrass Byron Batista Marketing/PR Casting David Elzer/DEMAND PR Jami Rudofsky Production Stage Manager Graphic Designer Photographers Jennifer Leigh Sears* Huntley Woods Casey Kringlen and Kevin McIntyre Assistant Director Associate Producer Assistant Choreographer Kyle Cooper Mark Giberson Michael Quiett Produced by Andrew Carlberg Musical Direction by Bryan Blaskie Choreographed by Janet Roston Directed by Michael A. Shepperd *Member of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States. Original Production by Ben Gannon and Robert Fox by arrangement with David Spicer Productions www.davidspicer.com.au CAST (Alphabetical) ANDREW BONGIORNO Peter Allen MICHAYLA BROWN Young Peter Allen MARCUS S. DANIEL Chris and Others MICHAEL TAYLOR GRAY* Dee and Others ERICA HANRAHAN-BALL* Karen and Others KELLY LESTER* Marion Woolnough CHELSEA MARTIN Linelle and Others MICHAEL MITTMAN Greg and Others NATHAN MOHEBBI Mark and Others BESS MOTTA Judy Garland JESSICA PENNINGTON* Liza Minnelli SHANTA’ MARIE ROBINSON Shena and Others SWINGS (See Insert) *Member of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States. -
1 Song Title
Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist Billie Joe Armstrong, 21ST CENTURY BREAKDOWN 329 GREEN DAY Green Day 24 HOURS 337 CUESHE ACCORDING TO YOU 330 ORIANTHI Steve Diamond IKAW LANG TALAGA 338 YENG CONSTANTINO JUMP THEN FALL 333 TAYLOR SWIFT Taylor Swift LOVE STORY 334 TAYLOR SWIFT Taylor Swift Kevin Jonas, Sr., Nicholas LOVEBUG 332 JONAS BROTHERS Jonas, Joe Jonas, Kevin Jonas MAHAL PA RIN 339 SAM MILBY MOMENT OF TRUTH 335 FM STATIC FM Static PAIN IN MY HEART 340 ARNEL PINEDA PANAGINIP 341 MAYONNAISE PUTIK 342 SANDWICH Sandwich SUNDOT 343 AEGIS Celso Abenoja Matthew Followill, Jared Followill, USE SOMEBODY 336 KINGS OF LEON Nathan Followill, Caleb Followill HARTZLER JOSHUA, HODGES WHAT ABOUT NOW 331 WESTLIFE DAVID, MOODY BEN, www.wowvideoke.com 1 Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist James Harris, Janet AGAIN 9046 JANET JACKSON Jackson, Terry Lewis Jimi Jamison, Todd EVER SINCE THE WORLD BEGUN 9048 SURVIVOR Smallwood, Frankie Sullivan Kara DioGuardi, Leona HAPPY 9049 LEONA LEWIS Lewis, Salaam Remi I HAVE FALLEN IN LOVE (WITH THE SAME WOMAN THREE TIMES) 9052 JOSE MARI CHAN Jose Mari Chan (lyrics) MY LOVE IS HERE 9053 ERIK SANTOS SMITH DANDRE LEMONT, MILLER PYRAMID 9047 CHARICE CALVIN JERMEL, FRANK LAWRENCE SA AKING PUSO 9054 ARIEL RIVERA Vehnee Saturno SANA KAHIT MINSAN 9055 ARIEL RIVERA Vehnee Saturno Glen Burtnik, Shelly WE COULD BE IN LOVE 9050 LEA SALONGA AND BRAD KANE Peiken Walter Afanasieff, WHENEVER YOU CALL 9051 MARIAH CAREY AND BRIAN MCKNIGHT Mariah Carey 2 www.wowvideoke.com Music Video Pack Vol. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
Executive of the Week: Dreamville Co-Founder Ibrahim 'Ib
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2021 Page 1 of 20 INSIDE Executive of the Week: Dreamville • How Does Co-Founder Ibrahim ‘Ib’ Hamad Humbleriot Founder Anthony Demby Stay BY DAN RYS Mindful? When J. Cole released his sixth studio album, The Off- tinue breaking new ground and how management has • Identity, Awareness Season, out on Dreamville/Roc Nation/Interscope, it evolved in the decade since he and Cole made their & Representation: An AAPI Heritage Month launched a tidal wave that swept over the charts. The breakthrough in 2011. Conversation With release landed Cole his sixth straight No. 1 on the J. Cole’s The Off-Season became his sixth No. 1 Young the Giant’s Billboard 200, all 12 songs in the top 40 of the Hot album on the Billboard 200. What key decisions Sameer Gadhia 100, a record-tying four in the top 10, and leading to did you make to help make that happen? • Garth Brooks his first-ever time topping the Hot 100 Songwriters I don’t think it’s any one decision that I would sit Remembers chart, the Streaming Songs chart and the Hot Rap here and take credit for personally, because every de- Dewayne Blackwell, Songs and Hot R&B/Hip-Hop Songs charts. cision is made together with Cole. The way Cole and ‘Friends in Low In short, it was a monumental album release in I have grown to work together, we talk about every Places’ Songwriter: a career that has seen several of them. And it earns decision before we press go. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 23, 2020 | PAGE 1 OF 18 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Stapleton, Wallen Country By The Glass: The Genre’s Songwriters Reign Page 4 Grapple With Alcohol’s Abundance Bluegrass Turns 75 Country fans might not see all the world through “Whis- so long. Ironically, drinking is one of them.” Page 10 key Glasses,” but they’re definitely hearing it through Getting drunk is such a stereotypical activity in the genre that alcoholic earbuds. it was listed among the elements of the “perfect country and The 2019 Morgan Wallen hit “Whiskey Glasses” brought western song” in David Allan Coe’s “You Never Even Called Me songwriter Ben Burgess the BMI country song of the year title by My Name,” but alcohol has not always been prominent. When Rhett, Underwood on Nov. 9, and the Country Airplay chart dated Nov. 24 reveals Randy Travis reenergized traditional country in the mid-1980s Make Xmas Special a format that remains whiskey bent, if not hellbound. Seven of while mostly avoiding adult beverages as a topic, the thirst for Page 11 the songs on that list liquor dwindled. The — including HAR- trend turned around DY’s “One Beer” so strongly that three (No. 5), Lady A’s hits in the late-1990s FGL’s Next Album Is “Champagne Night” — Collin Raye’s ‘Wrapped’ (No. 12) and Kelsea “Little Rock,” Dia- Page 11 Ballerini’s “Hole in mond Rio’s “You’re the Bottle” (No. 14) Gone” and Kenny — posit an alcohol Chesney’s “That’s Makin’ Tracks: reference boldly in Why I’m Here” — took ‘Hung Up’ On the title. -
1 Song Title
Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist Hillary Lindsey, Liz Rose, FEARLESS 344 TAYLOR SWIFT Taylor Swift Christina Aguilera; FIGHTER 345 CHRISTINA AGUILERA Scott Storch I. Dench/ A. Ghost/ E. Rogers/ GYPSY 346 SHAKIRA Shakira/ C. Sturken HEARTBREAK WARFARE 347 JOHN MAYER Mayer, John LAST OF THE AMERICAN GIRLS 351 GREENDAY Billie Joe Armstrong OPPOSITES ATTRACT 348 JURIS Jungee Marcelo SAMPIP 349 PAROKYA NI EDGAR SOMEDAY 352 MICHAEL LEARNS TO ROCK Jascha Richter SUNBURN 353 OWL CITY Adam Young Nasri Atweh, Justin Bieber, Luke THAT SHOULD BE ME 354 JUSTIN BIEBER Gottwald, Adam Messinger THE ONLY EXCEPTION 350 PARAMORE Farro, Hayley Williams Max Martin, Alicia WHAT DO YOU WANT FROM ME 355 ADAM LAMBERT Moore, Jonathan Karl Joseph Elliott, Rick WHEN LOVE AND HATE COLLIDE 356 DEF LEPPARD Savage Jason Michael Wade, YOU AND ME 357 LIFEHOUSE Jude Anthony Cole YOUR SMILING FACE 358 JAMES TAYLOR James Taylor www.wowvideoke.com 1 Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist AFTER ALL THESE YEARS 9057 JOURNEY Jonathan Cain Michael Masser / Je!rey ALL AT ONCE 9064 WHITNEY HOUSTON L Osborne ALL MY LIFE 9058 AMERICA Foo Fighters ALL THIS TIME 9059 SIX PART INVENTION COULD'VE BEEN 9063 SARAH GERONIMO Richard Kerr (music) I'LL NEVER LOVE THIS WAY AGAIN 9065 DIONNE WARWICK and Will Jennings (lyrics) NOT LIKE THE MOVIES 9062 KC CONCEPCION Jaye Muller/Ben Patton THE ART OF LETTING GO 9061 MIKAILA Linda Creed, Michael UNPRETTY 9066 TLC Masser YOU WIN THE GAME 9060 MARK BAUTISTA 2 www.wowvideoke.com Music Video Pack Vol. -
Biography Armed with Some of the Greatest Songs Ever Written, The
Biography Armed with some of the greatest songs ever written, The Miracles are still after 40 years, attracting enthusiastic audiences around the world. Motown’s first of many famous groups such as The Temptations, The Four Tops, The Supremes, The Commodores, and The Jackson Five, and of course The Miracles the very first group to sign to Motown records, continue to keep the Motown sound alive by performing songs, such as: “Shop Around”, “I Second That Emotion”, “Tears Of A Clown”, “Love Machine”, “You’ve Really Got A Hold On Me”, “The Tracks Of My Tears”, “Ooh Baby Baby” and many more. Their performances at the Nassau Coliseum, the Inaugural Gala in Washington, D.C. and the 4th of July celebration at Duke University with over 60,000 fans in attendance, was simply unbelievable. In 1956, Bobby Rogers, Smokey Robinson, Claudette Robinson, Ronnie White and Pete Moore, childhood friends became The Miracles, and embarked on a career that would surpass their wildest dreams. Berry Gordy Motown’s founder recorded and released “Shop Around” a number one smash on all the charts, establishing The Miracles and giving Motown their first gold seller, this was the beginning of the record company and the group success for many years to come. The Miracles and Motown Records became known throughout the entire world. Over the course of the years, The Miracles continued to record chart-topping hits, including “Ooo Baby Baby”, “Going To A Go-Go”, “More Love”, “Mickey’s Monkey” and “Tears Of A Clown”. The Miracles established themselves as one of the best groups of all times. -
Playbill Jan
UNIVERSITY OF MASSACHUSETTS AMHERST FINE ARTS CENTER 2012 Center Series Playbill Jan. 31 - Feb. 22 2 3 4 5 6 7 8 9 Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC. NFP Securities, Inc. is not affiliated with United Wealth Management Group. NOT FDIC INSURED • MAY LOSE VALUE • NOT A DEPOSIT• NO BANK GUARANTEE NO FEDERAL GOVERNMENT AGENCY GUARANTEES 10 4.875" x 3.75" UMASS FAC Playbill Skill.Smarts.Hardwork. That’s how you built your wealth. And that’s how we’ll manage it. The United Wealth Management Group is an independent team of skilled professionals with a single mission: to help their clients fulfill their financial goals. They understand the issues you face – and they can provide tailored solutions to meet your needs. To arrange a confidential discussion, contact Steven Daury, CerTifieD fiNANCiAl PlANNer™ Professional, today at 413-585-5100. 140 Main Street, Suite 400 • Northampton, MA 01060 413-585-5100 unitedwealthmanagementgroup.com tSecurities and Investment Advisory Services offered through NFP Securities, Inc., Member FINRA/SIPC.