Natalie Macmaster with Natalie Macmaster Fiddle Mac Morin Piano Shane Hendrickson Bass Eric Breton Percussion Nate Douglas Guitar
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AM-05-Sheetmusic.Pdf
SHEET music SHEET MUSIC 27 America the Beautiful At Last (from Cadillac Records) SHEET MUSIC Words by Katherine Lee Bates, music by Samuel A. Ward Music by Harry Warren, lyric by Mack Gordon / recorded by Beyoncé Piano/Vocal/Chords ...............................$3.95 00-PVM01132____ Piano/Vocal/Chords ...............................$3.95 00-32178____ Numeric American Honey Arr. Dan Coates Words and music by Cary Barlowe, Shane Stevens, and Hillary Easy Piano ..............................................$3.95 00-32552____ 8th of November Lindsey / recorded by Lady Antebellum August Rush (Piano Suite) (from August Rush) Recorded by Big & Rich Piano/Vocal/Chords ...............................$3.99 00-34678____ Composed by Mark Mancina / arr. Dave Metzger Piano/Vocal/Chords ...............................$3.95 00-26211____ An American in Paris Advanced Piano Solo .............................$3.95 00-29201____ 21 Guns By George Gershwin / paraphrased by Maurice C. Whitney Auld Lang Syne Sheet Music Lyrics by Billie Joe, music by Green Day / recorded by Green Day / Advanced Piano Solo .............................$4.95 00-PS0004____ (from the motion picture Sex and the City) arr. Carol Matz Transcr. William Daly Traditional / arr. Mairi Campbell and Dave Francis / Easy Piano ..............................................$3.95 00-34018____ Advanced Piano Solo ...........................$14.95 00-0092B____ as recorded by Mairi Campbell and Dave Francis 10,000 Reasons (Bless the Lord) An American in Paris (Blues Theme) Piano/Vocal/Chords ...............................$3.95 00-31853____ Words and music by Matt Redman and Jonas Myrin / By George Gershwin / performance miniature transcr. and arr. Ave Maria and Prelude No. 1 recorded by Matt Redman Jan Thomas Ave Maria by Johann Sebastian Bach / Charles François Gounod, Piano/Vocal/Guitar ................................$3.99 00-39445____ Easy Piano Solo ......................................$3.50 00-PS0350____ Prelude No. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
A Multi-Level Analysis of Songwriter Career Strategies by Rachel S
Changing Patterns of Cooperation in Occupational Communities: A Multi-Level Analysis of Songwriter Career Strategies By Rachel Skaggs Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Sociology August 10, 2018 Nashville, Tennessee Approved: Daniel B. Cornfield, PhD Shaul Kelner, PhD Joshua Murray, PhD Copyright © 2018 by Rachel Skaggs All Rights Reserved ii To my father, Donnie Skaggs, who I’ve watched pursue his songwriting dreams. To my mother, Rose Skaggs, who supports his dreams and mine. To David Carlson. His dreams and mine are intertwined. iii ACKNOWLEDGMENTS It is an overwhelming task to think of all of the support that people have given me in support of this dissertation. My dissertation is about collaboration, and I have been unmeasurably lucky to have collaborated with wonderful people. I want to begin by thanking every songwriter I interviewed. Without their trust and insight, I could not have conducted research that is as compelling, touching, and important as the project that has emerged. The generosity and openness of these people, most of whom were total strangers to me, is inspiring. Next, I must acknowledge the support of the Robert Penn Warren Center for the Humanities. As a dissertation fellow at the Warren Center, I was able to truly develop my ideas and focus on the work of writing a good dissertation. My fellow fellows at the Warren Center challenged me and supported me. Danielle Picard, Wietske Smeele, Sara Kollner, Alexandra Alekseyeva, David Vila, and James Phelan all contributed to the ways I think about my own work as I try to present it in a manner that is intelligible and meaningful to an interdisciplinary audience. -
Natalie Macmaster and Donnell Leahy a Celtic Family Christmas Wednesday, December 13, 2017 7:30 Pm
Natalie MacMaster and Donnell Leahy A Celtic Family Christmas Wednesday, December 13, 2017 7:30 pm 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. The Band: Mac Morin (piano) Mark Kelso (drums) Elmer Ferrer (guitar) Rémi Arsenault (bass/guitar) Program to be announced from the stage 3 Give the gift of music this holiday season! EVENT SPONSOR DEBORAH K. AND IAN E. BULLION DARYL K. AND NANCY J. GRANNER DR. JOHN P. MEHEGAN AND DR. PAMELA K. GEYER PHELAN, TUCKER, MULLEN, WALKER, TUCKER & GELMAN, L.L.P. TOM ROCKLIN AND BARBARA ALLEN UNIVERSITY OF IOWA COMMUNITY CREDIT UNION SEASON SPONSOR WEST MUSIC westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2017-2018 Season Sponsor! Photo: Miriam Alarcón Avila Give the gift of music this holiday season! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2017-2018 Season Sponsor! ABOUT THE ARTISTS To fans of fiddle music, NATALIE MACMASTER needs no introduction. Over a recording career now spanning 25 years, this Order of Canada recipient has released 11 albums that have notched sales of over 200,000 copies. She has won two JUNO and eleven East Coast Music Awards and been nominated for a Grammy, and has collaborated with artists as diverse as Yo-Yo Ma (on the Grammy-winning album Songs of Joy & Peace), Alison Krauss, Jesse Cook, and Béla Fleck. Though acknowledging that she can be "a musical chameleon," Natalie stresses that, above all else, "I play Cape Breton fiddle." DONNELL LEAHY is no stranger to the awards podium himself. -
Cape Breton Girl: Performing Cape Breton at Home and Away with Natalie Macmaster
Cape Breton Girl: Performing Cape Breton at Home and Away with Natalie MacMaster KATHRYN ALEXANDER Abstract: Normative gendered and ethnic Scottish Cape Bretoner identity is constructed through traditional music and dance performance and practice. This article examines how Natalie MacMaster 43 (1): 89-111. 43 (1): constructs her gendered and ethnic identities as normative and quintessentially Cape Breton through her stage performances both on the island and internationally. The vision of Scottish Cape Bretonness she crafts shapes the perceptions and expectations of Cape Breton held by non-islander consumers of the MUSICultures island’s Scottish culture. As an unofficial cultural ambassador, MacMaster’s every performance, at home and away, becomes a tourism encounter that ties Cape Bretonness to ethnic whiteness, traditionalism, and heteronormativity. Résumé : L’identité écossaise de Cap Breton, pour ce qui est de la normativité du genre et de l’ethnicité, se construit au moyen de la performance et de la pratique de la musique et de la danse traditionnelles. Cet article examine la façon dont Natalie MacMaster construit son identité de genre et son identité ethnique dans une normativité typique du Cap Breton par le biais de ses spectacles, tant sur l’île qu’au niveau international. La représentation qu’elle donne du caractère écossais de Cap Breton façonne les perceptions qu’ont de l’île les consommateurs non insulaires, et leurs attentes au sujet de la culture écossaise de l’île. En tant qu’ambassadrice culturelle non officielle, chaque performance de MacMaster, tant dans son île qu’à l’étranger, devient une rencontre touristique qui lie l’identité de Cap Breton à l’ethnicité blanche, au traditionalisme et à l’hétéro-normativité. -
FACTOR 2006-2007 Annual Report
THE FOUNDATION ASSISTING CANADIAN TALENT ON RECORDINGS. 2006 - 2007 ANNUAL REPORT The Foundation Assisting Canadian Talent on Recordings. factor, The Foundation Assisting Canadian Talent on Recordings, was founded in 1982 by chum Limited, Moffat Communications and Rogers Broadcasting Limited; in conjunction with the Canadian Independent Record Producers Association (cirpa) and the Canadian Music Publishers Association (cmpa). Standard Broadcasting merged its Canadian Talent Library (ctl) development fund with factor’s in 1985. As a private non-profit organization, factor is dedicated to providing assistance toward the growth and development of the Canadian independent recording industry. The foundation administers the voluntary contributions from sponsoring radio broadcasters as well as two components of the Department of Canadian Heritage’s Canada Music Fund which support the Canadian music industry. factor has been managing federal funds since the inception of the Sound Recording Development Program in 1986 (now known as the Canada Music Fund). Support is provided through various programs which all aid in the development of the industry. The funds assist Canadian recording artists and songwriters in having their material produced, their videos created and support for domestic and international touring and showcasing opportunities as well as providing support for Canadian record labels, distributors, recording studios, video production companies, producers, engineers, directors– all those facets of the infrastructure which must be in place in order for artists and Canadian labels to progress into the international arena. factor started out with an annual budget of $200,000 and is currently providing in excess of $14 million annually to support the Canadian music industry. Canada has an abundance of talent competing nationally and internationally and The Department of Canadian Heritage and factor’s private radio broadcaster sponsors can be very proud that through their generous contributions, they have made a difference in the careers of so many success stories. -
Conference Guide Presented By
ConferenCe Guide Presented By A voice for islAnd Music • C o n C erts & Worksho P s • • C o n C erts & Worksho P s • ■ Friday, January 13, 2012 ■ thurSday, January 19, 2012 Coffee Art CrAwl one-on-one Vocal trAininG workshoP Presented By on-line support with Annette Campagne Leonhard’s Café & Bakery, TimoThy’s WorLd Coffee, Beanz espresso Bar & Café (in frenCh or enGlish) Formerly known as Art For Music, the Coffee Art Crawl kicks off Metro Credit Union Music PeI Week 2012 between Presented By culture PEI & fédérAtion culturelle de l’Île-du-prince-édouArd 4:30 pm and 5:30 pm on January 13th. Artwork by the nominees for Visual Artist of the year will be displayed Warn house Bed & BreakfasT, summerside | admission: ConTact fCÎPÉ during the entire week. the three locations are all found within close proximity on University Avenue. Join us as Fédération culturelle de l’Île-du-Prince-Édouard (FCÎPÉ) will offer vocal training workshops (and songwriting we announce gala performers and present the award for Visual Artist of the year at the Coffee Art Crawl opening one-on-one workshops upon request) with folk singer-songwriter, Annette Campagne from saskatchewan. For ceremony. Great food, hot coffee and some fantastic artwork! Very cool way to kick off the week! more information, inquires about memberships or to reserve a spot, contact the FCÎPÉ at 902-370-7333 or by ■ Saturday, January 14, 2012 e-mail at [email protected]. cBc Presents s.A.C. sonGwriters ConCert Just Bidin’ My tiMe: Presented By tHe Eastern GrApHic A triBute to Gene MacLellAn SOLd -
TOP SONGWRITER CHART Sunday, September 15, 2019
Sunday, October 14, 2018 TOP SONGWRITER CHART Sunday, September 15, 2019 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Ashley Gorley Catch Brett Young Good Vibes Chris Janson I Don't Know About You Chris Lane Living Dierks Bentley One Big Country Song LOCASH Remember You Young Thomas Rhett Ridin' Roads Dustin Lynch 2 2 Michael Hardy God's Country Blake Shelton Hell Right Blake Shelton feat. Trace Adkins I Don't Know About You Chris Lane One Big Country Song LOCASH Rednecker HARDY 3 3 Hillary Lindsey Buy My Own Drinks Runaway June It All Comes Out In The Wash Miranda Lambert Knockin' Boots Luke Bryan 4 4 Jon Nite I Hope Gabby Barrett Knockin' Boots Luke Bryan Living Dierks Bentley 5 5 Blanco Brown The Git Up Blanco Brown 6 6 Ross Copperman Catch Brett Young Living Dierks Bentley Tip Of My Tongue Kenny Chesney 7 10 Luke Combs Beer Never Broke My Heart Luke Combs Even Though I’m Leaving Luke Combs 8 7 David Garcia Hell Right Blake Shelton feat. Trace Adkins Southbound Carrie Underwood 9 8 Zach Crowell Good Vibes Chris Janson Ridin' Roads Dustin Lynch 10 12 Gordie Sampson Family Tree Caylee Hammack Knockin' Boots Luke Bryan 11 9 Laura Veltz The Bones Maren Morris To A T Ryan Hurd What If I Never Get Over You Lady Antebellum 12 14 Jesse Frasure One Big Country Song LOCASH One Thing Right Marshmello & Kane Brown Remember You Young Thomas Rhett 13 13 Jonathan Singleton Beer Never Broke My Heart Luke Combs Die From A Broken Heart Maddie & Tae In Between Scotty McCreery 14 15 Randy Montana Beer Never Broke My Heart Luke Combs 15 18 Jordan M. -
TOP SONGWRITER CHART Sunday, August 11, 2019
Sunday, October 14, 2018 TOP SONGWRITER CHART Sunday, August 11, 2019 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Ashley Gorley Catch Brett Young Good Vibes Chris Janson I Don't Know About You Chris Lane Living Dierks Bentley One Big Country Song LOCASH Remember You Young Thomas Rhett Ridin' Roads Dustin Lynch Rumor Lee Brice 2 2 Michael Hardy God's Country Blake Shelton I Don't Know About You Chris Lane One Big Country Song LOCASH Rednecker HARDY Talk You Out Of It Florida Georgia Line 3 3 Hillary Lindsey Buy My Own Drinks Runaway June It All Comes Out In The Wash Miranda Lambert Knockin' Boots Luke Bryan 4 5 Blanco Brown The Git Up Blanco Brown 5 7 Jon Nite Knockin' Boots Luke Bryan Living Dierks Bentley 6 6 Jordan M. Schmidt God's Country Blake Shelton Like A Rodeo Kane Brown Rednecker HARDY 7 8 Kevin Kadish Whiskey Glasses Morgan Wallen 8 9 Ben Burgess Whiskey Glasses Morgan Wallen 9 10 Ross Copperman Catch Brett Young Living Dierks Bentley Tip Of My Tongue Kenny Chesney 10 4 Bobby Pinson Homemade Jake Owen Rearview Town Jason Aldean Some Of It Eric Church 11 14 Cary Barlowe Back To Life Rascal Flatts Raised On Country Chris Young 12 15 Hunter Phelps I Don't Know About You Chris Lane Lonely If You Are Chase Rice Talk You Out Of It Florida Georgia Line 13 17 Jameson Rodgers I Don't Know About You Chris Lane Talk You Out Of It Florida Georgia Line 14 16 Luke Combs Beer Never Broke My Heart Luke Combs Even Though I’m Leaving Luke Combs 15 18 Shay Mooney All To Myself Dan + Shay Back To Life Rascal Flatts 16 21 Laura Veltz -
Songwriter Endorsers.Xlsx
U.S. COPYRIGHT OFFICE LIBRARY OF CONGRESS Designation of Mechanical Licensing Collective and Digital Licensee Coordinator Docket No. 2018-11 EXHIBITS 5 TO 10 TO THE DESIGNATION PROPOSAL OF MECHANICAL LICENSING COLLECTIVE PRYOR CASHMAN LLP Frank P. Scibilia Benjamin K. Semel 7 Times Square New York, New York 10036-6569 Attorneys for Mechanical Licensing Collective EXHIBIT 5 Before the U.S. COPYRIGHT OFFICE LIBRARY OF CONGRESS Washington, D.C. In the Matter of': Docket No. 2018-11 DESIGNATION OF MECHANICAL LICENSING COLLECTIVE AND DIGITAL LICENSEE COORDINATOR DECLARATION OF BART HERBISON 1. My name is Bart Herbison. I am the Executive Director of the Nashville Songwriters Association International ("NSAI"), a position which I have held since 1997. I submit this declaration in support of the submission of Mechanical Licensing Collective ("MLC") to be designated as the mechanical licensing collective pursuant to the Music Modernization Act (the "MMA"). Songwriters are the backbone of the American music industry. And, since it was established in 1967, NSAI has worked tirelessly to advocate for the American songwriting profession. NSAI is now the largest not-for-profit songwriter trade association in the world, with approximately 5,000 members and approximately 100 local chapters. 3. Our mission is to advocate for songwriters' legal and economic interests and educate a new generation of American songwriters. To accomplish this mission, NSAI provides an array of services to songwriters. Some services are educational. For instance, NSAI helps songwriters improve their craft through: workshops; mentoring from experienced songwriters; feedback on songs from experienced writers and peer-to- peer review; online services for our members; regularly-held song contests and other events; pitch sessions; and in connecting aspiring professional songwriters with colleagues in the music industry. -
Songwriting Contests
CANADIAN PUBLICATIONS MAIL AGREEMENT NO 40014605 (IF UNDELIVERABLE PLEASE RETURN TO 129 JOHN STREET, TORONTO, ONTARIO M5V 2E2 $4.95 CDN AND CRAFTOFCANADIANSONGWRITERS ART THE CELEBRATING PUBLISHED BY MAGAZINE S.A.C.’s BLUEBIRDNORTH GOESNATIONWIDE S.A.C.’s JOHN’S CAPEK:STORIESFROMTHETRENCHES SONGWRITERS INTHENEWS ALSO INTHISISSUE: WITH EMBERSWIFT 20 QUESTIONS NASHVILLE CATS CANADA’S “WHISPERING PINES” JASON SCHNEIDER’S A RIVETINGEXCERPTFROM FIRST BREAK JONI MITCHELL’S GETTING AHEADINMUSICCITY … S CONTESTS SONGWRITING O W y ha O FALL 2009, Volume 12Number3 2009,Volume FALL u’ T RE now a WINNER ? EXECUTIVE Director’S MESSAGE EDITOR Greg Quill MANAGING EDITOR Don Quarles DESIGN Ambrose Pottie CONTRIBUTORS Don Quarles, Nick Krewen, Christopher Ward, Dale Leung, Greg Quill MAGAZINE EXECUTIVE DIRECTOR All photos courtesy of S.A.C., unless otherwise stated. DON QUARLES WITH INTERNATIONAL Canadian Publications Mail Agreement No. 40014605 CONFEDERATION Canada Post Account No. 02600951 OF AUTHORS ISSN 1481-3661 ©2002 FALL 2009 Volume 12 Number 3 .C. AND COMPOSERS Songwriters Association of Canada A SOCIETIES (CISAC) Subscriptions: Canada $16/year plus GST PRESIDENT ROBIN USA/Foreign $22 CONTENTS FEATURES: GIBB AT THE WORKS COPYRIGHT SUMMIT Songwriters Magazine is a publication of the IN WASHINGTON IN Songwriters Association of Canada (S.A.C.)and is 5 20 QUESTIONS : COURTESY S. : COURTESY JUNE. published three times a year. Members of S.A.C. receive Songwriters Magazine as part of their membership. Ember Swift reveals secrets of song craft HOTO P Songwriters Magazine welcomes editorial comment. Opinions expressed in Songwriters Magazine do not Exciting changes are taking place at the year. The annual week-long workshop was necessarily represent the opinions of the S.A.C. -
TOP SONGWRITER CHART Sunday, June 30, 2019
Sunday, October 14, 2018 TOP SONGWRITER CHART Sunday, June 30, 2019 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Michael Hardy God’s Country Blake Shelton Talk You Out Of It Florida Georgia Line I Don’t Know About You Chris Lane Rednecker HARDY 2 3 Ashley Gorley Rumor Lee Brice I Don’t Know About You Chris Lane Living Dierks Bentley Good Vibes Chris Janson Catch Brett Young Ridin’ Roads Dustin Lynch 3 2 Luke Combs Even Though I’m Leaving Luke Combs Lovin’ On You Luke Combs Refrigerator Door Luke Combs Moon Over Mexico Luke Combs Beer Never Broke My Heart Luke Combs 4 6 Hillary Lindsey Knockin’ Boots Luke Bryan Buy My Own Drinks Runaway June Closer To You Carly Pearce 5 7 Bobby Pinson Some Of It Eric Church Rearview Town Jason Aldean Homemade Jake Owen 6 4 Ben Burgess Whiskey Glasses Morgan Wallen 7 5 Kevin Kadish Whiskey Glasses Morgan Wallen 8 8 Jordan M. Schmidt God’s Country Blake Shelton Rednecker HARDY 9 12 Blanco Brown The Git Up Blanco Brown 10 14 Jeffery Hyde Some Of It Eric Church We Were Keith Urban 11 15 Eric Church Some Of It Eric Church We Were Keith Urban 12 17 Gordie Sampson Knockin’ Boots Luke Bryan Closer To You Carly Pearce Family Tree Caylee Hammack 13 19 Cary Barlowe Raised On Country Chris Young Back To Life Rascal Flatts 14 18 Jon Nite Knockin’ Boots Luke Bryan Living Dierks Bentley 15 16 Maren Morris The Bones Maren Morris Girl Maren Morris 16 40 Corey Crowder Drowning Chris Young Raised On Country Chris Young 17 41 Chris Young Drowning Chris Young Raised On Country Chris Young TOP SONGWRITER CHART This