Classic Yellow Song List
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Cheap Backstreet Boys Tickets
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Partyman by Title
Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D. -
Biu Withers by Rob Bowman He Was the Leading Figure in the Nascent Black Singer-Songwriter Movement of the Early 1970S
PERFORMERS BiU Withers By Rob Bowman He was the leading figure in the nascent black singer-songwriter movement of the early 1970s. BILL WITHERS WAS SIMPLY NOT BORN TO PLAY THE record industry game. His oft-repeated descriptor for A&R men is “antagonistic and redundant.” Not surprisingly, most A&R men at Columbia Records, the label he recorded for beginning in 1975, considered him “difficult.” Yet when given the freedom to follow his muse, Withers wrote, sang, and in many cases produced some of our most enduring classics, including “Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Grandma’s Hands,” and “Who Is He (and What Is He to You).” ^ “Not a lot of people got me,” Withers recently mused. “Here I was, this black guy playing an acoustic guitar, and I wasn’t playing the gut-bucket blues. People had a certain slot that they expected you to fit in to.” ^ Withers’ story is about as improb able as it could get. His first hit, “Ain’t No Sunshine,” recorded in 1971 when he was 33, broke nearly every pop music rule. Instead of writing words for a bridge, Withers audaciously repeated “I know” twenty-six times in a row. Moreover, the two-minute song had no introduction and was released as a throwaway B-side. Produced by Stax alumni Booker T. Jones for Sussex Records, the single’s struc ture, sound, and sentiment were completely unprecedented and pos sessed a melody and lyric that tapped into the Zeitgeist of the era. Like much of Withers’ work, it would ultimately prove to be timeless. -
Top 500 Van De 00'S
2020 2020 2019 TITEL ARTIEST JAAR 1 1 IN THE END LINKIN PARK 2001 2 2 LOSE YOURSELF EMINEM 2002 3 6 POKER FACE LADY GAGA 2009 4 8 ONDERWEG ABEL 2000 5 5 EVERYTIME WE TOUCH CASCADA 2007 6 4 FIX YOU COLDPLAY 2005 7 15 DRAGOSTEA DIN TEI O-ZONE 2004 8 14 BRABANT GUUS MEEUWIS 9 13 I GOTTA FEELING BLACK EYED PEAS 2009 10 7 RAMPENEREN ALI B & THE PARTYSQUAD & YES-R 2006 11 9 L’AMOUR TOUJOURS GIGI D’AGOSTINO 2001 12 3 HET LAND VAN... LANGE FRANS & BAAS B 13 20 UNWRITTEN NATASHA BEDINGFIELD 2005 00 14 18 SUMMER JAM 2003 UNDERDOG PROJECT 2003 15 16 BAD ROMANCE LADY GAGA 2009 16 10 VIVA LA VIDA COLDPLAY 2008 17 34 1001 ARABIAN NIGHTS CH!PZ 2005 18 21 STAN EMINEM & DIDO 2000 19 37 WHENEVER, WHEREVER SHAKIRA 2002 20 12 CALIFORNICATION RED HOT CHILI PEPPERS 2000 21 11 WATSKEBURT?! DE JEUGD VAN TEGENWOORDIG 2005 22 42 I WOULD STAY KREZIP 2000 23 49 TEMPERATURE SEAN PAUL 2006 24 22 THE MAN WHO CAN’T BE MOVED THE SCRIPT 2008 25 31 VIBEN K-LIBER 2004 26 25 WHERE IS THE LOVE? BLACK EYED PEAS & JUSTIN TIMBERLAKE 2003 27 76 OYA LELE K3 2003 28 32 MAKE YOU FEEL MY LOVE ADELE 2009 29 23 HIPS DON’T LIE SHAKIRA & WYCLEF JEAN 2006 30 19 IT’S MY LIFE BON JOVI 2000 31 35 DOCHTERS MARCO BORSATO 2008 32 74 HOT N COLD KATY PERRY 2008 33 17 BOULEVARD OF BROKEN DREAMS GREEN DAY 2005 34 57 YEAH USHER 2004 35 53 PAK MAAR M’N HAND NICK & SIMON 2007 36 29 FIREFLIES OWL CITY 2009 37 27 NUMB/ENCORE LINKIN PARK & JAY Z 2004 38 30 HERO ENRIQUE IGLESIAS 2001 39 104 IT WASN’T ME SHAGGY 2001 40 88 GEEF MIJ JE ANGST GUUS MEEUWIS 2003 41 54 SURVIVOR DESTINY’S CHILD 2001 42 24 MY IMMORTAL -
Appendix 2-2 1 ISSUE ID COMMENT NO
KLAMATH RIVER BASIN FISHERIES TASK FORCE MIDTERM EVALUATION INTERVIEW RESPONSES1 ISSUE ID COMMENT NO. I. WOULD THE SITUATION BE WORSE 3 Yes, would be worse without the Act and TF WITHOUT THE ACT AND TASK FORCE? Only have $1 million per year to address a huge basin with all kinds of problems The fact that came up with a plan at all, generated with citizen input, with the TF guiding the pen of the author, is a huge success But a plan is only as good as it its implementation 7 Probably would be worse without the Act and TF. At least TF does get interests to the table. If not talking would be suing. Does serve as a forum, attaches faces to names, become better educated on opposing issues. Members don’t agree on a range of issues, but the forum has merit. 13 Act has helped some; would be worse off without it. Provides a starting point, brings information to the table. Failure is weak stock management under current system. Listing was the only alternative. 14 No, the situation would not be worse without the TF. If TF weren’t there we wouldn’t miss it. There is a better way to address fisheries problems than putting the money into the political arena. Should spend the money on the fish. Is not proud of the way the TF is operating. Are not addressing the real problems from Iron Gate to the Pacific. Fish problems are also affected by the “black box” of processes in the Pacific, harvests in the ocean, Native American harvest and Trinity diversion, which the TF cannot or will not address. -
2020 C'nergy Band Song List
Song List Song Title Artist 1999 Prince 6:A.M. J Balvin 24k Magic Bruno Mars 70's Medley/ I Will Survive Gloria 70's Medley/Bad Girls Donna Summers 70's Medley/Celebration Kool And The Gang 70's Medley/Give It To Me Baby Rick James A A Song For You Michael Bublé A Thousands Years Christina Perri Ft Steve Kazee Adventures Of Lifetime Coldplay Ain't It Fun Paramore Ain't No Mountain High Enough Michael McDonald (Version) Ain't Nobody Chaka Khan Ain't Too Proud To Beg The Temptations All About That Bass Meghan Trainor All Night Long Lionel Richie All Of Me John Legend American Boy Estelle and Kanye Applause Lady Gaga Ascension Maxwell At Last Ella Fitzgerald Attention Charlie Puth B Banana Pancakes Jack Johnson Best Part Daniel Caesar (Feat. H.E.R) Bettet Together Jack Johnson Beyond Leon Bridges Black Or White Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey Break Free Ariana Grande Brick House The Commodores Brown Eyed Girl Van Morisson Butterfly Kisses Bob Carisle C Cake By The Ocean DNCE California Gurl Katie Perry Call Me Maybe Carly Rae Jespen Can't Feel My Face The Weekend Can't Help Falling In Love Haley Reinhart Version Can't Hold Us (ft. Ray Dalton) Macklemore & Ryan Lewis Can't Stop The Feeling Justin Timberlake Can't Get Enough of You Love Babe Barry White Coming Home Leon Bridges Con Calma Daddy Yankee Closer (feat. Halsey) The Chainsmokers Chicken Fried Zac Brown Band Cool Kids Echosmith Could You Be Loved Bob Marley Counting Stars One Republic Country Girl Shake It For Me Girl Luke Bryan Crazy in Love Beyoncé Crazy Love Van Morisson D Daddy's Angel T Carter Music Dancing In The Street Martha Reeves And The Vandellas Dancing Queen ABBA Danza Kuduro Don Omar Dark Horse Katy Perry Despasito Luis Fonsi Feat. -
The All American Boy
The All American Boy His teeth I remember most about him. An absolutely perfect set kept totally visible through the mobile shutter of a mouth that rarely closed as he chewed gum and talked, simultaneously. A tricky manoeuvre which demanded great facial mobility. He was in every way the epitome of what the movies, and early TV had taught me to think of as the “All American Boy”. Six foot something, crew cut hair, big beaming smile, looked to be barely twenty. His mother must have been very proud of him! I was helping him to refuel the Neptune P2V on the plateau above Wilkes from numerous 44 gallon drums of ATK we had hauled to the “airstrip” on the Athey waggon behind a D4 driven by Max Berrigan. I think he was an aircraft mechanic. He and eight of his compatriots had just landed after a flight from Mirny, final stop McMurdo. Somehow almost all of the rest of his crew, and ours, had hopped into the weasels to go back to base for a party, leaving just a few of us “volunteers” to refuel. I remember too, feeling more than a little miffed when one of the first things he said after our self- introductions was “That was one hell of a rough landing strip you guys have - nearly as bad as Mirny”. Poor old Max had ploughed up and down with the D4 for hours knocking the tops of the Sastrugi and giving the “strip” as smooth a surface as he could. For there was not really a strip at Wilkes just a slightly flatter area of plateau defined by survey pegs. -
1 Breakfast at Tiffany's Truman Capote, 1958 I Am Always Drawn Back To
1 Breakfast at Tiffany's surrounded by photographs of ice-hockey stars, there is always a large bowl of fresh Truman Capote, 1958 flowers that Joe Bell himself arranges with matronly care. That is what he was doing when I came in. I am always drawn back to places where I have lived, the houses and their "Naturally," he said, rooting a gladiola deep into the bowl, "naturally I wouldn't have neighborhoods. For instance, there is a brownstone in the East Seventies where, got you over here if it wasn't I wanted your opinion. It's peculiar. A very peculiar thing during the early years of the war, I had my first New York apartment. It was one room has happened." crowded with attic furniture, a sofa and fat chairs upholstered in that itchy, particular red "You heard from Holly?" velvet that one associates with hot days on a tram. The walls were stucco, and a color He fingered a leaf, as though uncertain of how to answer. A small man with a fine rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman head of coarse white hair, he has a bony, sloping face better suited to someone far ruins freckled brown with age. The single window looked out on a fire escape. Even so, taller; his complexion seems permanently sunburned: now it grew even redder. "I can't my spirits heightened whenever I felt in my pocket the key to this apartment; with all its say exactly heard from her. I mean, I don't know. -
Bumbershoot Aesop Rock Niki&The Dove 11.09.12
11.09.12 page page page 6 bumbershoot 8 Aesop rock 10 niki&the dove cover art by lindsay stribling 2 in cue 11.09.12 college radio is the specialization and niche programming that it meet our about delivers to a broad audience. This blew my mind because it was so staff Top 5 Albums ever in cue profoundly accurate. YES! This is Welcome to In Cue, why radio matters. your campus radio College radio o#ers the cur- 1) Neutral Milk Hotel “Aeroplane over the Sea” station’s written con- rency that we all crave as well as nection to the masses. the education that accompanies 2) Wilco “Yankee Hotel Foxtrot” - a person telling you, “Hey, I chose 3) Elliot Smith “A basement on a Hill” views, articles, and these songs for you, I vouch for 4) T Rex “Electric Warrior” updates on what KUOI them. They are good.” If you be- FM has been up to this lieve, as I always have, that KUOI 5) Radiohead “The Bends” hosts some of the coolest kids on Nae Hakala year. We are here to STATION MANGER answer the question: campus, then you can have faith in what they are sharing with “Why does radio you. Sure, I initially tuned in for indie-rock and punk, but I stayed 1) Death Cab for Cutie “Transatlanticism” even matter, for garage and psych. Who knew 2) Death From Above 1979 “You’re a Women I’m a Machine” anymore?” these genres were still thriving? A 3) Animal Collective “Strawberry Jam” KUOI DJ knew, and he shared it with me. -
Shinedownthe Biggest Band You've Never Heard of Rocks the Coliseum
JJ GREY & MOFRO DAFOE IS VAN GOGH LOCAL THEATER things to do 264 in the area AT THE PAVILION BRILLIANT IN FILM PRODUCTIONS CALENDARS START ON PAGE 12 Feb. 28-Mar. 6, 2019 FREE WHAT THERE IS TO DO IN FORT WAYNE AND BEYOND THE BIGGEST BAND YOU’VE NEVER SHINEDOWN HEARD OF ROCKS THE COLISEUM ALSO INSIDE: ADAM BAKER & THE HEARTACHE · CASTING CROWNS · FINDING NEVERLAND · JO KOY whatzup.com Just Announced MAY 14 JULY 12 JARED JAMES NICHOLS STATIC-X AND DEVILDRIVER GET Award-winning blues artist known for Wisconsin Death Trip 20th Anniversary energetic live shows and bombastic, Tour and Memorial Tribute to Wayne Static arena-sized rock 'n' roll NOTICED! Bands and venues: Send us your events to get free listings in our calendar! MARCH 2 MARCH 17 whatzup.com/submissions LOS LOBOS W/ JAMES AND THE DRIFTERS WHITEY MORGAN Three decades, thousands of A modern day outlaw channeling greats performances, two Grammys, and the Waylon and Merle but with attitude and global success of “La Bamba” grit all his own MARCH 23 APRIL 25 MEGA 80’S WITH CASUAL FRIDAY BONEY JAMES All your favorite hits from the 80’s and Grammy Award winning saxophonist 90’s, prizes for best dressed named one of the top Contemporary Jazz musicians by Billboard Buckethead MAY 1 Classic Deep Purple with Glenn Hughes MAY 2 Who’s Bad - Michael Jackson Tribute MAY 4 ZoSo - Led Zeppelin Tribute MAY 11 Tesla JUNE 3 Hozier: Wasteland, Baby! Tour JUNE 11 2 WHATZUP FEBRUARY 28-MARCH 6, 2019 Volume 23, Number 31 Inside This Week LIMITED-TIME OFFER Winter Therapy Detailing Package 5 Protect your vehicle against winter Spring Forward grime, and keep it looking great! 4Shinedown Festival FULL INTERIOR AND CERAMIC TOP COAT EXTERIOR DETAILING PAINT PROTECTION Keep your car looking and Offers approximately four feeling like new. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.