Timber Use in the Chinese Gardens and Architecture
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To Search High and Low: Liang Sicheng, Lin Huiyin, and China's
Scapegoat Architecture/Landscape/Political Economy Issue 03 Realism 30 To Search High and Low: Liang Sicheng, Lin Huiyin, and China’s Architectural Historiography, 1932–1946 by Zhu Tao MISSING COMPONENTS Living in the remote countryside of Southwest Liang and Lin’s historiographical construction China, they had to cope with the severe lack of was problematic in two respects. First, they were financial support and access to transportation. so eager to portray China’s traditional architec- Also, there were very few buildings constructed ture as one singular system, as important as the in accordance with the royal standard. Liang and Greek, Roman and Gothic were in the West, that his colleagues had no other choice but to closely they highly generalized the concept of Chinese study the humble buildings in which they resided, architecture. In their account, only one dominant or others nearby. For example, Liu Zhiping, an architectural style could best represent China’s assistant of Liang, measured the courtyard house “national style:” the official timber structure exem- he inhabited in Kunming. In 1944, he published a plified by the Northern Chinese royal palaces and thorough report in the Bulletin, which was the first Buddhist temples, especially the ones built during essay on China’s vernacular housing ever written the period from the Tang to Jin dynasties. As a by a member of the Society for Research in Chi- consequence of their idealization, the diversity of nese Architecture.6 Liu Dunzhen, director of the China’s architectural culture—the multiple con- Society’s Literature Study Department and one of struction systems and building types, and in par- Liang’s colleagues, measured his parents’ country- ticular, the vernacular buildings of different regions side home, “Liu Residence” in Hunan province, in and ethnic groups—was roundly dismissed. -
Umithesis Lye Feedingghosts.Pdf
UMI Number: 3351397 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ______________________________________________________________ UMI Microform 3351397 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. _______________________________________________________________ ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106-1346 TABLE OF CONTENTS ABSTRACT iv ACKNOWLEDGEMENTS vi INTRODUCTION The Yuqie yankou – Present and Past, Imagined and Performed 1 The Performed Yuqie yankou Rite 4 The Historical and Contemporary Contexts of the Yuqie yankou 7 The Yuqie yankou at Puti Cloister, Malaysia 11 Controlling the Present, Negotiating the Future 16 Textual and Ethnographical Research 19 Layout of Dissertation and Chapter Synopses 26 CHAPTER ONE Theory and Practice, Impressions and Realities 37 Literature Review: Contemporary Scholarly Treatments of the Yuqie yankou Rite 39 Western Impressions, Asian Realities 61 CHAPTER TWO Material Yuqie yankou – Its Cast, Vocals, Instrumentation -
Foguang Temple 2005-2009 Progress Report
Foguang Temple 2005-2009 Progress Report Wutai Mountain, Shanxi, China In partnership with Shanxi Bureau of Cultural Relics and the Shanxi Institute of Ancient Architectural Conservation GHF Project Directors Ms. Kuanghan Li, Manager, GHF China Mr. Ren Yiming, Conservation Manager, Shanxi Institute July 2009 Executive Summary GHF helped the Shanxi provincial authority secure matching funding from the central government to support the restoration and scientific conservation of the 1,200-year old Foguang Temple at Wutai Mountain, one of China’s five sacred mountains for Buddhism. Over $900,000 in matching cofunding was secured from the Shanxi Provincial government for the work to date, and the Chinese national government is expected to fund approximately US$1.2-1.6 million (RMB10-12 million) for the restoration of the Grand East Hall that is projected to begin in 2010, contingent upon final approvals. Foguang Temple is considered to be the ‘Fountainhead’ of classical Chinese architecture. Built during the Tang Dynasty, Foguang Temple is a tribute to the peak of Buddhist art and architecture from the 9th century. Grand East Hall of Foguang Temple is one of the oldest and most significant extant wooden structures in China; it is one of two last remaining Tang Dynasty Chinese temples. Until GHF’s initiative, Foguang Temple had not been repaired or conserved since the 17th century. The temple suffers extensive structural damages caused by landslide, water damages from leaking roof, pests and foundation settlement; which are threatening to permanently damage Foguang Temple, the last of China’s oldest wooden architectural wonders. GHF carried out a multi-stage program at a total cost of over $1,060,000 to save the Temple Complex: 1) Master Conservation Planning 2) Architecture conservation The Foguang Temple project was completed under a collaborative agreement with Shanxi Institute of Ancient Architecture Conservation and Research (SIAACR). -
Lesson #1: Architecture Features Through the Ages
Unit Two: History of Architecture and Building Codes Lesson #1: Architecture Features Through the Ages Objectives Students will be able to… . Summarize the architecture features through Stone Ages to Neo-Classical Time. Common Core Standards LS 11-12.6 RSIT 11-12.2 RLST 11-12.2 Problem Solving/Critical Thinking 5.4 Health and Safety 6.2, 6.3, 6.4, 6.5, 6.6, 6.12 Technical Knowledge and Skills 10.1, 10.2, 10.3 Residential and Commercial Construction Pathway D2.1, D2.8, D2.9, D3.1, D3.2, D3.3, D3.4, D3.7 Responsibility and Leadership 7.4, 9.3 Materials Architecture Features Through the Ages Power Point https://documentcloud.adobe.com/link/track?uri=urn%3Aaaid%3Ascds%3AUS%3Ab4f485df -0d78-4fa9-9509-0b9ea3e1952c Architecture Features Through the Ages Worksheet Lesson Sequence . Introduce to students that a specific architectural style is characterized by a collection of design details. These details include size and shape of windows, the size and placement of a porch, and the presence or absence of columns. Review the Architecture Features Through the Ages PowerPoint with students. Have students fill in the Architecture Features Through the Ages Worksheet while reviewing the power point. Discuss and answer any questions students may have along the way. © BITA: A program promoted by California Homebuilding Foundation BUILDING INDUSTRY TECHNOLOGY ACADEMY: YEAR TWO CURRICULUM Assessment Check for understanding while presenting PowerPoint. Grade student worksheets. Reteach and clarify any misunderstandings as needed. Accommodations/Modifications Check for Understanding One on One Support Peer Support Extra Time If Needed © BITA: A program promoted by California Homebuilding Foundation BUILDING INDUSTRY TECHNOLOGY ACADEMY: YEAR TWO CURRICULUM Architecture Features Through the Ages Worksheet As you watch the PowerPoint on Architectural Features Through the Ages fill in summary with the correct answers. -
Chinese Religious Art
Chinese Religious Art Chinese Religious Art Patricia Eichenbaum Karetzky LEXINGTON BOOKS Lanham • Boulder • New York • Toronto • Plymouth, UK Published by Lexington Books A wholly owned subsidiary of Rowman & Littlefield 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 10 Thornbury Road, Plymouth PL6 7PP, United Kingdom Copyright © 2014 by Lexington Books All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Karetzky, Patricia Eichenbaum, 1947– Chinese religious art / Patricia Eichenbaum Karetzky. pages cm Includes bibliographical references and index. ISBN 978-0-7391-8058-7 (cloth : alk. paper) — ISBN 978-0-7391-8059-4 (pbk. : alk. paper) — ISBN 978-0-7391-8060-0 (electronic) 1. Art, Chinese. 2. Confucian art—China. 3. Taoist art—China. 4. Buddhist art—China. I. Title. N8191.C6K37 2014 704.9'489951—dc23 2013036347 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America Contents Introduction 1 Part 1: The Beginnings of Chinese Religious Art Chapter 1 Neolithic Period to Shang Dynasty 11 Chapter 2 Ceremonial -
Architecture Terms
Architecture Terms ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● What is Architecture What is Architecture Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Form as defined by the book- an object that can be defined in 3 dimensions. Informal- not according to the prescribed, official, or customary way or manner; irregular; unofficial: FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. FORMAL-INFORMAL Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. -
A Large Empty Space Surrounded by Buildings Connected with One Another Either Directly Or Through Verandas - More Common in Northern Chinese Architecture B
Architectural Characteristics 1. Courtyard and Sky wells a. Open courtyard - A large empty space surrounded by buildings connected with one another either directly or through verandas - More common in northern Chinese architecture b. "Sky well" - A relatively small enclosed courtyard which offer small opening to the sky through the roof space from the floor up - More common in southern China 2. Hierarchical - importance and uses of buildings are based on the strict placement of buildings in a property/complex a. Orientation of Doors - Facing the front (important) - Facing the sides (less important) - Facing the rear (least important) b. Location of Buildings - At the back of properties are more important : a. Elder members of the family b. Celebratory rites c. Ancestral plaques - In front of the property: typically for servants and kitchen c. Courtyard Location - central courtyard are more important than peripheral ones 3. Horizontal Emphasis - Emphasis on the breadth and less on height with close heavy platform and a large roof that floats over this base with vertical walls not well emphasized - Stresses the visual impact of the width of the buildings to denote the all-embracing nature of imperial China 4. Mythical Concepts - Feng shui and mythic elements in the construction and layout of Chinese architecture. This includes the use of: a. Screen walls to face the main entrance of the house, which stems from the belief that evil things travel on straight lines b. Talismans and fortuitous imagery: 1) Door gods on doorways to ward evil and encourage the flow of good fortune 2) Fu Lu Shou - Taoist concept which denotes the attributes of the good life: good fortune, prosperity and longevity Craft: Techniques & Materials 1. -
Basic Structures
Basic Structures What is a structure? The structure of a building is the part which is responsible for maintaining the original shape of the building under the influence of the forces, loads and other environmental factors to which is subjected. Examples of structural components include: _Steel beams, columnsm roof trusses ans space frames _Reinforced concrete beams, columns, retaining walls and foundations Below picture shows the Lower Manhattan skyline in New York, one of the greatest concentrations of high-rise buildings in the world. Space limitations on the island meant building construction had to proceed upwards rather than outwards, and the presence of solid rock made foundations for these soaring structures feasible. [Image below: Lower Manhattan skyline in New York, USA] Structural understanding The basic function of a structure is to transmit loads from the position of application of the load to the point of support and thus to the foundations in the ground. Any structure must satisfy the following criteria: 01// Aesthetics (it must look nice). 02// Ease of maintenance. 03// Durability. This means that the materials used must be resistant to corrosion, spalling (pieces falling off), chemical attack, rot. 04// Fire resistance. While few materials can completely resist the effects of fire, it is important for a building to resist fire long enough for its occupants to be safely evacuated. [Image below: Roof structure of Quartier 206 shopping mall, Berlin, Germany] Safety and serviceability There are two main requirements of any structure: it must be safe and it must be serviceable. Safe means that the structure should not collapse Serviceability means that the structure should not deform unduly under the effects of defl ection, cracking or vibration. -
Post – and – Lintel *
Post – and – lintel * The simplest illustration of load and support in construction is the post – and – lintel system, in which two upright members (posts, columns, piers) hold up a third member ( lintel, beam, girder, rafter) laid horizontally across their top surface. This is the basis for the evolution of all openings. But, in its pure form, the post – and – lintel is seen only in colonnades and in framed structures, since the posts of doors, windows, ceilings, and roofs are part of the wall. The job of the lintel is to bear the loads that rest on it (and its own load) without deforming or breaking. Failure occurs only when the material is too weak or the lintel is too long. Lintels composed of materials that are weak in bending, such as stone, must be short, while lintels in materials that are strong in bending, such as steel, may span far greater openings. Masonry lintels are inefficient because they must depend on the cohesiveness of mortar, which is weaker than the blocks it bonds; so, in masonry construction, lintels of monolithic (single – slab) stone, wood, and stronger materials are employed . The job of the post is to support the lintel and its loads without crushing or buckling. Failure occurs, as in lintels, from excessive weakness or length, but the difference is that the material must be especially strong in compression. Stone, which has this property, is more versatile as a post than as a lintel; under heavy loads it is superior to wood but not to iron, steel, or reinforced concrete. -
Meanings of Worship in Wooden Architecture in Brick
MEANINGS OF WORSHIP IN WOODEN ARCHITECTURE IN BRICK Yin Wu A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Art. Chapel Hill 2016 Approved by: Eduardo Douglas Wei-Cheng Lin Daniel Sherman @2016 Yin Wu ALL RIGHTS RESERVED ii ABSTRACT Yin Wu: Meanings of Worship in Wooden Architecture in Brick (Under the direction of Wei-Cheng Lin) The brick burial chamber built to imitate the wooden structure that became popular since the late Tang period was usually understood as a mimicry of the aboveground residence. Its more and more elaborate construction toward the Jin period was also often described as representing the maturity of the “wooden architecture in brick.” In this paper, however, I argue that the increasing elaboration of the form, in fact, indicates a changing meaning of the tombs. To this end, this paper investigates the “wooden architecture in brick” built in the 12th-century tombs of the Duan family in Jishan, Shanxi province from two interrelated viewpoints—that of the fabricated world of the tomb owner and that of the realistic world of the burial chamber. I suggest that the complicated style of “wooden architecture in brick” does not mean a more magnificent imitation of the aboveground residence. Rather, when considered with other decorations in the chamber, the burial space was constructed for the deceased with reference to a temple, or a shrine. This suggested reference thus turns the chamber into a space of the deity, where the tomb master was revered, indeed, as a deity. -
1 Classical Architectural Vocabulary
Classical Architectural Vocabulary The five classical orders The five orders pictured to the left follow a specific architectural hierarchy. The ascending orders, pictured left to right, are: Tuscan, Doric, Ionic, Corinthian, and Composite. The Greeks only used the Doric, Ionic, and Corinthian; the Romans added the ‘bookend’ orders of the Tuscan and Composite. In classical architecture the selected architectural order for a building defined not only the columns but also the overall proportions of a building in regards to height. Although most temples used only one order, it was not uncommon in Roman architecture to mix orders on a building. For example, the Colosseum has three stacked orders: Doric on the ground, Ionic on the second level and Corinthian on the upper level. column In classical architecture, a cylindrical support consisting of a base (except in Greek Doric), shaft, and capital. It is a post, pillar or strut that supports a load along its longitudinal axis. The Architecture of A. Palladio in Four Books, Leoni (London) 1742, Book 1, plate 8. Doric order Ionic order Corinthian order The oldest and simplest of the five The classical order originated by the The slenderest and most ornate of the classical orders, developed in Greece in Ionian Greeks, characterized by its capital three Greek orders, characterized by a bell- the 7th century B.C. and later imitated with large volutes (scrolls), a fascinated shaped capital with volutes and two rows by the Romans. The Roman Doric is entablature, continuous frieze, usually of acanthus leaves, and with an elaborate characterized by sturdy proportions, a dentils in the cornice, and by its elegant cornice. -
Foguang Temple, China a Tang Dynasty Treasure
East Hall. Photo by © Global Heritage Fund Foguang Temple, China A Tang Dynasty Treasure Site Significance Project Goals Built during the Tang Dynasty (7th-10th GHF is providing funding and expertise for centuries AD), Foguang Temple is a tribute the investigation, planning and scientific to the peak of Chinese Buddhist art and conservation of this 1,200-year old temple architecture. Its main structure, the Grand East in the environs of sacred Wutai Mountain by Hall is the second oldest and one of the most working with Shanxi Province’s Cultural Relics important remaining wooden architectural Bureau on the investigation and planning for jewels of ancient Chinese civilization. The Foguang Temple’s conservation requirements. Grand East Hall also contains previous wall paintings and polychrome statues from the Preservation by Design® Tang Dynasty. However, the temple was Planning forgotten for centuries and was rediscovered Threats by the great architectural historian Liang GHF is working with the Bureau of Cultural Deterioration of structures Sicheng in 1937, based on a wall painting Relics to develop a comprehensive site Mountainslides from Mogao Grotto, depicting the location of conservation plan, budget and milestones for Vandalism the temple in Wutai Mountain. The temple has protection and restoration. This first phase Earthquakes not been repaired or conserved since the 17th includes complete measurement, mapping, century, and extensive structural damage from documentation and threat assessment. Completed Date falling rocks and rotting roofing, beams and pillars is threatening irreparable damage. 2009 Global Heritage Fund, Completed Projects Project Partnerships Technical Expert Committee to review all plans Recent Accomplishments and conservation work to ensure the highest • Shanxi Cultural Relics Bureau • Completion of the Master Conservation levels of conservation excellence.