DOCSLIB.ORG

Foguang Temple 2005-2009 Progress Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Foguang Temple 2005-2009 Progress Report Foguang Temple 2005-2009 Progress Report Wutai Mountain, Shanxi, China In partnership with Shanxi Bureau of Cultural Relics and the Shanxi Institute of Ancient Architectural Conservation GHF Project Directors Ms. Kuanghan Li, Manager, GHF China Mr. Ren Yiming, Conservation Manager, Shanxi Institute July 2009 Executive Summary GHF helped the Shanxi provincial authority secure matching funding from the central government to support the restoration and scientific conservation of the 1,200-year old Foguang Temple at Wutai Mountain, one of China’s five sacred mountains for Buddhism. Over $900,000 in matching cofunding was secured from the Shanxi Provincial government for the work to date, and the Chinese national government is expected to fund approximately US$1.2-1.6 million (RMB10-12 million) for the restoration of the Grand East Hall that is projected to begin in 2010, contingent upon final approvals. Foguang Temple is considered to be the ‘Fountainhead’ of classical Chinese architecture. Built during the Tang Dynasty, Foguang Temple is a tribute to the peak of Buddhist art and architecture from the 9th century. Grand East Hall of Foguang Temple is one of the oldest and most significant extant wooden structures in China; it is one of two last remaining Tang Dynasty Chinese temples. Until GHF’s initiative, Foguang Temple had not been repaired or conserved since the 17th century. The temple suffers extensive structural damages caused by landslide, water damages from leaking roof, pests and foundation settlement; which are threatening to permanently damage Foguang Temple, the last of China’s oldest wooden architectural wonders. GHF carried out a multi-stage program at a total cost of over $1,060,000 to save the Temple Complex: 1) Master Conservation Planning 2) Architecture conservation The Foguang Temple project was completed under a collaborative agreement with Shanxi Institute of Ancient Architecture Conservation and Research (SIAACR). After five years of collaboration, the Master Conservation Plan for all the cultural resources in and around the temple compound has been completed and approved by the State Administration of Cultural Heritage (SACH). The restoration plan for Grand East Hall is in its final refinement and pending national (SACH) approval is expected in 2010. Architecture and site surveys, structural analysis, conservation plan and site conservation were completed with aid by GHF’s co-funding. GHF Foguang Temple Progress Report 2 GHF Foguang Project Budget Summary Work Completed Duration GHF Partner Total Funding Funding Co-Funding 1. Master Planning 2005-2008 $50,000 $100,000 $150,000 2. Site Conservation 2007-2008 $50,000 $700,000 $750,000 3. Site Survey + 2004-2009 $20,000 $30,000 $50,000 Grand East Hall Conservation Plan 4. Project Management 2005-2009 $110,000 - $110,000 Total Costs $230,000 $830,000 $1,060,000 Above: View of monk housing repaired with support from GHF (May 2009) GHF Foguang Temple Progress Report 3 1. Master Conservation Planning Above: Development model for the complex. Below: Conservation treatment plan. GHF Foguang Temple Progress Report 4 Master Conservation Planning Above: Detailed technical documentation of temples and structures, as well as surveys and excavations (below) were undertaken (2007). GHF Foguang Temple Progress Report 5 Areas Restored at Foguang Temple Monastery 2. Site Conservation Architectural conservation of major halls and buildings undertaken in 2008 includes: • Tianwang Hall/Entrance Gate ongoing • Xiangfeng Huayu Building • Senhuizhi Garden Gate • Northern Wing Monks‘ Quarter Emergency supports for northeast and northwest corner of the Grand East Hall (Dongda Dian) were in place. Flood protection now works on both sides of the temple. The Conservation Plan for the eight historic tomb pagodas in the surrounding vicinity has been completed and submitted for review, of which, the most famous being Monk Zhiyuan’s Tomb Pagoda. Restoration of the Master’s Tomb Pagoda, adjacent to the Grand East Hall, has been completed. In 2007, SIAARC submitted the conservation plan for the Grand East Hall to SACH and invited six national experts to review the plan in-situ. Their final approvals are still pending, but the Shanxi Provincial authorities have confirmed that the restoration costs of the East Hall will be funded by the national government once the conservation plan receives final approvals ($1.2-1.6 million in funding). This is exceptional to secure such levels of funding based on a relatively limited investment by GHF in the conservation planning and studies for the East Hall. GHF Foguang Temple Progress Report 6 Above: Building emergency supports for the Grand East Hall. (May 2008) Below: Before and after structural stabilization and replastering of the Master’s Tomb Pagoda. (Summer 2007, summer 2008) GHF Foguang Temple Progress Report 7 Above: View of the Monks’ Quarter under restoration (2008). Below: View of the Senhuizhi Garden Gate under restoration (May 2008). GHF Foguang Temple Progress Report 8 Above: South facade of the Entrance Gate under restoration. (May 2008) Below: Finished interior, repainted according to the original pattern. (May 2009) GHF Foguang Temple Progress Report 9 Summary of Progress – Foguang Temple Conservation GHF participation and support: • Supported the Foguang Temple Master Conservation Plan by Tsinghua University; • Restorations and repair of all Foguang Monastery Complex buildings except the Grand East Hall; • Environmental improvements of the main roadways, ground paving, landscaping, drainage and flood prevention, power and security systems, fire access route, flush system toilet, etc. • Emergency supports for northeast and northwest corner of the Grand East Hall; • Conservation plan for Grand East Hall including documentation and survey, diagnostic investigation of the wood structure and foundation, etc.; • SIAARC Mission visited USA on a study trip to learn about the conservation and management of American heritage sites; • Lectures and training on conservation concepts and techniques by GHF’s John Hurd, Director of Conservation and Kuanghan Li to SIAARC staff in Taiyuan. Other major milestones achieved by local partners: • Successful inscription as a UNESCO World Heritage site together with five other Wutai Mountain Sites; • Establishment of an archive, where movable cultural heritage and documents relating to Foguang Temple that are scattered in different places can be collected and exhibited; • Dust removal and cleaning of over 400 polychrome clay sculptures inside Grand East Hall; • Restoration of the Master’s Tomb Pagoda adjacent to the Grand East Hall; • Provisional protective shelter design for Grand East Hall by Tsinghua University in progress; • Conservation plan of eight historic pagoda tombs. GHF Foguang Temple Progress Report 10 Conclusion Throughout the Foguang Temple active project years (2005-2009), GHF has witnessed the dedication and determination demonstrated by the local partners, and the challenges they faced while trying to protect one of the most significant examples of classical Chinese architecture. With years of consistent efforts from the National, Provincial and local governments, Foguang Temple, along with five other sites in Wutai Mountain, was successfully inscribed as a UNESCO World Heritage Site in June 2009. This jewel in the crown of Chinese architecture history has at last gained the international acknowledgment and attention that it deserves. Most importantly, its conservation needs and requirements are now faithfully addressed for Foguang Temple to continue standing as the only site in China with extant Tang Dynasty wooden structure of such monumentality. GHF is proud to have participated and contributed to this successful process of preserving Foguang Temple for future generations. Above: All images were taken in May 2008 GHF Foguang Temple Progress Report 11 Foguang Monastery – After GHF Intervention (2009) Above: All images were taken in May 2009 GHF Foguang Temple Progress Report 12 Foguang Monastery – After GHF Intervention (2009) Above: All images were taken in May 2009 GHF Foguang Temple Progress Report 13 Foguang Monastery – After GHF Intervention (2009) Above: All images were taken in May 2009 GHF Foguang Temple Progress Report 14 Foguang Monastery – After GHF Intervention (2009) Above: All images were taken in May 2009 GHF Foguang Temple Progress Report 15 .
Load more

Recommended publications
  • To Search High and Low: Liang Sicheng, Lin Huiyin, and China's
    Scapegoat Architecture/Landscape/Political Economy Issue 03 Realism 30 To Search High and Low: Liang Sicheng, Lin ­Huiyin, and China’s Architectural Historiography, 1932–1946 by Zhu Tao MISSING COMPONENTS Living in the remote countryside of Southwest Liang and Lin’s historiographical construction China, they had to cope with the severe lack of was problematic in two respects. First, they were financial support and access to transportation. so eager to portray China’s traditional architec- Also, there were very few buildings constructed ture as one singular system, as important as the in accordance with the royal standard. Liang and Greek, Roman and Gothic were in the West, that his colleagues had no other choice but to closely they highly generalized the concept of Chinese study the humble buildings in which they resided, architecture. In their account, only one dominant or others nearby. For example, Liu Zhiping, an architectural style could best represent China’s assistant of Liang, measured the courtyard house “national style:” the official timber structure exem- he inhabited in Kunming. In 1944, he published a plified by the Northern Chinese royal palaces and thorough report in the Bulletin, which was the first Buddhist temples, especially the ones built during essay on China’s vernacular housing ever written the period from the Tang to Jin dynasties. As a by a member of the Society for Research in Chi- consequence of their idealization, the diversity of nese Architecture.6 Liu Dunzhen, director of the China’s architectural culture—the multiple con- Society’s Literature Study Department and one of struction systems and building types, and in par- Liang’s colleagues, measured his parents’ country- ticular, the vernacular buildings of different regions side home, “Liu Residence” in Hunan province, in and ethnic groups—was roundly dismissed.
    [Show full text]
  • Umithesis Lye Feedingghosts.Pdf
    UMI Number: 3351397 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ______________________________________________________________ UMI Microform 3351397 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. _______________________________________________________________ ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106-1346 TABLE OF CONTENTS ABSTRACT iv ACKNOWLEDGEMENTS vi INTRODUCTION The Yuqie yankou – Present and Past, Imagined and Performed 1 The Performed Yuqie yankou Rite 4 The Historical and Contemporary Contexts of the Yuqie yankou 7 The Yuqie yankou at Puti Cloister, Malaysia 11 Controlling the Present, Negotiating the Future 16 Textual and Ethnographical Research 19 Layout of Dissertation and Chapter Synopses 26 CHAPTER ONE Theory and Practice, Impressions and Realities 37 Literature Review: Contemporary Scholarly Treatments of the Yuqie yankou Rite 39 Western Impressions, Asian Realities 61 CHAPTER TWO Material Yuqie yankou – Its Cast, Vocals, Instrumentation
    [Show full text]
  • Chinese Religious Art
    Chinese Religious Art Chinese Religious Art Patricia Eichenbaum Karetzky LEXINGTON BOOKS Lanham • Boulder • New York • Toronto • Plymouth, UK Published by Lexington Books A wholly owned subsidiary of Rowman & Littlefield 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 10 Thornbury Road, Plymouth PL6 7PP, United Kingdom Copyright © 2014 by Lexington Books All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Karetzky, Patricia Eichenbaum, 1947– Chinese religious art / Patricia Eichenbaum Karetzky. pages cm Includes bibliographical references and index. ISBN 978-0-7391-8058-7 (cloth : alk. paper) — ISBN 978-0-7391-8059-4 (pbk. : alk. paper) — ISBN 978-0-7391-8060-0 (electronic) 1. Art, Chinese. 2. Confucian art—China. 3. Taoist art—China. 4. Buddhist art—China. I. Title. N8191.C6K37 2014 704.9'489951—dc23 2013036347 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America Contents Introduction 1 Part 1: The Beginnings of Chinese Religious Art Chapter 1 Neolithic Period to Shang Dynasty 11 Chapter 2 Ceremonial
    [Show full text]
  • Timber Use in the Chinese Gardens and Architecture
    Timber Use in the Chinese Gardens and Architecture 木材在中国园林及建筑中的应用 Ying JIANG 2012.05 CAUPD CAUPD • 1、Reasons why timber constructions appear and become mainstream in China • 为什么中国会发展出木结构建筑并形成主流 • 2 The development of timber constructions in ancient China • 木结构建筑在中国古代的发展 • 3 The development of timber constructions in ancient China • 木结构建筑在中国近现代的发展 • 4 The advantages of timber • 木材的优点 • 5 Conclusion • 结语 CAUPD • 1、Reasons why timber constructions appear and become mainstream in China • 为什么中国会发展出木结构建筑并形成主流 In the ancient times, the weather and geographical condition is suitable for growing Climate plants in the Yellow River basin. 气候 Hydrology 水文 Geography The dense forest and river here make it easy to get raw 地理 materials and transport them. CAUPD • 1、Reasons why timber constructions appear and become mainstream in China • 为什么中国会发展出木结构建筑并形成主流 Cutting easy Timber becomes 采伐容易 the first choice to build houses processing easy because it is lighter 加工容易 and more easily to cut and process. Light weight 重量轻 Mining hard 开采困难 processing hard 加工困难 heavy weight 重量沉 CAUPD • 1、Reasons why timber constructions appear and become mainstream in China • 为什么中国会发展出木结构建筑并形成主流 The Chinese philosophy- Taoism believes that the basic substances metal that compose the world are metal, wood, water, fire and soil, and each of them corresponds to one of the five direction. Soil represents Central on behalf of the load of all earth things and soil would have a earth water high status. Five elements of wood represent east and symbol of spring and vitality; while Gold acting on behalf of the West and a symbol of force and punishment to kill; water, fire for the intangible thing, therefore, the five elements fire wood represent the most advocates of the five substances, only "soil" and "wood" is the most suitable for the construction of housing people live.
    [Show full text]
  • Meanings of Worship in Wooden Architecture in Brick
    MEANINGS OF WORSHIP IN WOODEN ARCHITECTURE IN BRICK Yin Wu A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Art. Chapel Hill 2016 Approved by: Eduardo Douglas Wei-Cheng Lin Daniel Sherman @2016 Yin Wu ALL RIGHTS RESERVED ii ABSTRACT Yin Wu: Meanings of Worship in Wooden Architecture in Brick (Under the direction of Wei-Cheng Lin) The brick burial chamber built to imitate the wooden structure that became popular since the late Tang period was usually understood as a mimicry of the aboveground residence. Its more and more elaborate construction toward the Jin period was also often described as representing the maturity of the “wooden architecture in brick.” In this paper, however, I argue that the increasing elaboration of the form, in fact, indicates a changing meaning of the tombs. To this end, this paper investigates the “wooden architecture in brick” built in the 12th-century tombs of the Duan family in Jishan, Shanxi province from two interrelated viewpoints—that of the fabricated world of the tomb owner and that of the realistic world of the burial chamber. I suggest that the complicated style of “wooden architecture in brick” does not mean a more magnificent imitation of the aboveground residence. Rather, when considered with other decorations in the chamber, the burial space was constructed for the deceased with reference to a temple, or a shrine. This suggested reference thus turns the chamber into a space of the deity, where the tomb master was revered, indeed, as a deity.
    [Show full text]
  • Foguang Temple, China a Tang Dynasty Treasure
    East Hall. Photo by © Global Heritage Fund Foguang Temple, China A Tang Dynasty Treasure Site Significance Project Goals Built during the Tang Dynasty (7th-10th GHF is providing funding and expertise for centuries AD), Foguang Temple is a tribute the investigation, planning and scientific to the peak of Chinese Buddhist art and conservation of this 1,200-year old temple architecture. Its main structure, the Grand East in the environs of sacred Wutai Mountain by Hall is the second oldest and one of the most working with Shanxi Province’s Cultural Relics important remaining wooden architectural Bureau on the investigation and planning for jewels of ancient Chinese civilization. The Foguang Temple’s conservation requirements. Grand East Hall also contains previous wall paintings and polychrome statues from the Preservation by Design® Tang Dynasty. However, the temple was Planning forgotten for centuries and was rediscovered Threats by the great architectural historian Liang GHF is working with the Bureau of Cultural Deterioration of structures Sicheng in 1937, based on a wall painting Relics to develop a comprehensive site Mountainslides from Mogao Grotto, depicting the location of conservation plan, budget and milestones for Vandalism the temple in Wutai Mountain. The temple has protection and restoration. This first phase Earthquakes not been repaired or conserved since the 17th includes complete measurement, mapping, century, and extensive structural damage from documentation and threat assessment. Completed Date falling rocks and rotting roofing, beams and pillars is threatening irreparable damage. 2009 Global Heritage Fund, Completed Projects Project Partnerships Technical Expert Committee to review all plans Recent Accomplishments and conservation work to ensure the highest • Shanxi Cultural Relics Bureau • Completion of the Master Conservation levels of conservation excellence.
    [Show full text]
  • 國立故宮博物院學術季刊第三十五卷第四期illustrating the Efficacy Of
    Illustrating the Efficacy of the Diamond Sutra in Vernacular Buddhism 35 Illustrating the Efficacy of the Diamond Sutra in Vernacular Buddhism Shih-shan Susan Huang Department of Art History Rice University Abstract This article examines Song-to-Ming printed illustrations celebrating the power of the Diamond Sutra, one of the most widely copied Buddhist scriptures in East Asia. An integral part of printed copies of the Diamond Sutra, these illustrations reflect a strong popular taste appealing to common folks, connecting modern readers to a wider realm of vernacular Buddhism and popular Buddhist visual culture in traditional Chinese society, where indigenous beliefs, popular images, and various religious practices are freely borrowed, converged, and re-packaged. The first part of the study, “Buddhist Records of Magical Efficacy,” identifies the round-trip of protagonists to the underworld, and the efficacy of prolonging life in Tang-to-Northern Song miracle tales of the Diamond Sutra as two recurring features carried on in the Southern Song-Ming illustrated versions. The second part, “Illustrations of Miracle Tales,” examines illustrated miracle stories of the Diamond Sutra highlighting the underworld court, messengers from the underground, miraculous fungi, and magical writing. The third part, “Women in Vernacular Buddhist and Folklore Visual Cultures,” turns to good and evil stereotypes of women pictured in selected miracle tales. The author then also explores the half-animal, half-woman demons subjugated by Buddhist guardians, whose images are juxtaposed with the illustrated miracle stories in the Ming versions. Finally, the fourth part, “Publishers and Donors,” shifts to the social and religious context of the illustrated books of the Diamond Sutra.
    [Show full text]
  • Medical Note
    • Case Report • Multi-source data based 3D digital preservation of large- scale ancient Chinese architecture: a case report Xiang GAO 1,2, Hainan CUI1, Lingjie ZHU 1,2, Tianxin SHI 1,2, Shuhan SHEN 1,2* 1. National Laboratory of Pattern Recognition, Institute of Automation, Chinese Academy of Sciences, Beijing 100190, China 2. University of Chinese Academy of Sciences, Beijing 100049, China * Corresponding author, [email protected] Received: Day Month 2019 Accepted: Day Month 2019 Supported by the NSFC (National Natural Science Foundation of China) under grants 61632003 and 61873265. Abstract Ancient Chinese architecture 3D digitalization and documentation is a challenging task due to its architectural complexity and structural delicacy. In order to generate complete and detailed models of the ancient Chinese architecture, instead of single-source data, it is better to acquire, process, and fuse multi- source data. In this paper, we describe our works on ancient Chinese architecture 3D digital preservation based on multi-source data. We first briefly introduce two ancient Chinese temples we surveyed, Foguang Temple and Nanchan Temple. Then, we report the data acquisition equipment we used and the multi-source data we acquired. Finally, we give an overview of several applications we conducted based on the acquired data, including ground and aerial image fusion, image and LiDAR (light detection and ranging) data fusion, and architectural scene surface reconstruction and semantic modeling. We believe that it is necessary to involve multi-source data for ancient Chinese architecture 3D digital preservation, and the works in this paper provide a heuristic guideline for the related research communities.
    [Show full text]
  • The Society for Asian Art Presents
    THE SOCIETY FOR ASIAN ART PRESENTS EXPLORING SHANXI AND SHAANXI PROVINCES MAY 17 – JUNE 4, 2013 LED BY DR. JEFFREY RIEGEL iscover the cradle of Chinese civilization and some of the oldest Buddhist sites in China in Shanxi and Shaanxi Provinces Daccompanied by Dr. Jeffrey Riegel of the University of Sydney. Our cultural and historical journey begins in Beijing with time to discover some of its newer treasures. Fly southwest to Shanxi Province and explore some of the oldest and most sacred Buddhist sites at Datong, Taiyuan and Pingyao. Visit two of the four sacred Buddhist mountains in China, Wutaishan Mountain and Huashan Mountain. Admire the distinctive architectural styles of the Tang, Ming and Qing dynasties before traveling into Shaanxi Province and Xi’an, the capital of thirteen feudal dynasties from the Zhou to Tang dynasties stretching over 1,100 years. Discover the great ancient and modern monuments of the city that was an important part of the Silk Road. This promises to be an unforgettable journey and we do hope that you can join us! Synopsis of the Tour BEIJING – 2 nights PINGYAO – 2 nights The Peninsula Hotel The Kylin Grand Hotel • Wander through the National • Walk the ancient city walls Museum of China • Explore Ming & Qing Streets • Visit the Commune by the Great • Visit Shuanglin Temple Wall • Wang Family Courtyard House DATONG – 2 nights LINFEN – 1 night Garden Hotel Jindu Garden Hotel • Explore the Yungang Grottoes • Visit the Guangsheng Temple • Visit the Huayun Temple • Explore the ancient architectural • Admire the
    [Show full text]
  • 2017 Editor Richard De Grijs Deputy Editor Ines Eben V
    JOURNAL OF THE ROYAL ASIATIC SOCIETY China Vol. 77 No. 1, 2017 Editor Richard de Grijs Deputy Editor Ines Eben v. Racknitz Copyright 2017 RAS China The Journal of the Royal Asiatic Society China is published by Earnshaw Books on behalf of the Royal Asiatic Society China. Contributions The editor of the Journal invites submission of original unpublished scholarly articles and book reviews on the religion and philosophy, art and architecture, archaeology, anthropology and environment, of China. Books sent for review will be donated to the Royal Asiatic Society China Library. Contributors receive a copy of the Journal. Subscriptions Members receive a copy of the journal, with their paid annual membership fee. Individual copies will be sold to non-members, as available. Library Policy Copies and back issues of the Journal are available in the library. The library is available to members. www.royalasiaticsociety.org.cn Journal of the Royal Asiatic Society China Vol. 77 No. 1, 2017 978-988-8422-64-7 EB 097 © 2017 Royal Asiatic Society China The copyright of each article rests with the author. Designed and produced for RAS China by Earnshaw Books Ltd 17/F, Siu Ying Commercial Building, 151-155 Queen’s Road Central, Hong Kong All rights reserved. No part of this book may be reproduced in material form, by any means, whether graphic, electronic, mechanical or other, including photocopying or information storage, in whole or in part. May not be used to prepare other publications without written permission from the publisher. The Royal Asiatic Society China thanks Earnshaw Books for its valuable contribution and support.
    [Show full text]
  • Shanxi Tour Brochure
    ORGANIZED BY 舉辦單位: Organized by: Chinese Cultural Studies Center Cut off by mountains, rivers and deserts, the province of Shanxi has served as a time capsule, containing around 70 percent of China’s structures older than the 14th century. The traditional examples of architecture offered by the province are varied: temples and mon- asteries ranging from the Tang to the Qing dynasty in the sacred Buddhist site of Wutai Shan, and the preserved Ming and Qing style residences of Pingyao, just to name some of the architectural gems of the province. Going to Shanxi is an absolutely integral part in any serious study of Chinese architecture, and for anyone who is inter- ested in exploring the unparalleled marvels of aesthetics and engi- neering of traditional Chinese architecture. This special tour orga- nized by Chinese Cultural Studies Center will be a walk back into the past, a glimpse of what once made China such an enchanting bastion of culture and art, and still a place of rich historical offer- ings. 俗言有云「五千年中國看山西」，被山、河和沙漠分隔的山西 省尤如一個時間錦囊，境內擁有百分之七十中國十四世紀之前 的古建築。無論是由唐至清朝的佛教名山 – 五台山或是保存完 整的明清古代縣城 – 平遙古城，對有志研究任何中國古建築， 或有意探索和欣賞的人來說，山西絕對是必到之處。由承真樓 主辦的山西之旅將會帶你回到過去，細味建築背後巧奪天工的 手藝，漫遊這個擁有「中國古代文化博物館」美稱的歷史文化 名城。 Datong 大同 Wutaishan Beijing 五台山 北京 Inner Mongolia 內蒙 Shanxi Taiyuan 山西 太原 Shaanxi Henan 河南 陝西 Shanghai 上海 Pingyao 平遥 Hong Kong 香港 As we want to provide more learning opportunities and ancient Chinese architectural knowledge for our participant, we offer two workshops leading up to the tour. 為了提供更多學習機會和中國古建築知識 予參加者，承真樓會於旅程前為大家舉辦 兩個工作坊。 WOrkshop
    [Show full text]
  • Shanxi Temple and Wall Painting Research Background.Pdf
    Project Name: Survey And Digital Documentation Of Endangered Temple Wall Paintings In Shanxi Province, China Sponsored by Arcadia - a charitable fund of Lisbet Rausing and Peter Baldwin Outline of Shanxi Architecture and Wall Paintings Why studying Shanxi? • 山西省：中国古代建筑保存状 • More than 100 wooden 况最佳 buildings predating the 14th century persevered in Shanxi • 现存上百座14世纪以前木结构 Province. Among them, 106 are 建筑，其中属于宋金时期的有 of the Song and Jin Dynasties. 106座。 • Hundreds of the Yuan Dynasty. • 元代的数百座。 • Over 8000 of Ming and Qing • 明清建筑有八千多座。 Dynasties. Best Preserved Traditional Chinese Buildings Dynasty Name Location Date Tang (618–907) Main Hall of Nanchan Monastery（南禅寺大殿） Mt. Wutai, Shanxi province 782 Tang Main Hall of Foguang Monastery（佛光寺大殿） Mt. Wutai, Shanxi province 857 Five Dynasties period (907– 960) Mituo Hall of Dayun Temple（大云院弥陀殿） Pingshun, Shanxi province 940 Thousands buddha Hall of Zhenguo Monastery（镇国寺万 Five Dynasties period 佛殿） Pingyao, Shanxi province 963 Liao (907–1125) Guanyin Pavilion of Dule Monastery（独乐寺观音阁） Ji county, Hebei province 984 Northern Song (960–1127) Main Hall of Baoguo Monastery（保国寺大殿） Yuyao, Zhejiang province 1013 Liao Main Hall of Fengguo Monastery（奉国寺大殿） Yi county, Liaoning province 1020 Liao Main Hall of Shanhua Monastery（善化寺大殿） Datong, Shanxi province 1030 Liao Main Hall of Kaishan Monastery（开善寺大殿） Xincheng, Hebei province 1033 Bojiajiaozang (Bhaghavat) Sutra Repository of Huayan Liao Monastery （下华严寺薄伽教藏殿） Datong, Shanxi province 1038 Liao Shijia pagoda in Foguang temple（佛光寺释迦塔） Ying county, Shanxi province
    [Show full text]