29Th IAMA International Conference
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RIAS Kammerchor Saisonvorschau 2016–2017
KLANG KUNST Konzertsaison 2016 - 2017 ein Ensemble der Der RIAS Kammerchor verfolgt zahlreiche Education-Projekte, denn: JUGEND KANN MAN FÖRDERN. Zum Beispiel mit der Schulchorpatenschaft für Berliner Oberstufenchöre: Die 35 Sänger/-innen des RIAS Kammerchors bieten jede Konzertsaison einem ambitionierten Schulchor die Möglichkeit zum musikalischen Austausch. Ob Flashmobs, gemeinsame Proben, Auftritte oder ganz neue Formen des gemeinsamen Singens: Der Kreativität sind bei der Zusammenarbeit keine Grenzen gesetzt ! Ab Januar 2017 können sich wieder Schulchöre aus Berlin und Brandenburg für das neue Schuljahr 2017/2018 um eine Patenschaft mit den Profisängerinnen und -sängern des RIAS Kammerchors bewerben. ein Ensemble der Mehr Informationen erhalten Sie unter + 49 (0)30 20 29 87 334 beim RIAS Kammerchor. Inhaltsverzeichnis Seite 06 Seite 08 Seite 10 Chormitglieder Chormitglieder Chorbiografie Chorbiografie Interview James Wood Interview James Wood Kai Roterberg, Tenor Paul Mayr, Bass vollkommen anderes Gefühl für Zeit. Es gibt ein sehr Es gibt eine sehr schöne kleine Gedichtsammlung Ich habe schon AltChinesisch und AltGriechisch vertont, bekanntes Stück von Toru Takemitsu, „From me flows Rumis in deutscher Übersetzung. Sie trägt den Titel „Die aber auch eigene phonetische Texte entworfen. Es sind what you call Time“ für fünf Schlagzeuger und Orchester. Musik, die wir sind“. Als SufiMystiker praktizierte Rumi die sprachlichen Geheimnisse, die mich unglaublich Darin thematisiert er diese kulturellen Unterschiede zwi zusammen mit seinen Anhängern, den sich drehenden faszinieren, aber auch die Klangfarbe der Texte ist mir Ein Kammerchor ? schen Ost und West. Im Osten läuft die musikalische Zeit Derwischen, ein besonderes Gebetsritual. Hast du in den sehr wichtig. Als ich das AltPersisch gehört habe, war Franziska Markowitsch, Alt Katharina Hohlfeld, Sopran Stephanie Petitlaurent, Sopran Johannes Schendel, Bass Mi-Young Kim, Sopran Werner Matusch, Bass Volker Nietzke, Tenor Waltraud Heinrich, Alt „ Zeitgenössische Musik viel langsamer als bei uns im Westen. -
Human Requiem (U.S
Sunday, October 16, 2016, at 7:30 pm Tuesday–Wednesday, October 18–19, 2016, at 7:30 pm Post-performance discussion on Tuesday, October 18 with Simon Halsey, Jochen Sandig, and Patrick Castillo human requiem (U.S. premiere) Rundfunkchor Berlin Simon Halsey , Conductor Marlis Petersen , Soprano Konrad Jarnot , Baritone Angela Gassenhuber , Piano Philip Mayers , Piano Nicolas Fink , Co-Conductor Jochen Sandig , Concept and Scenic Realization Brad Hwang , Spatial Concept Jörg Bittner , Lighting BRAHMS Ein deutsches Requiem for soloists, chorus, and piano four hands (1868/2004) Arranged by Phillip Moll from the original transcription by Brahms Selig sind, die da Leid tragen Denn alles Fleisch, es ist wie Gras Herr, lehre doch mich Wie lieblich sind deine Wohnungen Ihr habt nun Traurigkeit Denn wir haben hie keine bleibende Statt Selig sind die Toten This performance is approximately 70 minutes long without intermission. Please join the artists for a White Light Lounge immediately following the performance. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain all your electronic devices Synod House, are switched off. Cathedral of St. John the Divine WhiteLightFestival.org MetLife is the National Sponsor of Lincoln Center. UPCOMING WHITE LIGHT FESTIVAL EVENTS: Artist Catering provided by Zabar’s and Zabars.com Friday, October 21 at 7:30 pm in the Church of St. Mary the Virgin American Airlines is the Official Airline of Lincoln Immortal Bach Center Rundfunkchor Berlin -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Ensemble in Residence ENSEMBLE RESONANZ
PRESS INFORMATION Ensemble in Residence ENSEMBLE RESONANZ With its extraordinary enthusiasm and artistic quality, Ensemble Resonanz is one of the leading chamber orchestras worldwide. Since the ensemble was founded in 1994, its highly original programmes have spanned everything from the classical to the contemporary, often revealing surprising connections in the process. The self-governing ensemble consists solely of a string section and frequently collaborates with high profile artists, such as violist Tabea Zimmermann and cellist Jean-Guihen Queyras. As Ensemble in Residence in the Laeiszhalle Recital Hall, the string collective has had great success with its concert series »Resonances« – therefore, it is only fitting that the ensemble moves its residency to the Elbphilharmonie Recital Hall in January 2017. For its first season in the new concert hall, the ensemble has devised an innovative concept called »INTO THE UNKNOWN«. In this series, the concert programmes are not revealed until the last minute. New concert-related events, such as philosophy talks and experimental »Offbeat« workshops, bring Ensemble Resonanz and its concert programmes closer to audiences. As part of its residency in the Elbphilharmonie, Ensemble Resonanz can be experienced beyond its concert series in various festival co-productions and music education projects in the new concert hall. Apart from the residency, the ensemble’s home remains the resonanzraum in the Media Bunker on Feldstrasse, in the very heart of the St. Pauli district. Specially designed with the string ensemble in mind, this new concert space unites spectacular acoustics for chamber music with a club ambience. The modern concert series URBAN STRING takes place here monthly. -
Press Kit English
THE BACH CANTATAS PROJECT Berlin, 1949-1952 audite 21.415 (9 CD box) soprano: Johanna Behrend alto: Lorri Lail Edith Berger-Krebs Ingrid Lorenzen Gertrud Birmele Annelies Westen Marie-Luise Denicke Charlotte Wolf-Matthäus Agnes Giebel tenor: Helmut Krebs Gerda Lammers baritone: Dietrich Fischer-Dieskau Lilo Rolwes Walter Hauck Gunthild Weber bass: Gerhard Niese RIAS-Kammerorchester • RIAS-Kammerchor • RIAS-Knabenchor Karl Ristenpart, conductor (CANTATAS BWV 4, 19, 21, 22, 31, 32, 37, 38, 39, 42, 47, 52, 56, 58, 73, 76, 79, 88, 106, 108, 127, 140, 160, 164, 176, 178, 180, 199, 202) »audite« Ludger Böckenhoff • Tel.: +49 (0) 52 31-870 320 • Fax: +49 (0) 52 31-870 321 • [email protected] • www.audite.de INDEX recording date: CD 1 Ach Gott, wie manches Herzeleid, BWV 58 4.1.1952 Gunthild Weber • Walter Hauck Liebster Jesu, mein Verlangen, BWV 32 10.+11.12.1951 Agnes Giebel • Walter Hauck Jesus nahm zu sich die Zwölfe, BWV 22 15.+16.2.1950 Charlotte Wolf-Matthäus • Helmut Krebs • Dietrich Fischer-Dieskau Herr Jesu Christ, wahr’ Mensch, BWV 127 13.2.1950 Gertrud Birmele • Helmut Krebs • Dietrich Fischer-Dieskau CD 2 Christ lag in Todes Banden, BWV 4 17.-19.3.1952 RIAS-Knabenchor Der Himmel lacht! Die Erde jubilieret, BWV 31 9.+20.+21.3.1950 Lilo Rolwes • Helmut Krebs • Gerhard Niese Am Abend aber desselbigen Sabbats, BWV 42 11.4.1950 Edith Berger-Krebs • Ingrid Lorenzen • Helmut Krebs • Dietrich Fischer-Dieskau CD 3 Es ist euch gut, daß ich hingehe, BWV 108 17.+18.4.1950 / 27.4.1950 Ingrid Lorenzen • Helmut Krebs • Dietrich Fischer-Dieskau Wer -
![Ristenpart-C05l[Audite-9CD]-Booklet](https://docslib.b-cdn.net/cover/7305/ristenpart-c05l-audite-9cd-booklet-2367305.webp)
Ristenpart-C05l[Audite-9CD]-Booklet
recording locotion: Jesus-Christus-Kirche, Berlin-Dahlem Studio Lankwitz, Berlin (CD9 Track l-9' l8-22) recording producer: PeterWackernagel (CDl Track l-l l,CD2 Track l-17, CD3 - CD5, CD6 Track 7-16, CD7 Track l-13, CD8 Track l-7 I 15-20, CD9 Track l-17 I 23-27) Wolfgang Lohse (CDl Track l2-21) Dorothee Ehrensberger (CD2 Track l8-24, CD6 Track l-6, CD7 Track I4- 19, CD8 Track 8-14) Sonnenberg (CD9 Track l8-22) recording engineer: Heinz Opitz (CDl Track l-5, CD2 - CD5, CD6 Track l2-16, CD8 Track l-14, CD9 Track 10-17 I 23-77). Peter Burkowitz (CDl Track 6-ll I 17-21, CD6 Track l- I l, CD7 Track 14- 19, CD9 Track l-9) . Fromm (CD I Track l2- l6) . Krüger (CD7 Track l-7, CD8 Track 8-20) ' unknown (CDl Track 17-21; CD7 Track 8-13, CD9 Track I8-22) @ Eine Aufnahme von RIAS Berlin (lizenziert durch Deutschlandradio) recording: @ 1949 - 1952 Deutschlandradio reseorch: Rüdiger Albrecht remastering: @ 2012 Ludger Böckenhoff; Karsten Zimmermann rrghts; audite claims all rights arising from copyright law and competition law in relation to research, compilation and re-mastering of the original audio tapes, as well as the publication of this CD. Violations will be prosecuted. The historical publications at audite are based, without exception, on the original tapes from broadcasting archives. ln general these are the original analogue tapes, which attain an astonishingly high quality, even measured by today's standards, with their tape speed of up to 76 cm/sec. -
Large Choirs
LARGE CHOIRS. Here is my Top Ten large choirs which have given me much pleasure over the years and are frequent visitor to Gloria. 1. POLYPHONY. Stephen Layton’s choir has produced many excellent programmes on Hyperion with superb balance and intonation their hallmark. James MacMillan, John Tavener, John Rutter, Eric Whitacre and Morten Lauridsen have all benefited from Layton’s thoughtful reading and they’ve recorded a great Messiah. Many will remember their concert imaginatively bringing together the music of Arvo Part and Francis Poulenc in the RTE Living Music Festival in Christ Church Cathedral, Dublin in 2008, in the presence of Arvo Part. MY CHOICE HYPERION – HANDEL MESSIAH – CDA67800 2. ESTONIAN PHILHARMONIC CHAMBER CHOIR. It’s not just in the music of Baltic composers that this choir shines – their Mozart on the brilliant German Carus label under Tonu Kaljuste is as good as any. Paul Hillier’s time with the EPCO with Harmonia Mundi was very fruitful but it was Kaljuste who conducted them on their Irish tour in 2007 – their cycle of Part’s Penitential Psalms “Pokajanen” in the Pro-Cathedral was breathtaking – the bass line especially. You will find their recording of Rachmaninov’s Vespers on my Desert Island List. MY CHOICE HARMONIA MUNDI – AN ORTHODOX CHRISTMAS HMX2927410. 3. RIAS KAMMERCHOR. This is a superb choir, based in Berlin and, mainly on the Harmonia Mundi label they have brought us many fine recordings of music from Baroque, Classical, Romantic and especially contemporary eras under the finest choral conductors – Rene Jacobs, Hans-Christoph Rademann, Uwe Gronostay, Marcus Creed,and their current director, Daniel Reuss. -
Founded Over 70 Years Ago, the RIAS Kammerchor Berlin Today Sets
© Matthias Heyde Founded over 70 years ago, the RIAS Kammerchor Berlin today sets standards in nearly all domains of musical culture – from celebrated historically informed interpretations of the Renaissance and the Baroque through works of Romanticism, which not infrequently lead listeners to a new conception of the 19th- century sound world, up the most demanding world premieres, in which the possibilities of contemporary vocal music are sounded out and newly defined. A forefront musical position has given rise to a sense of cultural and social responsibility which the RIAS Kammerchor assumes passionately and intensively. On concert tours through Europe and to important music centres worldwide, the choir serves as a cultural ambassador of Germany and, with its guest performances, continues the valuable legacy of German choral culture into the 21st century. In brief: The RIAS Kammerchor is one of the ten best choirs in the world (Gramophone, 2010). Leading artistic personalities of the recent past and present have shaped and left their mark on the choir during their chief conductorships. Uwe Gronostay (1972-1986) laid the foundations for historical performance practice and developed the chamber choir sound, for which the choir is today exemplary. Marcus Creed (1987-2001) achieved the increasing internationalisation of the RIAS Kammerchor, particularly through the coupling of early and contemporary music. Daniel Reuss (2003-2006) placed an emphasis on the classical modern and strengthened connections with cooperating partners at home and abroad. Hans-Christoph Rademann (2007-2015) broadened the content and tonal range of expression, devoting particular attention to central German music history of the 17th to 19th century. -
Ensemble Resonanz: Finanzierung Der Umbauarbeiten Zum »Resonanzraum« Nahezu Gedeckt
Ensemble Resonanz: Finanzierung der Umbauarbeiten zum »resonanzraum« nahezu gedeckt Dank einer Förderzusage der Hermann Reemtsma Stiftung ist die Finanzierung der Umbaumaßnahmen des resonanzraums im denkmalgeschützten »Medienbunker« am Heiligengeistfeld nun zum großen Teil gesichert. Die Spenderkampagne »Spender der ersten Stunde« läuft noch bis zur Eröffnung des Konzertsaals am 31. Oktober 2014. Als Unternehmerorchester organisiert, geht das Ensemble Resonanz für die Realisierung seiner Projekte und Konzerte immer wieder selbst ins Risiko. Die Eröffnung eines urbanen Konzertsaals im Bunker an der Feldstraße, in dem die Musiker auch ihre neue Heimat finden, stellte das Musikerkollektiv vor die bislang größten finanziellen Herausforderungen. Um aus der ehemaligen Druckereifläche einen akustisch herausragenden Kammermusiksaal zu bauen, muss das Ensemble Resonanz insgesamt 700.000 Euro aufbringen. Denn nach der Eröffnung am 31. Oktober soll der resonanzraum als urbaner Konzertsaal nicht nur gut klingen, sondern auch vielfältig genutzt werden. »Der resonanzraum wird nicht nur dem Ensemble Resonanz für Proben und Konzerte dienen, sondern auch vielen weiteren Künstlern und Veranstaltern offen stehen. So werden sich alle getätigten Investitionen für Hamburg doppelt auszahlen«, erklärt Tobias Rempe, Geschäftsführer des Ensemble Resonanz. Um die Gestaltung des resonanzraums kümmert sich das Team von Prof. Friedrich (pfp architekten), die einen Großteil Ihres Honorars für das Projekt sponsern. Der Grundstein der Umbau-Finanzierung wurde im November -
Marie-Claude Chappuis Maximilian Schmitt - Johannes Weisser RIAS KAMMERCHOR FREIBURGER BAROCKORCHESTER RENÉ JACOBS FRANZ LISZT
REQUIEMSÜSSMAYR / DUTRON 2016 COMPLETION Sophie Karthäuser - Marie-Claude Chappuis Maximilian Schmitt - Johannes Weisser RIAS KAMMERCHOR FREIBURGER BAROCKORCHESTER RENÉ JACOBS FRANZ LISZT WOLFGANG AMADEUS MOZART (1756-1791) REQUIEM K.626 Complétion Franz Xaver Süssmayr / Pierre-Henri Dutron, 2016* 1 | I. Introitus Requiem æternam. Adagio 4’27 2 | Kyrie. Allegro 2’32 3 | II. Sequentia Dies Iræ. Allegro assai 1’59 4 | Tuba mirum. Andante 3’11 5 | Rex tremendæ [Mæstoso] 1’48 6 | Recordare [Allegretto] 4’41 7 | Confutatis. Andante 2’16 8 | Lacrimosa [Adagio] 3’26 9 | III. Offertorium Domine Jesu Christe - Quam olim Abrahæ [Allegretto] 3’09 10 | Hostias [Larghetto] - Quam olim Abrahæ. Da capo 3’25 11 | IV. Ordinario Sanctus [Andante mæstoso] - Osanna [Allegro] 1’39 12 | Benedictus [Andante moderato] - Osanna [Allegro] 4’43 13 | Agnus Dei [Andante] 2’46 14 | V. Communio Lux æterna. Adagio 2’59 15 | Cum sanctis tuis. Allegro 2’54 Sophie Karthäuser, soprano Marie-Claude Chappuis, alto Maximilian Schmitt, ténor Johannes Weisser, baryton RIAS Kammerchor Freiburger Barockorchester René Jacobs RIAS Kammerchor Chefs de chœur Justin Doyle, Fabian Enders Sopranos Iris-Anna Deckert, Katharina Hohlfeld, Alena Karmanova, Kaeun Kim, Jin Kim, Mi-Young Kim, Anette Lösch, Anja Petersen, Stephanie Petitlaurent, Inés Villanueva, Dagmar Wietschorke Altos Ulrike Bartsch, Andrea Effmert, Waltraud Heinrich, Regina Jakobi, Sibylla Maria Löbbert, Franziska Markowitsch, Claudia Türpe, Marie-Luise Wilke Ténors Volker Arndt, Friedemann Büttner, Joachim Buhrmann, Stephan -
A Comparative Study of Select Choral Conductors' Approaches To
A Comparative Study of Select Choral Conductors’ Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tõnu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw By Copyright 2016 Christopher Matthew Smith B.M., East Carolina University, 2006 M.M., East Carolina University, 2013 Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________ Co-Chairperson: Paul Laird ________________________________ Co-Chairperson: Paul Tucker ________________________________ Mariana Farah ________________________________ Forrest Pierce ________________________________ Martin Bergee Date Defended: 25 April 2016 The Dissertation Committee for Christopher Matthew Smith certifies that this is the approved version of the following dissertation: A Comparative Study of Select Choral Conductors’ Approaches to Unification of Choral Sound, Rehearsal, Conducting, and Leadership: Frieder Bernius, Tõnu Kaljuste, Stephen Cleobury, John Eliot Gardiner, Weston Noble, and Robert Shaw ________________________________ Co-Chairperson: Paul Laird ________________________________ Co-Chairperson: Paul Tucker Date approved: 25 April 2016 ii Abstract The methods of six highly-successful conductors from around the world—Frieder Bernius (Germany), Tõnu Kaljuste (Estonia), Stephen Cleobury, John Eliot Gardiner (U.K.), Weston Noble, and Robert