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RIAS Kammerchor Saisonvorschau 2016–2017
KLANG KUNST Konzertsaison 2016 - 2017 ein Ensemble der Der RIAS Kammerchor verfolgt zahlreiche Education-Projekte, denn: JUGEND KANN MAN FÖRDERN. Zum Beispiel mit der Schulchorpatenschaft für Berliner Oberstufenchöre: Die 35 Sänger/-innen des RIAS Kammerchors bieten jede Konzertsaison einem ambitionierten Schulchor die Möglichkeit zum musikalischen Austausch. Ob Flashmobs, gemeinsame Proben, Auftritte oder ganz neue Formen des gemeinsamen Singens: Der Kreativität sind bei der Zusammenarbeit keine Grenzen gesetzt ! Ab Januar 2017 können sich wieder Schulchöre aus Berlin und Brandenburg für das neue Schuljahr 2017/2018 um eine Patenschaft mit den Profisängerinnen und -sängern des RIAS Kammerchors bewerben. ein Ensemble der Mehr Informationen erhalten Sie unter + 49 (0)30 20 29 87 334 beim RIAS Kammerchor. Inhaltsverzeichnis Seite 06 Seite 08 Seite 10 Chormitglieder Chormitglieder Chorbiografie Chorbiografie Interview James Wood Interview James Wood Kai Roterberg, Tenor Paul Mayr, Bass vollkommen anderes Gefühl für Zeit. Es gibt ein sehr Es gibt eine sehr schöne kleine Gedichtsammlung Ich habe schon AltChinesisch und AltGriechisch vertont, bekanntes Stück von Toru Takemitsu, „From me flows Rumis in deutscher Übersetzung. Sie trägt den Titel „Die aber auch eigene phonetische Texte entworfen. Es sind what you call Time“ für fünf Schlagzeuger und Orchester. Musik, die wir sind“. Als SufiMystiker praktizierte Rumi die sprachlichen Geheimnisse, die mich unglaublich Darin thematisiert er diese kulturellen Unterschiede zwi zusammen mit seinen Anhängern, den sich drehenden faszinieren, aber auch die Klangfarbe der Texte ist mir Ein Kammerchor ? schen Ost und West. Im Osten läuft die musikalische Zeit Derwischen, ein besonderes Gebetsritual. Hast du in den sehr wichtig. Als ich das AltPersisch gehört habe, war Franziska Markowitsch, Alt Katharina Hohlfeld, Sopran Stephanie Petitlaurent, Sopran Johannes Schendel, Bass Mi-Young Kim, Sopran Werner Matusch, Bass Volker Nietzke, Tenor Waltraud Heinrich, Alt „ Zeitgenössische Musik viel langsamer als bei uns im Westen. -
Human Requiem (U.S
Sunday, October 16, 2016, at 7:30 pm Tuesday–Wednesday, October 18–19, 2016, at 7:30 pm Post-performance discussion on Tuesday, October 18 with Simon Halsey, Jochen Sandig, and Patrick Castillo human requiem (U.S. premiere) Rundfunkchor Berlin Simon Halsey , Conductor Marlis Petersen , Soprano Konrad Jarnot , Baritone Angela Gassenhuber , Piano Philip Mayers , Piano Nicolas Fink , Co-Conductor Jochen Sandig , Concept and Scenic Realization Brad Hwang , Spatial Concept Jörg Bittner , Lighting BRAHMS Ein deutsches Requiem for soloists, chorus, and piano four hands (1868/2004) Arranged by Phillip Moll from the original transcription by Brahms Selig sind, die da Leid tragen Denn alles Fleisch, es ist wie Gras Herr, lehre doch mich Wie lieblich sind deine Wohnungen Ihr habt nun Traurigkeit Denn wir haben hie keine bleibende Statt Selig sind die Toten This performance is approximately 70 minutes long without intermission. Please join the artists for a White Light Lounge immediately following the performance. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain all your electronic devices Synod House, are switched off. Cathedral of St. John the Divine WhiteLightFestival.org MetLife is the National Sponsor of Lincoln Center. UPCOMING WHITE LIGHT FESTIVAL EVENTS: Artist Catering provided by Zabar’s and Zabars.com Friday, October 21 at 7:30 pm in the Church of St. Mary the Virgin American Airlines is the Official Airline of Lincoln Immortal Bach Center Rundfunkchor Berlin -
I. a Humanist John Merbecke
Durham E-Theses Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550) Kim, Hyun-Ah How to cite: Kim, Hyun-Ah (2005) Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2767/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Hyun-Ah Kim A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Durham University Department of Music Durham University .2005 m 2001 ABSTRACT Hyun-Ah Kim Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Renaissance humanism was an intellectual technique which contributed most to the origin and development of the Reformation. -
3-Step Plan Article #9 Conduct of the Service by ACP" (45 Pages)
File Name: "3-Step Plan Article #9 Conduct of the Service by ACP" (45 pages) THE CONDUCT OF THE SERVICE According to the Rubrics of The Lutheran Hymnal, The Lutheran Liturgy, The Lutheran Lectionary, and The Music for the Liturgy1 By Arthur Carl Piepkorn (1907-1973☩) Concordia Seminary Print Shop, 1965. 44 pages. Edited by Philip James Secker. Revised 3/17/19. 40 pages. Editor's Note: Arthur Carl Piepkorn's classic monograph The Conduct of the Service is primarily about the rubrics of the Service, but contains a great deal of information about what is in Piepkorn's 1962 classic monograph The Architectural Requirements of the Lutheran Cultus (which is in 3-Step Plan Article #7 The Full 3-step Plan). "Cultus" is a Latin loan word that refers to adiaphora, that is, things that are neither commanded nor forbidden by God such as architecture, altars, banners, baptismal fonts, candles, holy communion vessels and rails, hymnals, musical instruments, offering plates, pews, unleavened holy communion wafers, vestments, etc. So both monographs should be used together. The following book is now available as a computer searchable CD that can be searched for additional information on what is in those two monographs: The Sacred Scriptures and the Lutheran Confessions, edited and introduced by Philip J. Secker, Foreword by Robert Kolb, Volume 2 in The Selected Writings of Arthur Carl Piepkorn, CEC Press, 2007, 313 pages. This edition of The Conduct of the Service is Copyright©2018 Philip James Secker but may be reproduced as long as it is reproduced in its entirety. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
The Spanish Nation in the Papal Chapel, 1492–1521
364 Sherr Chapter 10 The Roman Connection: The Spanish Nation in the Papal Chapel, 1492–1521 Richard Sherr The Roman Connection I: The Establishment of the Spanish Nation in the Papal Chapel Whilst Ferdinand and Isabel always maintained a diplomatic connection with the papacy in Rome, a permanent musical connection was established only towards the end of their reigns when the ‘Spanish Nation’ (a cohort of singers from Spain) in the papal chapel was founded. More specifically, the ‘Spanish Nation’ was founded during the last years of the pontificate of the Spanish pope Alexander VI (Rodrigo Borgia, r. 1492–1503), was maintained and grew in the chapels of his successors Julius II (Giuliano della Rovere, r. 1503–13) and Leo X (Giovanni de’ Medici, r. 1513–21), and lasted until the end of the sixteenth century (Sherr 1992b). The establishment was gradual, which suggests that it was not the result of a decision on the part of the pope or the Catholic Monarchs, but rather that word might have gotten back to Spain that positions in the chapel were available and some singers decided to take advantage of the opportunity. It began with the entry of Juan de Hillanis, a cleric of Saragossa who also had ties to the diocese of Gerona (see below), into the chapel in July 1492, the last month of the pontificate of Innocent VIII (Giovanni Cibo, r. 1484– 92). Hillanis remained the only Spanish singer in the choir for four or five years. By 1496 or 1497, another Spaniard, Alonso de Troya from Toledo, had entered the choir, and in 1499, two more Spanish singers joined (perhaps not coinci dentally, one was a cleric of Saragossa, another a cleric of Gerona), bringing the complement to four. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
Zoltán Kodály Missa Brevis
GCDSA 922202 Zoltán Kodály New release information January 2006 Missa Brevis NOTES (ENG) NOTES (FRA) All the conductors who have worked with the Flemish Les chefs d’orchestre ayant travaillé avec le Chœur de Radio Choir, or VRK, have no hesitation in ranking it la Radio Flamande (Flemish Radio Choir ou VRK) alongside the other two great European chamber choirs, affirment sans hésiter qu’il est au niveau des deux Accentus and the RIAS Kammerchor. Its technical grands autres chœurs de chambre européens : Accentus confidence, expressive capacity and profound knowledge et le RIAS Kammerchor. Son assurance sur le plan of the repertoires, as well as its enormous vision and technique, sa capacité expressive et sa profonde originality in putting together its programmes, are the connaissance des répertoires, ainsi que sa vision large key factors that have led to the inclusion of this elite et son originalité dans l’élaboration des programmes group in Glossa’s selection of artists. Apart from the sont les principaux aspects justifiant l’incorporation de regular work with its Belgian conductor Johan Duijck, cette formation d’élite à la sélection artistique de Glossa. there are already plans for concerts and recordings Outre le travail régulier avec son directeur titulaire, le with maestros such as Paul Hillier and Hervé Niquet, Belge Johan Duijck, des concerts et des enregistrements in what will be, indeed already is, a new and fascinating avec des maestros tels que Paul Hillier ou Hervé Niquet line for our label. || Composed during the Second World sont déjà prévus, faisant augurer une nouvelle ligne War (most of it at a Budapest monastery) and completed de travail fascinante dans notre label. -
Concordia Seminary Library, St. Louis Page 1 New Book List As of 4/19/2011 B-BJ [PHILOSOPHY, PSYCHOLOGY, ETHICS]
Concordia Seminary Library, St. Louis Page 1 New Book List as of 4/19/2011 B-BJ [PHILOSOPHY, PSYCHOLOGY, ETHICS] Panigrahy, P. K. The theory of zero-existence : Mãyã, the power divine. New Delhi : Sarup & Sons, 2002. (cosl B132.M3 P35 2002) The Cambridge companion to Philo. Cambridge ; New York : Cambridge University Press, 2009. (cosl B689.Z7 C36 2009) Heyder, Regina, 1966-. Auctoritas scripturae : Schriftauslegung und Theologieverständnis Peter Abaelards unter besonderer Berücksichtigung der "Expositio in Hexaemeron". Münster : Aschendorff, c2010. (cosl B720 .B4 n.F. v.74) Manegold, von Lautenbach, ca. 1030-ca. 1112. Liber contra Wolfelmum. Paris ; Dudley, Mass. : Peeters, 2002. (cosl B734 .M3513 2002) Scepticism from the Renaissance to the Enlightenment. Wiesbaden : In Kommission bei O. Harrassowitz, 1987. (cosl B779 .S3 1987) Erasmus of Rotterdam Society yearbook. Oxon Hill, Md. : The Society, c1981- (cosl B785.E64 A13) Die deutschen Humanisten : Dokumente zur Überlieferung der antiken und mittelalterlichen Literatur in der frühen Neuzeit. Turnhout : Brepols, 2005- (cosl B821 .D493) Humanismus und Reformation : Martin Luther und Erasmus von Rotterdam in den Konflikten ihrer Zeit. Munchen : Verlag Schnell & Steiner, 1985. (cosl B821 .H87 1985) McDowell, John Henry. Perception as a capacity for knowledge. Milwaukee, Wis. : Marquette University Press, 2011. (cosl B828.45 .M43 2011) Scruton, Roger. The uses of pessimism and the danger of false hope. Oxford ; New York : Oxford University Press, 2010. (cosl B1649.S2473 U83 2010) Heidegger, Martin, 1889-1976. Seminare Hegel-Schelling. Frankfurt am Main : Vittorio Klostermann, c2011. (cosl B3279 .H45 1976 v.86) Why Kierkegaard matters : a festschrift in honor of Robert L. Perkins. Macon, Ga. : Mercer University Press, 2010. -
Liturgical Singing in the Lutheran Mass in Early Modern Sweden and Its Implications for Clerical Ritual Performance and Lay Literacy Mattias O
Yale Journal of Music & Religion Volume 3 | Number 1 Article 4 2017 Liturgical Singing in the Lutheran Mass in Early Modern Sweden and its Implications for Clerical Ritual Performance and Lay Literacy Mattias O. Lundberg Uppsala Universitet Follow this and additional works at: http://elischolar.library.yale.edu/yjmr Part of the Liturgy and Worship Commons, and the Musicology Commons Recommended Citation Lundberg, Mattias O. (2017) "Liturgical Singing in the Lutheran Mass in Early Modern Sweden and its Implications for Clerical Ritual Performance and Lay Literacy," Yale Journal of Music & Religion: Vol. 3: No. 1, Article 4. DOI: https://doi.org/10.17132/2377-231X.1066 This Article is brought to you for free and open access by EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Yale Journal of Music & Religion by an authorized editor of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. 61 Liturgical Singing in the Lutheran Mass in Early Modern Sweden and Its Implications for Clerical Ritual Performance and Lay Literacy Mattias Lundberg If ever there was a category of music in Swedish history that perfectly illustrated the relevance of the scholarly dictum “normaliter non in actis”—that whatever is normal and expected in a given context is naturally absent from its written documents—it is that of liturgical chant in the early modern Lutheran Church of Sweden. In fact, the spirit of the opposing sentence from Roman law, “quod non est in actis, non est in mundo” (whatever is absent from the documents is also absent from the world), may in itself account for the slanted historiographical view of liturgical music in Sweden that the discipline of musicology has often presented. -
Press Kit English
THE BACH CANTATAS PROJECT Berlin, 1949-1952 audite 21.415 (9 CD box) soprano: Johanna Behrend alto: Lorri Lail Edith Berger-Krebs Ingrid Lorenzen Gertrud Birmele Annelies Westen Marie-Luise Denicke Charlotte Wolf-Matthäus Agnes Giebel tenor: Helmut Krebs Gerda Lammers baritone: Dietrich Fischer-Dieskau Lilo Rolwes Walter Hauck Gunthild Weber bass: Gerhard Niese RIAS-Kammerorchester • RIAS-Kammerchor • RIAS-Knabenchor Karl Ristenpart, conductor (CANTATAS BWV 4, 19, 21, 22, 31, 32, 37, 38, 39, 42, 47, 52, 56, 58, 73, 76, 79, 88, 106, 108, 127, 140, 160, 164, 176, 178, 180, 199, 202) »audite« Ludger Böckenhoff • Tel.: +49 (0) 52 31-870 320 • Fax: +49 (0) 52 31-870 321 • [email protected] • www.audite.de INDEX recording date: CD 1 Ach Gott, wie manches Herzeleid, BWV 58 4.1.1952 Gunthild Weber • Walter Hauck Liebster Jesu, mein Verlangen, BWV 32 10.+11.12.1951 Agnes Giebel • Walter Hauck Jesus nahm zu sich die Zwölfe, BWV 22 15.+16.2.1950 Charlotte Wolf-Matthäus • Helmut Krebs • Dietrich Fischer-Dieskau Herr Jesu Christ, wahr’ Mensch, BWV 127 13.2.1950 Gertrud Birmele • Helmut Krebs • Dietrich Fischer-Dieskau CD 2 Christ lag in Todes Banden, BWV 4 17.-19.3.1952 RIAS-Knabenchor Der Himmel lacht! Die Erde jubilieret, BWV 31 9.+20.+21.3.1950 Lilo Rolwes • Helmut Krebs • Gerhard Niese Am Abend aber desselbigen Sabbats, BWV 42 11.4.1950 Edith Berger-Krebs • Ingrid Lorenzen • Helmut Krebs • Dietrich Fischer-Dieskau CD 3 Es ist euch gut, daß ich hingehe, BWV 108 17.+18.4.1950 / 27.4.1950 Ingrid Lorenzen • Helmut Krebs • Dietrich Fischer-Dieskau Wer -
Kilpatrick' Greek New Testament Edition of 1958
Early Readers, Scholars and Editors of the New Testament Texts and Studies 11 Series Editor H. A. G. Houghton Editorial Board Jeff W. Childers Christina M. Kreinecker Alison G. Salvesen Peter J. Williams Text and Studies is a series of monographs devoted to the study of Biblical and Patristic texts. Maintaining the highest scholarly standards, the series includes critical editions, studies of primary sources, and analyses of textual traditions. Early Readers, Scholars and Editors of the New Testament Papers from the Eighth Birmingham Colloquium on the Textual Criticism of the New Testament Edited by H. A. G. Houghton 2014 Gorgias Press LLC, 954 River Road, Piscataway, NJ, 08854, USA www.gorgiaspress.com Copyright © 2014 by Gorgias Press LLC All rights reserved under International and Pan-American Copyright Conventions. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise without the prior written permission of Gorgias Press LLC. 2014 ܚ ISBN 978-1-4632-0411-2 ISSN 1935-6927 Library of Congress Cataloging-in-Publication Data Birmingham Colloquium on the Textual Criticism of the New Testament (8th : 2013 : University of Birmingham) Early readers, scholars, and editors of the New Testament : papers from the Eighth Birmingham Colloquium on the Textual Criticism of the New Testament / edited by H.A.G. Houghton. pages cm. -- (Texts and studies, ISSN 1935-6927 ; 11) Proceedings of the Eighth Birmingham Colloquium on the Textual Criticism of the New Testament, held in the Orchard Learning Resource Centre at the University of Birmingham, March 4-6, 2013.