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St. Jude's Anglican Church Plaque Inventory Report
St. Jude’s Anglican Church Plaque Inventory Report Prepared by Brantford Heritage Committee Places of Worship Sub-Committee February 2019 Brantford Heritage Committee Places of Worship Sub-Committee St. Jude’s Anglican Church Plaque Inventory Executive Summary In November of 2018, the Places of Worship Sub-Committee of the Brantford Heritage Committee completed an inventory of the memorial plaques located in the interior of the former St. Jude’s Anglican Church. As the building had recently been sold for adaptive re-use as a condominium, there had been a request from the new owners of St. Jude’s Anglican Church, Andrew Neill Construction Inc. (ANC), to the Brantford Heritage Committee to provide direction as to how best conserve these historic features and elements of the church with heritage value. The plaque inventory comprised a form recording the location, size, material and date of each plaque. The transcriptions of each plaque were documented, and all were photographed. A total of 25 plaques and one commendation were recorded. The majority of the plaques were small engraved brass plates acknowledging the contributions of parish members towards the acquisition of elements of the church and towards the maintenance and restoration of the murals, organ and stain glass windows. A smaller number of plaques were primarily memorial records dedicated to members of the parish and comprising larger marble and cast bronze plaques. Three plaques, however, were deemed to have a broader community significance, with one recognizing Colonel Jasper Tough Gilkison (an early political figure in the Brantford community), and two plaques listing 37 citizens of Brantford who had lost their lives during World Wars I and II. -
Church and Liturgical Objects and Terms
Church and Liturgical Objects and Terms Liturgical Objects Used in Church The chalice: The The paten: The vessel which golden “plate” that holds the wine holds the bread that that becomes the becomes the Sacred Precious Blood of Body of Christ. Christ. The ciborium: A The pyx: golden vessel A small, closing with a lid that is golden vessel that is used for the used to bring the distribution and Blessed Sacrament to reservation of those who cannot Hosts. come to the church. The purificator is The cruets hold the a small wine and the water rectangular cloth that are used at used for wiping Mass. the chalice. The lavabo towel, The lavabo and which the priest pitcher: used for dries his hands after washing the washing them during priest's hands. the Mass. The corporal is a square cloth placed The altar cloth: A on the altar beneath rectangular white the chalice and cloth that covers paten. It is folded so the altar for the as to catch any celebration of particles of the Host Mass. that may accidentally fall The altar A new Paschal candles: Mass candle is prepared must be and blessed every celebrated with year at the Easter natural candles Vigil. This light stands (more than 51% near the altar during bees wax), which the Easter Season signify the and near the presence of baptismal font Christ, our light. during the rest of the year. It may also stand near the casket during the funeral rites. The sanctuary lamp: Bells, rung during A candle, often red, the calling down that burns near the of the Holy Spirit tabernacle when the to consecrate the Blessed Sacrament is bread and wine present there. -
I. a Humanist John Merbecke
Durham E-Theses Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550) Kim, Hyun-Ah How to cite: Kim, Hyun-Ah (2005) Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2767/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Hyun-Ah Kim A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Durham University Department of Music Durham University .2005 m 2001 ABSTRACT Hyun-Ah Kim Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Renaissance humanism was an intellectual technique which contributed most to the origin and development of the Reformation. -
3-Step Plan Article #9 Conduct of the Service by ACP" (45 Pages)
File Name: "3-Step Plan Article #9 Conduct of the Service by ACP" (45 pages) THE CONDUCT OF THE SERVICE According to the Rubrics of The Lutheran Hymnal, The Lutheran Liturgy, The Lutheran Lectionary, and The Music for the Liturgy1 By Arthur Carl Piepkorn (1907-1973☩) Concordia Seminary Print Shop, 1965. 44 pages. Edited by Philip James Secker. Revised 3/17/19. 40 pages. Editor's Note: Arthur Carl Piepkorn's classic monograph The Conduct of the Service is primarily about the rubrics of the Service, but contains a great deal of information about what is in Piepkorn's 1962 classic monograph The Architectural Requirements of the Lutheran Cultus (which is in 3-Step Plan Article #7 The Full 3-step Plan). "Cultus" is a Latin loan word that refers to adiaphora, that is, things that are neither commanded nor forbidden by God such as architecture, altars, banners, baptismal fonts, candles, holy communion vessels and rails, hymnals, musical instruments, offering plates, pews, unleavened holy communion wafers, vestments, etc. So both monographs should be used together. The following book is now available as a computer searchable CD that can be searched for additional information on what is in those two monographs: The Sacred Scriptures and the Lutheran Confessions, edited and introduced by Philip J. Secker, Foreword by Robert Kolb, Volume 2 in The Selected Writings of Arthur Carl Piepkorn, CEC Press, 2007, 313 pages. This edition of The Conduct of the Service is Copyright©2018 Philip James Secker but may be reproduced as long as it is reproduced in its entirety. -
The Spanish Nation in the Papal Chapel, 1492–1521
364 Sherr Chapter 10 The Roman Connection: The Spanish Nation in the Papal Chapel, 1492–1521 Richard Sherr The Roman Connection I: The Establishment of the Spanish Nation in the Papal Chapel Whilst Ferdinand and Isabel always maintained a diplomatic connection with the papacy in Rome, a permanent musical connection was established only towards the end of their reigns when the ‘Spanish Nation’ (a cohort of singers from Spain) in the papal chapel was founded. More specifically, the ‘Spanish Nation’ was founded during the last years of the pontificate of the Spanish pope Alexander VI (Rodrigo Borgia, r. 1492–1503), was maintained and grew in the chapels of his successors Julius II (Giuliano della Rovere, r. 1503–13) and Leo X (Giovanni de’ Medici, r. 1513–21), and lasted until the end of the sixteenth century (Sherr 1992b). The establishment was gradual, which suggests that it was not the result of a decision on the part of the pope or the Catholic Monarchs, but rather that word might have gotten back to Spain that positions in the chapel were available and some singers decided to take advantage of the opportunity. It began with the entry of Juan de Hillanis, a cleric of Saragossa who also had ties to the diocese of Gerona (see below), into the chapel in July 1492, the last month of the pontificate of Innocent VIII (Giovanni Cibo, r. 1484– 92). Hillanis remained the only Spanish singer in the choir for four or five years. By 1496 or 1497, another Spaniard, Alonso de Troya from Toledo, had entered the choir, and in 1499, two more Spanish singers joined (perhaps not coinci dentally, one was a cleric of Saragossa, another a cleric of Gerona), bringing the complement to four. -
Zoltán Kodály Missa Brevis
GCDSA 922202 Zoltán Kodály New release information January 2006 Missa Brevis NOTES (ENG) NOTES (FRA) All the conductors who have worked with the Flemish Les chefs d’orchestre ayant travaillé avec le Chœur de Radio Choir, or VRK, have no hesitation in ranking it la Radio Flamande (Flemish Radio Choir ou VRK) alongside the other two great European chamber choirs, affirment sans hésiter qu’il est au niveau des deux Accentus and the RIAS Kammerchor. Its technical grands autres chœurs de chambre européens : Accentus confidence, expressive capacity and profound knowledge et le RIAS Kammerchor. Son assurance sur le plan of the repertoires, as well as its enormous vision and technique, sa capacité expressive et sa profonde originality in putting together its programmes, are the connaissance des répertoires, ainsi que sa vision large key factors that have led to the inclusion of this elite et son originalité dans l’élaboration des programmes group in Glossa’s selection of artists. Apart from the sont les principaux aspects justifiant l’incorporation de regular work with its Belgian conductor Johan Duijck, cette formation d’élite à la sélection artistique de Glossa. there are already plans for concerts and recordings Outre le travail régulier avec son directeur titulaire, le with maestros such as Paul Hillier and Hervé Niquet, Belge Johan Duijck, des concerts et des enregistrements in what will be, indeed already is, a new and fascinating avec des maestros tels que Paul Hillier ou Hervé Niquet line for our label. || Composed during the Second World sont déjà prévus, faisant augurer une nouvelle ligne War (most of it at a Budapest monastery) and completed de travail fascinante dans notre label. -
Saint John the Apostle Catholic Parish and School Altar Server Handbook
Saint John the Apostle Catholic Parish and School Altar Server Handbook February 2017 Table of Contents Chapter 1 – What is an Altar Server Page 3 Chapter 2 – Server Duties Page 5 Chapter 3 – The Mass Page 7 Chapter 4 – Baptism within the Mass Page 13 Chapter 5 – Nuptial Mass (Weddings) Page 14 Chapter 6 – Funeral Mass Page 15 Chapter 7 – Benediction Page 19 Chapter 8 – Stations of the Cross Page 20 Chapter 9 – Incense feasts Page 21 Chapter 10 – Miter and Crozier Page 22 Chapter 11 – Church Articles Page 24 2 Chapter 1 What is an Altar Server? An altar server is a lay assistant to a member of the clergy during a religious service. An altar server attends to supporting tasks at the altar such as fetching and carrying, ringing bells, setting up, cleaning up, and so on. Until 1983, only young men whom the Church sometimes hoped to recruit for the priesthood and seminarians could serve at the altar, and thus altar boy was the usual term until Canon 230 was changed in the 1983 update to the Code of Canon which provided the option for local ordinaries (bishops) to permit females to serve at the altar. The term altar server is now widely used and accepted. When altar servers were only young men and seminarians the term acolyte was used. An acolyte is one of the instituted orders which is installed by a bishop. The title of acolyte is still only given to men as it is historically a minor order of ordained ministry. This term is now usually reserved for the ministry that all who are to be promoted to the diaconate receives at least six months before being ordained a deacon (c. -
What Is an Ambry?“ You Ask
AMBRY Have you noticed the new cabinet over the baptismal font? It is an AMBRY. “What is an ambry?“ you ask. The box or type of small closet or cupboard. It holds three holy oils that are used for various sacraments. These oils are blessed once a year by the bishop at what is called the Chrism Mass during Holy Week, and then distributed to all the parishes in his diocese. The first oil blessed is the Oil of Catechumens, which is used to anoint those to be baptized into the Catholic faith. The second oil is the Sacred Chrism, commonly used immediately after Baptism, but also at Confirmation and Holy Orders. The last oil blessed by the bishop is the Oil of the Infirm and is used by priests for the Anointing of the Sick. The containers that hold the oils are often marked with the abbreviations O.C., S.C., and O.I. There is a growing practice in the Church of visibly displaying the holy oils in an ambry and placing the ambry where they can be seen so that the faithful can better regard the significance of the oils in the Sacraments. The parish is grateful to those donors who made the purchase of our new AMBRY possible! MONSTRANCE The monstrance is a liturgical vessel used to display the Real Pres- ence of our Lord Jesus Christ in the form of the Sacred Host for its adoration and veneration outside Mass and outside of the taber- nacle. It is used during perpetual and public Eucharistic adoration and during Eucharistic processions. -
Saint Pius V Altar Server Dictionary Promulgated During the Pontificate of Francis, 266Th Successor to the Apostle Peter
1 Saint Pius V Altar Server Dictionary Promulgated during the Pontificate of Francis, 266th successor to the Apostle Peter. 1. The main areas of the church with which you should be concerned: 1. The sanctuary is the area in the center and toward the front of the church where the altar, the ambo, and the priest’s and altar server’s chairs are located. 2. The sacristy is the room where the priest, deacon and altar servers vest and prepare for Mass. Many of the items used in the celebration of the Mass are stored there. 3. Other areas include the baptistry, where the baptismal font is located and where baptisms may be celebrated; the vestibule, the entrance to our church; and our four confessionals, where the sacrament of penance is celebrated. 2. Books used at Holy Mass: 1. The Lectionary is the large book containing the Bible readings. There may be a separate Book of the Gospels, called the evangeliary. 2. The Roman Missal is the large book used by the priest when standing at his chair and at the altar during Mass. 3. Other books may be used too in the sanctuary, including a hymnal, a binder containing general intercessions, ritual books for the various sacraments, and a binder of announcements. Our binders are different colors, matching the liturgical color of the day/season. 3. Vessels used at Holy Mass: 1. The chalice is the cup that holds the wine for consecration and communion. 2. The paten is a plate that holds the hosts for consecration and communion. -
Concordia Seminary Library, St. Louis Page 1 New Book List As of 4/19/2011 B-BJ [PHILOSOPHY, PSYCHOLOGY, ETHICS]
Concordia Seminary Library, St. Louis Page 1 New Book List as of 4/19/2011 B-BJ [PHILOSOPHY, PSYCHOLOGY, ETHICS] Panigrahy, P. K. The theory of zero-existence : Mãyã, the power divine. New Delhi : Sarup & Sons, 2002. (cosl B132.M3 P35 2002) The Cambridge companion to Philo. Cambridge ; New York : Cambridge University Press, 2009. (cosl B689.Z7 C36 2009) Heyder, Regina, 1966-. Auctoritas scripturae : Schriftauslegung und Theologieverständnis Peter Abaelards unter besonderer Berücksichtigung der "Expositio in Hexaemeron". Münster : Aschendorff, c2010. (cosl B720 .B4 n.F. v.74) Manegold, von Lautenbach, ca. 1030-ca. 1112. Liber contra Wolfelmum. Paris ; Dudley, Mass. : Peeters, 2002. (cosl B734 .M3513 2002) Scepticism from the Renaissance to the Enlightenment. Wiesbaden : In Kommission bei O. Harrassowitz, 1987. (cosl B779 .S3 1987) Erasmus of Rotterdam Society yearbook. Oxon Hill, Md. : The Society, c1981- (cosl B785.E64 A13) Die deutschen Humanisten : Dokumente zur Überlieferung der antiken und mittelalterlichen Literatur in der frühen Neuzeit. Turnhout : Brepols, 2005- (cosl B821 .D493) Humanismus und Reformation : Martin Luther und Erasmus von Rotterdam in den Konflikten ihrer Zeit. Munchen : Verlag Schnell & Steiner, 1985. (cosl B821 .H87 1985) McDowell, John Henry. Perception as a capacity for knowledge. Milwaukee, Wis. : Marquette University Press, 2011. (cosl B828.45 .M43 2011) Scruton, Roger. The uses of pessimism and the danger of false hope. Oxford ; New York : Oxford University Press, 2010. (cosl B1649.S2473 U83 2010) Heidegger, Martin, 1889-1976. Seminare Hegel-Schelling. Frankfurt am Main : Vittorio Klostermann, c2011. (cosl B3279 .H45 1976 v.86) Why Kierkegaard matters : a festschrift in honor of Robert L. Perkins. Macon, Ga. : Mercer University Press, 2010. -
Liturgical Vocabulary Lexicon St
Liturgical Vocabulary Lexicon St. Thomas the Apostle Parish Please use the following lexicon to increase your wonder of the holy mysteries, enrich your liturgical ministry, and deepen your participation in the Body of Christ. Acolyte (ak-uh-lahyt, n.) – Latin. “helper.” An Altar attendant in public worship. The highest-ranking member of the four minor orders; a formal office of the church. See Altar Server. i.e. The Acolyte, like the priest, is allowed to purify communion vessels. Agape (ah-gah-pey, v.) – Greek. “love.” The last and most beautiful name for God in the New Testament: “God is agape” (1 Jn 4:8. 16). A love that springs from goodness, from pure grace, totally self-less. The mystery at the heart of the Eucharist, the liturgical reality of the Church. i.e. Christ gives himself for the world, embodying God’s Agape for humanity. Alb (n.) – Latin. “White (vestment).” A white linen vestment with narrow sleeves, worn in liturgical celebrations as a symbol of a person’s baptism into the life of Christ. i.e. The server wears an Alb as a symbol to remind all baptized people of their salvation in Christ. Altar (n.) – Latin. “Ritual table or platform (for offering).” A fixed, ritual table of special construction for the Eucharistic celebration, consecrated at a church’s dedication by a Bishop with Sacred Chrism. Site of the ritual sacrifice of the Mass. i.e. The Altar is the most important element of a Catholic Church and is often placed front and center. Altar Server (n.) – A lay person who assists the priest with the ritual elements of mass, not formally commissioned. -
Liturgical Singing in the Lutheran Mass in Early Modern Sweden and Its Implications for Clerical Ritual Performance and Lay Literacy Mattias O
Yale Journal of Music & Religion Volume 3 | Number 1 Article 4 2017 Liturgical Singing in the Lutheran Mass in Early Modern Sweden and its Implications for Clerical Ritual Performance and Lay Literacy Mattias O. Lundberg Uppsala Universitet Follow this and additional works at: http://elischolar.library.yale.edu/yjmr Part of the Liturgy and Worship Commons, and the Musicology Commons Recommended Citation Lundberg, Mattias O. (2017) "Liturgical Singing in the Lutheran Mass in Early Modern Sweden and its Implications for Clerical Ritual Performance and Lay Literacy," Yale Journal of Music & Religion: Vol. 3: No. 1, Article 4. DOI: https://doi.org/10.17132/2377-231X.1066 This Article is brought to you for free and open access by EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Yale Journal of Music & Religion by an authorized editor of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. 61 Liturgical Singing in the Lutheran Mass in Early Modern Sweden and Its Implications for Clerical Ritual Performance and Lay Literacy Mattias Lundberg If ever there was a category of music in Swedish history that perfectly illustrated the relevance of the scholarly dictum “normaliter non in actis”—that whatever is normal and expected in a given context is naturally absent from its written documents—it is that of liturgical chant in the early modern Lutheran Church of Sweden. In fact, the spirit of the opposing sentence from Roman law, “quod non est in actis, non est in mundo” (whatever is absent from the documents is also absent from the world), may in itself account for the slanted historiographical view of liturgical music in Sweden that the discipline of musicology has often presented.