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Ristenpart-C05l[Audite-9CD]-Booklet recording locotion: Jesus-Christus-Kirche, Berlin-Dahlem Studio Lankwitz, Berlin (CD9 Track l-9' l8-22) recording producer: PeterWackernagel (CDl Track l-l l,CD2 Track l-17, CD3 - CD5, CD6 Track 7-16, CD7 Track l-13, CD8 Track l-7 I 15-20, CD9 Track l-17 I 23-27) Wolfgang Lohse (CDl Track l2-21) Dorothee Ehrensberger (CD2 Track l8-24, CD6 Track l-6, CD7 Track I4- 19, CD8 Track 8-14) Sonnenberg (CD9 Track l8-22) recording engineer: Heinz Opitz (CDl Track l-5, CD2 - CD5, CD6 Track l2-16, CD8 Track l-14, CD9 Track 10-17 I 23-77). Peter Burkowitz (CDl Track 6-ll I 17-21, CD6 Track l- I l, CD7 Track 14- 19, CD9 Track l-9) . Fromm (CD I Track l2- l6) . Krüger (CD7 Track l-7, CD8 Track 8-20) ' unknown (CDl Track 17-21; CD7 Track 8-13, CD9 Track I8-22) @ Eine Aufnahme von RIAS Berlin (lizenziert durch Deutschlandradio) recording: @ 1949 - 1952 Deutschlandradio reseorch: Rüdiger Albrecht remastering: @ 2012 Ludger Böckenhoff; Karsten Zimmermann rrghts; audite claims all rights arising from copyright law and competition law in relation to research, compilation and re-mastering of the original audio tapes, as well as the publication of this CD. Violations will be prosecuted. The historical publications at audite are based, without exception, on the original tapes from broadcasting archives. ln general these are the original analogue tapes, which attain an astonishingly high quality, even measured by today's standards, with their tape speed of up to 76 cm/sec. The remastering - professionally com- petent and sensitively applied - also uncovers previously hidden details ofthe interpretations. Thus, a sound of superior quality results. CD publications based on private recordings from broadcasts cannot be compared with these. info: There are isolated cases oftape slackness which are impossible to correct. For further information please refer to the "Producer's Comments" which are avail- able for download. cover photo: stained glass window, @ Agnes Böckenhoff ort direction ond design: AB.Design auil its e-mail: [email protected] . http: //www.audite.de @ O 20 I 2 Ludger Böckenhoff BACH CANTATAS soprano: Johanna Behrend . Edith Berger-Krebs Gertrud Birmele . Marie-Luise Denicke Agnes Giebel . Gerda Lammers Lilo Rolwes . Gunthild Weber alto: Lorri Lail . Ingrid Lorenzen . Annelies Westen . Charlotte Wolf-Matthäus tenor: Helmut Krebs baritone: Dietrich Fischer-Dieskau . Walter Hauck bass: Gerhard Niese RIAS-Kammerorchester RIAS-Kammerchor RIAS-Knabenchor Karl Ristenpart, conductor O-@ Ach Gott, wie manches Herzeleid, BWV 58 l4:10 Kantate zum Sonntag nach Neuiahr Gunthild Weber . Walter Hauck recording dote: 0 4.0 l. I 9 52 @-@ Liebster Jesu, mein Verlangen, BWV 32 23:48 Concerto in Dialogo zum !. Sonntag nach Epiphanias Agnes Giebel . Walter Hauck recording dote: 10.+l l.l2.l95l @ - @ Jesus nahm zu sich die Zwölfe, BWV 22 20:51 Kantate zum Sonntag Estomihi Charlotte Wolf-Matthäus . Helmut Krebs . Dietrich Fischer-Dieskau recording dote: I 5.+ I 6.02. I 9 50 @-@ HerrJesu Christ, wahr'Mensch, BWV 127 l8:57 Kantate zum Sonntag Estomihi Gertrud Birmele . Helmut Krebs . Dietrich Fischer-Dieskau recording dote: I 3.02. I 950 totoltime CD l: 77:48 O - @ Christ lag in Todes Banden, BWV 4 l7:57 Kantate zum l. Ostertag / R|AS-Knabenchor recording date: I 7.- I 9.03. I 9 52 @-@ Der Himmel lacht! Die Erde jubilieret, BWV 3l 22:51 Kantate zum l. Ostertag Lilo Rolwes . Helmut Krebs. Gerhard Niese recordi ng dote: 9.+20.+2 I .03. I 9 5 0 @-@ Am Abend aber desselbigen Sabbats, BWV 42 32:20 Kantate zum Sonntag Quasimodogeniti / eaitn Berger-Krebs. lngrid Lorenzen . Helmut Krebs . Dietrich Fischer-Dieskau recording dote: I 1.04. 1950 totol time CD 2: 73:10 o-@Esisteuchgu-t,daßichhingeh.e,BWVl08l7:02ffi Kantate zum Sonntag Estomihi * lngrid Lorenzen . Helmut Krebs . Dietrich Fischer-Dieskau recording date: 17.+18.4.1950 I 27.4.1950 @ - @ Wer da gläubet und getauft wird, BWV 37 18:18 Kantate zum Fest der Himmelfahrt Christi Lilo Rolwes . lngrid Lorenzen ' Helmut Krebs ' Dietrich Fischer-Dieskau recording dote: I 8.+24.+27.04. I 9 50 @-@ Es ist ein trotzig und verzagt Ding, BWV 176 13:03 Kantate zum Trinitatisfest Gerda Lammers . Charlotte Wolf-Matthäus ' Gerhard Niese recording dote: 3.+ 6.+ 8. 5. I 9 5 0 @-@ Brich dem Hungrigen dein Brot, BWV 39 24:13 Kantate zum l. Sonntag nach Trinitatis Gerda Lammers ' lngrid Lorenzen ' Dietrich Fischer-Dieskau recording dote: I 7.+22. 5. I 9 50 totoltime CD 3: 72:37 o-@DieHimmelerzählendieEhreGottes,BWV7634:25W Kantate zum 2. Sonntag nach Trinitatis Gunthild Weber lngrid Lorenzen ' Helmut Krebs ' Dietrich Fischer-Dieskau recording date: I 9.+22.+23. 5. I I 50 @-@ lch hatte viel Bekümmernis, BWV 21 42:29 Kantate zum 3. Sonntag nach Trinitatis und für jede Zeit Gerda Lammers . Helmut Krebs ' Dietrich Fischer-Dieskau recording dote: 23.+25.5.1950 I 2.6.1950 totol time CD 4: 76:56 I 88 2t:2t '-'i','*?,§l,H'!:11#::1""::ilT:,1fl'.1i,'wv Lilo Rolwes . lngrid Lorenzen . Helmut Krebs . Dietrich Fischer-Dieskau recording date: 30.5.1950 I 3.+13.6.1950 @-@ Wo Gott der Herr nicht bei uns hält, BWV 178 2l:59 Kantate zum 8. Sonntag nach Trinitatis lngrid Lorenzen . Helmut Krebs . Dietrich Fischer-Dieskau recording dote: 20.6.+ I 4.7. I 9 5 0 @-@ Mein Herze schwimmt im Blut, BWV 199 23:37 Kantate zum I l. Sonntag nach Trinitatis Gunthild Weber recording dote: 0 8.07. I 9 5 0 totoltime CD 5: 66:59 .'.ll**",1ffi,,.,1J:1,:#,;j:J#l;:.BWV,64 t7:0e Gunthild Weber . Annelies Westen . Helmut Krebs . Walter Hauck recordi ng dote: 27.0 8. I 9 52 @ - @ Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 22:19 Kantate zum 17. Sonntag nach Trinitatis Agnes Giebel . Dietrich Fischer-Dieskau recording dote: 4.+ 5.6. I 9 52 @-@ Ich will den Kreuzstab gerne tragen, BWV 56 22:27 Kantate zum 19. Sonntag nach Trinitatis Dietrich Fischer-Dieskau recording date: 2 1.02. I 9 5 0 totol time CD 6: 6l:57 O-@ Schmücke dich, o liebe Seele, BWV 180 25:55 Kantate zum 20. Sonntag nach Trinitatis Agnes Giebel . lngrid Lorenzen ' Helmut Krebs 'Walter Hauck recording date: 09. I 0. I 950 @-@ Aus tiefer Not schrei ich zu dir, BWV 38 l9:08 Kantate zum 21. Sonntag nach Trinitatis Agnes Giebel . lngrid Lorenzen ' Helmut Krebs 'Walter Hauck recording dote: I 6.+ I 7. I 0. I 9 50 @-@ Falsche Welt, dir trau ich nicht, BWV 52 l6:51 Kantate zum 23. Sonntag nach Trinitatis Agnes Giebel recording dote: 7.+ 8.9. I 9 50 totaltime CD 7: 6l:55 O-O Wachet auf, ruft uns die Stimme, BWV 140 26:5t §§f§§ Kantate zum 27. Sonntag nach Trinitatis Gunthild Weber Helmut Krebs ' Dietrich Fischer-Dieskau ' RIAS-Knabenchor recording dote: 2.+5. I l. I 95 I @-@ Es erhub sich ein Streit, BWV 19 20:28 Kantate zum M ichaelisfest Gunthild Weber . Helmut Krebs ' Walter Hauck recording dote: l.+5.9. I 9 50 @-@ Gott der Herr ist Sonn und Schild, BWV 79 l6:48 Kantate zum Reformationsfest Agnes Giebel ' Lorri Lail ' Dietrich Fischer-Dieskau recording dote: 23.+2 5. I 0. I 9 50 totoltime CD 8: 64:07 I ffiO-@Weichetnur,betrübteSchatten,BwV20222:07 ffij Hochzeitskantate Agnes Giebel recording dote: 02.0 6. I 9 5 I @-@ Gottes Zeit ist die allerbeste Zeit, BWV 106 23:48 Actus Tragicus. Kanatte für eine Trauerfeier Johanna Behrend . lngrid Lorenzen . Helmut Krebs ' Dietrich Fischer- Dieskau recording dote: I 5.+ I 7.+26.6. I 9 50 @ - @ Herr, wie du willt, so schick's mit mir, BWV 73 17:00 Kantate zum 3. Sonntag nach Epiphanias Marie-Luise Denicke . Helmut Krebs . Dietrich Fischer-Dieskau recording dote: 25. I 0. I I 49 @-@ Georg Philipp Telemann (1681-1767) [früher Johann Sebastian Bach zugeschrieben] lch weiß, daß mein Erlöser lebt TWV l:877 (BWV 160 / Anh. lll 157) 12:42 Kantate zum I. Ostertag Helmut Krebs recording dote: I 5.03. I 950 totol time CD 9: 75:37 Kar! Ristenpart und der Umstellung von telefonischer auf die Bach- I nterpretation Funkübertragung ab September 1946 der fünfziger f ahre den besser bekannten Namen RIAS ln der Geschichtsschreibung über den (Rundfunk im amerikanischen Sektor) kulturellen Wiederaufbau in Deutsch- gab, musste bei Null anfangen. Um ein land nach 1945 wurden die Namen eini- ganztägiges Programm ausstrahlen zu ger bedeutender Künstler in den Hinter- können - anfangs beschränkte sich der grund gedrängt; die Gründe dafür bleiben DIAS auf sieben Stunden am Tag -, war rätselhaft. Zu ihnen gehört der Dirigent auch musikalisch viel Arbeit zu leisten. Karl Ristenpart ( 1900- 1967). Unmit- lm November 1946 wurde das RIAS- telbar nach der Gründung des Draht- Symphonie-Orchester, das heutige funks im amerikanischen Sektor Berlins Deutsche Symphonie-Orchester Berlin, (DIAS) wurde er im Februar 1946 von gegründet. 1948 wurde dem Chor, der US-Gewährsmacht mit der Einrich- der für Produktionen immer wieder tung und Leitung der Orchester- und zusammengestellt wurde, als RIAS- Chorarbeit des neuen Senders betraut, Kammerchor ein fester Status verliehen. der über keinerlei Musikaufnahmen ver- Daneben wurden noch ein Tanz- und fügte. Was vom alten Reichsrundfunk ein Kammerorchester eingerichtet. Die an Verwertbarem noch vorhanden war, Arbeit, die Ristenpart begonnen hatte, hatten die Sowjets beschlagnahmt, musste auf mehrere Schultern verteilt nachdem sie das Funkhaus an der Char- werden. Ende 1947 wurde die Pianistin lottenburger Masurenallee bei der und Pädagogin Elsa Schiller (1897-1974) Eroberung Berlins im Mai 1945 besetz- zur Leiterin der Musikabteilung berufen. ten. Als sie das Gebäude, das im briti- lhr ist es wesentlich zu verdanken, dass schen Sektor der ehemaligen Hauptstadt der junge ungarische Dirigent Ferenc lag, verließen und in das Gelände an der Fricsay im Dezember 1948 die Lei- Nalepastraße in ihrem eigenen Sektor tung des Symphonie-Orchesters über- umzogen, nahmen sie die gesamten nahm.
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