Ancient Coins of Orissa (6Th Century B.C
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
The Emergence of the Mahajanapadas
The Emergence of the Mahajanapadas Sanjay Sharma Introduction In the post-Vedic period, the centre of activity shifted from the upper Ganga valley or madhyadesha to middle and lower Ganga valleys known in the contemporary Buddhist texts as majjhimadesha. Painted grey ware pottery gave way to a richer and shinier northern black polished ware which signified new trends in commercial activities and rising levels of prosperity. Imprtant features of the period between c. 600 and 321 BC include, inter-alia, rise of ‘heterodox belief systems’ resulting in an intellectual revolution, expansion of trade and commerce leading to the emergence of urban life mainly in the region of Ganga valley and evolution of vast territorial states called the mahajanapadas from the smaller ones of the later Vedic period which, as we have seen, were known as the janapadas. Increased surplus production resulted in the expansion of trading activities on one hand and an increase in the amount of taxes for the ruler on the other. The latter helped in the evolution of large territorial states and increased commercial activity facilitated the growth of cities and towns along with the evolution of money economy. The ruling and the priestly elites cornered most of the agricultural surplus produced by the vaishyas and the shudras (as labourers). The varna system became more consolidated and perpetual. It was in this background that the two great belief systems, Jainism and Buddhism, emerged. They posed serious challenge to the Brahmanical socio-religious philosophy. These belief systems had a primary aim to liberate the lower classes from the fetters of orthodox Brahmanism. -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
Chapter-11 India During the Ages (4Th Century to 7Th Century)
History Class VI Chapter-11 India During The Ages (4th Century to 7th Century) I. Chandragupta I (320-335 AD):- Chandragupta I founded the Gupta Empire around 320 AD. He was the first ruler of the Gupta Dynasty. II. Samudragupta (335-375 AD):- After Chandragupta I, the great Gupta Ruler who ruled India was his son Samudragupta. The Allahabad Inscription, which is engraved on a pillar at Allahabad, is the main source of information about the reign of Samudragupta. III. Chandragupta II (375-415AD) : Chandragupta II, the son of Samudragupta, was also called Vikramaditya or Chandragupta Vikramaditya. IV. The Later Guptas : After Chandragupta II, Kumargupta and Skandagupta were powerful gupta rulers. V. The Post Gupta Period In north, the kingdom of Harshvardhana was the most powerful and in south it was the Pallavas. Deccan was dominated by the Chalukyas. VI. Harshavardhana(606-647 AD): As we know more about Harshavardhana from two literary works, the first being his biography Harshacharita, written by his court poet Banabhatta. Military Campaigns: Harsha ascended the throne at the age of 16. The capital of his empire was Kanauj. 1 |Page History Class VI The Pallavas And The Chalukyas : Pallava Dynasty: Between the early third century and late ninth century AD, the Pallava Dynasty ruled the northern part of Tamil nadu and the southern parts of Andhra Pradesh. Chalukya Dynasty: The kingdom of the Chalukyas centered around the Raichur Doab, between the River Krishna and River Tungabhadra. Their Capital was Vatapi (or Badami). Revenue: The main occupation of the people was agriculture. Most of the revenue came from the land. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Bharati Volume 4
SARASVATI Bharati Volume 4 Gold bead; Early Dynastic necklace from the Royal Cemetery; now in the Leeds collection y #/me raed?sI %/-e A/hm! #N/m! Atu?vm! , iv/Èaim?Sy r]it/ e/dm! -ar?t jn?m! . (Vis'va_mitra Ga_thina) RV 3.053.12 I have made Indra glorified by these two, heaven and earth, and this prayer of Vis'va_mitra protects the race of Bharata. [Made Indra glorified: indram atus.t.avam-- the verb is the third preterite of the casual, I have caused to be praised; it may mean: I praise Indra, abiding between heaven and earth, i.e. in va_kdevi Sarasvati the firmament]. Dr. S. Kalyanaraman Babasaheb (Umakanta Keshav) Apte Smarak Samiti Bangalore 2003 PDF Created with deskPDF PDF Writer - Trial :: http://www.docudesk.com SARASVATI: Bharati by S. Kalyanaraman Copyright Dr. S. Kalyanaraman Publisher: Baba Saheb (Umakanta Keshav) Apte Smarak Samiti, Bangalore Price: (India) Rs. 500 ; (Other countries) US $50 . Copies can be obtained from: S. Kalyanaraman, 3 Temple Avenue, Srinagar Colony, Chennai, Tamilnadu 600015, India email: [email protected] Tel. + 91 44 22350557; Fax 24996380 Baba Saheb (Umakanta Keshav) Apte Smarak Samiti, Yadava Smriti, 55 First Main Road, Seshadripuram, Bangalore 560020, India Tel. + 91 80 6655238 Bharatiya Itihasa Sankalana Samiti, Annapurna, 528 C Saniwar Peth, Pune 411030 Tel. +91 020 4490939 Library of Congress cataloguing in publication data Kalyanaraman, Srinivasan. Sarasvati/ S. Kalyanaraman Includes bibliographical references and index 1.River Sarasvati. 2. Indian Civilization. 3. R.gveda Printed in India at K. Joshi and Co., 1745/2 Sadashivpeth, Near Bikardas Maruti Temple, Pune 411030, Bharat ISBN 81-901126-4-0 FIRST PUBLISHED: 2003 2 PDF Created with deskPDF PDF Writer - Trial :: http://www.docudesk.com About the Author Dr. -
The Gupta Empire: an Indian Golden Age the Gupta Empire, Which Ruled
The Gupta Empire: An Indian Golden Age The Gupta Empire, which ruled the Indian subcontinent from 320 to 550 AD, ushered in a golden age of Indian civilization. It will forever be remembered as the period during which literature, science, and the arts flourished in India as never before. Beginnings of the Guptas Since the fall of the Mauryan Empire in the second century BC, India had remained divided. For 500 years, India was a patchwork of independent kingdoms. During the late third century, the powerful Gupta family gained control of the local kingship of Magadha (modern-day eastern India and Bengal). The Gupta Empire is generally held to have begun in 320 AD, when Chandragupta I (not to be confused with Chandragupta Maurya, who founded the Mauryan Empire), the third king of the dynasty, ascended the throne. He soon began conquering neighboring regions. His son, Samudragupta (often called Samudragupta the Great) founded a new capital city, Pataliputra, and began a conquest of the entire subcontinent. Samudragupta conquered most of India, though in the more distant regions he reinstalled local kings in exchange for their loyalty. Samudragupta was also a great patron of the arts. He was a poet and a musician, and he brought great writers, philosophers, and artists to his court. Unlike the Mauryan kings after Ashoka, who were Buddhists, Samudragupta was a devoted worshipper of the Hindu gods. Nonetheless, he did not reject Buddhism, but invited Buddhists to be part of his court and allowed the religion to spread in his realm. Chandragupta II and the Flourishing of Culture Samudragupta was briefly succeeded by his eldest son Ramagupta, whose reign was short. -
Mahabharata Tatparnirnaya
Mahabharatha Tatparya Nirnaya Chapter XIX The episodes of Lakshagriha, Bhimasena's marriage with Hidimba, Killing Bakasura, Draupadi svayamwara, Pandavas settling down in Indraprastha are described in this chapter. The details of these episodes are well-known. Therefore the special points of religious and moral conduct highlights in Tatparya Nirnaya and its commentaries will be briefly stated here. Kanika's wrong advice to Duryodhana This chapter starts with instructions of Kanika an expert in the evil policies of politics to Duryodhana. This Kanika was also known as Kalinga. Probably he hailed from Kalinga region. He was a person if Bharadvaja gotra and an adviser to Shatrujna the king of Sauvira. He told Duryodhana that when the close relatives like brothers, parents, teachers, and friends are our enemies, we should talk sweet outwardly and plan for destroying them. Heretics, robbers, theives and poor persons should be employed to kill them by poison. Outwardly we should pretend to be religiously.Rituals, sacrifices etc should be performed. Taking people into confidence by these means we should hit our enemy when the time is ripe. In this way Kanika secretly advised Duryodhana to plan against Pandavas. Duryodhana approached his father Dhritarashtra and appealed to him to send out Pandavas to some other place. Initially Dhritarashtra said Pandavas are also my sons, they are well behaved, brave, they will add to the wealth and the reputation of our kingdom, and therefore, it is not proper to send them out. However, Duryodhana insisted that they should be sent out. He said he has mastered one hundred and thirty powerful hymns that will protect him from the enemies. -
Component-I (A) – Personal Details
Component-I (A) – Personal details: Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Outlines of Indian History Module Name/Title Mahajanapadas- Rise of Magadha – Nandas – Invasion of Alexander Module Id I C/ OIH/ 08 Pre requisites Early History of India Objectives To study the Political institutions of Ancient India from earliest to 3rd Century BCE. Mahajanapadas , Rise of Magadha under the Haryanka, Sisunaga Dynasties, Nanda Dynasty, Persian Invasions, Alexander’s Invasion of India and its Effects Keywords Janapadas, Magadha, Haryanka, Sisunaga, Nanda, Alexander E-text (Quadrant-I) 1. Sources Political and cultural history of the period from C 600 to 300 BCE is known for the first time by a possibility of comparing evidence from different kinds of literary sources. Buddhist and Jaina texts form an authentic source of the political history of ancient India. The first four books of Sutta pitaka -- the Digha, Majjhima, Samyutta and Anguttara nikayas -- and the entire Vinaya pitaka were composed between the 5th and 3rd centuries BCE. The Sutta nipata also belongs to this period. The Jaina texts Bhagavati sutra and Parisisthaparvan represent the tradition that can be used as historical source material for this period. The Puranas also provide useful information on dynastic history. A comparison of Buddhist, Puranic and Jaina texts on the details of dynastic history reveals more disagreement. This may be due to the fact that they were compiled at different times. Apart from indigenous literary sources, there are number of Greek and Latin narratives of Alexander’s military achievements. They describe the political situation prevailing in northwest on the eve of Alexander’s invasion. -
Recognition Through Traditional Values a Literary Representation Of
Cracow Indological Studies vol. XVIII (2016) 10.12797/CIS.18.2016.18.09 Piotr Borek [email protected] (Jagiellonian University, Kraków) Recognition through Traditional Values A Literary Representation of dāna* as an Essential Way of Boosting Royal Worthiness** SUMMARY: The present article is focused on the notion of dāna and its use in Śivrājbhūṣaṇ, a late 17th-century rītigranth composed by Bhūṣaṇ in the court of Śivājī Bhoṃsle, shortly before the coronation. The ruler had it composed in Braj, a vernacular that had already risen to the status of a transregional language. The poem, which used to be reduced by literary historians to a simple panegyric, belongs to South Asian early modern court literature, the authors of which were explicitly manifesting their fixture in Sanskrit literary tradition and simultaneously fulfilled complex political agendas. The royal patronage infused the poetry with political essence, but the liter- ary conventions dictated the ways in which the political substance should be weaved into the poems. Basing on the textual analysis of Bhūṣaṇ’s work, I draw attention to the high frequency and various ways of use of the notion of dāna by the poet. This aims to prove that poetical representation of royal generosity embodied in various * The transliteration for both Modern Hindi and Braj terms, names and titles follows the rules by McGregor as in The Oxford Hindi-English Dictionary, though anusvāras are transliterated as appropriate nasals when ever possible or as ṃ with a subscript dot in the other cases. How ever, in the cita- tions of Braj poetry final a (and the middle a in long words) never drops because of its metrical value. -
Problems of Chronology in Gandhāran Art
Rienjang and Stewart (eds) Problems of Chronology in Gandhāran Art Edited by Wannaporn Rienjang Peter Stewart Problems of Chronology in Gandhāran Art Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. -
The Vakatakas
CORPUS INSCRIPTIONUM INDICARUM VOL. V INSCRIPTIONS or THE VAKATAKAS ARCHAEOLOGICAL SURVEY OF INDIA CORPUS INSCRIPTIONUM INDICARUM VOL. V INSCRIPTIONS OF THE VAKATAKAS EDITED BY Vasudev Vishnu Mirashi, M.A., D.Litt* Hony Piofessor of Ancient Indian History & Culture University of Nagpur GOVERNMENT EPIGRAPHIST FOR INDIA OOTACAMUND 1963 Price: Rs. 40-00 ARCHAEOLOGICAL SURVEY OF INDIA PLATES PWNTED By THE MRECTOR; LETTERPRESS P WNTED AT THE JQB PREFACE after the of the publication Inscriptions of the Kalachun-Chedi Era (Corpus Inscrip- tionum Vol in I SOON Indicarum, IV) 1955, thought of preparing a corpus of the inscriptions of the Vakatakas for the Vakataka was the most in , dynasty glorious one the ancient history of where I the best Vidarbha, have spent part of my life, and I had already edited or re-edited more than half the its number of records I soon completed the work and was thinking of it getting published, when Shri A Ghosh, Director General of Archaeology, who then happened to be in Nagpur, came to know of it He offered to publish it as Volume V of the Corpus Inscriptionum Indicarum Series I was veiy glad to avail myself of the offer and submitted to the work the Archaeological Department in 1957 It was soon approved. The order for it was to the Press Ltd on the printing given Job (Private) , Kanpur, 7th 1958 to various July, Owing difficulties, the work of printing went on very slowly I am glad to find that it is now nearing completion the course of this I During work have received help from several persons, for which I have to record here my grateful thanks For the chapter on Architecture, Sculpture and I found Painting G Yazdam's Ajanta very useful I am grateful to the Department of of Archaeology, Government Andhra Pradesh, for permission to reproduce some plates from that work Dr B Ch Chhabra, Joint Director General of Archaeology, went through and my typescript made some important suggestions The Government Epigraphist for India rendered the necessary help in the preparation of the Skeleton Plates Shri V P.