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Introduction to Russian Poetry - Michael Wachtel Excerpt More Information
Cambridge University Press 0521004934 - The Cambridge Introduction to Russian Poetry - Michael Wachtel Excerpt More information Introduction Поэ´т – издaлeкa´ зaво´дит рe´чь. Поэ´тa – дaлeко´ зaво´дит рe´чь. цвeтaeвa, «Поэ´ты» The poet brings language from afar. Language brings the poet far. Tsvetaeva, “Poets” When poets read their works aloud, we may not understand every word, but we immediately recognize that their intonation differs from that of everyday speech. This “unnatural” declamation often causes confusion among those who first encounter it. “Why don’t they just read it normally?” one is tempted to ask. The reason is simple: poets want to set their speech off from everyday language. Individual poets vary widely in the degree of “unnaturalness” they introduce to their readings, but in virtually all cases their goal is the same: to destabilize the familiar world of their listeners, to make them hear anew. All of us, poets or not, alter our tone of voice and choice of words in accordance with specific circumstances. We speak differently with our par- ents than with our peers, we address the auto mechanic differently than the policeman, we speak differently when giving a toast than we do when calling for an ambulance. In many life situations, what might be called the prosaic attitude toward language dominates. Our object is to relay information as quickly and unambiguously as possible. At other times, getting the point across is not enough; it is essential to do so convincingly and fervently. We select our words carefully and consciously organize them. In this case, we are not necessarily creating poetry, but it is fair to say that we are moving in the direction of poetry. -
Poetry Sampler
POETRY SAMPLER 2020 www.academicstudiespress.com CONTENTS Voices of Jewish-Russian Literature: An Anthology Edited by Maxim D. Shrayer New York Elegies: Ukrainian Poems on the City Edited by Ostap Kin Words for War: New Poems from Ukraine Edited by Oksana Maksymchuk & Max Rosochinsky The White Chalk of Days: The Contemporary Ukrainian Literature Series Anthology Compiled and edited by Mark Andryczyk www.academicstudiespress.com Voices of Jewish-Russian Literature An Anthology Edited, with Introductory Essays by Maxim D. Shrayer Table of Contents Acknowledgments xiv Note on Transliteration, Spelling of Names, and Dates xvi Note on How to Use This Anthology xviii General Introduction: The Legacy of Jewish-Russian Literature Maxim D. Shrayer xxi Early Voices: 1800s–1850s 1 Editor’s Introduction 1 Leyba Nevakhovich (1776–1831) 3 From Lament of the Daughter of Judah (1803) 5 Leon Mandelstam (1819–1889) 11 “The People” (1840) 13 Ruvim Kulisher (1828–1896) 16 From An Answer to the Slav (1849; pub. 1911) 18 Osip Rabinovich (1817–1869) 24 From The Penal Recruit (1859) 26 Seething Times: 1860s–1880s 37 Editor’s Introduction 37 Lev Levanda (1835–1888) 39 From Seething Times (1860s; pub. 1871–73) 42 Grigory Bogrov (1825–1885) 57 “Childhood Sufferings” from Notes of a Jew (1863; pub. 1871–73) 59 vi Table of Contents Rashel Khin (1861–1928) 70 From The Misfit (1881) 72 Semyon Nadson (1862–1887) 77 From “The Woman” (1883) 79 “I grew up shunning you, O most degraded nation . .” (1885) 80 On the Eve: 1890s–1910s 81 Editor’s Introduction 81 Ben-Ami (1854–1932) 84 Preface to Collected Stories and Sketches (1898) 86 David Aizman (1869–1922) 90 “The Countrymen” (1902) 92 Semyon Yushkevich (1868–1927) 113 From The Jews (1903) 115 Vladimir Jabotinsky (1880–1940) 124 “In Memory of Herzl” (1904) 126 Sasha Cherny (1880–1932) 130 “The Jewish Question” (1909) 132 “Judeophobes” (1909) 133 S. -
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia © 2014 Brad Alexander Gordon A thesis presented in partial fulfillment of the requirements for completion Of the Bachelor of Arts degree in International Studies at the Croft Institute for International Studies Sally McDonnell Barksdale Honors College The University of Mississippi University, Mississippi April, 2014 Approved: Advisor: Dr. Joshua First Reader: Dr. William Schenck Reader: Dr. Valentina Iepuri 2 Table of Contents Acknowledgements……………………………………………………………………p. 3 Part I: Interwar Émigrés and Their Literary Contributions Introduction: The Russian Intelligentsia and the National Question………………….............................................................................................p. 4 Chapter 1: Russia’s Eschatological Quest: Longing for the Divine…………………………………………………………………………………p. 14 Chapter 2: Nature, Death, and the Peasant in Russian Literature and Art……………………………………………………………………………………..p. 26 Chapter 3: Tsvetaeva’s Tragedy and Tolstoi’s Triumph……………………………….........................................................................p. 36 Part II: The Émigrés Return Introduction: Nostalgia’s Role in Contemporary Literature and Film……………………………………………………………………………………p. 48 Chapter 4: “Old Russia” in Contemporary Literature: The Moral Dilemma and the Reemergence of the East-West Debate…………………………………………………………………………………p. 52 Chapter 5: Restoring Traditional Russia through Post-Soviet Film: Nostalgia, Reconciliation, and the Quest -
Toronto Slavic Quarterly. № 33. Summer 2010
Michael Basker The Trauma of Exile: An Extended Analysis of Khodasevich’s ‘Sorrentinskie Fotografii’ What exile from himself can flee Byron1 It is widely accepted that the deaths in August 1921 of Aleksandr Blok and Nikolai Gumilev, the one ill for months and denied until too late the necessary papers to leave Russia for treatment, the other executed for complicity in the so-called Tag- antsev conspiracy, marked a practical and symbolic turning point in the relations between Russian writers and thinkers and the new regime. In the not untypical assessment of Vladislav Khoda- sevich’s long-term partner in exile, Nina Berberova: …that August was a boundary line. An age had begun with the ‘Ode on the Taking of Khotin’ (1739) and had ended with Au- gust 1921: all that came afer (for still a few years) was only the continuation of this August: the departure of Remizov and Bely abroad, the departure of Gorky, the mass exile of the intelligent- sia in the summer of 1922, the beginning of planned repres- sions, the destruction of two generations — I am speaking of a two-hundred year period of Russian literature. I am not saying that it had all ended, but that an age of it had.2 © Maichael Basker, 2010 © TSQ 33. Summer 2010 (http://www.utoronto.ca/tsq/) 1 From ‘To Inez’, song inserted between stanzas lxxiv and lxxxv of Canto 1 of Childe Harold’s Pilgrimage. To avoid undue encumbrance of the extensive crit- ical apparatus, works of nineteenth and twentieth-century poetry by authors other than Khodasevich will generally be identified by title or first line, and cited without reference to the standard academic editions from which they have been taken. -
Ardis 1990. Каталог Издательства. — Ann Arbor : Ardis. 1990
C 0 NTENT S New and Forthcoming in Hardback ..............................................3 The Prose of the Russian Poets Series ............................................8 New and Forthcoming in Paperback ..............................................9 Twentieth-Century Literature Backlist ........................................10 Nineteenth-Century Literature Backlist ....................................... 12 Miscellaneous ................................................................................ 13 Literary Criticism ..........................................................................14 Russian Literature Triquarterly ....................................................16 Language Instruction ....................................................................16 Books in Russian ...........................................................................17 Books in Print-English .................................................................19 Books in Print-Russian .................................................................21 Ordering Information........................................................ ...........23 NOTE TO LIBRARIANS The following titles are announced for the first time: V. Nabokov. A Pictorial Biography .. ..... .. ......... ........ .... 3 After Russia ...... ..... .... ..... ..... ..... .... .... .... .... .... .... ..... ... 4 Disappearance . ..... .. .... ....... .... ... .... .... .. .... ..... ... ....... 5 An Ordinary Story .. ..... ...... .... .. ..... .. ...... .. ..... ... ... .. -
Russia Outside Russia”: Transnational Mobility, Objects Of
“RUSSIA OUTSIDE RUSSIA”: TRANSNATIONAL MOBILITY, OBJECTS OF MIGRATION, AND DISCOURSES ON THE LOCUS OF CULTURE AMONGST EDUCATED RUSSIAN MIGRANTS IN PARIS, BERLIN, AND NEW YORK by Gregory Gan A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Anthropology) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2019 © Gregory Gan, 2019 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: “Russia outside Russia”: Transnational Mobility, Objects of Migration, and Discourses on the Locus of Culture amongst Educated Russian Migrants in Paris, Berlin, and New York submitted by Gregory Gan in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Anthropology Examining Committee: Dr. Alexia Bloch Supervisor Dr. Leslie Robertson Supervisory Committee Member Dr. Patrick Moore Supervisory Committee Member Dr. Nicola Levell University Examiner Dr. Katherine Bowers University Examiner Prof. Michael Lambek External Examiner ii Abstract This dissertation examines transnational Russian migration between Moscow, Berlin, Paris, and New York. In conversation with forty-five first- and second-generation Russian intellectuals who relocated from Russia and the former Soviet Union, the researcher investigates transnational Russian identity through ethnographic, auto-ethnographic, and visual anthropology methods. Educated migrants from Russia who shared with the researcher a comparable epistemic universe and experiential perspective, and who were themselves experts on migration, discuss what it means to belong to global transnational diasporas, how they position themselves in historical contexts of migration, and what they hope to contribute to modern intellectual migrant narratives. -
The Literary Fate of Marina Tsve Taeva, Who in My View Is One Of
A New Edition of the Poems of Marina Tsve taeva1 he literary fate of Marina Tsvetaeva, who in my view is one of the T most remarkable Russian poets of the twentieth century, took its ultimate shape sadly and instructively. The highest point of Tsve taeva’s popularity and reputation during her lifetime came approximately be- tween 1922 and 1926, i.e., during her first years in emigration. Having left Russia, Tsve taeva found the opportunity to print a whole series of collec- tions of poetry, narrative poems, poetic dramas, and fairy tales that she had written between 1916 and 1921: Mileposts 1 (Versty 1), Craft (Remes- lo), Psyche (Psikheia), Separation (Razluka), Tsar-Maiden (Tsar’-Devitsa), The End of Casanova (Konets Kazanovy), and others. These books came out in Moscow and in Berlin, and individual poems by Tsve taeva were published in both Soviet and émigré publications. As a mature poet Tsve- taeva appeared before both Soviet and émigré readership instantly at her full stature; her juvenile collections Evening Album (Vechernii al’bom) and The Magic Lantern (Volshebnyi fonar’) were by that time forgotten. Her success with readers and critics alike was huge and genuine. If one peruses émigré journals and newspapers from the beginning of the 1920s, one is easily convinced of the popularity of Marina Tsve taeva’s poetry at that period. Her writings appeared in the Russian journals of both Prague and Paris; her arrival in Paris and appearance in February 1925 before an overflowing audience for a reading of her works was a literary event. Soviet critics similarly published serious and sympathetic reviews. -
Russians Abroad-Gotovo.Indd
Russians abRoad Literary and Cultural Politics of diaspora (1919-1939) The Real Twentieth Century Series Editor – Thomas Seifrid (University of Southern California) Russians abRoad Literary and Cultural Politics of diaspora (1919-1939) GReta n. sLobin edited by Katerina Clark, nancy Condee, dan slobin, and Mark slobin Boston 2013 Library of Congress Cataloging-in-Publication Data: The bibliographic data for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-214-9 (cloth) ISBN 978-1-61811-215-6 (electronic) Cover illustration by A. Remizov from "Teatr," Center for Russian Culture, Amherst College. Cover design by Ivan Grave. Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Table of Contents Foreword by Galin Tihanov ....................................... -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
Saul Tchernichowsky and Vladislav Khodasevich
1 2 3 jÖrg schulte 5 saul tchernichowsky and Vladislav Khodasevich A chapter in Philological cooperation 10 When saul tchernichowsky arrived in berlin in december 1922, he was forty seven years old and at the hight of his creative strength.1 Within two years he pub- lished the Book of Idylls (sefer ha-idilyot), the Book of Sonnets (Ma½beret son- 15 etot) and the volume New Songs (shirim ½adashim). the irst to announce tch- ernichowsky’s arrival in berlin was his fellow poet iakov Kagan who wrote a long article for the russian journal Razsvet on january 14, 1923. Kagan revealed to his readers what tchernichowsky had told him about his yet unpublished works. he also reported that tchernichowsky had studied medieval hebrew medical manu- 20 scripts in the state library of st Petersburg (then Petrograd) and had been forced to leave a considerable part of his work behind when he led to odessa.2 We still do not have any trace of these materials. We know that in the company of ã. n. bialik, tchernichowsky attended the farewell concert of the russian songwriter Alexander Vertinsky at the scala theatre (in berlin) on november 7, 1923, and 3 25 was deeply impressed by the poet who sang his own verses. We also know that in the same year, he lived next door to the actress Miriam bernstein-cohen who, like himself, held a degree in medicine and translated from russian into he- brew.4 in her memoirs, Miriam bernstein-cohen notes that she introduced tch- ernichowsky to Aharon (Armand), Kaminka who had been the irst to translate 5 6 30 a part of the Iliad into hebrew in 1882. -
University of Illinois Modern Foreign Language Newsletter
405 Q Ul v. 23-27 Digitized by the Internet Archive in 2011 with funding from University of Illinois Urbana-Champaign http://www.archive.org/details/universityofilli2327univ UNIVERSITY OF ILLINOIS LIBRARY AJ URSANA-CHAMPAIGN Twnfc &w* ' THE UNIVERSITY OF ILLINOIS MODERN FOREIGN LANGUAGE NEWSLETTER October, 1969 Director: Prof. Anthony M. Pasquariello Vol. XXIII, No. 1 Editor: Maxwell Reed Mowry, Jr. Dear Colleagues: In this first issue of the 23rd year of the University of Illinois Modern Foreign Language Newsletter, it is my privilege to send greetings to readers and colleagues throughout the state and to wish you all a successful year. A special welcome this year goes to Prof. Anthony M. Pasquariello, who on Sept. 1 assumed the headship of the Dept. of Spanish, Italian, & Portuguese at the U.I. He will also serve as Director of the Newsletter. He succeeds Prof. William H. Shoemaker in both capacities. At this point it would seem appropriate to salute Prof o Shoemaker for his long service both as department head and as Director of the Newsletter. All of his colleagues and friends will join me, I am sure, in thanking him and wishing him well. Two professors return to the Urbana campus after a year's sojourn in Europe. They are Prof. Francois Jost, who returns to direct again the Graduate Program in Comparative Literature, and Prof. Bruce Mainous, returning to his post as Head of the Dept. of French. Prof. Mainous spent the past year in Rouen, France, as Director of the Illinois-Iowa Year-Abroad Program; Prof. Jost spent a sabbatical year in Switzerland under the auspices of the Center for Advanced Study and also lectured at the Univ. -
Surnames and National Identity in Turkey and Iran
Pisma Humanistyczne Zeszyt XIV z 2016 z ISSN 1506-9567 Pisma Humanistyczne Humanistyczne Pisma XIV IDENTITY Between unity and distinctiveness Pisma Humanistyczne Zeszyt XIV z 2016 z ISSN 1506-9567 Humanistic Scripts Volume XIV z 2016 z ISSN 1506-9567 IDENTITY Between unity and distinctiveness Scientific Council Chairman prof. zw. dr hab. Wiesław Kaczanowicz (Univeristy of Silesia in Katowice) Members dr Mirosław Czerwiński (Univeristy of Silesia in Katowice) dr hab. prof. UW Jarosław Czubaty (University of Warsaw) prof. Stéphane Guerard (Université Lille Nord de France) dr hab. prof. UŚ Mariusz Kolczyński (Univeristy of Silesia in Katowice) dr hab. Irma Kozina (Univeristy of Silesia in Katowice) dr hab. prof. UŚ Dariusz Kubok (Univeristy of Silesia in Katowice) prof. zw. dr hab. Janusz Mucha (AGH University of Science and Technology) dr hab. prof. UŚ Dariusz Nawrot (Univeristy of Silesia in Katowice) dr hab. Sławomir Raube (University of Białystok) prof. Reinhold Sackmann (Martin-Luther-Universität Halle-Wittenberg) prof. dr hab. Robert Wiszniowski (University of Wrocław) dr hab. Piotr Wróblewski (Univeristy of Silesia in Katowice) Editorial Staff mgr Tomasz Okraska (editor in chief) mgr Justyna Łapaj (deputy editor-in-chief, thematic editor: political science) mgr Maria Michniowska (thematic editor: sociology) mgr Agata Muszyńska (thematic editor: history) mgr Tomasz Pawlik (thematic editor: philosophy) mgr Iwona Bijak (Polish language editor) mgr Kamil Ciborowski (English language editor) mgr Emilia Woźniczko (technical editor) Reviewers Prof. dr hab. Anna Barska (University of Opole), dr hab. Agnieszka Chudzicka-Czupała (Univeristy of Silesia in Katowice), dr hab. Tomasz Czakon (Univeristy of Silesia in Ka- towice), dr Paweł Ćwikła (Univeristy of Silesia in Katowice), dr hab.