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"Paradise on Speed: ---, ed. The Portable Beat Reader. NY: Viking, 1992. Discourses of Acceleration in Jack Kerouac's On the Road" ---, ed. The Beats: Literary Bohemians in Postwar America. A Dictionary of Literary Biography,. Vol. 16. Detroit, Michigan: Gale, 1983. Prof. Dr. Gerd Hurm John F. Kennedy-Institut Berlin Cook, Bruce. The Beat Generation. Westport: Greenwood Press, 27. November 2008 1983. Davidson, Michael. The San Francisco Renaissance, Poetics and Select Bibliography Community at Mid-Century. Cambridge University, 1989. Dickstein, Morris. Leopards in the Temple: the Transformation of General Studies American Fiction, 1945-1970. Cambridge: Harvard University Press, 2002. Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Arts in Postwar America. Chicago: U of Chicago P., 1998. Duberman, Martin. Visions of Kerouac. Boston: Little, Brown, 1977. Bessel, Richard, ed. Life after Death. Washington, DC: Cambridge UP, 2003. Elliott, Emory et al., ed. Columbia Literary History of the United States. New York: Columbia UP, 1988. Biskind, Peter. Seeing Is Believing: How Hollywood Taught Us To Stop Worrying and Love the Fifties. New York, Pantheon Ellwood, Robert S. The Fifties Spiritual Marketplace: American Books, 1983. Religion in a Decade of Conflict. New Brunswick: Rutgers UP, 1997 Breines, Winie. Young, White, and Miserable: Growing up Female in the Fifties. Boston: Beacon Books, 1992. Foreman, Joel. The Other Fifties: Interrogating Midcentury American Icons. Urbana: University of Illinois Press, 1997. Chafe, William. The Unfinished Journey: America since World War II. New York: Oxford University Press, 1986. Foster, Edward Halsey. Understanding the Beats. Columbia, SC: U of South Carolina Press, 1992. Charters, Ann, ed. Beat Down to Your Soul. New York: Penguin, 2001. French, Warren G. The San Francisco Poetry Renaissance. New York: Twayne, 1991. 2 Halberstam, David. The Fifties. New York, Villard Book, 1993 Myrsiades, Kostas. The Beat Generation. NY: Lang, 2002. Harvey, James. Movie Love in the Fifties. New York: Alfred A. Raskin, Jonah. American Scream. Berkeley: U of California Press, Knopf, 2001. 2004. Hurm, Gerd with Ann Marie Fallon, ed. Rebels without a Cause? Rosa, Hartmut. Beschleunigung. Frankfurt: Suhrkamp, 2005 Renegotiating the American 1950s. Oxford: Lang, 2007. Skau, Michael. A Clown in a Grave. Carbondale: Southern Illinois Lawlor, William. The Beat Generation. Lanham, Md.: Scarecrow Press, 1999. Press, 1998. Skerl, Jennie, ed. Reconstructing the Beats. New York: Macmillan, Lee, Arthur Robert, ed. The Beat Generation Writers. London: 2004 Pluto Press, 1996. Stephenson, Gregory. Daybreak Boys: Essays on the Literature of Leibman, Nina C. Living Room Lectures . Austin: U of Texas Press, the Beat Generation. Southern Illinois University Press, 1995. 1990. Lhamon, W. T. Deliberate Speed: The Origins of a Cultural Style Van der Bent, Jaap ed. Beat Culture: The 1950s and Beyond. in the American 1950s. Washington: Smithsonian Institution Amsterdam: VU University Press 1999. P, 1990. Watson, Steven. Birth of the Beat Generation. New York: Pantheon MacDarrah, Fred W. Beat Generation. NY: Schirmer Books, 1996. Books, 1995. Marcus, Daniel. Happy Days and Wonder Years . New Brunswick: Zinn, Howard. Postwar America: 1945-1971. New York: Bobbs- Rutgers University Press, 2004. Merrill, 1973. Martinez, Manuel Luis. Countering the Counterculture. Madison: Zott, Lynn Marie, ed. The Beat Generation. Detroit: Gale, 2003. Univ. of Wisconsin Press, 2003. Marqusee, Mike. Chimes of Freedom: The Politics of Bob Dylan's Art. New York: New Press, 2003. Recent Kerouac scholarship Medovoi, Leerom. Rebels: Youth and the Cold War Origins of Abel, Marco. “Speeding across the Rhizome: Deleuze Meets Identity. Duke U.P., 2005. Kerouac On the Road.” MFS: Modern Fiction Studies 48.2 (2002): 227-56. 3 Adams, Rachel. “Hipsters and jipitecas: Literary Countercultures Wright and Steven Kaplan. Pueblo, CO: Colorado State on Both Sides of the Border.” American Literary History University-Pueblo, 2005. 107-12. 16.1 (2004): 58-84. Adkins, Carl. “Jack Kerouac: Off the Road for Good.” Empty Phantoms: Interviews and Encounters with Jack Kerouac. Burch, Francis F. “Creeley’s ‘I Know a Man’.” Explicator 48.3 Ed. Paul Maher, Jr. New York: Thunder’s Mouth, 2005. (1990): 228-230. 385-98. Albright, Alex. “Ammons, Kerouac, and Their New Romantic Scrolls.” Complexities of Motion: New Essays on A. R. Campbell, James. “Kerouac’s Blues.” Antioch Reivew 57.3 (1999): Ammon’s Long Poems. Ed. Steven P. Schneider. Madison, 363-70. NJ: Fairleigh Dickinson UP, 1999. 83-110. Barolini, Helen. “Remembering Two Journeys.” New Letters 68.1 (2001): 47-57. Celano, Christine. “A Typographic Visualization of the Narrative Structure of On the Road.” Brinkley, Douglas. “In the Kerouac Archive.” Archive Monthly 282.5 (1998): 49-54, 56-58, 60, 63-64, 66, 68-69, 72, 74, Design Issues: History, Theory, Criticism 9.1 (1992): 45-55. 76. Cunnell, Howard. “Jack Kerouac and the Writing of On the Road.” Brinkley, Douglas. “On the Road Again.” New Yorker 74.17 (1998 On the Road: The Original June 22-29): 46, 48, 50-52, Scroll. New York: Viking, 2007. 1-52. 54, 56, 58-59. Darlington, Andy. “Carolyn Cassady: On and Off the Road.” Moody Street Irregulars: A Jack Brown, William Lansing. “Roads Retraced: the Contrasting Odysseys of Ernesto ‘Che’ Guevara Kerouac Magazine 24-26 (1991): 13-18. and Jack Kerouac.” The Image of the Road in Literature, Media, and Society. Ed. Will 4 Davenport, Stephen. “Road Work: Rereading Kerouac’s Midcentury Melodrama of Beset Ellis, R. J. “Scandalous for Being Scandalous: ‘Monstrous Huge Sonhood.” Rethinking Narratives of Masculinity and Fuck[s]’ and ‘Slambanging Big Emotion in the U.S. Ed. Milette Sodomies’ in Jack Kerouac’s On the Road.” Scandalous Shamir and Jennifer Travis. New York: Columbia, 2002. Fictions: The Twentienth- 167-84. Century Novel in the Public Sphere. Ed. Jago Morrison and Susan Watkins. Basingstoke, Dittman, Michael J. Jack Kerouac: A Biography. Westport, CT: England: Palgrave Macmillan, 2006. 99-116. Greenwood, 2004. Feld, Bruce. “Boyz on the Road: Reggie Rock Bythewood Revs Up Douglas, Ann. “‘Telepathic Shock and Meaning Excitement’: DreamWorks Tale of Kerouac’s Poetics of Intimacy.” African-American Bikers.” Film Journal International College Literature 27.1 (2000): 22-38. 105.12 (2002): 14-16. Dunphy, Mark. “‘Call Me Sal, Jack’: Visions of Ishmael in “First Reader of On the Road Manuscript: An Excerpt from the Kerouac’s On the Road.” Melville Journals of John Clellon Society Extracts 123 (2002): 1-4. Holmes.” Ed. Paul Maher, Jr. Empty Phantoms: Interviews and Encounters with Jack Kerouac. New York: Thunder’s Mouth, 2005. 15-17. Dunphy, Mark. “On the Road with John Steinbeck: The Beat of the Beats Goes on in Travels with Charley: In Search of America.” Steinbeck Review 2.2 Fyfe, Dan. “The American Frontier in Jack Kerouac’s On the (2005): 110-19. Road.” La frontera: Mito y 5 realidad del Nuevo Mundo. Ed. María José Alvarez, Manuel Cassady, and the Political Broncano and José Luis Economy of Beat Letters.” Twentieth Century Literature: A Charmosa. León, Spain: Universidad de León, 1994. 197- Scholarly and Critical 204. Journal 46.2 (2000): 171-92. Gennaka, Yuki. “Writing, Typic, Telepathic Shock: The Value of Literature and Culture in Jack Hill, Geoffrey B. “A Well Traveled Road: The Figure of the Minstrel in Jack Kerouac’s On the Kerouac’s ‘Spontaneous Prose’.” Studies in English Literature 47 (2006): 203-22. Road.” The Image of the Road in Literature, Media, and Society. Ed. Will Wright and Steven Kaplan. Pueblo, CO: Colorado State University- Gill, R. B. “Kerouac and the Comic Dilemma.” Studies in Popular Pueblo, 2005. 144-47. Culture 27.3 (2005): 87-98. Holton, Robert. “Kerouac among the Fallahin: On the Road to the Goldstein, Norma Walrath. “Kerouac’s On the Road.” Explicator Postmodern.” MFS: Modern 50.1 (1991): 60-62. Fiction Studies 41.2 (1995): 265-83. Grassian, Daniel. “Bright Lights Fade Fast: The Beat Influences of Thomas Pynchon’s V.” Holton, Robert. On the Road: Kerouac’s Ragged American Journey. New York: Twayne, 1999. Journal x: A Journal in Culture and Criticism 5.1-2 (2000): 125-37. Hunt, Tim. Kerouac’s Crooked Road: The Development of a Fiction. Berkeley: U of California, Harris, Oliver. “Cold War Correspondents: Ginsberg, Kerouac, 6 1996. of Emancipation, II.” New Criterion 16.2 (1997): 4-11. Huntley, Helen. “On the Road-An American Experience.” The Bulletin of the West Virginia King, Douglas H. “Kerouac’s On the Road.” Explicator 59.4 Association of College English Teachers 13.2 (1991): 165- (2001): 209-10. 73. Kupetz, Joshua. “‘The Straight Line Will Take You Only to Death’: Johnston, Allan. “Consumption, Addiction, Vision, Energy: The Scroll Manuscript and Political Economies and Utopian Contemporary Literary Theory.” On the Road: The Original Visions in the Writings of the Beat Generation.” College Scroll. Ed. Howard Cunnell. Literature 32.2 (2005): 103-26. New York: Viking, 2007. 83-95. Khalifa, Akram. “Sexual Identity Confusion in Jack Kerouac’s On the Road.” The Image of Leavitt, Craig. “On the Road: Cassady, Kerouac, and Images of Late Western Masculinity.” Power in Literature, Media, and Society: Selected Papters, 2006 Conference, Society for Across the Great Divide: Cultures of Manhood in the American West. Ed. Matthew the Interdisciplinary Study of Social Imagery. Ed. Will Wright and Steven Kaplan. Basso, Laura McCall, and Dee Garceau. New York: Routledge, 2001. 211-30. Pueblo, CO: Colorado State University-Pueblo, 2006. 33- 39. Leland, John. Why Kerouac Matters: The Lessons of On the Road (They’re Not What You Think). Kimball, Roger. “Reflections on a Cultural Revolution: A Gospel 7 New York: Viking, 2007. Malcolm, Douglas. “‘Jazz America’: Jazz and African American Culture in Jack Kerouac’s On the Road.” Contemporary Literature 40.1 (1999): 85-110. Llano, Stephen. “The Clown as Social Critic: Kerouac’s Vision.” Clowns, Fools, and Picaros: Popular Forms in Theatre, Fiction, and Film. Ed. David Marler, Regina. “The Gay, the Bi, and the Other.” Gay & Lesbian Robb.
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