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An Intersectional Approach to the Work of Neal Cassady
“I a poet too”: An Intersectional Approach to the Work of Neal Cassady “Look, my boy, see how I write on several confused levels at once, so do I think, so do I live, so what, so let me act out my part at the same time I’m straightening it out.” Max Hermens (4046242) Radboud University Nijmegen 17-11-2016 Supervisor: Dr Mathilde Roza Second Reader: Prof Dr Frank Mehring Table of Contents Acknowledgements 3 Abstract 4 Introduction 5 Chapter I: Thinking Along the Same Lines: Intersectional Theory and the Cassady Figure 10 Marginalization in Beat Writing: An Emblematic Example 10 “My feminism will be intersectional or it will be bullshit”: Towards a Theoretical Framework 13 Intersectionality, Identity, and the “Other” 16 The Critical Reception of the Cassady Figure 21 “No Profane History”: Envisioning Dean Moriarty 23 Critiques of On the Road and the Dean Moriarty Figure 27 Chapter II: Words Are Not For Me: Class, Language, Writing, and the Body 30 How Matter Comes to Matter: Pragmatic Struggles Determine Poetics 30 “Neal Lived, Jack Wrote”: Language and its Discontents 32 Developing the Oral Prose Style 36 Authorship and Class Fluctuations 38 Chapter III: Bodily Poetics: Class, Gender, Capitalism, and the Body 42 A poetics of Speed, Mobility, and Self-Control 42 Consumer Capitalism and Exclusion 45 Gender and Confinement 48 Commodification and Social Exclusion 52 Chapter IV: Writing Home: The Vocabulary of Home, Family, and (Homo)sexuality 55 Conceptions of Home 55 Intimacy and the Lack 57 “By their fruits ye shall know them” 59 1 Conclusion 64 Assemblage versus Intersectionality, Assemblage and Intersectionality 66 Suggestions for Future Research 67 Final Remarks 68 Bibliography 70 2 Acknowledgements First off, I would like to thank Mathilde Roza for her assistance with writing this thesis. -
English Department Newsletter May 2016 Kamala Nehru College
WHITE NOISE English Department Newsletter May 2016 Cover Art by Vidhipssa Mohan Vidhipssa Art by Cover Kamala Nehru College, University of Delhi Contents Editorial Poetry and Short Prose A Little Girl’s Day 4 Aishwarya Gosain The Devil Wears Westwood 4 Debopriyaa Dutta My Dad 5 Suma Sankar Is There Time? 5 Shubhali Chopra Numb 6 Niharika Mathur Why Solve a Crime? 6 Apoorva Mishra Pitiless Time 7 Aisha Wahab Athazagoraphobia 7 Debopriyaa Dutta I Beg Your Pardon 8 Suma Sankar Toska 8 Debopriyaa Dutta Prisoner of Azkaban 8 Abeen Bilal Saudade 9 Debopriyaa Dutta Dusk 11 Sagarika Chakraborty Man and Time 11 Elizabeth Benny Pink Floyd’s Idea of Time 12 Aishwarya Vishwanathan 1 Comics Bookstruck 14 Abeen Bilal The Kahanicles of Maa-G and Bahu-G 15 Pratibha Nigam Rebel Without a Pause 16 Jahnavi Gupta Research Papers Heteronormativity in Homosexual Fanfiction 17 Sandhra Sur Identity and Self-Discovery: Jack Kerouac’s On the Road 20 Debopriyaa Dutta Improvisation and Agency in William Shakespeare’s Twelfth Night 26 Sandhra Sur Woman: Her Own Prisoner or the Social Jailbird and the Question of the Self 30 Shritama Mukherjee Deconstructing Duryodhana – The Villain 37 Takbeer Salati Translations Grief-Stricken (Translation of Pushkar Nath’s Urdu story “Dard Ka Maara”) 39 Maniza Khalid and Abeen Bilal Alone (Translation of Mahasweta Devi’s Bengali story “Ekla”) 42 Eesha Roy Chowdhury Beggar’s Reward (Translation of a Hindi Folktale) 51 Vidhipssa Mohan Translation of a Hindi Oral Folktale 52 Sukriti Pandey Artwork Untitled 53 Anu Priya Untitled 53 Anu Priya Saving Alice 54 Anu Priya 2 Editorial Wait, what is that? Can you hear it? Can you feel it? That nagging at the back of your mind as you lie in bed till ten in the morning when you have to submit an assignment the next day? That bittersweet feeling as you meet a friend after ages knowing that tomorrow you will have to retire to your mundane life. -
Lolita" and Robert Frank's "The Americans"
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1997 Going Nowhere Fast: The Car, the Highway and American Identity in Vladimir Nabokov's "Lolita" and Robert Frank's "The Americans" Scott Patrick Moyers College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Moyers, Scott Patrick, "Going Nowhere Fast: The Car, the Highway and American Identity in Vladimir Nabokov's "Lolita" and Robert Frank's "The Americans"" (1997). Dissertations, Theses, and Masters Projects. Paper 1539626114. https://dx.doi.org/doi:10.21220/s2-a0k8-dq26 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Going Nowhere Fast The Car, the Highway and American Identity in Vladimir Nabokov’sLolita and Robert Frank’sThe Americans A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Scott Moyers 1997 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, July 1997 Colleen Kennedy -
Monitoring Lake Ice Seasons in Southwest Alaska with Modis Images
MONITORING LAKE ICE SEASONS IN SOUTHWEST ALASKA WITH MODIS IMAGES Page Spencer, Chief of Natural Resources Lake Clark National Park and Preserve 240 W 5th Ave Anchorage, Alaska 99501 [email protected] Amy E. Miller, Ecologist National Park Service, Southwest Alaska Network 240 W 5th Ave Anchorage, Alaska 99501 [email protected] Bradley Reed. Associate Program Coordinator U.S. Geological Survey (USGS) Reston, VA 20191 [email protected] Michael Budde, Geographer USGS Center for Earth Resources Observation and Science (EROS) Sioux Falls, SD 57198 [email protected] ABSTRACT Impacts of global climate change are expected to result in greater variation in the seasonality of snowpack, lake ice, and vegetation dynamics in southwest Alaska. All have wide-reaching physical and biological ecosystem effects in the region. We used Moderate Resolution Imaging Spectroradiometer (MODIS) Rapidfire browse images, snow cover extent, and vegetation index products for interpreting interannual variation in the duration and extent of snowpack, lake ice, and vegetation dynamics for southwest Alaska. The approach integrates multiple seasonal metrics across large ecological regions. The general annual pattern of the lake ice season in southwest Alaska begins as water cools when fall storms sweep in from the North Pacific. Ice forms on high altitude or small lakes by Oct/Nov, with larger lakes usually freezing over by Dec/Jan. Warm mid-winter storms often hit the study area, bringing wind, rain and melting temperatures that result in several inches of water on the ice or partial break-up of the ice pack. The return of cold, still Arctic high pressure refreezes the lakes until spring break-up in April and May. -
The Importance of Neal Cassady in the Work of Jack Kerouac
BearWorks MSU Graduate Theses Spring 2016 The Need For Neal: The Importance Of Neal Cassady In The Work Of Jack Kerouac Sydney Anders Ingram As with any intellectual project, the content and views expressed in this thesis may be considered objectionable by some readers. However, this student-scholar’s work has been judged to have academic value by the student’s thesis committee members trained in the discipline. The content and views expressed in this thesis are those of the student-scholar and are not endorsed by Missouri State University, its Graduate College, or its employees. Follow this and additional works at: https://bearworks.missouristate.edu/theses Part of the English Language and Literature Commons Recommended Citation Ingram, Sydney Anders, "The Need For Neal: The Importance Of Neal Cassady In The Work Of Jack Kerouac" (2016). MSU Graduate Theses. 2368. https://bearworks.missouristate.edu/theses/2368 This article or document was made available through BearWorks, the institutional repository of Missouri State University. The work contained in it may be protected by copyright and require permission of the copyright holder for reuse or redistribution. For more information, please contact [email protected]. THE NEED FOR NEAL: THE IMPORTANCE OF NEAL CASSADY IN THE WORK OF JACK KEROUAC A Masters Thesis Presented to The Graduate College of Missouri State University TEMPLATE In Partial Fulfillment Of the Requirements for the Degree Master of Arts, English By Sydney Ingram May 2016 Copyright 2016 by Sydney Anders Ingram ii THE NEED FOR NEAL: THE IMPORTANCE OF NEAL CASSADY IN THE WORK OF JACK KEROUAC English Missouri State University, May 2016 Master of Arts Sydney Ingram ABSTRACT Neal Cassady has not been given enough credit for his role in the Beat Generation. -
Dostoevsky and the Beat Generation
MARIA BLOSHTEYN Dostoevsky and the Beat Generation American literary history is rich with heroes of counterculture, maverick writers and poets who were rejected by the bulk of their contemporaries but inspired a cult-like following among a few devotees. The phenomenon of Beat Generation writers and poets, however, is unique in twentieth-century American letters precisely because they managed to go from marginal underground classics of the 1950s to the official voice of dissent and cultural opposition of the 1960s, a force to be reckoned with. Their books were adopted by hippies and flower children, their poems chanted at sit-ins, their lives faithfully imitated by a whole generation of young baby boomers. Their antiauthoritarian ethos along with their belief in the brotherhood of mankind were the starting point of a whole movement that gave the United States such social and cultural watersheds as Woodstock and the Summer of Love, the Chicago Riots and the Marches on Washington. The suggestion that Dostoevsky had anything to do with the American Sexual Revolution of the 1960s and street rioting in American urban centres might seem at first to be far-fetched. It is, however, a powerful testimony to Dostoevsky’s profound impact on twentieth-century American literature and culture that the first Beats saw themselves as followers of Dostoevsky and established their personal and literary union (and, as it were, the entire Beat movement) on the foundation of their shared belief in the primacy of Dostoevsky and his novels. Evidence of Dostoevsky’s impact on such key writers and poets of the Beat Generation as Allen Ginsberg (1926-1997), Jack Kerouac (1922-1969), and William Burroughs (1914-1997) is found in an almost embarrassing profusion: scattered throughout their essays, related in their correspondence, broadly hinted at and sometimes explicitly indicated in their novels and poems. -
Restoring Old Cabins on the Kenai National Wildlife Refuge by Molly Slocum
Refuge Notebook • Vol. 5, No. 21 • May 30, 2003 Restoring old cabins on the Kenai National Wildlife Refuge by Molly Slocum Midnight, June 21st you are sitting on the shore of place to enjoy the warm, sunny spring days than out- Lake Tustumena near Andrew Berg’s cabin. The colors doors next to a lake beneath the great blue sky. of twilight surround you, painting the lake and moun- I recently spent a weekend on Tustumena Lake as- tains with pink, blue, and lavender hues. The only sessing the condition of various cabins. We will be sounds reaching your ears are the water lapping at the restoring another of Andrew Berg’s cabins, which was sand and the wind rustling through the treetops. The built in 1902. Andrew Berg was a big game guide, and year could be 1895; you are on a hunting or fishing fish and game officer. After restoration, the cabinwill trip, and you are now relaxing after a day of hiking be exactly the same as it was before; no changes will in the high country. Or it could be 2003, and you are be made to the original design. enjoying a peaceful summer solstice retreat. It is a shame to visit these historical places and find The Kenai National Wildlife Refuge offers unique them defaced with graffiti carved into the old logs and backcountry experiences with many historic cabins. trash littering the inside and the ground around the Over the years cabins were built around the Kenai outside of the structures. This shows a lack of respect Peninsula to support activities such as hunting, fish- for people who lived here before us, who worked hard ing, trapping, and mining, as well as for year-round for their food and living. -
Resistance Through Space: a Comparative Study of Narrative and Space in Naked Lunch and on the Road
Department of English Resistance Through Space: A Comparative Study of Narrative and Space in Naked Lunch and On the Road Luca Pirro Bachelor Degree Project Literature Fall, 2016 Supervisor: Frida Beckman Abstract This essay compares two influential novels from the Beat era, William Burroughs’ Naked Lunch and Jack Kerouac’s On the Road, and how they use the spatial dimension of writing as a tool for resistance. The spatiality of Kerouac’s travel narrative is compared to the spatiality of Burroughs cut-up narrative, and the spaces of cities and the road are analyzed. I argue that On the Road is an attempt at a spiritual escape from Western dogmatism—dramatized through the means of a spatial journey—whilst Naked Lunch is attempting an escape from “control”, mediated through the means of a spatial destabilization in the narrative. In trying to define the term “control” used by Burroughs, I look at Foucault’s Discipline and Punish, as well as other sources, in order to determine which mechanisms of society that are being reacted against in these novels. The historical context of these two Beat writers as situated in the American postwar era is also considered – a context which is examined in relation to the concept of normality. Keywords: Beat; space; resistance; control; cut-up; travel narrative Pirro 1 “[T]he ‘human condition’ is often one of disorientation, where our experience of being-in- the-world frequently resembles being lost.” (Tally 43) The spaces around us can be either confining or liberating. A classroom, one’s home, the town square or one’s home country – these are all spaces that, depending on who you ask (and when), may function as a safe refuge or as a prison. -
Cal Poly the Beat Museum 211 West Franklin St
Cassady comes to Cal Poly The Beat Museum 211 West Franklin St. He’s On The Road again! Monterey, CA 93940 Phone: 831-372-4911 For Details, Contact: Press Release Robert Jordan Websites: For Release 9:00 a.m. Phone: 555-555-1234 www.thebeatmuseumonwheels.com Fax: 831-555-1234 www.kerouac.com Release Date February 7, 2005 Emai l: [email protected] THE BEAT MUSEUM ON WHEELS featuring writer John Allen Cassady with stories of his famous Beat father Neal Cassady, and Beat Generation writers Jack Kerouac, and Allen Ginsberg comes to the Spanos Theater on February 28 San Luis Obispo, CA - The Beat Museum on Wheels (www.kerouac.com), a rolling version of The Beat Museum, a museum / bookstore, located in Monterey, California, is on the move, and it’s heading for SLO Town! John Allen Cassady joins The Beat Museum on Wheels – The Beat Museum on Wheels is coming to Cal Poly’s Spanos Theatre (also known as the “Little Theatre”) in San Luis Obispo, on February 28, 2005 at 7pm. The show, entitled “This is The Beat Generation!” features writer, and musician, John Allen Cassady, playing piano, guitar, and telling stories of his famous Beat father Neal Cassady, his mother, Beat Generation muse Carolyn Cassady (“Off the Road: My Years With Cassady, Kerouac and Ginsberg”), and writers Jack Kerouac (“On The Road”), and Allen Ginsberg (“Howl”), whom he’s named after. Along with Jerry Cimino, Beat Generation Scholar owner of The Beat Museum, and www.kerouac.com, in Monterey, CA, they tell a story punctuated by dramatic readings, personal family remembrances, American history, and music that bring The Beats, and their work, to life. -
The Road Narrative in Contemporary American
THIS IS NOT AN EXIT: THE ROAD NARRATIVE IN CONTEMPORARY AMERICAN LITERATURE AND FILM by JILL LYNN TALBOT, B.S.Ed., M.A. A DISSERTATION IN ENGLISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Accepted Dean (C(f the Graduate School May, 1999 ACKNOWLEDGEMENTS I would like to thank my dissertation director, Dr. Bryce Conrad, for agreeing to work with me on this project and for encouraging me to remain cognizant of its scope and its overall significance, both now and in the future. Thanks also to committee member Dr. Patrick Shaw, who not only introduced me to an American fiction that I could appreciate and devote myself to in both my personal and professional life, but who has guided me from my first analysis of On the Road, which led to this project. Thanks also to committee member Dr. Bill Wenthe, for his friendship and his decision to be a part of this process. I would also like to thank those individuals who have been supportive and enthusiastic about this project, but mostly patient enough to listen to all my ideas, frustrations, and lengthy ruminations on the aesthetics of the road narrative during this past year. Last, I need to thank my true companion, who shares my love not only for roads, but certain road songs, along with all the images promised by the "road away from Here." 11 TABLE OF CONTENTS ACKNOWLEDGEMENTS ii ABSTRACT v CHAPTER I. INTRODUCTION 1 II. THE REALITY OF THE ROAD: THE NON-FICTION ROAD NARRATIVE 2 6 John Steinbeck's Travels with Charley: In Search of America 27 William Least Heat-Moon's Blue Highways: A Journey into America 35 John A. -
BAER Final Report
BAER Final Report Invasive Plant Monitoring Following 2004 Fires USFWS National Wildlife Refuges – Alaska Region Collection site. Kanuti National Wildlife Refuge. Helen Cortés-Burns and Matt Carlson Alaska Natural Heritage Program Environment and Natural Resources Institute University of Alaska Anchorage 707 A Street Anchorage, Alaska 99501 Report funded by and prepared for: USFWS, Alaska Regional Office February 2006 - 1 - ABSTRACT ................................................................................................................................................................- 4 - ACKNOWLEDGEMENTS ............................................................................................................................................- 5 - INTRODUCTION ........................................................................................................................................................- 6 - TREATMENT SPECIFICATION ..................................................................................................................................- 6 - LOGISTICS, SAMPLING PROTOCOLS, AND DATA ANALYSIS .....................................................................................- 7 - Pre-fieldwork: logistics........................................................................................................................................- 7 - Fieldwork: methodology......................................................................................................................................- -
An Analysis of the Press Coverage of the Beat Generation During the 1950S Anna Lou Jessmer [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2012 Containing the Beat: An Analysis of the Press Coverage of the Beat Generation During the 1950s Anna Lou Jessmer [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the Critical and Cultural Studies Commons, Journalism Studies Commons, and the Mass Communication Commons Recommended Citation Jessmer, Anna Lou, "Containing the Beat: An Analysis of the Press Coverage of the Beat Generation During the 1950s" (2012). Theses, Dissertations and Capstones. Paper 427. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. CONTAINING THE BEAT: AN ANALYSIS OF THE PRESS COVERAGE OF THE BEAT GENERATION DURING THE 1950S A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Journalism by Anna Lou Jessmer Approved by Robert A. Rabe, Committee Chairperson Professor Janet Dooley Dr. Terry Hapney Marshall University December 2012 ii Dedication I would like to dedicate my research to my grandfather, James D. Lee. His personal experiences during the Cold War at home and abroad inspired in me a fascination of the era at an early age. iii ACKNOWLEDGMENTS I would like to take a moment to acknowledge in writing, a few individuals without whom this paper would not be complete. I am incredibly and eternally grateful for Professor Robert A.