Land, Power, and the Sacred
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tra Storia E Leggenda “Kusanagi No Tsurugi” La Spada Falciatrice D’Erba
Tra storia e leggenda “Kusanagi no Tsurugi” la Spada Falciatrice d’Erba Si narra che il dio Haya Susanoo - figlio del dio Attorno alle spade giapponesi (alla loro origine, ai Izanagi, creatore, insieme alla dea Izanami, delle fabbri che le forgiarono, ai personaggi che ne furo- isole nipponiche - venne esiliato nella regione di no in possesso o ne subirono gli effetti) sono fiorite Izumo dalle otto centinaia di decine di migliaia nel tempo numerose storie e leggende come quella di dei. Qui egli uccise un drago con otto teste per di Susanoo, sospese tra mito e realtà storicamente salvare una vergine, offerta in sacrificio al mostro. documentate. Tramandati di padre in figlio in epoche Trafitta a morte la bestia, si affrettò a smembrarla con lontane, molti di questi racconti sono inverosimili la propria spada ma, arrivato alla coda, non riuscì a alla luce della pragmatica logica occidentale, ma un troncarla: il filo della spada si intaccava, cozzando tempo erano venerati in Giappone come indiscutibili contro un elemento prodigiosamente inscalfibile. verità rivelate: spade indistruttibili e prodigiosamente Squarciata la coda per tutta la lunghezza, il dio trovò affilate riparavano torti e scacciavano spiriti malvagi all’interno una grande spada, che venne chiamata in nome della giustizia. E portavano nomi propri, Tsumugari (La Ben Affilata). Susanoo la consegnò legati al possessore, al fabbro o, più frequentemente, alla dea solare Amaterasu, che la diede poi al nipote ad un particolare elemento della loro straordinaria Ninigi quando questi discese dal cielo per governare vicenda. il Giappone. La spada fu infine ereditata dagli impe- ratori, il decimo dei quali, Suigin, ordinò che fosse _ custodita nel tempio di Ise. -
Real-Life Kantei-Of Swords , Part 10: a Real Challenge : Kantei Wakimono Swords
Real-Life kantei-of swords , part 10: A real challenge : kantei Wakimono Swords W.B. Tanner and F.A.B. Coutinho 1) Introduction Kokan Nakayama in his book “The Connoisseurs Book of Japanese Swords” describes wakimono swords (also called Majiwarimono ) as "swords made by schools that do not belong to the gokaden, as well other that mixed two or three gokaden". His book lists a large number of schools as wakimono, some of these schools more famous than others. Wakimono schools, such as Mihara, Enju, Uda and Fujishima are well known and appear in specialized publications that provide the reader the opportunity to learn about their smiths and the characteristics of their swords. However, others are rarely seen and may be underrated. In this article we will focus on one of the rarely seen and often maligned school from the province of Awa on the Island of Shikoku. The Kaifu School is often associated with Pirates, unique koshirae, kitchen knives and rustic swords. All of these associations are true, but they do not do justice to the school. Kaifu (sometimes said Kaibu) is a relatively new school in the realm of Nihonto. Kaifu smiths started appearing in records during the Oei era (1394). Many with names beginning with UJI or YASU such as Ujiyoshi, Ujiyasu, Ujihisa, Yasuyoshi, Yasuyoshi and Yasuuji , etc, are recorded. However, there is record of the school as far back as Korayku era (1379), where the schools legendary founder Taro Ujiyoshi is said to have worked in Kaifu. There is also a theory that the school was founded around the Oei era as two branches, one following a smith named Fuji from the Kyushu area and other following a smith named Yasuyoshi from the Kyoto area (who is also said to be the son of Taro Ujiyoshi). -
Full Download
VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
The Jesuit Mission and Jihi No Kumi (Confraria De Misericórdia)
The Jesuit Mission and Jihi no Kumi (Confraria de Misericórdia) Takashi GONOI Professor Emeritus, University of Tokyo Introduction During the 80-year period starting when the Jesuit missionary Francis Xavier and his party arrived in Kagoshima in August of 1549 and propagated their Christian teachings until the early 1630s, it is estimated that a total of 760,000 Japanese converted to Chris- tianity. Followers of Christianity were called “kirishitan” in Japanese from the Portu- guese christão. As of January 1614, when the Tokugawa shogunate enacted its prohibi- tion of the religion, kirishitan are estimated to have been 370,000. This corresponds to 2.2% of the estimated population of 17 million of the time (the number of Christians in Japan today is estimated at around 1.1 million with Roman Catholics and Protestants combined, amounting to 0.9% of total population of 127 million). In November 1614, 99 missionaries were expelled from Japan. This was about two-thirds of the total number in the country. The 45 missionaries who stayed behind in hiding engaged in religious in- struction of the remaining kirishitan. The small number of missionaries was assisted by brotherhoods and sodalities, which acted in the missionaries’ place to provide care and guidance to the various kirishitan communities in different parts of Japan. During the two and a half centuries of harsh prohibition of Christianity, the confraria (“brother- hood”, translated as “kumi” in Japanese) played a major role in maintaining the faith of the hidden kirishitan. An overview of the state of the kirishitan faith in premodern Japan will be given in terms of the process of formation of that faith, its actual condition, and the activities of the confraria. -
The Hosokawa Family Eisei Bunko Collection
NEWS RELEASE November, 2009 The Lineage of Culture – The Hosokawa Family Eisei Bunko Collection The Tokyo National Museum is pleased to present the special exhibition “The Lineage of Culture—The Hosokawa Family Eisei Bunko Collection” from Tuesday, April 20, to Sunday, June 6, 2010. The Eisei Bunko Foundation was established in 1950 by 16th-generation family head Hosokawa Moritatsu with the objective of preserving for future generations the legacy of the cultural treasures of the Hosokawa family, lords of the former Kumamoto domain. It takes its name from the “Ei” of Eigen’an—the subtemple of Kenninji in Kyoto, which served as the family temple for eight generations from the time of the original patriarch Hosokawa Yoriari, of the governing family of Izumi province in the medieval period— and the “Sei” of Seiryūji Castle, which was home to Hosokawa Fujitaka (better known as Yūsai), the founder of the modern Hosokawa line. Totaling over 80,000 objects, it is one of the leading collections of cultural properties in Japan and includes archival documents, Yūsai’s treatises on waka poetry, tea utensils connected to the great tea master Sen no Rikyū from the personal collection of 2nd-generation head Tadaoki (Sansai), various objects associated with Hosokawa Gracia, and paintings by Miyamoto Musashi. The current exhibition will present the history of the Hosokawa family and highlight its role in the transmission of traditional Japanese culture—in particular the secrets to understanding the Kokinshū poetry collection, and the cultural arts of Noh theater and the Way of Tea—by means of numerous treasured art objects and historical documents that have been safeguarded through the family’s tumultuous history. -
Real-Life Kantei of Swords Part 10
Japanese Swords Society of the United States - Volume 48 No. 4 _______________________________________________________________________________ Real-Life kantei-of swords , part 10: A real challenge : kantei Wakimono Swords W.B. Tanner and F.A.B. Coutinho 1) Introduction Kokan Nakayama in his book “The Connoisseurs Book of Japanese Swords” describes wakimono swords (also called Majiwarimono ) as "swords made by schools that do not belong to the gokaden, as well other that mixed two or three gokaden". His book lists a large number of schools as wakimono, some of these schools more famous than others. Wakimono schools, such as Mihara, Enju, Uda and Fujishima are well known and appear in specialized publications that provide the reader the opportunity to learn about their smiths and the characteristics of their swords. However, others are rarely seen and may be underrated. In this article we will focus on one of the rarely seen and often maligned school from the province of Awa on the Island of Shikoku. The Kaifu School is often associated with Pirates, unique koshirae, kitchen knives and rustic swords. All of these associations are true, but they do not do justice to the school. Kaifu (sometimes said Kaibu) is a relatively new school in the realm of Nihonto. Kaifu smiths started appearing in records during the Oei era (1394). Many with names beginning with UJI or YASU such as Ujiyoshi, Ujiyasu, Ujihisa, Yasuyoshi, Yasuyoshi and Yasuuji , etc, are recorded. However, there is record of the school as far back as Korayku era (1379), where the schools legendary founder Taro Ujiyoshi is said to have worked in Kaifu. -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
The Goddesses' Shrine Family: the Munakata Through The
THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA by BRENDAN ARKELL MORLEY A THESIS Presented to the Interdisciplinary Studies Program: Asian Studies and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2009 11 "The Goddesses' Shrine Family: The Munakata through the Kamakura Era," a thesis prepared by Brendan Morley in partial fulfillment ofthe requirements for the Master of Arts degree in the Interdisciplinary Studies Program: Asian Studies. This thesis has been approved and accepted by: e, Chair ofthe Examining Committee ~_ ..., ,;J,.." \\ e,. (.) I Date Committee in Charge: Andrew Edmund Goble, Chair Ina Asim Jason P. Webb Accepted by: Dean ofthe Graduate School III © 2009 Brendan Arkell Morley IV An Abstract ofthe Thesis of Brendan A. Morley for the degree of Master ofArts in the Interdisciplinary Studies Program: Asian Studies to be taken June 2009 Title: THE GODDESSES' SHRINE FAMILY: THE MUNAKATA THROUGH THE KAMAKURA ERA This thesis presents an historical study ofthe Kyushu shrine family known as the Munakata, beginning in the fourth century and ending with the onset ofJapan's medieval age in the fourteenth century. The tutelary deities ofthe Munakata Shrine are held to be the progeny ofthe Sun Goddess, the most powerful deity in the Shinto pantheon; this fact speaks to the long-standing historical relationship the Munakata enjoyed with Japan's ruling elites. Traditional tropes ofJapanese history have generally cast Kyushu as the periphery ofJapanese civilization, but in light ofrecent scholarship, this view has become untenable. Drawing upon extensive primary source material, this thesis will provide a detailed narrative ofMunakata family history while also building upon current trends in Japanese historiography that locate Kyushu within a broader East Asian cultural matrix and reveal it to be a central locus of cultural production on the Japanese archipelago. -
Vegetable Production and the Diet in Rural Villages by Ayako Ehara (Professor Emeritus, Tokyo Kasei-Gakuin University)
Vegetables and the Diet of the Edo Period, Part 2 Vegetable Production and the Diet in Rural Villages By Ayako Ehara (Professor Emeritus, Tokyo Kasei-Gakuin University) Introduction compiled by Tomita Iyahiko and completed in 1873, describes the geography and culture of Hida During the Edo period (1603–1868), the number of province. It contains records from 415 villages in villages in Japan remained fairly constant with three Hida counties, including information on land roughly 63,200 villages in 1697 and 63,500 140 years value, number of households, population and prod- later in 1834. According to one source, the land ucts, which give us an idea of the lifestyle of these value of an average 18th and 19th century village, with villagers at the end of the Edo period. The first print- a population of around 400, was as much as 400 to ed edition of Hidago Fudoki was published in 1930 500 koku1, though the scale and character of each vil- (by Yuzankaku, Inc.), and was based primarily on the lage varied with some showing marked individuality. twenty-volume manuscript held by the National In one book, the author raised objections to the gen- Archives of Japan. This edition exhibits some minor eral belief that farmers accounted for nearly eighty discrepancies from the manuscript, but is generally percent of the Japanese population before and during identical. This article refers primarily to the printed the Edo period. Taking this into consideration, a gen- edition, with the manuscript used as supplementary eral or brief discussion of the diet in rural mountain reference. -
A Concentrated Group of Kofun Built in Various Sizes and Shapes a Virtually Reconstructed Aerial View of the Furuichi Area Chapter 3
A concentrated group of kofun built in various sizes and shapes A virtually reconstructed aerial view of the Furuichi area Chapter 3 Justification for Inscription 3.1.a Brief Synthesis 3.1.b Criteria under Which Inscription is Proposed 3.1.c Statement of Integrity 3.1.d Statement of Authenticity 3.1.e Protection and Management Requirements 3.2 Comparative Analysis 3.3 Proposed Statement of Outstanding Universal Value 3.1.a Brief Synthesis 3.Justification for Inscription 3.1.a Brief Synthesis The property “Mozu-Furuichi Kofun Group” is a tomb group of the king’s clan and the clan’s affiliates that ruled the ancient Japanese archipelago and took charge of diplomacy with contemporary East Asian powers. The tombs were constructed between the late 4th century and the late 5th century, which was the peak of the Kofun period, characterized by construction of distinctive mounded tombs called kofun. A set of 49 kofun in 45 component parts is located on a plateau overlooking the bay which was the maritime gateway to the continent, in the southern part of the Osaka Plain which was one of the important political cultural centers. The property includes many tombs with plans in the shape of a keyhole, a feature unique in the world, on an extraordinary scale of civil engineering work in terms of world-wide constructions; among these tombs several measure as much as 500 meters in mound length. They form a group, along with smaller tombs that are differentiated by their various sizes and shapes. In contrast to the type of burial mound commonly found in many parts of the world, which is an earth or piled- stone mound forming a simple covering over a coffin or a burial chamber, kofun are architectural achievements with geometrically elaborate designs created as a stage for funerary rituals, decorated with haniwa clay figures. -
Nihontō Compendium
Markus Sesko NIHONTŌ COMPENDIUM © 2015 Markus Sesko – 1 – Contents Characters used in sword signatures 3 The nengō Eras 39 The Chinese Sexagenary cycle and the corresponding years 45 The old Lunar Months 51 Other terms that can be found in datings 55 The Provinces along the Main Roads 57 Map of the old provinces of Japan 59 Sayagaki, hakogaki, and origami signatures 60 List of wazamono 70 List of honorary title bearing swordsmiths 75 – 2 – CHARACTERS USED IN SWORD SIGNATURES The following is a list of many characters you will find on a Japanese sword. The list does not contain every Japanese (on-yomi, 音読み) or Sino-Japanese (kun-yomi, 訓読み) reading of a character as its main focus is, as indicated, on sword context. Sorting takes place by the number of strokes and four different grades of cursive writing are presented. Voiced readings are pointed out in brackets. Uncommon readings that were chosen by a smith for a certain character are quoted in italics. 1 Stroke 一 一 一 一 Ichi, (voiced) Itt, Iss, Ipp, Kazu 乙 乙 乙 乙 Oto 2 Strokes 人 人 人 人 Hito 入 入 入 入 Iri, Nyū 卜 卜 卜 卜 Boku 力 力 力 力 Chika 十 十 十 十 Jū, Michi, Mitsu 刀 刀 刀 刀 Tō 又 又 又 又 Mata 八 八 八 八 Hachi – 3 – 3 Strokes 三 三 三 三 Mitsu, San 工 工 工 工 Kō 口 口 口 口 Aki 久 久 久 久 Hisa, Kyū, Ku 山 山 山 山 Yama, Taka 氏 氏 氏 氏 Uji 円 円 円 円 Maru, En, Kazu (unsimplified 圓 13 str.) 也 也 也 也 Nari 之 之 之 之 Yuki, Kore 大 大 大 大 Ō, Dai, Hiro 小 小 小 小 Ko 上 上 上 上 Kami, Taka, Jō 下 下 下 下 Shimo, Shita, Moto 丸 丸 丸 丸 Maru 女 女 女 女 Yoshi, Taka 及 及 及 及 Chika 子 子 子 子 Shi 千 千 千 千 Sen, Kazu, Chi 才 才 才 才 Toshi 与 与 与 与 Yo (unsimplified 與 13 -
Types of Japanese Folktales
Types of Japanese Folktales By K e ig o Se k i CONTENTS Preface ............................................................................ 2 Bibliography ................................... ................................ 8 I. Origin of Animals. No. 1-30 .....................................15 II. A nim al Tales. No. 31-74............................................... 24 III. Man and A n im a l............................................................ 45 A. Escape from Ogre. No. 75-88 ....................... 43 B. Stupid Animals. No. 87-118 ........................... 4& C. Grateful Animals. No. 119-132 ..................... 63 IV. Supernatural Wifes and Husbands ............................. 69 A. Supernatural Husbands. No. 133-140 .............. 69 B. Supernatural Wifes. No. 141-150 .................. 74 V. Supernatural Birth. No. 151-165 ............................. 80 VI. Man and Waterspirit. No. 166-170 ......................... 87 VII. Magic Objects. No. 171-182 ......................................... 90 V III. Tales of Fate. No. 183-188 ............................... :.… 95 IX. Human Marriage. No. 189-200 ................................. 100 X. Acquisition of Riches. No. 201-209 ........................ 105 X I. Conflicts ............................................................................I l l A. Parent and Child. No. 210-223 ..................... I l l B. Brothers (or Sisters). No. 224-233 ..............11? C. Neighbors. No. 234-253 .....................................123 X II. The Clever Man. No. 254-262