FUSION BEADS September October November December 2012
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Displaced Narratives of Iranian Migrants and Refugees: Constructions of Self and the Struggle for Representation
Displaced Narratives of Iranian migrants and Refugees: Constructions of Self and the Struggle for Representation. Submitted by Mammad Aidani Submitted in total fulfillment of the requirements of the degree for Philosophy in the Faculty of Arts, Education and Human Development School of Psychology at the Victoria University, December 2007 1 “I Mammad Aidani declare that the PhD thesis entitled Displaced Narrative of Iranian migrants and refugees: Construction of Self and the Struggle for Representation is no more than 100,000 words in length including quotes and exclusive of tables, figures, appendices, bibliography, references and footnotes. This thesis contains no material that has been submitted previously, in whole or in part , for the award of any other academic degree or diploma. Except where otherwise indicated, this thesis is my won work”. Signature Date 2 Abstract This thesis discusses the multiple narratives of Iranian migrants and refugees living in Melbourne, Australia. The narratives are constructed by men and women who left Iran immediately after the 1979 revolution; the Iran – Iraq war; and Iranians who are recent arrivals in Australia. The narratives of the participants are particularly influenced and contextualized by the 1979 revolution, the 1980-1988 Iran – Iraq War and the post 9/11 political framework. It is within these historical contexts, I argue that Iranian experiences of displacement need to be interpreted. These historical periods not only provide the context for the narratives of the participants but it also gives meaning to how they reconstruct their identities and the emotions of their displacement. This thesis also argues that Iranian migrant and refugee narratives are part of a holistic story that is united rather than separated from one another. -
The Land of Glory and Beauties
IRAN The Land of Glory and Beauties Iranian Cultural Heritage, Handicrafts and Tourism Organization www.tourismiran.ir Iran is the land of four seasons, history and culture, souvenir and authenticity. This is not a tourism slogan, this is the reality inferred from the experience of visitors who have been impressed by Iran’s beauties and amazing attractions. Antiquity and richness of its culture and civilization, the variety of natural and geographical attractions, four - season climate, diverse cultural sites in addition to different tribes with different and fascinating traditions and customs have made Iran as a treasury of tangible and intangible heritage. Different climates can be found simultaneously in Iran. Some cities have summer weather in winter, or have spring or autumn weather; at the same time in summer you might find some regions covered with snow, icicles or experiencing rain and breeze of spring. Iran is the land of history and culture, not only because of its Pasargad and Persepolis, Chogha Zanbil, Naqsh-e Jahan Square, Yazd and Shiraz, Khuzestan and Isfahan, and its tangible heritage inscribed in the UNESCO World Heritage List; indeed its millennial civilization and thousands historical and archeological monuments and sites demonstrate variety and value of religious and spiritual heritage, rituals, intact traditions of this country as a sign of authenticity and splendor. Today we have inherited the knowledge and science from scientists, scholars and elites such as Hafez, Saadi Shirazi, Omar Khayyam, Ibn Khaldun, Farabi, IRAN The Land of Glory and Beauties Ibn Sina (Avicenna), Ferdowsi and Jalal ad-Din Muhammad Rumi. Iran is the land of souvenirs with a lot of Bazars and traditional markets. -
Dewdrop Beaded Bead. Beadwork: ON12, 24-26 Bead Four: Treasure Trove Beaded Bead
Beadwork Index through December 2017/January 2018 Issue abbreviations: D/J =December/January FM = February/March AM = April/May JJ = June/July AS=August/September ON=October/November This index covers Beadwork magazine, and special issues of Super Beadwork. To find an article, translate the issue/year/page abbreviations (for example, “Royal duchess cuff. D10/J11, 56-58” as Beadwork, December 2011/January 2012 issue, pages 56-58.) Website = www.interweave.com or beadingdaily.com Names: the index is being corrected over time to include first names instead of initials. These corrections will happen gradually as more records are corrected. Corrections often appear in later issues of Beadwork magazine, and the index indicates these. Many corrections, including the most up-to-date ones, are also found on the website. 15th Anniversary Beaded Bead Contest Bead five: dewdrop beaded bead. Beadwork: ON12, 24-26 Bead four: treasure trove beaded bead. Beadwork: AS12, 22-24 Bead one: seeing stars. Beadwork: FM12, 18-19 Bead three: stargazer beaded bead. Beadwork: JJ12, 20-22 Bead two: cluster beaded bead. Beadwork: AM12, 20-23 Beaded bead contest winners. Beadwork: FM13, 23-25 1800s-era jewelry Georgian jewels necklace. Beadwork: D14/J15, 80-81 1900s-era jewelry Bramble necklace. Beadwork: AS13, 24-27 Royal duchess cuff. Beadwork: D10/J11, 56-58 1920s-era jewelry Art Deco bracelet. Beadwork: D13/J14, 34-37 Modern flapper necklace. Beadwork: AS16, 70-72 1950s-era jewelry Aurelia necklace. Beadwork: D10/J11, 44-47 2-hole beads. See two-hole beads 20th anniversary of Beadwork Beadwork celebrates 20 years of publication. -
Autochthonous Aryans? the Evidence from Old Indian and Iranian Texts
Michael Witzel Harvard University Autochthonous Aryans? The Evidence from Old Indian and Iranian Texts. INTRODUCTION §1. Terminology § 2. Texts § 3. Dates §4. Indo-Aryans in the RV §5. Irano-Aryans in the Avesta §6. The Indo-Iranians §7. An ''Aryan'' Race? §8. Immigration §9. Remembrance of immigration §10. Linguistic and cultural acculturation THE AUTOCHTHONOUS ARYAN THEORY § 11. The ''Aryan Invasion'' and the "Out of India" theories LANGUAGE §12. Vedic, Iranian and Indo-European §13. Absence of Indian influences in Indo-Iranian §14. Date of Indo-Aryan innovations §15. Absence of retroflexes in Iranian §16. Absence of 'Indian' words in Iranian §17. Indo-European words in Indo-Iranian; Indo-European archaisms vs. Indian innovations §18. Absence of Indian influence in Mitanni Indo-Aryan Summary: Linguistics CHRONOLOGY §19. Lack of agreement of the autochthonous theory with the historical evidence: dating of kings and teachers ARCHAEOLOGY __________________________________________ Electronic Journal of Vedic Studies 7-3 (EJVS) 2001(1-115) Autochthonous Aryans? 2 §20. Archaeology and texts §21. RV and the Indus civilization: horses and chariots §22. Absence of towns in the RV §23. Absence of wheat and rice in the RV §24. RV class society and the Indus civilization §25. The Sarasvatī and dating of the RV and the Bråhmaas §26. Harappan fire rituals? §27. Cultural continuity: pottery and the Indus script VEDIC TEXTS AND SCIENCE §28. The ''astronomical code of the RV'' §29. Astronomy: the equinoxes in ŚB §30. Astronomy: Jyotia Vedåga and the -
Read Book How to Make Brick Stitch Seed Bead Earrings
HOW TO MAKE BRICK STITCH SEED BEAD EARRINGS. BOOK 2 : 8 PROJECTS PDF, EPUB, EBOOK Galiya | 40 pages | 19 May 2016 | Createspace Independent Publishing Platform | 9781533347312 | English | none How to Make Brick Stitch Seed Bead Earrings. Book 2 : 8 Projects PDF Book Step 1. To ask other readers questions about How to make brick stitch seed bead earrings , please sign up. View more in Seed Beads. Subscribe to: Posts Atom. Pattern for Daisy Earrings. Seed Bead Earrings Pattern Free. Printers do not always print the pattern colors correctly. This allows you to personalize how you brick stitch your pattern a little more. Kirsti Vandevord rated it it was amazing Apr 08, Seed Bead Hoop Earrings Pattern. Typically, this is a central row in the pattern. Step-by-Step Instructions Step 1 Leaving a long tail, complete rows of the brick stitch Santa using the provided diagram and decreasing brick stitch rows. E - Aqua Blue Beads - 6. Step 8. Seed Bead Earring Pattern. Adding Products To Your Cart. Check out the link for the pattern tutorial and you will find out how easy it is. Subscribe to: Posts Atom. See details. Book of Patterns 2 , please sign up. C - White Beads - The colorful solid or transparent beads are suitable for all sorts of beading techniques including peyote and brick stitches, as well as simple stringing and braiding designs. Book of Patterns 2. How to Make Brick Stitch Seed Bead Earrings. Book 2 : 8 Projects Writer These earrings are so sweet for Christmas. Pendant Bead Count:. Goodreads helps you keep track of books you want to read. -
Craft Horizons JANUARY/FEBRUARY 1969 $2.00 Potteraipiney Wheel S & CERAMIC EQUIPMENT I
craft horizons JANUARY/FEBRUARY 1969 $2.00 PotterAipiney Wheel s & CERAMIC EQUIPMENT i Operating from one of the most modern facilities of its kind, A. D. Alpine, Inc. has specialized for more than a quarter of a century in the design and manufac- ture of gas and electric kilns, pottery wheels, and a complete line of ceramic equipment. Alpine supplies professional potters, schools, and institutions, throughout the entire United States. We manufacture forty-eight different models of high fire gas and electric kilns. In pottery wheels we have designed an electronically controlled model with vari- able speed and constant torque, but we still manufacture the old "KICK WHEEL" too. ûzùzêog awziözbfe Also available free of charge is our book- let "Planning a Ceramic Studio or an In- stitutional Ceramic Arts Department." WRITE TODAY Dept. A 353 CORAL CIRCLE EL SEGUNDO, CALIF. 90245 AREA CODE (213) 322-2430 772-2SS7 772-2558 horizons crafJanuary/February 196t9 Vol. XXIX No. 1 4 The Craftsman's World 6 Letters 7 Our Contributors 8 Books 10 Three Austrians and the New Jersey Turnpike by Israel Horovitz 14 The Plastics of Architecture by William Gordy 18 The Plastics of Sculpture: Materials and Techniques by Nicholas Roukes 20 Freda Koblick by Nell Znamierowski 22 Reflections on the Machine by John Lahr 26 The New Generation of Ceramic Artists by Erik Gronborg 30 25th Ceramic National by Jean Delius 36 Exhibitions 53 Calendar 54 Where to Show The Cover: "Phenomena Phoenix Run," polyester resin window by Paul Jenkins, 84" x 36", in the "PLASTIC as Plastic" show at New York's Museum of Contemporary Crafts (November 22-Januaiy 12). -
Arts and Handicraft of the Indian
Srtsi anti Handicraft of tfjc Indian INDIAN CRAFTS DEPARTMENT Uniteb States: Snbian ikfjool CARLISLE, PENNSYLVANIA ( I :u;: so ;913P.m. Jnftian grafts ©ppt. tinted f*tatn Indian &ri)ooI (Sarlislr, pa. Partial list of Scalar Stock --------->. Distributors of Baskets, Head work Nava ho Blankets, Silverware, Moccasins, Beads, Buckskin Work, War Bonnets, Ceremonial Trophies, Pottery, etc. In fact, Everything made_hy the Indian j Introductory. pose of perpetuating native Indian arts and crafts among the Indians, and to distribute among appreciative persons throughout the country the work turned out by the students, as a result of the encouragement of their art here at school, as well as to distribute the finest pieces of workman ship to be found on the reservations, which are produced by the old people. The agents pick out and send to us only the finest quality of genuine Indian work, and we sell these goods at strictly cost price. We are notin the mercantile business and do not solicit wholesale orders, but we will aid those inter ested in securing either single pieces or entire collections. The prices for the same quality goods are about one-half those of the regular dealers. We do not sell for profit, but to assist and encourage Indian Art. Navaho blankets are not cheap goods. It requires a lot of valuable material, a great deal of hard labor, a long time, much skill, and infinite patience to make a fine one; and they can only be cheap by comparison. Measured by this standard, they are very cheap, indeed. No Navaho weaver can turn out fine work rapidly, and when the trader, in compliance with the dealer’s demands for more and cheaper blankets, tries to force the price of her work down, he simply forces inferior work on her and does not get good blankets. -
POCKET PROGRAM May 24-27, 2019
BALTICON 53 POCKET PROGRAM May 24-27, 2019 Note: Program listings are current as of Monday, May 20 at 1:00pm. For up-to-date information, please pick up a schedule grid, the daily Rocket Mail, or see our downloadable, interactive schedule at: https://schedule.balticon.org/ LOCATIONS AND HOURS OF OPERATION Locations and Hours of Operation 5TH FLOOR, ATRIUM ENTRANCE: • Volunteer/Information Desk • Accessibility • Registration o Fri 1pm – 10pm o Sat 8:45am – 7pm o Sun 8:45am – 5pm o Mon 10am – 1:30pm 5TH FLOOR, ATRIUM: • Con Suite: Baltimore A o Friday 4pm – Monday 2pm Except from 3am – 6am • Dealers’ Rooms: Baltimore B & Maryland E/F o Fri 2pm – 7pm o Sat 10am – 7pm o Sun 10am – 7pm o Mon 10am – 2pm • Artist Alley & Writers’ Row o Same hours as Dealers, with breaks for participation in panels, workshops, or other events. • Art Show: Maryland A/B o Fri 5pm – 7pm; 8pm – 10pm o Sat 10am – 8pm o Sun 10am – 1pm; 2:15pm – 5pm o Mon 10am – noon • Masquerade Registration o Fri 4pm – 7pm • LARP Registration o Fri 5pm – 9pm o Sat 9am – 10:45am • Autographs: o See schedule BALTICON 53 POCKET PROGRAM 3 LOCATIONS AND HOURS OF OPERATION 5TH FLOOR: • Con Ops: Fells Point (past elevators) o Friday 2pm – Monday 5pm • Sales Table: outside Federal Hill o Fri 2pm – 6:30pm o Sat 10:30am – 7:30pm o Sun 10:30am – 7:30pm o Mon 10:30am – 3pm • Hal Haag Memorial Game Room: Federal Hill o Fri 4pm – 2am o Sat 10am – 2am o Sun 10am – 2am o Mon 10am – 3pm • RPG Salon: Watertable A 6TH FLOOR: • Open Filk: Kent o Fri 11pm – 2am o Sat 11pm – 2am o Sun 10pm – 2am o Mon 3pm – 5pm • Medical: Room 6017 INVITED PARTICIPANTS ONLY: • Program Ops: Fells Point (past elevators) o Fri 1pm – 8pm o Sat 9am – 3pm o Sun 9am – Noon o Other times: Contact Con Ops • Green Room: 12th Floor Presidential Suite o Fri 1pm – 9pm o Sat 9am – 7pm o Sun 9am – 4pm o Mon 9am – Noon Most convention areas will close by 2am each night. -
Beading Needles
BEADING Beading Needles & Tools NEEDLES S Bends easily, without breaking or warping Beading Needles ①Needle-eye ①The well-finished needle-eye enables users to thread a needle smoothly without snagging a thread. Furthermore, the robustness of the needle-eye provides users with a sense of security. ②The highly flexible body returns to its original shape even after piercing through a narrow clearance in bead stitching. Treated with heat, this needle is robust and highly flexible. ②Body ○Well-f inished robust needle-eye ○Strong and break-resistant body Designed by Satoko Nakamura ③The tip is slightly rounded to avoid splitting the thread. The fine needle can smoothly pierce through a narrow clearance among stitches. Designed by Carol Cypher ③Needle Point actual size #10(Long) 0.46mm×51.0mm #10(Short) 0.46mm×37.0mm #11 0.41mm×48.5mm #11(Short) 0.41mm×37.0mm #12 0.35mm×47.5mm #13 0.30mm×35.0mm TBN-001e TBN-002e TBN-003e TBN-014e TBN-004e TBN-005e TBN-013e UPC ART. NO. ART. NAME SIZE pcs./pack FEATURES Package size & Net weight packs/box The tip is slightly rounded to avoid splitting the thread. It can go through 846550013806 TBN-001e Beading Needles #10 (Long) 0.46mm×51.0mm 4 35mm×90mm×14mm 4g 10 a seed bead 15/0 twice. Ideal for beading & bead embroidery. Runs smoothly through fabric with a fine point. It can go through a seed 846550013813 TBN-002e Bead Embroidery (Sharp) #10 (Short) 0.46mm×37.0mm 4 35mm×90mm×14mm 4g 10 bead 15/0 twice. -
Introduction 8 Basics and Supplies 10 Chapter 1: Peyote Stitch 16 Chapter
Contents Introduction 8 Basics and supplies 10 Learn all you need to know about seed beads, threads, and needles, and get familiar with basic beading terms. Chapter 1: Peyote Stitch 16 Start with traditional flat, even-count peyote, then learn how to stitch diagonal and tubular variations. Bead Play: Bead-stitched clasps Chapter 2: Brick Stitch 32 Learn basic brick stitch and then alter it to create playful chains, twists, and zigzags. Chapter 6: Spiral Rope Stitch 72 Bead Play: Brick and peyote Sculpt twining cords of spiral rope, and create variations with different textures and colors. Chapter 3: Right-Angle Weave 40 Bead Play: Advanced spiral Create basic bands of right-angle weave, then mix it up with creative double-deck and diagonal variations. Chapter 7: Russian Stitches 80 Bead Play: Fun beaded bag Explore three Russian stitches — Russian Spiral, Fabulous Russian Rope, and St. Petersburg Chain — then discover Chapter 4: Tri & Quad Stitches 52 new variations and possibilities. Discover the easy beauty and versatility of tri stitch and its Bead Play: Sampler necklaces and pendants quadrangle variation. Bead Play: Tri/Quad combination Final thoughts 93 Chapter 5: Daisy Chain 60 Make daisy chains with the traditional six- and eight-bead Acknowledgments 94 stitches, and add layered and alternating variations. Bead Play: Peyote and daisy combined About the author 95 Introduction All I really need are beads One of my favorite bead class icebreakers is the question, “Beads or food?” Or, better yet, “Beads or chocolate?” After the initial laughter, there is some serious discussion about these questions. We all know we need food to live, but those of us who love beads need beads to survive. -
Nature's Bead Embroidery Presented by Eleanor Pigman
July 2015 Nature's Bead Embroidery Presented by Eleanor Pigman Tuesday, July 21 at 7:30 p.m. Social half-hour at 7 pm with coffee/tea Courtyard Marriott, 5555 Shellmound, Emeryville, 94605. The parking lot is a gated surface lot around the hotel. Bring your parking ticket into the hotel; get it validated after the meeting and BSNC will pay the parking fee. Members free with membership card, non-members $5 Eleanor Pigman's opening page shows a life-like jewel toned tropical fish. If this is any indication of her presentation on July 21st, we are in for an unusual treat. She will share her artistic journey beginning with the early influences she experienced growing up in New York City to finally discovering bead embroidery. Eleanor fell into the world of bead embroidery after she created a bead embroidered portrait of Barack Obama for a moveon.org contest and was one of the 50 finalist. Her piece was published, and was given a Congressional Award for “keeping hope alive through art”. This has propelled her to move forward with her work. Another piece is part of a permanent exhibition with NOAA the National Oceanic and Atmospheric Administration in St. Petersburg, FL. She will discuss her personal relationship with beads - how creating order using beads is a therapeutic experience which all beaders have realized ~ she had just kicked it up a notch which her presentation will expansively show all who attend the meeting. Eleanor is trying to create the impossible. As a self taught artist, she is always pushing the boundaries in her artistic process. -
Tulip Crafting Needle Compendium Ebook
Crafting Needle Compendium The Essential Guide to the History, tips & tricks Art, and Use of for beading, Hiroshima Needles handstitching, knitting, crocheting, & needle felting Curated by Melinda Barta and the Tulip Brand Company of Hiroshima,Crafting Japan Needle Compendium | 1 2 | Crafting Needle Compendium Produced by Starman, Inc. in collaboration with Tulip Company Ltd. All photos, text, and other content are Copyright ©Starman, Inc. 2017 or Tulip Company Limited. All rights reserved. Text by Melinda Barta and Tulip Company Limited. Product photography by Lisa Jordan. Other photographs courtesy of Tulip Company Limited and TOHO Beads. Other brand names are used with permission and are property of their respective owners. Please do not republish in any way without obtaining prior permission. Crafting Needle Compendium | 3 WELCOME................................................................................................................................................................5 HISTORY....................................................................................................................................................................6 Historical Timeline of Needles & Hook..........................................................................6 Celebrating Handcrafting in Japan..................................................................................8 Hiroshima’s Needle Making History................................................................................10 THE ART OF MANUFACTURING..........................................................................................................11