Glossary of Jewellery Making and Beading Terms
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Frame Design by David Lantrip, MCPF, GCF Framing Stained Glass
Frame Design by David Lantrip, MCPF, GCF Framing Stained Glass skilled framer needs to be prepared to han- dle just about any form of artwork a cus- Atomer presents. Artwork that is seen less often can test a framer’s nerves since the particular needs and framing methods of that type of art might not come readily to mind. This is precisely why framers need to be prepared beforehand. After all, the design counter is not the place to learn about framing new type of artwork if the customer is to have confidence that the job will be done right. One such type of art is stained glass. Despite the fact that stained glass as an art has existed for 1,000 years, it’s not every day that someone brings a piece in to be framed. Displaying stained glass Traditional stained glass work, such as may seem intimidating, that found in but it can be framed churches and important build- and handled routinely ings, is worked in Stained glass worked in the Tiffany method midway through the lead came the soldering process. Once the soldering is complete, a small by following a few metal frame is applied, the solder has a patina applied, and the method. Relatively entire piece is cleaned and polished. basic design principles large pieces of glass, cut to shape, are held within H-shaped channels of lead known as foil strip, usually about ¼” wide, to the edge of the “came.” The ends of the came are soldered to adja- individual pieces of glass, burnishing and folding it cent pieces, and the glass is held tight with mastic to either side of the glass. -
Crystal Guide for Business Success
MARIAHEALS.COM DECEMBER 2016 C R Y S T A L G U I D E for B U S I N E S S S U C C E S S W E A L T H | H E A L T H | P R O S P E R I T Y Crystal Guide for Business Success Welcome To your Crystal Guide for Business Success for you, as a Heart Centered Entrepreneurs. You will find that it is a little different to the normal guide as the focus is on the feminine paradigm, creating lasting relationships and collaboration. As well as creating abundance, meaning the flow of energy (including money). These are my top 7 crystals to create your business success, as a Heart Centered Entrepreneur. These crystals when used in girds, meditation, ritual and ceremony will support you to activate your success. I have been using crystals for years now and when I realised that they could be used to heal, create and manifest health and wealth,things started to change in my life and the life of my clients. Now I share this knowledge with you. Many Blessings Maria 2 Crystal Guide for Business Success Index Citrine Quartz (Clear) Opalite Rose Quartz Pyrite Tiger's Eye Green Aventurine 3 Crystal Guide for Business Success Set the intention The intention with these crystals is to create success on your terms, energetically, with a solid foundation, supporting you to create your financial independence. Set your intention everytime you use one or all of these crystals. How to Use these crytals? Citrine, Quartz, Rose Quartz and Tiger Eye these are wonderful combination to pop in a grid or meditate with. -
Beadweaving Brilliance : Make Beautiful Jewelry As You Learn Off-Loom Techniques Pdf, Epub, Ebook
BEADWEAVING BRILLIANCE : MAKE BEAUTIFUL JEWELRY AS YOU LEARN OFF-LOOM TECHNIQUES PDF, EPUB, EBOOK Kumiko Mizuno Ito | 82 pages | 01 Nov 2007 | Kodansha | 9784889962253 | English | United States Beadweaving Brilliance : Make Beautiful Jewelry as You Learn Off-Loom Techniques PDF Book You'll then finish it off with a cascade of luscious fringe. Construct this piece with a unique bead stitch that has many possibilities for creating additional distinctive jewelry. More information about this seller Contact this seller 9. This is a great class for using up all those leftover beads as well as your bead soup. Just in time for holiday hand-made-gift-making, comes this beautifully illustrated book that shows crafters how to create colorful and unique beaded accessories. Depending on your background, you may be approaching this with some ideas in mind. Crystal Puffy Heart. Color selection and bead compatibility will be discussed as we "Twist and Swirl" through a fun-filled day of beading, support, and friendship. Free U. Where do I go to learn? The half-hitch knot is most commonly use to end and add new beading thread. Learn how your comment data is processed. Other editions. Or, create your own fringe with pearls, crystals, and your imagination. Lori rated it liked it Aug 16, This unique project is a combination of some basic techniques. Refresh and try again. See Privacy Policy here. Rating details. Bibliografische Informationen. Copyright Guide to Beadwork. But until that is ready, you can find out a little more and get some links to tutorials. It has so many pretty items to make. -
Mini Sweety Price and Stone Combination
MINI SWEETY PRICE AND STONE COMBINATION REEF 1. € 1155 - Ring in pink gold with stone combination Fantastic Prasiolite with green amethyst 2. € 1950 - Ring in pink gold with stone combination Green Aventurine For Ever with aventurine and green diamonds 3. € 1900 - Ring in pink gold with stone combination Lemon Squash with lemon quartz and white diamonds IBIZA 1. € 1950 - Ring in pink gold with stone combination Turqoise Mist with aquamarin and brown diamonds 2. € 1460 - Ring in pink gold with stone combination Travel Through Amazon with amazonit 3. € 1460 - Ring in pink gold with stone combination Atlantic Waves with crapatit LAGOON 1. € 1460 - Ring in pink gold with stone combination Aquamarine Mist with milky aquamarine 2. € 1950 - Ring in pink gold with stone combination Turquoise Mist with milky aquamarine and brown diamonds 3. € 4210 - Ring in pink gold and white diamonds ISLAND 1. € 1560 - Ring in pink gold with stone combination Grey Adularia with grey moonstone 2. € 1460 - Ring in pink gold with stone combination Green Aventurine For Ever with aventurine 3. € 1460 - Ring in pink gold with stone combination Quartz Rutile Moonshine with quartz rutile SPRING 1. € 2515 - Ring in pink gold and white diamonds 2. € 1740 - Ring in pink gold with stone combination Deep Amethyst with Amethyst 3. € 1440 - Ring in pink gold with stone combinaion Pink Quartz So Lovely with Pink Quartz KASHMIR 1. € 1460 - Ring in pink gold with stone combination Quartz Rutile Moonshine with quartz rutile 2. € 1815 - Ring in yellow gold with stone combination Madeira Glow with madeira citrine 3. € 1790 - Ring in pink gold with stone combination Amethyst Blush with amethyst JOY 1. -
Gemstones in Metal Clay
Gemstones in Metal Clay Many natural gemstones can be set into metal clay and fired in place. Other gemstones will not survive the heat of a kiln and should be set after firing. These charts show the results of kiln and torch tests that have been performed on both natural and synthetic gemstones, adapted with permission from the original testing by Kevin Whitmore of Rio Grande. This information is for reference and should be used as a guide. There is always some risk of losing a natural gemstone even if others of it’s kind have survived in the past. Gemstones may have internal flaws that can be liquid or gaseous filled, or contain crystals of other materials that can cause the gemstone to fail where it usually does not. This guide aims to help metal clay artists sort out gemstones that are known to survive under fire from those that are not. Gemstones are minerals that are classified into groups based upon the constancy of their major properties. Each mineral family has one or more varieties contained within the group. When we sort the tested gemstones according to their mineral group, it becomes clear that an easy way to gauge the survivability of a gemstone is to look at the results of other varieties within that same group. Aquamarine and emerald, for example, are both varieties of the beryl group of minerals. The result of tests done on aquamarine and emerald indicate that minerals in the beryl group will not survive kiln heating. There are exceptions, as there always are in the natural world, but in general this method can be reliable for many varieties. -
Bead Crochet / Knitting / Tatting
bead crochet / knitting / tatting Design Originals BEAD KNITTED BAGS BEAD CROCHET BASICS 10 Projects for Beaders & Knitters Beaded Bracelets, Necklaces, Jewelry and More! by Julia S. Pretl by Mary Libby Neiman . This book featured the historically rich technique of In no time at all anyone can make an entire bead knitting – a method of knitting beads directly wardrobe of beaded jewelry! The beautiful beaded into stitches to create a dense but supple tapestry- pieces explained in this book are so intricate like fabric, in the style of vintage or antique beaded looking, one could imagine they were made by bags. With detailed instructions and sequenced artisan master beaders. illustrations, the author provides clear, step-by-step BK2130 guidance, complemented by the 20 video tutorials Softcover, 96 pages on the accompanying DVD. Each of the 10 Includes Bonus DVD BK1213 projects contain a materials list, detailed knitting Sugg. Retail $21.95 Softcover, 36 pages instructions, and color-coded graphs of the entire Sugg. Retail $12.99 pattern or a repeating motif. Each project has a unique strap, closure, or edging and the author provides finishing suggestions and helpful hints throughout the book. A Beadwork® How-To Book KNIT AND CROCHET WITH BEADS BEAD CROCHET by Lily M. Chin by Bethany Barry . Nationally known knitwear designer and author Professional beader Bethany Barry shows you how Lily M. Chin introduces 23 original, fashion-savvy to combine a vibrant selection of seed and accent designs for knitters and crocheters of all skill levels. beads with simple crochet techniques to create an Features 16 techniques for knitting & crocheting enticing cache of jewelry, accessories and sculptural with beads; and 13 knitting & 10 crochet projects; pieces. -
Beads from the Hudson's Bay Company's Principal Depot, York Factory, Manitoba, Canada
BEADS: Journal of the Society of Bead Researchers Volume 25 Volume 25 (2013) Article 6 1-1-2013 Beads from the Hudson's Bay Company's Principal Depot, York Factory, Manitoba, Canada Karlis Karklins Gary F. Adams Follow this and additional works at: https://surface.syr.edu/beads Part of the Archaeological Anthropology Commons, History of Art, Architecture, and Archaeology Commons, Science and Technology Studies Commons, and the Social and Cultural Anthropology Commons Repository Citation Karklins, Karlis and Adams, Gary F. (2013). "Beads from the Hudson's Bay Company's Principal Depot, York Factory, Manitoba, Canada." BEADS: Journal of the Society of Bead Researchers 25: 72-100. Available at: https://surface.syr.edu/beads/vol25/iss1/6 This Article is brought to you for free and open access by SURFACE. It has been accepted for inclusion in BEADS: Journal of the Society of Bead Researchers by an authorized editor of SURFACE. For more information, please contact [email protected]. BEADS FROM THE HUDSON’S BAY COMPANY’S PRINCIPAL DEPOT, YORK FACTORY, MANITOBA, CANADA Karlis Karklins and Gary F. Adams There is no other North American fur trade establishment whose half a dozen times in two separate international conflicts. longevity and historical significance can rival that of York Factory. It witnessed a naval engagement and suffered three direct Located in northern Manitoba, Canada, at the base of Hudson Bay, attacks. The factory was rebuilt seven times and was the it was the Hudson’s Bay Company’s principal Bay-side trading base of operations for such fur trade personalities as Pierre post and depot for over 250 years. -
Jewelry Making & Beading
Jewelry Making & Beading by Chris Franchetti Michaels Teach Yourself VISUALLY™ Jewelry Making & Beading Copyright © 2007 by Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. Published by Wiley Publishing, Inc., Hoboken, New Jersey No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per- copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions. Wiley, the Wiley Publishing logo, Teach Yourself VISUALLY, and related trademarks are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates. All other trademarks are the property of their respective owners. Wiley Publishing, Inc. is not associated with any product or vendor mentioned in this book. The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. -
Japanning 101. Japanning in a Can, Easy Peasy
Japanning 101. Japanning in a Can, Easy Peasy For a full discussion on various japanning mixes, quality of finish, durability and tips and techniques for success, refer to my earlier article, Japanning, or The Art of Embracing the Arcane at www.aPlaneLife.us. I highly recommend reading this article before beginning your project to understand the various mixtures and results. Have proper expectations goes a long way toward success. At the request of some readers, this series of articles will serve as a condensed, “how-to” for japanning an antique cast iron hand plane using various japanning products and mixtures. This series will start with the easiest method, commercially available japanning mix. This article will only cover the use of commercially available Rio Grande Asphaltum Varnish, although the tips and techniques should apply equally well to another commercially available pre-mixed japanning, Old PontyPool. I have chosen to focus on the Rio Grande product as I have significant experience using it, and it is very favorably priced compared to Old PontyPool. Affordable, economically sized and delivered to your door, easy. This product delivers a very deep, rich finish. Absolutely beautiful. Rio Grande Jewelers Asphaltum Varnish is available in pint cans online for about $17.00 plus shipping. Old PontyPool is sold by the quart at around $84.00 plus shipping. A pint of asphaltum varnish should cover about 15 size 4 hand planes. Old PontyPool may have more favorable performance, I have not used it, but given a limited shelf life and the quantity sold, I believe more people will be satisfied with the Rio Grande product. -
Mineral Collecting Sites in North Carolina by W
.'.' .., Mineral Collecting Sites in North Carolina By W. F. Wilson and B. J. McKenzie RUTILE GUMMITE IN GARNET RUBY CORUNDUM GOLD TORBERNITE GARNET IN MICA ANATASE RUTILE AJTUNITE AND TORBERNITE THULITE AND PYRITE MONAZITE EMERALD CUPRITE SMOKY QUARTZ ZIRCON TORBERNITE ~/ UBRAR'l USE ONLV ,~O NOT REMOVE. fROM LIBRARY N. C. GEOLOGICAL SUHVEY Information Circular 24 Mineral Collecting Sites in North Carolina By W. F. Wilson and B. J. McKenzie Raleigh 1978 Second Printing 1980. Additional copies of this publication may be obtained from: North CarOlina Department of Natural Resources and Community Development Geological Survey Section P. O. Box 27687 ~ Raleigh. N. C. 27611 1823 --~- GEOLOGICAL SURVEY SECTION The Geological Survey Section shall, by law"...make such exami nation, survey, and mapping of the geology, mineralogy, and topo graphy of the state, including their industrial and economic utilization as it may consider necessary." In carrying out its duties under this law, the section promotes the wise conservation and use of mineral resources by industry, commerce, agriculture, and other governmental agencies for the general welfare of the citizens of North Carolina. The Section conducts a number of basic and applied research projects in environmental resource planning, mineral resource explora tion, mineral statistics, and systematic geologic mapping. Services constitute a major portion ofthe Sections's activities and include identi fying rock and mineral samples submitted by the citizens of the state and providing consulting services and specially prepared reports to other agencies that require geological information. The Geological Survey Section publishes results of research in a series of Bulletins, Economic Papers, Information Circulars, Educa tional Series, Geologic Maps, and Special Publications. -
Trafalgar Square Publishing
Trafalgar Square Publishing Spring 2019 Best-Selling Titles Spring 2019 9781781452929 9781781453278 9781781453155 9781781453414 9781781452912 9781445670072 9781849909679 9781785941689 9780712352253 9780712352505 9780712352765 9781787390164 9781785003240 9781785035517 9781783963201 9781783963140 9781908531841 9781912050420 9780008135782 9781784977870 9781784979911 9781788542807 9781786694430 9781784082796 9781786064653 Spring 2019 Best-Selling Titles 9781921997969 9780565094423 9780565094409 9780857301758 9781843447740 9781910633847 9781912374038 9781910633809 9780957148345 9781843681441 9781843681311 9781509823512 9780143574224 9781844137879 9780718185336 9781846149429 9780720620054 9781910258637 9781910258743 9781910258590 9781910497364 9781786090010 9781787411883 9780750979948 9780750985598 Don’t Miss Contents 32 Glimpses of Animals/Pets .......................................................................1, 19–20, 97–101, 158 the Unknown Antiques & Collectibles/Crafts & Hobbies ................................25, 152–153, 155 Architecture ..............................................................................90, 107, 148, 154 Art/Design ................................................ 8, 25, 30, 102, 107, 123, 147, 151, 145 Autobiography/Memoir ......................... 29–30, 73, 83, 85, 87, 99, 101, 145–146 Biography .................. 3–4, 26, 30, 85, 99, 112, 114–119, 121, 145, 147, 157, 159 Body/Mind/Spirit ............................................................................... 91, 105, 145 Business/Career .......................................................................................... -
Formation of Chrysocolla and Secondary Copper Phosphates in the Highly Weathered Supergene Zones of Some Australian Deposits
Records of the Australian Museum (2001) Vol. 53: 49–56. ISSN 0067-1975 Formation of Chrysocolla and Secondary Copper Phosphates in the Highly Weathered Supergene Zones of Some Australian Deposits MARTIN J. CRANE, JAMES L. SHARPE AND PETER A. WILLIAMS School of Science, University of Western Sydney, Locked Bag 1797, Penrith South DC NSW 1797, Australia [email protected] (corresponding author) ABSTRACT. Intense weathering of copper orebodies in New South Wales and Queensland, Australia has produced an unusual suite of secondary copper minerals comprising chrysocolla, azurite, malachite and the phosphates libethenite and pseudomalachite. The phosphates persist in outcrop and show a marked zoning with libethenite confined to near-surface areas. Abundant chrysocolla is also found in these environments, but never replaces the two secondary phosphates or azurite. This leads to unusual assemblages of secondary copper minerals, that can, however, be explained by equilibrium models. Data from the literature are used to develop a comprehensive geochemical model that describes for the first time the origin and geochemical setting of this style of economically important mineralization. CRANE, MARTIN J., JAMES L. SHARPE & PETER A. WILLIAMS, 2001. Formation of chrysocolla and secondary copper phosphates in the highly weathered supergene zones of some Australian deposits. Records of the Australian Museum 53(1): 49–56. Recent exploitation of oxide copper resources in Australia these deposits are characterized by an abundance of the has enabled us to examine supergene mineral distributions secondary copper phosphates libethenite and pseudo- in several orebodies that have been subjected to intense malachite associated with smaller amounts of cornetite and weathering.