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Dewdrop Beaded Bead. Beadwork: ON12, 24-26 Bead Four: Treasure Trove Beaded Bead
Beadwork Index through December 2017/January 2018 Issue abbreviations: D/J =December/January FM = February/March AM = April/May JJ = June/July AS=August/September ON=October/November This index covers Beadwork magazine, and special issues of Super Beadwork. To find an article, translate the issue/year/page abbreviations (for example, “Royal duchess cuff. D10/J11, 56-58” as Beadwork, December 2011/January 2012 issue, pages 56-58.) Website = www.interweave.com or beadingdaily.com Names: the index is being corrected over time to include first names instead of initials. These corrections will happen gradually as more records are corrected. Corrections often appear in later issues of Beadwork magazine, and the index indicates these. Many corrections, including the most up-to-date ones, are also found on the website. 15th Anniversary Beaded Bead Contest Bead five: dewdrop beaded bead. Beadwork: ON12, 24-26 Bead four: treasure trove beaded bead. Beadwork: AS12, 22-24 Bead one: seeing stars. Beadwork: FM12, 18-19 Bead three: stargazer beaded bead. Beadwork: JJ12, 20-22 Bead two: cluster beaded bead. Beadwork: AM12, 20-23 Beaded bead contest winners. Beadwork: FM13, 23-25 1800s-era jewelry Georgian jewels necklace. Beadwork: D14/J15, 80-81 1900s-era jewelry Bramble necklace. Beadwork: AS13, 24-27 Royal duchess cuff. Beadwork: D10/J11, 56-58 1920s-era jewelry Art Deco bracelet. Beadwork: D13/J14, 34-37 Modern flapper necklace. Beadwork: AS16, 70-72 1950s-era jewelry Aurelia necklace. Beadwork: D10/J11, 44-47 2-hole beads. See two-hole beads 20th anniversary of Beadwork Beadwork celebrates 20 years of publication. -
Nature's Bead Embroidery Presented by Eleanor Pigman
July 2015 Nature's Bead Embroidery Presented by Eleanor Pigman Tuesday, July 21 at 7:30 p.m. Social half-hour at 7 pm with coffee/tea Courtyard Marriott, 5555 Shellmound, Emeryville, 94605. The parking lot is a gated surface lot around the hotel. Bring your parking ticket into the hotel; get it validated after the meeting and BSNC will pay the parking fee. Members free with membership card, non-members $5 Eleanor Pigman's opening page shows a life-like jewel toned tropical fish. If this is any indication of her presentation on July 21st, we are in for an unusual treat. She will share her artistic journey beginning with the early influences she experienced growing up in New York City to finally discovering bead embroidery. Eleanor fell into the world of bead embroidery after she created a bead embroidered portrait of Barack Obama for a moveon.org contest and was one of the 50 finalist. Her piece was published, and was given a Congressional Award for “keeping hope alive through art”. This has propelled her to move forward with her work. Another piece is part of a permanent exhibition with NOAA the National Oceanic and Atmospheric Administration in St. Petersburg, FL. She will discuss her personal relationship with beads - how creating order using beads is a therapeutic experience which all beaders have realized ~ she had just kicked it up a notch which her presentation will expansively show all who attend the meeting. Eleanor is trying to create the impossible. As a self taught artist, she is always pushing the boundaries in her artistic process. -
Tulip Crafting Needle Compendium Ebook
Crafting Needle Compendium The Essential Guide to the History, tips & tricks Art, and Use of for beading, Hiroshima Needles handstitching, knitting, crocheting, & needle felting Curated by Melinda Barta and the Tulip Brand Company of Hiroshima,Crafting Japan Needle Compendium | 1 2 | Crafting Needle Compendium Produced by Starman, Inc. in collaboration with Tulip Company Ltd. All photos, text, and other content are Copyright ©Starman, Inc. 2017 or Tulip Company Limited. All rights reserved. Text by Melinda Barta and Tulip Company Limited. Product photography by Lisa Jordan. Other photographs courtesy of Tulip Company Limited and TOHO Beads. Other brand names are used with permission and are property of their respective owners. Please do not republish in any way without obtaining prior permission. Crafting Needle Compendium | 3 WELCOME................................................................................................................................................................5 HISTORY....................................................................................................................................................................6 Historical Timeline of Needles & Hook..........................................................................6 Celebrating Handcrafting in Japan..................................................................................8 Hiroshima’s Needle Making History................................................................................10 THE ART OF MANUFACTURING..........................................................................................................11 -
Glossary of Jewellery Making and Beading Terms
Glossary of Jewellery Making and Beading Terms A jewellery glossary of beading terms and jewellery making terminology combining clear images with easy to understand dictionary like definitions. This bead glossary also provides links to more in depth content and bead resources. It can be used as a beading A to Z reference guide to dip into as needed, or as a beading and jewellery glossary for beginners to help broaden beading and jewellery making knowledge. It is particularly effective when used alongside our Beading Guides, Histories, Theories and Tutorials, or in conjunction with our Gemstones & Minerals Glossary and Venetian Glass Making Glossary. A ABALONE These edible sea creatures are members of a large class of molluscs that have one piece shells with an iridescent interior. These shells have a low and open spiral structure, and are characterized by several open respiratory pores in a row near the shell’s outer edge. The thick inner layer of the shell is composed of a dichroic substance called nacre or mother-of-pearl, which in many species is highly iridescent, giving rise to a range of strong and changeable colors, making it ideal for jewellery and other decorative objects. Iridescent nacre varies in colour from silvery white, to pink, red and green- red, through to deep blues, greens, and purples. Read more in our Gemstones & Minerals Glossary. Above are examples of Paua and Red Abalone. ACCENT BEAD Similar in purpose to a Focal Bead, this is a bead that forms the focus for a piece of jewellery, but on this occasion rather then through its size, it is usually through contrast. -
BEAD WORK S E C O N D E D I T I O N E D I T E D B Y J U L E S & K a E T H E K L I O T
BEAD WORK S ECOND E DITION EDITED BY J ULE S & K AETHE K LIOT A Compilation of Original Early Twentieth Century Sources by Belle Robinson Sophie T. LaCroix Emma Post Barbour Virginia Snow LACIS PUBLICATIONS BERKELEY, CA 94703 his LACIS, SECOND EDITION of BEAD WORK has been expanded to include an Tunabridged republication of the following early 20th c. publications: PRISCLLA BEAD WORK BOOK; A COLLECTION OF NEW AND OLD BEAD WORK WITH PATTERNS AND LessoNS FOR WORKING, edited by Belle Robinson, published in 1912 by Priscilla Publishing Co., OLD AND NEW DESIGNS IN BEADWORK, BOOK NO. 20: SAUTOIR CHAINS, BEADED Necklaces, BAGS, PURSES, SLIPPER BUCKLES, WATCH FOBS, ETC. by Sophie T. La Croix from this same period, published by St. Louis Fancy Work Co. NEW BEAD BOOK by Emma Post Barbour, published in 1924 by National Trading Co.. and selections from: VIRGINIA SNOWS AUTHORITY ON BEAD BAGS, NECKLACES ETC. BOOK NO. 29 by Virginia Snow, published in 1926 by Collingboume’s Virginia Snow Studios Original page numbers have been left intact where different from book pages and should be used for text references. It should be noted that all references to materials and prices are as originally published and are no longer relevant other then for historical data. SUPPLIES In addition to the obvious bead, supplies needed can include fine threads, usually either of silk, nylon or linen, beading needles, fine crochet hooks and knitting needles, tambour needles, accessory items such as purse handles, ear wires, etc. and bead looms. SOURCES CF SUPPLY LACIS specializes in fine beads for beadwork, the finest crochet hooks and knitting needles, bead looms, purse frames and a full line of tools, materials and books for lace making, embroidery and costume. -
Embroiderers' Guild of America Master Craftsman Program Beading
Embroiderers’ Guild of America Master Craftsman Program Beading Step 1 – SQUARE STITCH AND/OR LOOM WEAVING PURPOSE: To demonstrate mastering and expertise of the Square Stitch and/or Loom Weaving. Demonstrate one or both of these techniques by beading an original wall hanging. GENERAL REQUIREMENTS: Please read the information package. DESIGN: It must be an original design planned to include the following: 1. Use of color shading techniques. 2. Increasing and decreasing on the side edges. 3. A minimum of three geometric shapes and three separate elements from nature. DESIGN SIZE: The body of the finished piece of beading must be a minimum of five inches by eight inches but no more than seven inches by ten inches. The completed piece, including hanging hardware, must be no more than ten inches by twelve inches. Fringe, appropriate to the design, may be added after the other design criteria has been met but must be within the overall finished size limitations. BEADS: Size 11o Miyuki Delica or 1.8mm Toho Treasure beads must be used for the body of the piece. THREADS: Your choice of thread appropriate to the piece should be used. COLORS: These are your choice but must be appropriate for the design. Include an explanation of why you chose these colors. FINISHING HARDWARE: This is your choice but must be appropriate to the design and for the usage of the wall hanging. PLEASE NOTE: In order for your submission to be judged, you must include a chart of the finished design to include bead placement and color choices. Check general instructions for preparation of work for submission and what to include. -
View Resource Guide
Bev Koski Katie Longboat Jean Marhsall Olivia Whetung Guest curated by Lisa Myers Resource Guide Textile Museum of Canada October 10, 2018-May 26, 2019 Beads, they’re sewn so tight, guest curated by Lisa Myers, is an exhibition of work by four contemporary artists who innovate in the field of beading and quillwork. In beadwork, threads create structure and hold beads together, creating a seemingly invisible scaffold. As metaphor and as material, they unite form, design and meaning. Beads, they’re sewn so tight takes up the depths of social and political relations embedded in the visual language of pattern and surface design including living traditions with an emphasis on family and community networks. Beads, they’re sewn so tight features over 40 beaded works by Bev Koski, Katie Longboat, Jean Marshall and Olivia Whetung, many of which are shown here for the first time. From weaving to loom-work and embroidery, their artwork threads together formal aspects of artmaking such as colour and composition with critical issues such as language retention, stereotypes, and social and environmental injustices for Indigenous people. "I see these artists as not merely using beadwork in their art practices but building on the technique and knowledge of beading and quillwork," said Myers. "They have each honed different beading techniques, working meticulously to convey meaning through work that’s conceptually driven." Bev Koski’s new beaded series consists of swatches of modernist abstract patterns found in day-to-day life, from product packaging to family photographs. Pattern is also a focus of Katie Longboat’s study of her Cree grandmother’s bead designs, which inform her experimentation with Cree floral design and Haudenosaunee raised beadwork. -
Native Americanamerican 81 BK59 Softcover, 43 Pages Sugg
native american A QUILLWORK COMPANION BEADWORKING by Jean Heinbuch WITH TODAY’S MATERIALS . by Loren & Donna Woerpel Describes and illustrates all of the basic and . advanced designs used by the American Indian. The Revised and updated, this popular beadworking text is easy to understand and each step has been manual for beginners is now produced in full color. fully illustrated with diagrams, figures and This book was written to answer many of the photographs. Also included are many of the secrets questions the authors are asked when people are of the art that allow the reader to create truly getting started. Included are color photos of the beautiful quillwork. Over 200 illustrations and various materials, information on bead sizes, photographs in color and black and white. finishes, needles, and threads. It is an excellent resource book to be sold right at your bead display BK997 table as it encourages beginners to learn new skills Softcover, 91 pages working with new materials. BK35 Sugg. Retail $14.95 Softcover, 30 pages Sugg. Retail $5.95 NATIVE AMERICAN BEAD WEAVING INDIAN BEAD-WEAVING PATTERNS by Lynne Garner Chain-Weaving Designs Bead Loom Weaving . and Bead Embroidery — An Illustrated Features 15 step-by-step projects, ranging from “How- To” Guide jewelry to items for the home, inspired by Native by Horace R. Goodhue American bead weaving. Only basic equipment and . simple skills are required, and the easy to follow Written for beginning and advanced beaders. It instructions are lavishly illustrated with photos contains over 200 instructional illustrations and showing crucial stages in the creative process as well photographs of 47 beadwork pieces. -
BSNC 2018 Spring Newsletter
4/29/2018 Spring 2018 Bead Society Newsletter SPRING 2018 NEWSLETTER Spring is the season for flowers to bloom. It brings in freshness.....fresh ideas, new beads, inspiring designs. Use this season to open your minds, open your hearts and create with a passion. Speakers at the monthly meetings are some of the most creative people in the bead industry. You will discover new techniques, kindle friendships, be introduced to great designs, and more. Welcome to the new location for the monthly BSNC meetings and BEad TOGETHER events. The Albany Community and Recreation Center at 1249 Marin Avenue, Albany (map) will provide us with the amenities we require to present captivating and informative monthly speakers, and quarterly BEad TOGETHER events for members to share their beading discoveries and to be inspired. Together we can strengthen the educational mission of the Bay area. All About Softflex - Sara Oehler On January 16, 2018, our first speaker of the year was Sara Oehler from Soft Flex. Sara has been with the company since 1999 and is currently their Sales and Marketing Manager. In this position, she has worked with both Jamie Hogsett and Kristen Fagan to publish two wonderful books* on how to use Soft Flex. She just moved from Arizona to Albany and lives close to our new location. At Soft Flex, she is in charge of developing classes as well as videos which are held every Wednesday at 1:00 on their Facebook page. Soft Flex was the brain child of Mike Sherman and Scott Clark...literally in their garage (a familiar development in the SF Bay area!). -
My Bead Embroidery Tutorial Instructions
My Bead Embroidery Tutorial Instructions self-rigorousBinkyMohammad unglazed linkDelbert whenhis cracker distain Norbert sickquite hoof consciously, septically ywis? Intercontinental but but gates corrupt her ElwinlithotomistsZacherie never still adulteratestriangulately. hobnob: unpapered so prismatically. and Is This book was written in such an organized way. Always wash your fabric before cutting it! The needles are thin and the eye is usually the same width as the needle shaft. What type of thread do you use to fasten the beads? Gathering the Inspiring bits of this and that is half the fun. The key to getting a neat edge is firstly to make sure you trimmed as close as possible on your bead embroidery. The sparkly beads bring a brilliance and a dimension to fabric which is unparalleled. Glad to hear that Ramisha. To be able to mount my silk to the frame, I stapled twill tape to two opposite sides of the frame. It also adds more texture and diversity to your projects. Daisy Chain Beading Stitch Tutorial. Formatting is also important when you are learning how to write a beading tutorial. With the hook, you can basically crochet through the fabric and make progress very fast. Aussie living in England married. Hello, I have made two of these type wrap bracelets, both of these to be wrapped twice around your wrist. Since it has been a while, I am wondering if there are any updates or new opinions on materials to use. Stitches, how to properly open and close jump rings and create Wire. My inspiration for this class was scalloped eyelet lace. -
Page 1 255 Ind Ex a Airs, Jennifer
A Draeger, Anna Elizabeth - 22, leaf beads - 208 scarf - 80 Airs, Jennifer - 83, 188 116, 178 lentil beads - 45, 250 Schwartzenberger, Jennifer - 48 Alessi, Bia - 150 drop beads - 24, 86, 226 loomwork - 17, 126 Serafini, Sherry - 24 Amazeen, Sandy - 216 sequins - 188 Anderson, Dona - 164 E M Shero-Granstrom, Amanda - art beads - 242 earrings - 48, 58, 65, 74, 103, MacDuffee, Melody - 196, 210, 218 110, 114, 116, 152, 163, 224, 238 Slade, Kerrie - 50 B 215, 216, 221, 224, 230, MacLellan, Brenda - 199 Sloan, Sue - 124, 190 Bai, Jenjen - 98 238, 247 May, Lana - 80 spiral rope - 180 Barth, Lisa - 242 embroidery - 24 McGraw, Colleen - 60 Spooner, Kim - 36, 157 bead crochet - 18, 194, 196, England, Susan Yvette - 141 square stitch - 16, 58, 60, 62, 200, 202 N 138, 147 bead embroidery - 24 F Ndbele - see herringbone Squire, Sally - 250 bead quilling - 62 Farver, Gloria - 103, 236 necklace - 50, 55, 72, 78, 80, stringing - 55, 154, 164, 204, bead weaving - 100, 103, 104, Fehrmann, Jessica - 180 83, 86, 100, 104, 110, 118, 206, 208, 218, 250 107, 112, 190 Feuer, Dale - 206 121, 124, 134, 141, 144, St. Petersburg chain - 121, 134, bezel - 134 fire-polished beads - 74, 92, 150, 157, 160, 164, 174, 150 Bogert, Kerry - 222 95, 100, 107, 112, 116, 121, 178, 199, 202, 206, 208, Bowman, Kathryn - 31 138, 164, 196, 230 218, 226, 236, 242, 250 T U V bracelet - 24, 60, 66, 70, 76, Fischer, Tammy - 38 netting - 78, 80, 83, 141, 144, tablet beads - 222 88, 92, 95, 98, 107, 112, fringe - 65, 74, 80, 118, 160, 174, 190 triangle beads - 34, 65, 76, 80, 116, -
Dewdrop Beaded Bead. Beadwork: ON12, 24-26 Bead Four: Treasure Trove Beaded Bead
Beadwork Index through April/May 2017 Issue abbreviations: D/J =December/January FM = February/March AM = April/May JJ = June/July AS=August/September ON=October/November This index covers Beadwork magazine, and special issues of Super Beadwork. To find an article, translate the issue/year/page abbreviations (for example, “Royal duchess cuff. D10/J11, 56-58” as Beadwork, December 2011/January 2012 issue, pages 56-58.) Website = www.interweave.com or beadingdaily.com Names: the index is being corrected over time to include first names instead of initials. These corrections will happen gradually as more records are corrected. Corrections often appear in later issues of Beadwork magazine, and the index indicates these. Many corrections, including the most up-to-date ones, are also found on the website. 15th Anniversary Beaded Bead Contest Bead five: dewdrop beaded bead. Beadwork: ON12, 24-26 Bead four: treasure trove beaded bead. Beadwork: AS12, 22-24 Bead one: seeing stars. Beadwork: FM12, 18-19 Bead three: stargazer beaded bead. Beadwork: JJ12, 20-22 Bead two: cluster beaded bead. Beadwork: AM12, 20-23 Beaded bead contest winners. Beadwork: FM13, 23-25 1800s-era jewelry Georgian jewels necklace. Beadwork: D14/J15, 80-81 1900s-era jewelry Bramble necklace. Beadwork: AS13, 24-27 Royal duchess cuff. Beadwork: D10/J11, 56-58 1920s-era jewelry Art Deco bracelet. Beadwork: D13/J14, 34-37 Modern flapper necklace. Beadwork: AS16, 70-72 1950s-era jewelry Aurelia necklace. Beadwork: D10/J11, 44-47 2-hole beads. See two-hole beads 21st century designs 21st century jewelry: the best of the 500 series.