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Jewelry Making & Beading
Jewelry Making & Beading by Chris Franchetti Michaels Teach Yourself VISUALLY™ Jewelry Making & Beading Copyright © 2007 by Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. Published by Wiley Publishing, Inc., Hoboken, New Jersey No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per- copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions. Wiley, the Wiley Publishing logo, Teach Yourself VISUALLY, and related trademarks are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates. All other trademarks are the property of their respective owners. Wiley Publishing, Inc. is not associated with any product or vendor mentioned in this book. The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. -
Dewdrop Beaded Bead. Beadwork: ON12, 24-26 Bead Four: Treasure Trove Beaded Bead
Beadwork Index through December 2017/January 2018 Issue abbreviations: D/J =December/January FM = February/March AM = April/May JJ = June/July AS=August/September ON=October/November This index covers Beadwork magazine, and special issues of Super Beadwork. To find an article, translate the issue/year/page abbreviations (for example, “Royal duchess cuff. D10/J11, 56-58” as Beadwork, December 2011/January 2012 issue, pages 56-58.) Website = www.interweave.com or beadingdaily.com Names: the index is being corrected over time to include first names instead of initials. These corrections will happen gradually as more records are corrected. Corrections often appear in later issues of Beadwork magazine, and the index indicates these. Many corrections, including the most up-to-date ones, are also found on the website. 15th Anniversary Beaded Bead Contest Bead five: dewdrop beaded bead. Beadwork: ON12, 24-26 Bead four: treasure trove beaded bead. Beadwork: AS12, 22-24 Bead one: seeing stars. Beadwork: FM12, 18-19 Bead three: stargazer beaded bead. Beadwork: JJ12, 20-22 Bead two: cluster beaded bead. Beadwork: AM12, 20-23 Beaded bead contest winners. Beadwork: FM13, 23-25 1800s-era jewelry Georgian jewels necklace. Beadwork: D14/J15, 80-81 1900s-era jewelry Bramble necklace. Beadwork: AS13, 24-27 Royal duchess cuff. Beadwork: D10/J11, 56-58 1920s-era jewelry Art Deco bracelet. Beadwork: D13/J14, 34-37 Modern flapper necklace. Beadwork: AS16, 70-72 1950s-era jewelry Aurelia necklace. Beadwork: D10/J11, 44-47 2-hole beads. See two-hole beads 20th anniversary of Beadwork Beadwork celebrates 20 years of publication. -
Jamey D. Allen Age: 56
CURRICULUM VITAE Jamey D. Allen Age: 56 P.O. Box 1582 Santa Rosa, CA 95402-1582 (707) 575-0699 (after 11 am) [email protected] PUBLICATIONS Works in progress: Made In Africa: Glass Beads (with Billy Steinberg) 2001 Tibetan Zi Beads (with Dr. J. M. Kenoyer and David Joiner) 1997 A History of Aggrey Beads from West Africa 1995 A History of Star Beads 1980 Complete but unpublished: “Obscure Drawn Glass Beads” (for Bead Expo ‘94) 1994 “An Analysis of Ancient Indonesian Glass Beads” 1989 BOOKS Eye Beads and Magical Amulets (with Hung Shi Chang) 2000 Magical Ancient Beads (catalogue of the Ulrich Beck Collection) 1998 Five Artists: Five Direction in Polymer Clay 1995 CATALOGUES A Bead Timeline of History (with James Lankton) 2000 Seashells: First Ornaments? (catalogue for The Bead Museum) 1994 Twenty-Five Years with Beads (for The Bead Museum) 1992 An Introduction to Indonesian Glass Beads (catalogue for The Bead Museum) 1990 Amber at The Bead Museum (exhibit catalogue) 1989 vitae -2- ARTICLES “Mistaken Identity: The Misrepresentation of Beads in the Antiquities Marketplace,” International Bead & Beadwork Conference, Istanbul 2007 “Trade Beads: The Manufacture and Movement of Beads in Recent History, from CE 1400 to 1950,” International Bead & Beadwork Conference, Istanbul 2007 “Javanese (Jatim) beads in the Late Fifth to Early Sixth-Century Korean (Silla) Tombs,” Annales du Congres de l’Association Internationale pour l’Historie du Verre (with James Lankton and In-Sook Lee) 2005 “Bead Making At Murano and Venice, By B. Harvey Carroll, Jr.,” Beads, Volume 16, pp. 17 to 37. 2004 “Tibetan Zi Beads: The Current Fascination with Their Nature and History,” Arts of Asia, 32:4, pp. -
Beading Needles
BEADING Beading Needles & Tools NEEDLES S Bends easily, without breaking or warping Beading Needles ①Needle-eye ①The well-finished needle-eye enables users to thread a needle smoothly without snagging a thread. Furthermore, the robustness of the needle-eye provides users with a sense of security. ②The highly flexible body returns to its original shape even after piercing through a narrow clearance in bead stitching. Treated with heat, this needle is robust and highly flexible. ②Body ○Well-f inished robust needle-eye ○Strong and break-resistant body Designed by Satoko Nakamura ③The tip is slightly rounded to avoid splitting the thread. The fine needle can smoothly pierce through a narrow clearance among stitches. Designed by Carol Cypher ③Needle Point actual size #10（Long） 0.46mm×51.0mm #10（Short） 0.46mm×37.0mm #11 0.41mm×48.5mm #11（Short） 0.41mm×37.0mm #12 0.35mm×47.5mm #13 0.30mm×35.0mm TBN-001e TBN-002e TBN-003e TBN-014e TBN-004e TBN-005e TBN-013e UPC ART. NO. ART. NAME SIZE pcs./pack FEATURES Package size & Net weight packs/box The tip is slightly rounded to avoid splitting the thread. It can go through 846550013806 TBN-001e Beading Needles #10 (Long) 0.46mm×51.0mm 4 35mm×90mm×14mm 4g 10 a seed bead 15/0 twice. Ideal for beading & bead embroidery. Runs smoothly through fabric with a fine point. It can go through a seed 846550013813 TBN-002e Bead Embroidery (Sharp) #10 (Short) 0.46mm×37.0mm 4 35mm×90mm×14mm 4g 10 bead 15/0 twice. -
Nature's Bead Embroidery Presented by Eleanor Pigman
July 2015 Nature's Bead Embroidery Presented by Eleanor Pigman Tuesday, July 21 at 7:30 p.m. Social half-hour at 7 pm with coffee/tea Courtyard Marriott, 5555 Shellmound, Emeryville, 94605. The parking lot is a gated surface lot around the hotel. Bring your parking ticket into the hotel; get it validated after the meeting and BSNC will pay the parking fee. Members free with membership card, non-members $5 Eleanor Pigman's opening page shows a life-like jewel toned tropical fish. If this is any indication of her presentation on July 21st, we are in for an unusual treat. She will share her artistic journey beginning with the early influences she experienced growing up in New York City to finally discovering bead embroidery. Eleanor fell into the world of bead embroidery after she created a bead embroidered portrait of Barack Obama for a moveon.org contest and was one of the 50 finalist. Her piece was published, and was given a Congressional Award for “keeping hope alive through art”. This has propelled her to move forward with her work. Another piece is part of a permanent exhibition with NOAA the National Oceanic and Atmospheric Administration in St. Petersburg, FL. She will discuss her personal relationship with beads - how creating order using beads is a therapeutic experience which all beaders have realized ~ she had just kicked it up a notch which her presentation will expansively show all who attend the meeting. Eleanor is trying to create the impossible. As a self taught artist, she is always pushing the boundaries in her artistic process. -
Tulip Crafting Needle Compendium Ebook
Crafting Needle Compendium The Essential Guide to the History, tips & tricks Art, and Use of for beading, Hiroshima Needles handstitching, knitting, crocheting, & needle felting Curated by Melinda Barta and the Tulip Brand Company of Hiroshima,Crafting Japan Needle Compendium | 1 2 | Crafting Needle Compendium Produced by Starman, Inc. in collaboration with Tulip Company Ltd. All photos, text, and other content are Copyright ©Starman, Inc. 2017 or Tulip Company Limited. All rights reserved. Text by Melinda Barta and Tulip Company Limited. Product photography by Lisa Jordan. Other photographs courtesy of Tulip Company Limited and TOHO Beads. Other brand names are used with permission and are property of their respective owners. Please do not republish in any way without obtaining prior permission. Crafting Needle Compendium | 3 WELCOME................................................................................................................................................................5 HISTORY....................................................................................................................................................................6 Historical Timeline of Needles & Hook..........................................................................6 Celebrating Handcrafting in Japan..................................................................................8 Hiroshima’s Needle Making History................................................................................10 THE ART OF MANUFACTURING..........................................................................................................11 -
Stitch a Patchwork of Color Using Only Seed Beads
Fast & Fabulous Nature-Inspired Jewelry Designs p. 62 ® JUNE/JULY 2019 Weave a Colorful Bargello Cuff Style Create a Statement & Meet Artist Wendy Ellsworth Looming with Beads * 5 Things I wish I Knew Before p. 12 * Beach Blanket Bracelet p. 14 * Desert Sky Bracelet p. 18 * Garden Party Lariat p. 21 Desert Sky Bracelet by Lindsay Burke p.18 BARGello Bracelet by Michelle Gowland, p. 44 WWW.INTERWEAVE.COM Kantha & Rainbow Mountains (in progress) by Cheri Carlson FREE SHIPPING / FREE RETURNS / GREAT REWARDS join the fun at artbeads.com/rewards! SEE WHAT WE’RE SERVING New Czech Bead Recipes 24 Unique Recipes John Bead Corp. — Beads, Crystals & Components | www.johnbead.com Tel: (416)757-3287 | Toll Free: 1(888)755-9055 | E-mail: [email protected] contents JUNE/JULY 2019 VOLUME 22 NUMBER 4 Designer of the Year Projects 29 AGAVE CUFF Wendy Ellsworth This colorful cuff uses three-dimen- sional geometric beading techniques. 34 LOUKA BRACELET Vezsuzsi Stitch a patchwork of color using only seed beads. 38 BACK-TO-BACK SPIKES NECKLACE Susan Sassoon Use seed beads to create unusual 29 38 spiked components. Features 12 FIVE THINGS I WISH I KNEW WHEN I STARTED BEAD LOOMING 24 WENDY ELLSWORTH: CREATIVE, ARTISTIC, GENEROUS, SPIRITUAL Departments 4 Passing Through 6 Cool Stuff 85 Techniques 85 Stitch Index 34 14 88 Bead Buzz Advertising Section 11 WEAVE A JEWELED TAPESTRY: BEADING ON A LOOM Projects Katie Hacker 14 BEACH BLANKET BRACELET SPONSORED BY FIRE MOUNTAIN 48 STAR FLIGHT GEMINI PENDANT GEMS AND BEADS Susan Pelligra Kathy Simonds 18 DESERT SKY LOOMED BRACELET 52 DEWDROP EARRINGS Lindsay Burke Evelína Palmontová 21 GARDEN PARTY LOOMED LARIAT 55 MELON DELIGHT WRAP BRACELET Cindy Kinerson Amy Haftkowycz 44 BARGELLO BRACELET 58 MYSTICAL PORTAL PENDANT Michelle Gowland Marianna Zukowsky Dewdrop Earrings by Evelína Palmontová page 52 On the Cover BARGello Bracelet By Michelle Gowland Page 44 2 WWW.INTERWEAVE.COM 48 18 56 21 62 63 12 64 67 Project Rating Fast & Fabulous: Inspired by Nature Our three-level project rating system is found in the project instructions. -
Seed Beads and Off-Loom Bead Weaving Stitches
Seed Beads and Off-Loom Off-Loom Stitches Bead Weaving Stitches Off-loom weaving techniques have originated from around the world and have been passed down from ancient times and tribes. Here are some of the most commonly used stitches. SEED BEADS Brick This stitch is found in Native American traditions, Seed beads are small glass beads sized by number. The notably Comanche and Cheyenne, as well as African larger the number, the smaller the bead. The most Zulu tribes. It creates off-set rows with the beads commonly used seed bead sizes are 6/0, 8/0, 11/0 and 15/0, arranged in a brick-like pattern. It creates the same look with size 15/0 being the smallest. They come in other sizes as peyote, but is stitched very differently. 145 Harrison Street and shapes as well. Oak Park, Illinois Peyote Peyote stitch is found in Native American and West 708.848.1761 Seed beads on hanks (strands African beadwork. It is a very strong stitch that produces, www.beadinhand.com that are bundled together), are like brick stitch, off-set rows arranged like brick paving. It Mon, Tue, Thur, Fri: 10-6 generally made in the Czech ish can also be made in flat tubular, spiral or flat circular pieces. Wed: 1 -6 Republic. They tend to be Sat: 10-5 | Sun: 12-5 rounder, more donut shaped, with Right Angle Weave The origin in unknown for this beading smaller holes. technique but it is found in beaded pieces from Africa, Seed beads in tubes are generally made in Japan. -
Glossary of Jewellery Making and Beading Terms
Glossary of Jewellery Making and Beading Terms A jewellery glossary of beading terms and jewellery making terminology combining clear images with easy to understand dictionary like definitions. This bead glossary also provides links to more in depth content and bead resources. It can be used as a beading A to Z reference guide to dip into as needed, or as a beading and jewellery glossary for beginners to help broaden beading and jewellery making knowledge. It is particularly effective when used alongside our Beading Guides, Histories, Theories and Tutorials, or in conjunction with our Gemstones & Minerals Glossary and Venetian Glass Making Glossary. A ABALONE These edible sea creatures are members of a large class of molluscs that have one piece shells with an iridescent interior. These shells have a low and open spiral structure, and are characterized by several open respiratory pores in a row near the shell’s outer edge. The thick inner layer of the shell is composed of a dichroic substance called nacre or mother-of-pearl, which in many species is highly iridescent, giving rise to a range of strong and changeable colors, making it ideal for jewellery and other decorative objects. Iridescent nacre varies in colour from silvery white, to pink, red and green- red, through to deep blues, greens, and purples. Read more in our Gemstones & Minerals Glossary. Above are examples of Paua and Red Abalone. ACCENT BEAD Similar in purpose to a Focal Bead, this is a bead that forms the focus for a piece of jewellery, but on this occasion rather then through its size, it is usually through contrast. -
BEAD WORK S E C O N D E D I T I O N E D I T E D B Y J U L E S & K a E T H E K L I O T
BEAD WORK S ECOND E DITION EDITED BY J ULE S & K AETHE K LIOT A Compilation of Original Early Twentieth Century Sources by Belle Robinson Sophie T. LaCroix Emma Post Barbour Virginia Snow LACIS PUBLICATIONS BERKELEY, CA 94703 his LACIS, SECOND EDITION of BEAD WORK has been expanded to include an Tunabridged republication of the following early 20th c. publications: PRISCLLA BEAD WORK BOOK; A COLLECTION OF NEW AND OLD BEAD WORK WITH PATTERNS AND LessoNS FOR WORKING, edited by Belle Robinson, published in 1912 by Priscilla Publishing Co., OLD AND NEW DESIGNS IN BEADWORK, BOOK NO. 20: SAUTOIR CHAINS, BEADED Necklaces, BAGS, PURSES, SLIPPER BUCKLES, WATCH FOBS, ETC. by Sophie T. La Croix from this same period, published by St. Louis Fancy Work Co. NEW BEAD BOOK by Emma Post Barbour, published in 1924 by National Trading Co.. and selections from: VIRGINIA SNOWS AUTHORITY ON BEAD BAGS, NECKLACES ETC. BOOK NO. 29 by Virginia Snow, published in 1926 by Collingboume’s Virginia Snow Studios Original page numbers have been left intact where different from book pages and should be used for text references. It should be noted that all references to materials and prices are as originally published and are no longer relevant other then for historical data. SUPPLIES In addition to the obvious bead, supplies needed can include fine threads, usually either of silk, nylon or linen, beading needles, fine crochet hooks and knitting needles, tambour needles, accessory items such as purse handles, ear wires, etc. and bead looms. SOURCES CF SUPPLY LACIS specializes in fine beads for beadwork, the finest crochet hooks and knitting needles, bead looms, purse frames and a full line of tools, materials and books for lace making, embroidery and costume. -
How to Do Brick Stitch
How To Make a Wrapped Loop on a Head Pin Here are some simple instructions on making a wrapped loop on a head pin. This technique can be handy for making basic earrings, adding drops from a necklace or bracelet, and many other cool beadwork applications. Difficulty: Easy Time Required: 20 minutes Here's How: 1. Place beads or other objects on the head pin, making sure they go all the way down the shaft, and that the head of the pin is flush with the bead. 2. Using a pair of chainnose pliers, bend the wire right next to the bead away from you at a right angle. 3. Grasp the bent wire with your round nose pliers just beyond the bend. Pull the end of the wire back around the tip of the pliers. Go all the way around and make a loop around the tip of the pliers, until the wire points in the other direction. 4. Now that you have the loop formed, you may slip the chain, ear wire or other finding into the loop, so that you will be closing the wrapped loop with the item attached. 5. Grasp the top of the loop with your round nose pliers to hold it steady while you use your chainnose pliers to grasp the remaining free wire and wrap it twice around the wire below the loop. 6. Cut the remaining wire flush with the work, and press it against the wire gently, using the tip of your chainnose pliers. 7. Use a small file to clean any rough edges from the cut. -
Holidays| 6 Seed Bead Techniques
Holidays | 6 Seed Bead Techniques Dustin Wedekind tablecontents Holidays | Dustin Wedekind Since August 2005, Dustin Wedekind, author of Getting Started with Seed Beads, has offered brief illustrated lessons Febr uary in seed beads in every issue of Beadwork. Dustin goes beyond basic beadweaving techniques, offering creative stitch varia- 3 Chains of Love tions and combinations that are guaranteed to build your seed Beadwork February/March 2008 bead confi dence. Most lessons focus squarely on technique rather than fi nished projects. Once you’ve mastered these lessons you’ll be more than ready to create your own original March seed bead wonders. 5 Shamrock Pin Beadwork February/March 2006 In “Holidays” we’ve collected 6 seasonal and holiday-themed techniques. From hearts formed by a right-angle weave varia- tion through double spiral stitch candy canes, these seed bead May techniques are sure to brighten your year. 8 Daisy Chain Beadwork August/September 2006 July 11 Spangled Stars and Stripes Beadwork June/July 2008 Decembe r 13 Fleur Russe Beadwork December 2006/January 2007 15 Double Mint Spiral Beadwork December 2007/January 2008 Chains of Love, page 3 Holidays originally published in Beadwork Online, 2008. ©Interweave Press, LLC Not to be reprinted. All rights reserved publishers of Beadwork magazine…join the online beading community at BeadingDaily.com Visit the Project Store at shop.interweave.com/beading for more great projects! page 2 RRRRRRRRRRRRRRRRRRRRRRRRRRR projectstore Chains of Love Dustin Wedekind Originally published in Beadwork February/March 2008 Samples shown in size 6° and 11° Japanese seed beads. Chains of Love originally published in Beadwork, February/March 2008.