www.MARGIE DEEB.com The Art of Color for Artists

A PEYOTE PRIMER 1 by Margie Deeb

©2008 Margie Deeb. All rights reserved. www.MargieDeeb.com “Arabian Nights” design by Margie Deeb; color choices by SaraBeth Cullinan, created in peyote stitch by SaraBeth Cullinan.

Pattern available for loom or peyote, square or in the PDF Patterns Store at www.MargieDeeb.com

2-drop peyote bracelet by Margie Deeb

www.MargieDeeb.com 2 3 5 7 123456 1 24 6 3 10 5 9 7 8 123456 1 24 6 10 11 PEYOTE STITCH (EVEN-COUNT) 3 5 9 7 8 123456 1 24 6 11 1. Loop thread around bead10 1 twice to keep9 8 it in place and use the “tail” to adjust3 tension 5 7 123456 as you work the first111 few rows.24 (For simplicity, 6 the illustration shows only one loop.) Later you 10 will remove this loop and weave its tail into the 9 8 . Thread an even amount of 2 4 6 ontorow the1 thread to begin your11 first two rows. 1 3 5 row 2 9 8 7 2 4 6 row 1 row 3 1 3 5 7 1 3 5 row 2 24 6 9 8 7 2. After picking up bead 7, pass needle 2 410 6 rowro 1w 3 1 11 3 10 5 9 7 8 1 3 5 through 5. Continue picking24 up a bead and 6 row 2 passing the needle through a bead until you 9 8 7 11 10 9 8 10 row 3 pass back through1 the first3 bead. Pull thread5 7 2 4 6 row 1 12 snug, so the beads 24touch each other. 6 1 3 5 row 2 10 You now have11 three rows are10 ready to begin 9 8 9 8 7 row 3 12 the fourth row. 1 3 5 7 24 6

10 11 12 10 9 8 2 4 6 1 3 5 12 2 9 4 8 6 7 3. Continue each row as described in step 2. 1 10 3 11 5 12 If your first two rows are loose or uneven, pull the tail of the thread you looped around bead 2 9 4 8 6 7 1 to tighten the tension. 10 11 12 13 1 3 5 7 1 3 5 24 6 9 8 7 11 3 10 5 9 7 8 10 112 124 13 6 1 2412 13 14 1 3 5 6 11 18 10 17 9 16 8 15 9 813 7 1 3 5 7 12 13 14 10 11 12 4. When all the weaving24 is complete, tie off 6 2 4 6 your thread tails18 by weaving 17them into the 16 15 1 3 5 11 10 919 8 beadwork in a circular path, hidden within the 13 121 133 145 7 2 49 68 7 beads. 10 11 12 24 6 1 3 5 18 17 19 16 15 10 9 158 147 13 You final weaving 11should look like this. 9 8 16 17 18 10 2 114 126 12 13 14 1 3 215 20 19 19 15 14 13 18 17 16 15 9 8 7 16 17 18 3 www.MargieDeeb.co10 11 m 12 21 2 20 4 19 6 15 1 14 3 13 5 19 16 17 9 18 8 7 2110 20 11 1912 15 14 13 16 17 18 21 20 19 3 5 7 123456 1 24 6 3 5 7 123456 PEYOTE1 STITCH2410 (ODD-COUNT)9 6 8 10 9 8 11 1. Begin with the loop as shown in step 1 of 11 3 5 7 the even-count peyote. (For simplicity, the 123456 1 24 6 loop around the first bead is not shown in this diagram.) 10 9 8 Place an odd number of beads onto the thread 11 to begin your first two rows. Thread all but the last bead of row 3 into place. Pass thread through beads 1 and 2. Put bead 11 on the 2 4 6 row 1 thread. 1 3 5 2 4 6 row 21 1 9 3 8 5 7 row 3 row 2 1 3 5 7 2. After you’ve passed back through beads 1 9 8 7 24 6 row 3 1 3 5 7 and 2 and picked up bead 11, you are going 10 11 2410 9 6 8 to make a figure-eight path with the thread 2 4 6 row 1 to begin the fourth row. Pass thread through 1 10 3 5 11 10 9 8 row 2 beads 2, 3, 10, 2, and 1, and then back 9 8 7 row 3 1 3 12 5 7 through 11. 24 6 If your needle’s final exit bead is 11, and the 12 beads on the left end are fit snugly together, 10 11 10 9 8 you’ll know your figure-eight path was suc- cessful. You won’t have to do this fancy move again until you start a new project using the odd- 12 2 4 6 count peyote. 1 3 5 2 4 6 1 9 3 8 5 7 10 11 12 9 8 7 10 11 12 3. From here on out, each row that begins on 2 4 13 6 1 3 5 7 the left has a more complex turn than the row 1 3 5 24 6 13 1 3 5 7 beginning on the right. After picking up bead 9 8 7 11 2410 9 6 8 18, pass the thread through beads 11, 12, 2, 10 11 12 12 13 14 and 11, and back through 18 to begin the next 11 10 9 8 row. 18 12 17 13 16 14 15 13 1 3 5 7 18 17 16 15 2 4 6 24 6 1 3 5 19 2 4 6 11 10 9 8 9 8 7 1 3 5 12 19 13 14 10 11 12 9 8 7 18 17 16 15 10 15 11 14 12 13 16 17 18 www.MargieDeeb.com 152 144 613 21 20 19 161 173 185 19 219 208 197 10 11 12 15 14 13 16 17 18 21 20 19 INCREASING PEYOTE STITCH BY AN ODD NUMBER OF BEADS 1. To increase by an odd number larger than one bead, pick up the number of extra beads plus one. Counting backward from the last bead threaded, skip two and pass needle 2 4 6 2 4 6 through the third, bead 14.2 4 6 1 3 5 1 3 5 1 3 5 13 9 8 7 9 8 7 13 14 9 8 7 14 10 11 12 13 10 11 12 15 10 11 12 14 15 14 13

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21 17 16 2 4 6 2 4 6 18 2 4 6 1 3 5 13 15 1 3 5 1 3 5 9 8 7 2 4 6 2 4 6 14 29 48 67 9 8 7 14 10 11 12 17 1 3 5 1 3 5 16 110 311 512 10 11 12 13 13 9 8 7 9 8 7 13 14 915 814 713 18 17 15 14 16 15 10 11 12 13 10 11 12 18 1016 11 1217 14 15 14 13 16 4 5 6 8

15 16 17 18 20 7 20 2. Add bead 17. Thread through bead 7 19and 9 secure the new rows by threading into the ex- X 11 15 10 16 isting weaving, following the path shown. Exit 2 4 6 21 17 bead 16. Pick up bead 18, pass through 17, 19 23 18 17 1 3 5 16 and continue with regular peyote stitch. 24 2 2 4 4 6 6 29 84 76 1 3 5 26 30 25 18 2 2 4 4 6 6 1 3 5 13 15 110 113 125 1 3 5 1 3 5 9 9 8 8 7 7 14 915 148 137 9 8 7 14 10 11 12 17 9 8 7 10 11 12 16 1016 11 1712 10 11 12 13 13 19 10 11 12 16 15 14 13 15 14 1813 18 17 16 15 14

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8 20 4 5 6 7 11 15 10 9 2 4 6 16 1 3 5 2 4 6 17 2 4 6 1 3 5 19 23 18 9 8 7 24 1 3 5 13 10 2 11 4 12 6 9 8 7 9 8 7 26 30 25 2 4 6 1 16 3 5 13 10 11 12 10 11 12 15 14 1 14 18 15 14 13 3 5 www.MargieDeeb.co17 9 m 8 20 7 5 16 9 8 7 13 10 24 11 19 12 21 17 23 22 19

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15 16 17 18 20 19 2 4 6 2 4 6 2 4 X 6 1 3 5 1 3 5 1 3 5 2113 17 9 8 7 9 8 7 13 14 9 8 7 15 14 16 10 11 12 13 10 11 12 10 11 12 14 2 4 6 2 4 6 15 14 13 18 2 4 6 1 3 5 13 15 16 1 3 5 1 3 5 15 16 17 18 9 8 7 14 9 8 7 20 9 8 7 14 10 11 12 17 16 10 11 1912 X 10 11 12 13 15 14 13 18 17 16 15 21 17 18 16 17 16 2 4 6 4 5 6 8 2 4 6 20 18 2 4 6 1 3 5 13 15 1 7 INCREASING ODD NUMBERED ROWS OF 3 5 1 3 5 9 8 7 9 PEYOTE STITCH BY ONE BEAD 14 9 8 7 11 15 10 9 8 7 14 10 11 12 17 16 10 11 12 16 10 11 13 2 4 6 12 13 17 1 153 145 13 19 23 18 18 17 16 15 24

18 16 1. Pick up two beads.2 Go back through4 the 6 9 8 717 last bead that is attached to the weaving, 7. 10 11 12 26 30 25 2 4 6 1 3 5 8 20 4 5 6 1 3 5 9 8 7 15 14 13 7 9 8 7 10 11 12 16 17 13 19 11 15 10 9 10 11 12 16 15 14 13 18 16 14 17 2 4 6 17 1 3 5 19 23 18 24 2 4 6 9 8 7 26 30 25 2 4 6 1 3 5 10 11 12 1 3 5 2 9 4 8 6 7 15 14 13 16 9 8 7 13 1 10 3 11 5 12 17 2 4 6 19 10 11 12 9 16 815 14 7 13 18 1 3 5 13 14 10 17 11 12 9 8 7 16 13 10 11 12 15 14 14 17 18 20 24 19 21 23 22

15 2. Secure 25the new row 2by threading into 4the 6 26 27 28 existing weaving,1 following the path3 shown. 5 2 4 6 Continue with regular peyote stitch. 9 8 7 1 3 5 13 10 11 12 9 8 7 16 13 10 11 12 15 14 14 17 18 20 24 19 21

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www.MargieDeeb.com 6 INCREASING PEYOTE STITCH BY AN EVEN NUMBER OF BEADS 1. At the end of a row, pick up an even num- ber of beads. Pick up another bead to become the first bead of the next row. Thread through 2 4 6 the first bead2 you just picked4 up. 6 2 4 6 1 3 5 1 3 5 1 3 5 13 9 8 7 9 8 7 13 14 9 8 7 14 10 11 12 13 10 11 12 15 10 11 12 14 15 14 13

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15 16 17 18 20 19 2 4 6 2 4 6 2 X 4 6 1 3 5 1 3 5 1 3 5 21 1317 9 8 7 9 8 7 13 14 9 8 7 15 16 14 10 11 12 13 2 10 4 11 6 12 10 11 12 14 2 4 6 18 2 4 6 1 3 5 13 15 1 3 155 14 13 16

1 3 5 15 9 8 7 16 17 18 14 9 8 7 20 9 8 7 14 10 11 12 17 16 10 11 12 19 10 11 12 13 X 15 14 13 18 17 16 15

18 16 17 21 17 5 8 16 2. See how the additional beads have 20 4 6 2 4 6 2 4 6 7 increased the width? Keep stitching as usual. 18 2 6 1 3 5 13 4 15 1 3 5 11 15 10 9 1 3 5 9 8 7 14 9 8 7 16 9 8 7 10 11 12 2 4 6 14 17 16 10 11 12 19 23 18 17 10 11 12 13 1 3 5 15 14 13 24 18 17 16 15 2 4 6 9 8 7

18 16 26 30 25 2 4 6 1 3 5 10 11 12 17 1 3 5 9 8 7 15 14 13 4 5 6 8 10 11 12 16 17 20 9 8 7 13 19 7 10 11 12 16 15 14 13 18 14 17 11 15 10 9 16 2 4 6 17 1 3 5 19 23 18 24 2 4 6 9 8 7 2 4 6 26 30 1 3 5 10 11 12 25 2 4 6 1 3 5 12 43 6 5 15 14 13 9 98 78 7 1 3 5 13 10 11 12 16 17 9 8 7 13 10 11 12 19 109 811 7 12 www.MargieDeeb.com 16 1516 15137 14 13 18 10 11 12 14 14 14 17 1817 20 24 19 21

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2 4 6 1 3 5 2 4 6 9 8 7 1 3 5 13 10 11 12 9 8 7 16 13 10 11 12 15 14 14 17 18 20 24 19 21

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15 16 17 18 1 3 5 1 3 5 1 3 5 20 19 13 9 8 7 14 9 8 7 9 8 7 13 X 14 10 11 12 13 10 11 12 15 10 11 12 14 15 14 13 21 17

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15 16 17 18 16 2 4 6 20 2 194 6 18 2 4 6 1 3 5 13 15 1 3 5 X 1 3 5 9 8 7 14 7 9 8 21 17 9 8 7 14 10 11 12 17 16 10 11 12 10 11 12 13 16 2 4 6 15 14 13 18 17 16 15 2 4 6 18

18 16 2 4 6 1 3 5 13 15 1 3 517 1 3 5 9 8 7 14 9 8 7 8 9 8 7 10 11 12 20 4 5 6 14 INCREASING PEYOTE STITCH WITHIN 17 16 10 11 12 7 10 11 12 13 THE WEAVING 15 14 13 18 17 16 15 11 15 10 9 18 16 17 16 2 4 6 19 23 18 817 1 3 5 20 4 5 6 724 2 4 6 1. After exiting a bead within the piece, pick 9 8 7 up two beads (14 and 15) and continue with 26 30 25 9 2 4 6 1 3 5 10 11 12 11 15 10 regular peyote stitch. 16 15 14 1 3 5 9 8 7 2 4 136 16 17 9 8 7 10 11 12 1 3 175 19 23 18 13 19 24 10 11 12 18 216 154 14 613 9 8 7 14 17 26 30 25 2 4 6 1 3 5 10 11 12 1 3 5 9 8 7 15 14 13 10 11 12 16 17 9 8 7 13 19 10 11 12 16 15 14 13 18 14 17 2 4 6 1 3 5 2 4 6 9 8 7 1 3 5 13 10 11 12 9 8 7 216 154 14 613 2. When you stitch the next row, place one 10 11 12 14 18 117 3 5 20 bead (bead 19) between the two increase 2 4 6 24 19 21 beads. Continue stitching as regular. The in- 9 23 8 7

1 3 5 13 22 crease beads will push the other others beads 15 1025 11 12 diagonally, and the width will increased two 9 8 7 26 27 28 16 13 vertical rows. 10 11 12 15 14 14 17 18 20 24 19 21

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www.MargieDeeb.com 8 DECREASING PEYOTE STITCH ON THE EDGES

2 4 6 2 4 6 2 4 6 To decrease, do not add the bead that be- 1 3 5 1 3 5 1 3 5 gins the next row on the outside edge as you normally would. In this case, the place where 13 9 8 7 9 8 7 13 14 9 8 7 14 10 11 12 13 10 11 12 15 10 11 12 bead 19 belongs is skipped over. 14 15 14 13

16 As you exit from the right of bead 13, you’ll

15 16 17 18 need to get your needle in position to enter 20 19 bead 18 from the left of bead 13. Do this by X following the thread path shown, starting from bead 13 heading back up into the bead just above it, bead 7. Follow this thread path for 21 17 every decrease on an outside edge.­ 16 2 4 6 2 4 6 18 2 4 6 1 3 5 13 15 1 3 5 1 3 5 9 8 7 14 9 8 7 9 8 7 14 10 11 12 17 16 10 11 12 10 11 12 13 15 14 13 18 17 16 15

18 16 17

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2 4 6 1 3 5 www.MargieDeeb.com 9 2 4 6 9 8 7 1 3 5 13 10 11 12 9 8 7 16 13 10 11 12 15 14 14 17 18 20 24 19 21

23 22 15 25 26 27 28 2 4 6 2 4 6 2 4 6 1 3 5 1 3 5 1 3 5 13 9 8 7 9 8 7 13 14 9 8 7 14 10 11 12 13 10 11 12 15 10 11 12 14 15 14 13 16 DECREASING2 PEYOTE STITCH4 WITHIN6 2 4 6 15 2 4 6 16 17 18 1 20 1 3 5 1 3 5 THE WEAVING 3 19 5 X 13 9 8 7 9 8 7 13 14 9 8 7 14 10 11 12 13 10 11 12 15 10 11 12 14 21 17 15 14 13 16 16 1. To decrease within the weaving itself, omit 15 2 4 6 16 17 18 2 4 6 a bead on a row and stitch on. In this case, 20 1 3 5 18 2 4 6 13 15 1 3 19 5 X bead 17 has been omitted from its regular 1 3 5 9 8 7 14 9 8 7 place. Pull the thread tight to close the gap 9 8 7 14 10 11 12 17 16 10 11 12 created. You’ll see the weaving begin to taper 21 17 10 11 12 13 where you’ve decreased. 15 14 13 16 18 17 16 15 2 4 6 18 16 2 4 17 6 18 2 4 6 1 3 5 13 15 1 3 5 1 3 5 8 9 8 7 14 9 8 7 20 4 5 6 7 9 8 7 14 10 11 12 17 16 10 11 12 10 11 12 13 15 14 13 11 15 10 9 18 17 16 15 16

18 16 2 4 17 6 19 23 18 17 1 3 5 8 20 4 5 6 24 2 4 6 9 8 7 7 26 30 1 3 5 10 11 12 25 2 4 6 11 15 10 9 1 3 5 9 8 7 15 14 13 16 16 2 4 6 9 8 7 13 10 11 12 17 2. On the next row, add one bead in the gap. 17 1 193 5 19 23 18 10 11 12 16 15 14 13 18 24 14 17 2 4 6 9 8 7 26 30 25 2 4 6 1 3 5 10 11 12 1 3 5 9 8 7 15 14 13 10 11 12 16 17 9 8 7 13 19 10 11 12 16 15 14 13 18 14 2 4 6 17 1 3 5 2 4 6 9 8 7 1 3 5 13 10 11 12 9 8 7 16 13 10 11 12 15 14 14 17 2 18 4 20 6 1 3 5 24 19 21 2 4 6 23

9 8 22 7 15 25 1 3 5 13 10 26 11 27 12 28 9 8 7 16 13 10 11 12 15 14 14 17 18 20 www.MargieDeeb.com 10 24 19 21

23 22 15 25 26 27 28 Join Margie’s Color Coterie: Margie’s Blog: The Beader’s Color Palette margiedeeb.com/newsletter colorforbeadartists.com

Artist, designer, musician, and color expert Margie Deeb is the author of several beading books, including the popular The Beader’s Guide to Color and The Beader’s Color Palette. She was invited to discuss her approach to color on a 2008 episode of the PBS TV show “Beads, Baubles and Jewels.”

Margie teaches color courses for artists, interior designers, and beaders. Her free monthly color column, “Margie’s Muse,” is available on her website. She produces a free graphically enhanced podcast, “Margie Deeb’s Color Celebration,” available on iTunes. Subscription to her free monthly e-newsletter is available on her website.

Her articles have appeared in Bead & Button and Beadwork magazines, and she writes a regular color column in Step-by-Step Beads. Visit Margie’s website for her books, patterns, jewelry, inspiration, and more: www.MargieDeeb.com

www.MargieDeeb.com 11 How Have You Lived without the Color Report for Bead Artists?

Master Color One-on-One with Margie Download the Download the Take your artistry to a higher level. Spring/Summer 2008 Fall/Winter 2008 Spend 3 months learning from the PDF now PDF now master of color one-on-one. Each season the Color Report for Bead Responses to Margie’s Color Report Examine your strengths and weaknesses, and get on the path to Artists will expand what you can create for Bead Artists: discovering your true color voice. in any medium - by introducing you to “I really like the color report - particu- color combinations you’ve never used larly because there are colors that I In this consultation process you probably would not have considered or or even seen before. These seasonal will: noticed and this gives new directions PDFs contain over 40 palettes, descrip- to travel. I also REALLY appreciated • Discover more of your color voice tions, photos, gemstone and Delica the listing of the gemstones.” • Raise your artistry to a new level - Kathy L. bead suggestions, and ideas based on • Have your current worked critiqued • Create new work for critique Pantone’s fashion color report. “Very helpful. I tend to work in certain palettes over and over again, but see- • Become an empowered artist One of the most fun aspects of creativ- ing a different palette helps me move out of my comfort zone.” You and your artwork ity is color: using new colors and har- - Susan K. will be forever changed. monies. If you’re like me, your bead- “I appreciated the fact that you men- work soars when you’re challenged and Register now. tioned your initial reaction to some of inspired. And it becomes exponentially the Pantone colors for this season and more fun. yet after exploring them, your reaction to them changed. It reminds me to be open to colors I might not usually It thrills me to work with colors I’ve consider for jewelry (or wearing).” never seen or tried. Watching how the - Rosalynn B. hues interact with each other and how “I know I will not care for every I interact with them gives me such joy. season’s colors but The Color Report And I want to learn more, go further, for Bead Artists still gives me an idea of what to look for when designing reach higher and create more. for the next season. It is very helpful Learn the most critical secret to knowing that what I make will work making dynamic, powerful color Join me in exploring the exciting new with what is in the stores for those combinations. A 33-page PDF for colors of each season. months.” instant purchase and download - Betty Click for details...

www.MargieDeeb.com 12 MARGIEDEEB.COM The Art of Color for Bead Artists

The Beader’s Color Palette: 20 Creative Projects Margie’s Blog: and 220 Inspired Combinations for Beaded and colorforbeadartists.com Gemstone Jewelry opens the door to worlds of color inspiration. Gather from history, culture, and our planet to create stunning color schemes for beaded creations. Gorgeous beaded jewelry illustrating 220 specific palettes for glass and gemstone beads make The Beader’s Color Palette a coffee table book of inspiration for color lovers working in every medium. Includes detailed instructions for stringing, finish- ing, looming, and off-loom stitches. (Paperback, 192 pages) $24.95 US Dollars

The only book of its kind written specifically for bead artists, The Beader’s Guide to Color teaches beaders of all levels everything they need to know about color to create unique and vibrant bead- work designs. Margie discusses psychological and symbolic color associations, and ways in which color can be used to create and accentuate pattern, rhythm, and movement. 21 color schemes are de- scribed and illustrated in detail with accompanying projects for all skill levels. (Paperback, 144 pages)

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Beading Her Image illustrates the power and beauty of the feminine in 15 patterns for peyote, brick, , and loomwork. Women from a wide range of times and cultures are woven into tapestries, necklaces, and bracelets. The stun- ning and gorgeous color palettes that artist Margie Deeb is known for adorn each piece. Includes loom building instructions, finishing split loom necklace instructions, and peyote, brick, and looming instructions. (Paperback, 44 pages)

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Out On A Loom is a creative journey through color, design, and form for the beginning to intermediate level seed bead artist. The softcover book features 32 full-color pages of detailed instructions, patterns, illustrations, and diagrams for creating loom woven bracelets, mini- tapestries and split loom necklaces. Professional and creative finishing techniques are provided so each finished project can be a work of art. (Paperback, 36 pages)

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