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Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present
UGC MRP - COMICS BOOKS & GRAPHIC NOVELS Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present UGC MAJOR RESEARCH PROJECT F.NO. 5-131/2014 (HRP) DT.15.08.2015 Principal Investigator: Aneeta Rajendran, Gargi College, University of Delhi UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Acknowledgements This work was made possible due to funding from the UGC in the form of a Major Research Project grant. The Principal Investigator would like to acknowledge the contribution of the Project Fellow, Ms. Shreya Sangai, in drafting this report as well as for her hard work on the Project through its tenure. Opportunities for academic discussion made available by colleagues through formal and informal means have been invaluable both within the college, and in the larger space of the University as well as in the form of conferences, symposia and seminars that have invited, heard and published parts of this work. Warmest gratitude is due to the Principal, and to colleagues in both the teaching and non-teaching staff at Gargi College, for their support throughout the tenure of the project: without their continued help, this work could not have materialized. Finally, much gratitude to Mithuraaj for his sustained support, and to all friends and family members who stepped in to help in so many ways. 1 UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Project Report Contents EXECUTIVE SUMMARY 3 1. Scope and Objectives 3 2. Summary of Findings 3 2. Outcomes and Objectives Attained 4 3. -
Guide to 275 SIVA STHALAMS Glorified by Thevaram Hymns (Pathigams) of Nayanmars
Guide to 275 SIVA STHALAMS Glorified by Thevaram Hymns (Pathigams) of Nayanmars -****- by Tamarapu Sampath Kumaran About the Author: Mr T Sampath Kumaran is a freelance writer. He regularly contributes articles on Management, Business, Ancient Temples and Temple Architecture to many leading Dailies and Magazines. His articles for the young is very popular in “The Young World section” of THE HINDU. He was associated in the production of two Documentary films on Nava Tirupathi Temples, and Tirukkurungudi Temple in Tamilnadu. His book on “The Path of Ramanuja”, and “The Guide to 108 Divya Desams” in book form on the CD, has been well received in the religious circle. Preface: Tirth Yatras or pilgrimages have been an integral part of Hinduism. Pilgrimages are considered quite important by the ritualistic followers of Sanathana dharma. There are a few centers of sacredness, which are held at high esteem by the ardent devotees who dream to travel and worship God in these holy places. All these holy sites have some mythological significance attached to them. When people go to a temple, they say they go for Darsan – of the image of the presiding deity. The pinnacle act of Hindu worship is to stand in the presence of the deity and to look upon the image so as to see and be seen by the deity and to gain the blessings. There are thousands of Siva sthalams- pilgrimage sites - renowned for their divine images. And it is for the Darsan of these divine images as well the pilgrimage places themselves - which are believed to be the natural places where Gods have dwelled - the pilgrimage is made. -
Mahabharata Tatparnirnaya
Mahabharatha Tatparya Nirnaya Chapter XIX The episodes of Lakshagriha, Bhimasena's marriage with Hidimba, Killing Bakasura, Draupadi svayamwara, Pandavas settling down in Indraprastha are described in this chapter. The details of these episodes are well-known. Therefore the special points of religious and moral conduct highlights in Tatparya Nirnaya and its commentaries will be briefly stated here. Kanika's wrong advice to Duryodhana This chapter starts with instructions of Kanika an expert in the evil policies of politics to Duryodhana. This Kanika was also known as Kalinga. Probably he hailed from Kalinga region. He was a person if Bharadvaja gotra and an adviser to Shatrujna the king of Sauvira. He told Duryodhana that when the close relatives like brothers, parents, teachers, and friends are our enemies, we should talk sweet outwardly and plan for destroying them. Heretics, robbers, theives and poor persons should be employed to kill them by poison. Outwardly we should pretend to be religiously.Rituals, sacrifices etc should be performed. Taking people into confidence by these means we should hit our enemy when the time is ripe. In this way Kanika secretly advised Duryodhana to plan against Pandavas. Duryodhana approached his father Dhritarashtra and appealed to him to send out Pandavas to some other place. Initially Dhritarashtra said Pandavas are also my sons, they are well behaved, brave, they will add to the wealth and the reputation of our kingdom, and therefore, it is not proper to send them out. However, Duryodhana insisted that they should be sent out. He said he has mastered one hundred and thirty powerful hymns that will protect him from the enemies. -
The Complete Mahabharata in a Nutshell
Contents Introduction Dedication Chapter 1 The Book of the Beginning 1.1 Vyasa (the Composer) and Ganesha (the Scribe) 1.2 Vyasa and his mother Sathyavathi 1.3 Janamejaya’s Snake Sacrifice (Sarpasastra) 1.4 The Prajapathis 1.5 Kadru, Vinatha and Garuda 1.6 The Churning of the Ocean of Milk 1.7 The Lunar and Solar races 1.8 Yayathi and his wives Devayani and Sharmishta 1.9 Dushyanta and Shakuntala 1.10 Parashurama and the Kshatriya Genocide BOOKS 1.11 Shanthanu, Ganga and their son Devavratha 1.12 Bhishma, Sathyavathi and Her Two Sons 1.13 Vyasa’s Sons: Dhritharashtra,DC Pandu and Vidura 1.14 Kunthi and her Son Karna 1.15 Birth of the Kauravas and the Pandavas 1.16 The Strife Starts 1.17 The Preceptors Kripa and Drona 1.18 The Autodidact Ekalavya and his Sacrifice 1.19 Royal Tournament where Karna became a King 1.20 Drona’s Revenge on Drupada and its Counterblow 1.21 Lord Krishna’s Envoy to Hasthinapura 1.22 The Story of Kamsa 1.23 The Wax Palace Inferno 1.24 Hidimba, Hidimbi and Ghatotkacha 1.25 The Ogre that was Baka 1.26 Dhaumya, the Priest of the Pandavas 1.27 The Feud between Vasishta and Vishwamithra 1.28 More on the Quality of Mercy 1.29 Draupadi, her Five Husbands and Five Sons 1.30 The Story of Sunda and Upasunda 1.31 Draupadi’s Previous Life 1.32 The Pandavas as the Incarnation of the Five Indras 1.33 Khandavaprastha and its capital Indraprastha 1.34 Arjuna’s Liaisons while on Pilgrimage 1.35 Arjuna and Subhadra 1.36 The Khandava Conflagaration 1.37 The Strange Story of the Sarngaka Birds Chapter 2 The Book of the Assembly Hall -
1 Dashaavataras of Lord Vishnu
DASHAAVATARAS OF LORD VISHNU - CHILDREN’S EDITION VEMURI ACHINTYA VARENYA,VEMURI ATEENDRA PRAGNYAN AND FAMILY, CHENNAI 1 FOREWORD Om EkadantayaVidmahiVakratundayaDhimahi, TannoDantiPrachodayaa Om NarayanayaVidmahiVaasudevaayaDhimahiTanno Vishnu Prachodayaa This book contains the story of all forms of Lord Vishnu respectively known as Dashaavataras, who came to save the universe from destruction. This book of Dashaavataras is written in basic English for children to understand easily. We are the students of Sri Sankara High School Adyar Branch of Chennai as the Children of Shri Vemuri Harihar Kumar and Smt. Shalini Vemuri. May we have the privilege to dedicate to His Highness of Kanchi Mutt. Ashtadapati 1-Dasha AvataaraKiirtiDhavalam This is the first part of the famous JayadevaAshtapadi which describes the dashaavataras of Vishnu in a poetic format. pralayapayodhijaledhṛtavānasivedam।vihitavahitracaritramakhedam॥ keśavādhṛtamīnaśarīrajayajagadīśahare॥a pa 1-1 O Kesava (name of Vishnu) who donned the body of a fish to save the Vedas (and the world) from the delge of the ocean (pralaya) just like a ship that saves (its passengers) from (the dangers of) the ocean. Hail to you, O lord of the Universe. kṣitirativipulataretavatiṣṭhatipṛṣṭhe।dharaṇidharaṇakiṇacakragariṣṭhe keśavadhṛtakacchaparūpajayajagadīśahare॥a pa 1-2 O Kesava, again you took the body of a tortoise to bear the weight of the mountain (Mount Mandara) on your back to save from destruction (so that ocean could be churned to get the wonders to Gods and Demons). Hail to you, O lord of the Universe. vasatidaśanaśikharedharaṇītavalagnā।śaśinikalaṅkakalevanimagnā॥ keśavadhṛtasūkararūpajayajagadīśahare॥a pa 1-3 O Kesava,You took the form of a boar (Varaha) to lift the earth from the ocean by placing the earth on your mighty tusks which showed like a moon with a blemish. -
Rajaji-Mahabharata.Pdf
MAHABHARATA retold by C. Rajagopalachari (Edited by Jay Mazo, International Gita Society) Contents 39. The Wicked Are Never Satisfied 1. Ganapati, the Scribe 40. Duryodhana Disgraced 2. Devavrata 41. Sri Krishna's Hunger 3. Bhishma's Vow 42. The Enchanted Pool 4. Amba And Bhishma 43. Domestic Service 5. Devayani And Kacha 44. Virtue Vindicated 6. The Marriage Of Devayani 45. Matsya Defended 7. Yayati 46. Prince Uttara 8. Vidura 47. Promise Fulfilled 9. Kunti Devi 48. Virata's Delusion 10. Death Of Pandu 49. Taking Counsel 11. Bhima 50. Arjuna's Charioteer 12. Karna 51. Salya Against His Nephews 13. Drona 52. Vritra 14. The Wax Palace 53. Nahusha 15. The Escape Of The Pandavas 54. Sanjaya's Mission 16. The Slaying Of Bakasura 55. Not a Needle-Point Of Territory 17. Draupadi's Swayamvaram 56. Krishna's Mission 18. Indraprastha 57. Attachment and Duty 19. The Saranga Birds 58. The Pandava Generalissimo 20. Jarasandha 59. Balarama 21. The Slaying Of Jarasandha 60. Rukmini 22. The First Honor 61. Non-Cooperation 23. Sakuni Comes In 62. Krishna Teaches 24. The Invitation 63. Yudhishthira Seeks Benediction 25. The Wager 64. The First Day's Battle 26. Draupadi's Grief 65. The Second Day 27. Dhritarashtra's Anxiety 66. The Third Day's Battle 28. Krishna's Vow 67. The Fourth Day 29. Pasupata 68. The Fifth Day 30. Affliction Is Nothing New 69. The Sixth Day 31. Agastya 70. The Seventh Day 32. Rishyasringa 71. The Eighth Day 33. Fruitless Penance 72. The Ninth Day 34. Yavakrida's End 73. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
'~,Rf) Plans of the Sacrifice
Mantrikudu comes into town and wows the people by granting them Just as all is about to go according to plan, Sadajapa wakes up and comes and Surabhi anything they wish for out of an enchanted box. Ramudu steals this box in warns me sorcerer about what's going on. In the confusion that follows, order to get wealth from it, but is unable to obtain any wealth from the box. Rarnudu knocks the idol out of the sorcerer's hands and duels with the Surabhi also known as Sri Venkateswara Narya Mandali is Sri Tageswara The sorcerer catcbes him and explains that it's the magic in his beard that sorcerer whilst Anji duels Sadajapa. The sorcerer and his apprentice are Rao(Babji's) theatre group from Hyderabad, They are an enrire performing fuels the box. He convinces Ramudu that be Canhave anything he likes if only destroyed, and they use the idol to rranspon the palace back to its righrful family that has been in existence for 125 years. They are experts at rope he asks goddess 'Pathala Bhairavi', whose lair is somewhere near me town. place. All ends happily as the queen's brother repents his ways and Ramudu techniques, pyro techniques and other forms of special effects and have in and Indurnathi are married to each other. their repertOry more than 30 mythological plays. Surabhi is one of its kind as Thus they both begin their long, arduous journey in search of the lair. When they make their own props, paint their own backdrops and train their children they finally find it, Ramudu proves his prowess by using his courage and generation after generation to grow into their magical characters. -
Kunti, Satyavati's Grand
unti, Satyavati’s grand- Part III: Five Holy Virgins, Five Sacred Myths daughter-in-law, is a remarkable study in K 1 womanhood. Kunti chooses the handsome Pandu in a bridegroom- “One-in Herself” choice ceremony, svayamvara, only to find Bhishma snatching away her Why Kunti Remains a Kanya happiness by marrying him off again immediately to the captivating Madri. Pradip Bhattacharya She insists on accompanying her husband into exile and faces a horripilating situation: her beloved husband insists that she get son after In the first two parts of this quest we have explored two of son for him by others. It is in this 2 the five kanyas, Ahalya and Mandodari of the Ramayana, husband-wife encounter that Kunti’s seeking to understand what makes them such remarkable individuality shines forth. At first she women, as well as describe what special features firmly refuses saying, “Not even in characterise all these kanyas.We are now entering the dense thought will I be embraced by another (I.121.5).” forest of the Mahabharata to discuss Kunti. To help the Her statement is somewhat readers through its thickly interwoven maze of relationships, devious, as already she has embraced I have provided the broad linkages of these characters in a Surya and regained virgin status by separate box (see opposite page).* virtue of his boon after delivering Karna. It is, however, evidence of her and tries to persuade her urging that Shvetaketu’s scriptural directive for resolve to maintain an unsullied (a) she will only be doing what is implicitly obeying the husband’s reputation. -
Part 1: the Beginning of Mahabharat
Mahabharat Story Credits: Internet sources, Amar Chitra Katha Part 1: The Beginning of Mahabharat The story of Mahabharata starts with King Dushyant, a powerful ruler of ancient India. Dushyanta married Shakuntala, the foster-daughter of sage Kanva. Shakuntala was born to Menaka, a nymph of Indra's court, from sage Vishwamitra, who secretly fell in love with her. Shakuntala gave birth to a worthy son Bharata, who grew up to be fearless and strong. He ruled for many years and was the founder of the Kuru dynasty. Unfortunately, things did not go well after the death of Bharata and his large empire was reduced to a kingdom of medium size with its capital Hastinapur. Mahabharata means the story of the descendents of Bharata. The regular saga of the epic of the Mahabharata, however, starts with king Shantanu. Shantanu lived in Hastinapur and was known for his valor and wisdom. One day he went out hunting to a nearby forest. Reaching the bank of the river Ganges (Ganga), he was startled to see an indescribably charming damsel appearing out of the water and then walking on its surface. Her grace and divine beauty struck Shantanu at the very first sight and he was completely spellbound. When the king inquired who she was, the maiden curtly asked, "Why are you asking me that?" King Shantanu admitted "Having been captivated by your loveliness, I, Shantanu, king of Hastinapur, have decided to marry you." "I can accept your proposal provided that you are ready to abide by my two conditions" argued the maiden. "What are they?" anxiously asked the king. -
KRISHNA Pastimes of Krishna in Vrindavana
Vrajanandana KRISHNA Pastimes of Krishna in Vrindavana Based on KRISHNA - The Supreme Personality of Godhead by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada Founder-Acharya of ISKCON Adapted for children by Yaduraja Dasa Sankirtana Seva Trust Hare Krishna Hill, Chord Road, Bangalore-10 A book in English Vrajananda Krishna - Pastimes of Krishna in Vrindavana Based on: KRISHNA - The Supreme Personality of Godhead by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada Founder-Acharya of ISKCON Adapted for children by Sri Yaduraja Dasa Published by Sankirtana Seva Trust, Hare Krishna Hill, Chord Road, Bangalore-10 Printed at Brilliant Printers Pvt. Ltd. Lottegollahalli, Bangalore [Total no. of Pages : 144, Size : 1/8 Crown] © 2014, Sankirtan Seva Trust All Rights Reserved ISBN : 81-8239-020-6 First Printing 2007 : 5000 Copies Second Printing 2010 (Revised) : 5000 Copies Third Printing 2011 (Revised) : 5000 Copies Fourth Printing 2014 : 1000 Copies Fifth Printing 2015 : 1000 Copies Readers interested in the subject matter of this book are invited by the International Society for Krishna Consciousness to correspond with its Secretary at the following address: International Society for Krishna Consciousness (ISKCON) Hare Krishna Hill, Chord Road, Rajajinagar, Bangalore - 560 010. Tel: 080-23471956 Mobile: 9341211119 Email: [email protected] Website: www.iskconbangalore.org Contents Introduction ......................................................................... 5 Prologue: The Tears of Mother Earth ................................ 6 1. The Curse .................................................................... 7 2. A Visit from Narada Muni .......................................... 11 3. The Divine Plan Unfolds ........................................... 13 4. The Birth of Lord Krishna ......................................... 16 5. Goddess Durga .......................................................... 20 6. Kamsa’s Change of Heart......................................... 24 7. The Meeting of Nanda Maharaja and Vasudeva ... -
Dr.Rupnathji( Dr.Rupak Nath )
“Concerning all acts of initiative (and creation) there is one elementary truth, the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then providence moves too. All sorts of things occur to help one that would not otherwise have occured. A whole stream of events issues from the decision, raising in one's favour all manner of unforseen incidents and meetings and material assistance which no man would have dreamed would come his way. Our modern science begins with astronomy. Instead of saying that man was led by psychological motives, they formerly said he was led by his stars. ... The puzzling thing is that there is really a curious coincidence between astrological and psychological facts, so that one can isolate time from the characteristics of an individual, and also, one can deduce characteristics from a certain time. Therefore we have to conclude that what we call psychological motives are in a way identical with star positions. Since we cannot demonstrate this, we must form a peculiar hypothesis. This hypothesis says that the dynamics of our psyche is not just identical with the position of the stars, nor has it to do with vibrations - that is an illegitimate hypothesis. It is better to assume that i is a phenomenon of time. ... The stars are simply used by man to serve as indicators of time...” – Paramahamsa Dr.Rupnathji 7th House-Marriage Affairs Women By Shastrishree Dr.Rupnathji • If moon and jupiter are in 7th from karakamsha the person will have very beautiful wife[Atisundari]