Dr.Rupnathji( Dr.Rupak Nath )
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Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present
UGC MRP - COMICS BOOKS & GRAPHIC NOVELS Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present UGC MAJOR RESEARCH PROJECT F.NO. 5-131/2014 (HRP) DT.15.08.2015 Principal Investigator: Aneeta Rajendran, Gargi College, University of Delhi UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Acknowledgements This work was made possible due to funding from the UGC in the form of a Major Research Project grant. The Principal Investigator would like to acknowledge the contribution of the Project Fellow, Ms. Shreya Sangai, in drafting this report as well as for her hard work on the Project through its tenure. Opportunities for academic discussion made available by colleagues through formal and informal means have been invaluable both within the college, and in the larger space of the University as well as in the form of conferences, symposia and seminars that have invited, heard and published parts of this work. Warmest gratitude is due to the Principal, and to colleagues in both the teaching and non-teaching staff at Gargi College, for their support throughout the tenure of the project: without their continued help, this work could not have materialized. Finally, much gratitude to Mithuraaj for his sustained support, and to all friends and family members who stepped in to help in so many ways. 1 UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Project Report Contents EXECUTIVE SUMMARY 3 1. Scope and Objectives 3 2. Summary of Findings 3 2. Outcomes and Objectives Attained 4 3. -
Engineering Marvels of 1.5 Million Years Old Man Rama Setu Dr
[ VOLUME 2 I ISSUE 3 I JULY – SEP. 2015 ] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Engineering Marvels of 1.5 Million Years Old Man Rama Setu Dr. M. Sivanandam Professor, Department of Electronics and Communication Engineering, Sri Chandrasekharendra Saraswathi Viswa Mahavidyalaya, Kanchipuram- 631 561, Tamil Nadu. Received Aug. 20, 2015 Accepted Sept. 10, 2015 ABSTRACT Rama went on exile for 14 years. At the end of 12th year, near Panchavadi, Sita was abducted by Ravana. Rama with the help of Hanuman located Sita at Ashoka Vatika, Sri Lanka. To reach Sri Lanka, Nala and Vanara sena constructed a sea bridge from Dhanuskhodi, India to Thalaimannar, Sri Lanka with 35 Km length and 3.5 Km width in 5 days with local trees, rocks and gravels. At Sri Lanka Rama killed Ravana and returned with Sita to Ajodhya. The sea bridge with largest area, constructed 1.5 million years before is still considered an engineering marvel. Key words: Rama, Sita, Ravana, Hanuman, Ashoka Vatika, Nala, Rama Setu. 1. Introduction In Tredha Yuga the celestials troubled by They spent 12 years in the forest peacefully demons, especially Ravana, the king of Sri but towards the end of the exile when they Lanka, appealed to Lord Vishnu who agreed moved to Panchavadi near present to take a human incarnation to annihilate Bhadrachalam, Andhra Predesh Sita was Ravana. Rama was born to king Dasharatha of abducted by Ravana by Pushpaga Vimana [3]. Khosala Kingdom [1]. Rama decided to fulfill Figure 1 shows the places of travel during the promise of his father to Kaikeyi, step exile. -
Study in the Ethics of the BANISHMENT of SITA Arvind Kumar
I D > Arvind Kumar nm-i : : txn y \ tfc ->*#; A - W / -:>:<; •'" -'t< fl21.- • / .• . :-: m '•••"- '•. V / •fcT' ££& n vm - I L*£ Jmt L~^" mtUtfkti te&i'Sltm Ml • JPBH &' w\ n*i :; w fr:» Vlll r • D - i f i 1 v.- !23r;:i: - a •P m a :•*;•*! ,'•••;.•;'.•/*.*.-?'.••• ;_'• B & * BZu | ft?3 w-. V rTi: tsir . < l rft. .. Ka ••i. F-7 ft% -t-# % * . * & • /-/-•: Sn £.' *4»sagKffi r a«; •11 v* -U B \, #i •m PSi-j CV* r: S' \ ' • ; : \ •;».l AV A*J "v«? ,.-> C' HL 1 -1 r . v- '?* • •*v;* --SS •XV .:- W w v. W. ' -N >•::- I'* SStd . • *.\-.\S *HB : L •• . ; NV i •i•\*r- ^ 'r-V .VK-aj .'/••• • .:•'( . • i'l • * * * ^ i • **^A a '\ • *<V . JJ iii LVS*V i.- :.... • is ** Wiiftfti \iv m . m ^m v-x*Nv V. V•* . *%-: Study In The Ethics Of The BANISHMENT OF SITA Arvind Kumar M • SARITA (A HINDI FORTNIGHTLY) Published by : Delhi Press, New Delhi. VP 185.291 Third Edition 1991 Published and Printed by Vishwa Nath Delhi Press, JhandewaU Estate, New Delhi-110055. «* Portions from this book may be reproduced without prior permission. However, expected mention [ source will made two copies eproduction will sent publishers The author and the publisher express their heartful thanks to Reverend Father Dr. Kamil Bulke, Mr C. Rajgopalachari, Dr K.M. Munshi, Dr Rangeya Raghav, Mr Suresh Ram, Late Mr V.V.S. Aiyar and others from whose books extensive quotations have been used in the statement. Preface The July 1957 issue of SARITA—the Hindi monthly magazine—carried a poem entitled Ram Ka Antardwandwa, written by Mr Arvind Kumar. -
The Complete Mahabharata in a Nutshell
Contents Introduction Dedication Chapter 1 The Book of the Beginning 1.1 Vyasa (the Composer) and Ganesha (the Scribe) 1.2 Vyasa and his mother Sathyavathi 1.3 Janamejaya’s Snake Sacrifice (Sarpasastra) 1.4 The Prajapathis 1.5 Kadru, Vinatha and Garuda 1.6 The Churning of the Ocean of Milk 1.7 The Lunar and Solar races 1.8 Yayathi and his wives Devayani and Sharmishta 1.9 Dushyanta and Shakuntala 1.10 Parashurama and the Kshatriya Genocide BOOKS 1.11 Shanthanu, Ganga and their son Devavratha 1.12 Bhishma, Sathyavathi and Her Two Sons 1.13 Vyasa’s Sons: Dhritharashtra,DC Pandu and Vidura 1.14 Kunthi and her Son Karna 1.15 Birth of the Kauravas and the Pandavas 1.16 The Strife Starts 1.17 The Preceptors Kripa and Drona 1.18 The Autodidact Ekalavya and his Sacrifice 1.19 Royal Tournament where Karna became a King 1.20 Drona’s Revenge on Drupada and its Counterblow 1.21 Lord Krishna’s Envoy to Hasthinapura 1.22 The Story of Kamsa 1.23 The Wax Palace Inferno 1.24 Hidimba, Hidimbi and Ghatotkacha 1.25 The Ogre that was Baka 1.26 Dhaumya, the Priest of the Pandavas 1.27 The Feud between Vasishta and Vishwamithra 1.28 More on the Quality of Mercy 1.29 Draupadi, her Five Husbands and Five Sons 1.30 The Story of Sunda and Upasunda 1.31 Draupadi’s Previous Life 1.32 The Pandavas as the Incarnation of the Five Indras 1.33 Khandavaprastha and its capital Indraprastha 1.34 Arjuna’s Liaisons while on Pilgrimage 1.35 Arjuna and Subhadra 1.36 The Khandava Conflagaration 1.37 The Strange Story of the Sarngaka Birds Chapter 2 The Book of the Assembly Hall -
'~,Rf) Plans of the Sacrifice
Mantrikudu comes into town and wows the people by granting them Just as all is about to go according to plan, Sadajapa wakes up and comes and Surabhi anything they wish for out of an enchanted box. Ramudu steals this box in warns me sorcerer about what's going on. In the confusion that follows, order to get wealth from it, but is unable to obtain any wealth from the box. Rarnudu knocks the idol out of the sorcerer's hands and duels with the Surabhi also known as Sri Venkateswara Narya Mandali is Sri Tageswara The sorcerer catcbes him and explains that it's the magic in his beard that sorcerer whilst Anji duels Sadajapa. The sorcerer and his apprentice are Rao(Babji's) theatre group from Hyderabad, They are an enrire performing fuels the box. He convinces Ramudu that be Canhave anything he likes if only destroyed, and they use the idol to rranspon the palace back to its righrful family that has been in existence for 125 years. They are experts at rope he asks goddess 'Pathala Bhairavi', whose lair is somewhere near me town. place. All ends happily as the queen's brother repents his ways and Ramudu techniques, pyro techniques and other forms of special effects and have in and Indurnathi are married to each other. their repertOry more than 30 mythological plays. Surabhi is one of its kind as Thus they both begin their long, arduous journey in search of the lair. When they make their own props, paint their own backdrops and train their children they finally find it, Ramudu proves his prowess by using his courage and generation after generation to grow into their magical characters. -
Sri Rama Navami
Sri Rama Navami On Chaitra Sukla Navami (the ninth day of the bright half of Chaitra) 'Sree Ramanavami' is celebrated. Sree Rama was born on this day and years later on the same day Rama married Sita. 'Sree Sitarama Kalyana Mahotsav' (wedding) is performed in the abode Sitarama Temple, Bhadrachalam, Khammam District, Andhra Pradesh with great tradition and Bhakti. On behalf of Andhra Pradesh Government, Chief Minister with his wife visits the Kalyana Mahotsav and offers Silk Clothes and Pearls as Talambralu (auspicious) to the God and Goddess. The whole of this celebration is telecasted live in Doordarshan. "Wherever four Hindus live, Rama and Sita will be there" so said Swami Vivekananda, one of the foremost harbingers of modern national renaissance of Bharat. The reverse also is equally true - wherever Rama and Sita live, the people there will remain and live as Hindus. Every hill and rivulet of Bharat bears the imprint of the holy feet of Rama and Sita. Sri Rama reigns supreme to this day in the hearts of our people, cutting across all barriers of province, language, caste or sect. Even the tribes living in isolated valleys and jungles have names like Mitti-Ram and Patthar-Ram. In some other tribes, every name carries the proud suffix of Ram, such as Lutthu Ram, Jagadev Ram, etc. In many northern parts of Bharat mutual greetings take the form of Jay Ramjee Ki. Sri Rama has become so much identified with all the good and great and virile qualities of heroic manhood that expressions such as 'Us me Ram nahi hai' (there is no Rama in him) - meaning that a person has lost all manliness and worth - have become common usage. -
Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata
Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series) A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Nandaka M. Kalugampitiya August 2016 © 2016 Nandaka M. Kalugampitiya. All Rights Reserved. 2 This dissertation titled Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series) by NANDAKA M. KALUGAMPITIYA has been approved for Interdisciplinary Arts and the College of Fine Arts by Vladimir Marchenkov Professor of Interdisciplinary Arts Elizabeth Sayrs Interim Dean, College of Fine Arts 3 Abstract KALUGAMPITIYA, NANDAKA M., Ph.D., August 2016, Interdisciplinary Arts Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series) Director of Dissertation: Vladimir Marchenkov In this study, I explore the manner in which contemporary artistic reimaginings of the Sanskrit epic the Mahabharata with a characteristically Western bent intervene in the dominant discourse on the epic. Through an analysis of Chitra Banerjee Divakaruni’s The Palace of Illusions (2008), Shashi Tharoor’s The Great Indian Novel (1989), and Peter Brook’s theatrical production The Mahabharata (1989 television mini-series), I argue that these reimaginings represent a tendency to challenge the cultural authority of the Sanskrit epic in certain important ways. The study is premised on the recognition that the three works of art in question respond, some more consciously than others, to three established assumptions regarding the Mahabharata respectively: (1) the Sanskrit epic as a product of divine authorship; (2) the Sanskrit epic as history; and (3) the Sanskrit epic as the story of a particular race. -
Leadership Lessons for CEO's from Hanuman
Vol.XII, No. 2; September, 2019 - February, 2020 Leadership Lessons for CEO's from Hanuman Dinesh Kumar Asst. General Manager (HRM) & Zonal HR Head, Bank of Baroda, New Delhi, India Email: [email protected] Amit Kishore Sinha Associate Professor, School of Management Sciences, Varanasi, India Divyanshu Singh Student, Lucknow University, Lucknow Abstract With the entry of LPG in India, the business environment has brought cut-throat competition in the 21st century prompting the organization to look for a CEO and other management professionals who are not only able to execute the direction of Chairman/Board of Directors and manage the organization but also can project their organization different from others. The entry of several CEOs and top management people who graduated from modern B schools learnt the western principle of management and focused their attention towards the western philosophy of survival of the fittest and promoted the short term strategy of dog eat dog in the organization to prove their worth. Blind persuasion of the modern management principles borrowed from the western philosophy that measures success in terms of the materialistic accomplishment and not on spiritual values promoted the culture of rat race among employees who focused their working for getting increments and salary hike without realizing the fact that even if one wins the rat race, one remains the rat. As a short term strategy, such CEOs and top management professionals might get success in the ballooning of the bottom line of the balance sheet and managing a few awards too but soon the brand starts losing its credibility. -
The Mahabharata
BHAGAVAD GITA The Global Dharma for the Third Millennium Appendix Translations and commentaries by Parama Karuna Devi Copyright © 2015 Parama Karuna Devi All rights reserved. ISBN-13: 978-1517677428 ISBN-10: 1517677424 published by Jagannatha Vallabha Vedic Research Center phone: +91 94373 00906 E-mail: [email protected] Website: www.jagannathavallabha.com © 2015 PAVAN Correspondence address: PAVAN House Siddha Mahavira patana, Puri 752002 Orissa Gita mahatmya by Adi Shankara VERSE 1 gita: Bhagavad gita; sastram: the holy scripture; idam: this; punyam: accruing religious and karmic merits; yah: one who; pathet: reads; prayatah: when departed; puman: a human being; visnoh: of Vishnu; padam: the feet; avapnoti: attains; bhaya: fear; soka adi: sadness etc; varjitah: completely free. This holy scripture called Bhagavad gita is (the source of) great religious and karmic merits. One who reads it leaves (the materialistic delusion, the imprisonment of samsara, etc)/ after leaving (this body, at the time of death) attains the abode of Vishnu, free from fear and sadness. Parama Karuna Devi VERSE 2 gita adhyayana: by systematic study of Bhagavad gita; silasya: by one who is well behaved; pranayama: controlling the life energy; parasya: of the Supreme; ca: and; na eva: certainly not; santi: there will be; hi: indeed; papani: bad actions; purva: previous; janma: lifetimes; krtani: performed; ca: even. By systematically studying the Bhagavad gita, chapter after chapter, one who is well behaved and controls his/ her life energy is engaged in the Supreme. Certainly such a person becomes free from all bad activities, including those developed in previous lifetimes. VERSE 3 malanih: from impurities; mocanam: liberation; pumsam: a human being; jala: water; snanam: taking bath; dine dine: every day; 4 Appendix sakrid: once only; gita ambhasi: in the waters of the Bhagavad gita; snanam: taking bath; samsara: the cycle of conditioned life; mala: contamination; nasanam: is destroyed. -
Vipul M Desai Valmiki's Stunningly Accurate Account
http://suratiundhiyu.wordpress.com/ VIPUL M DESAI VALMIKI’S STUNNINGLY ACCURATE ACCOUNT OF REMAYANA: The Dating of Ramayana. Over the recent times Britishers (Church) and later Communists have systematically worked to subvert the truth of Bhartiya History. By attributing words like Myth. Epic to the history of our heritage. Concept of Aryans was mischievously planted to establish the supremacy of West over East. The power brokers of the day, be it the Media or Politicians continue to ignore the truth. Valmikis' stunningly accurate account The story of Shri Rams' life was first narrated by Maharishi Valmiki in the Ramayana, which was written after Shri Ram was crowned as the king of Ayodhya. Maharishi Valmiki was a great astronomer as he has made sequential astronomical references on important dates related to the life of Shri Ram indicating the location of planets vis-a-vis zodiac constellations and the other stars (nakshatras). Needless to add that similar position of planets and nakshatras is not repeated in thousands of years. By entering the precise details of the planetary configuration of the important events in the life of Shri Ram as given in the Valmiki Ramayan in the software named "Planetarium" corresponding exact dates of these events according to the English calendar can be known. Mr Pushkar Bhatnagar, of the Indian Revenue Service, had acquired this software from the US. It is used to predict the solar/lunar eclipses and distance and location of other planets from earth. He entered the relevant details about the planetary positions narrated by Maharishi Valmiki and obtained very interesting and convincing results, which almost determine the important dates starting from the birth of Shri Ram to the date of his coming back to Ayodhya after 14 years of exile. -
Kunti I Kunti Ii Kunti
KUNTI I 443 KUNTI II clouds thick and boon she had got from Durvasas, and with his per- 8). Kunti before Kama. War grew house restless. Her mission she bore three sons called Dharmaputra, Bhima fast, and Kunti at Vidura's got at the disasters of war as described and Arjuna respectively from the three Devas, Dharma, heart trembled by Vayu and Indra. As it had been ordained that the Vidura. She went alone to the banks of the Ganga in with his fourth and fifth children would bring sorrows and pain where just then Kama was engaged Japa to the parents Kunti satisfied herself with three child- hands raised and face turned to the east. Kunti waited for some time after which to talk. With ren (Adi Parva, Chapter 122, Verses 77, 78) . they began tears in her eyes Kunti told Karna that he was her But, as Pandu desired that Madii also should have son and implored him to return to the Pandava side children by Kunti 's mantra she used the remaining to which Kama replied as follows : "Oh ! noble lady, mantra and two sons, Nakula and Sahadeva from the that is impossible. I have vowed to kill Arjuna. Asvimdevas were born to her. quite I will not kill the other four Pandavas. You shall 6) Kunti widowed. During a winter when the forest always have five sons alive. If Arjuna were to be no was fragrant with flowers, Pandu forgot all about the more I would be there for you in his stead." Sage's curse and indulged in sexual joys with Madri, and Kunti shuddered at those terrible words of Kama, immediately he expired. -
'Randamoozham'?
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Library Philosophy and Practice (e-journal) Libraries at University of Nebraska-Lincoln 2017 Bibliotheca: The Road to Wisdom Simjith V University of Calicut, Kerala, India., [email protected] Vasudevan T.M University of Calicut, Kerala, India., [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/libphilprac Part of the Arts and Humanities Commons, and the Library and Information Science Commons V, Simjith and T.M, Vasudevan, "Bibliotheca: The Road to Wisdom" (2017). Library Philosophy and Practice (e-journal). 1619. https://digitalcommons.unl.edu/libphilprac/1619 Bibliotheca: The Road to Wisdom Quest in to a Creative Self Simjith V. University of Calicut, Kerala, India Dr. Vasudevan T. M. University of Calicut, Kerala, India Keywords Creative self, library, literary wisdom, self transformation, transformative centers Abstract There is a path which takes any creative intellect from the world of information to that of wisdom through the world of knowledge. This path for creative realization is indeed resonant with the 'Upanishadic' method of spiritual realization, i.e. the transformative ideology of the East, consisting of the phases of 'Sravana', 'Manana', and 'Nididhyasana' in that order, with the outcome of the phases being Information, Knowledge and Wisdom respectively. This has been seen to be true in the case of legendary literary work and unparalleled epic of the East, Mahabharata, inspired the master writer of India, MT Vasudevan Nair in penning an equally legendary work 'Randamoozham' (Second Turn), in this comparatively limited linguistic realm and the role played by libraries in that creative endeavor.