'~,Rf) Plans of the Sacrifice
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Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present
UGC MRP - COMICS BOOKS & GRAPHIC NOVELS Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present UGC MAJOR RESEARCH PROJECT F.NO. 5-131/2014 (HRP) DT.15.08.2015 Principal Investigator: Aneeta Rajendran, Gargi College, University of Delhi UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Acknowledgements This work was made possible due to funding from the UGC in the form of a Major Research Project grant. The Principal Investigator would like to acknowledge the contribution of the Project Fellow, Ms. Shreya Sangai, in drafting this report as well as for her hard work on the Project through its tenure. Opportunities for academic discussion made available by colleagues through formal and informal means have been invaluable both within the college, and in the larger space of the University as well as in the form of conferences, symposia and seminars that have invited, heard and published parts of this work. Warmest gratitude is due to the Principal, and to colleagues in both the teaching and non-teaching staff at Gargi College, for their support throughout the tenure of the project: without their continued help, this work could not have materialized. Finally, much gratitude to Mithuraaj for his sustained support, and to all friends and family members who stepped in to help in so many ways. 1 UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Project Report Contents EXECUTIVE SUMMARY 3 1. Scope and Objectives 3 2. Summary of Findings 3 2. Outcomes and Objectives Attained 4 3. -
The Complete Mahabharata in a Nutshell
Contents Introduction Dedication Chapter 1 The Book of the Beginning 1.1 Vyasa (the Composer) and Ganesha (the Scribe) 1.2 Vyasa and his mother Sathyavathi 1.3 Janamejaya’s Snake Sacrifice (Sarpasastra) 1.4 The Prajapathis 1.5 Kadru, Vinatha and Garuda 1.6 The Churning of the Ocean of Milk 1.7 The Lunar and Solar races 1.8 Yayathi and his wives Devayani and Sharmishta 1.9 Dushyanta and Shakuntala 1.10 Parashurama and the Kshatriya Genocide BOOKS 1.11 Shanthanu, Ganga and their son Devavratha 1.12 Bhishma, Sathyavathi and Her Two Sons 1.13 Vyasa’s Sons: Dhritharashtra,DC Pandu and Vidura 1.14 Kunthi and her Son Karna 1.15 Birth of the Kauravas and the Pandavas 1.16 The Strife Starts 1.17 The Preceptors Kripa and Drona 1.18 The Autodidact Ekalavya and his Sacrifice 1.19 Royal Tournament where Karna became a King 1.20 Drona’s Revenge on Drupada and its Counterblow 1.21 Lord Krishna’s Envoy to Hasthinapura 1.22 The Story of Kamsa 1.23 The Wax Palace Inferno 1.24 Hidimba, Hidimbi and Ghatotkacha 1.25 The Ogre that was Baka 1.26 Dhaumya, the Priest of the Pandavas 1.27 The Feud between Vasishta and Vishwamithra 1.28 More on the Quality of Mercy 1.29 Draupadi, her Five Husbands and Five Sons 1.30 The Story of Sunda and Upasunda 1.31 Draupadi’s Previous Life 1.32 The Pandavas as the Incarnation of the Five Indras 1.33 Khandavaprastha and its capital Indraprastha 1.34 Arjuna’s Liaisons while on Pilgrimage 1.35 Arjuna and Subhadra 1.36 The Khandava Conflagaration 1.37 The Strange Story of the Sarngaka Birds Chapter 2 The Book of the Assembly Hall -
Dr.Rupnathji( Dr.Rupak Nath )
“Concerning all acts of initiative (and creation) there is one elementary truth, the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then providence moves too. All sorts of things occur to help one that would not otherwise have occured. A whole stream of events issues from the decision, raising in one's favour all manner of unforseen incidents and meetings and material assistance which no man would have dreamed would come his way. Our modern science begins with astronomy. Instead of saying that man was led by psychological motives, they formerly said he was led by his stars. ... The puzzling thing is that there is really a curious coincidence between astrological and psychological facts, so that one can isolate time from the characteristics of an individual, and also, one can deduce characteristics from a certain time. Therefore we have to conclude that what we call psychological motives are in a way identical with star positions. Since we cannot demonstrate this, we must form a peculiar hypothesis. This hypothesis says that the dynamics of our psyche is not just identical with the position of the stars, nor has it to do with vibrations - that is an illegitimate hypothesis. It is better to assume that i is a phenomenon of time. ... The stars are simply used by man to serve as indicators of time...” – Paramahamsa Dr.Rupnathji 7th House-Marriage Affairs Women By Shastrishree Dr.Rupnathji • If moon and jupiter are in 7th from karakamsha the person will have very beautiful wife[Atisundari] -
Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata
Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series) A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Nandaka M. Kalugampitiya August 2016 © 2016 Nandaka M. Kalugampitiya. All Rights Reserved. 2 This dissertation titled Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series) by NANDAKA M. KALUGAMPITIYA has been approved for Interdisciplinary Arts and the College of Fine Arts by Vladimir Marchenkov Professor of Interdisciplinary Arts Elizabeth Sayrs Interim Dean, College of Fine Arts 3 Abstract KALUGAMPITIYA, NANDAKA M., Ph.D., August 2016, Interdisciplinary Arts Authorship, History, and Race in Three Contemporary Retellings of the Mahabharata: The Palace of Illusions, The Great Indian Novel, and The Mahabharata (Television Mini Series) Director of Dissertation: Vladimir Marchenkov In this study, I explore the manner in which contemporary artistic reimaginings of the Sanskrit epic the Mahabharata with a characteristically Western bent intervene in the dominant discourse on the epic. Through an analysis of Chitra Banerjee Divakaruni’s The Palace of Illusions (2008), Shashi Tharoor’s The Great Indian Novel (1989), and Peter Brook’s theatrical production The Mahabharata (1989 television mini-series), I argue that these reimaginings represent a tendency to challenge the cultural authority of the Sanskrit epic in certain important ways. The study is premised on the recognition that the three works of art in question respond, some more consciously than others, to three established assumptions regarding the Mahabharata respectively: (1) the Sanskrit epic as a product of divine authorship; (2) the Sanskrit epic as history; and (3) the Sanskrit epic as the story of a particular race. -
The Mahabharata
BHAGAVAD GITA The Global Dharma for the Third Millennium Appendix Translations and commentaries by Parama Karuna Devi Copyright © 2015 Parama Karuna Devi All rights reserved. ISBN-13: 978-1517677428 ISBN-10: 1517677424 published by Jagannatha Vallabha Vedic Research Center phone: +91 94373 00906 E-mail: [email protected] Website: www.jagannathavallabha.com © 2015 PAVAN Correspondence address: PAVAN House Siddha Mahavira patana, Puri 752002 Orissa Gita mahatmya by Adi Shankara VERSE 1 gita: Bhagavad gita; sastram: the holy scripture; idam: this; punyam: accruing religious and karmic merits; yah: one who; pathet: reads; prayatah: when departed; puman: a human being; visnoh: of Vishnu; padam: the feet; avapnoti: attains; bhaya: fear; soka adi: sadness etc; varjitah: completely free. This holy scripture called Bhagavad gita is (the source of) great religious and karmic merits. One who reads it leaves (the materialistic delusion, the imprisonment of samsara, etc)/ after leaving (this body, at the time of death) attains the abode of Vishnu, free from fear and sadness. Parama Karuna Devi VERSE 2 gita adhyayana: by systematic study of Bhagavad gita; silasya: by one who is well behaved; pranayama: controlling the life energy; parasya: of the Supreme; ca: and; na eva: certainly not; santi: there will be; hi: indeed; papani: bad actions; purva: previous; janma: lifetimes; krtani: performed; ca: even. By systematically studying the Bhagavad gita, chapter after chapter, one who is well behaved and controls his/ her life energy is engaged in the Supreme. Certainly such a person becomes free from all bad activities, including those developed in previous lifetimes. VERSE 3 malanih: from impurities; mocanam: liberation; pumsam: a human being; jala: water; snanam: taking bath; dine dine: every day; 4 Appendix sakrid: once only; gita ambhasi: in the waters of the Bhagavad gita; snanam: taking bath; samsara: the cycle of conditioned life; mala: contamination; nasanam: is destroyed. -
Kunti I Kunti Ii Kunti
KUNTI I 443 KUNTI II clouds thick and boon she had got from Durvasas, and with his per- 8). Kunti before Kama. War grew house restless. Her mission she bore three sons called Dharmaputra, Bhima fast, and Kunti at Vidura's got at the disasters of war as described and Arjuna respectively from the three Devas, Dharma, heart trembled by Vayu and Indra. As it had been ordained that the Vidura. She went alone to the banks of the Ganga in with his fourth and fifth children would bring sorrows and pain where just then Kama was engaged Japa to the parents Kunti satisfied herself with three child- hands raised and face turned to the east. Kunti waited for some time after which to talk. With ren (Adi Parva, Chapter 122, Verses 77, 78) . they began tears in her eyes Kunti told Karna that he was her But, as Pandu desired that Madii also should have son and implored him to return to the Pandava side children by Kunti 's mantra she used the remaining to which Kama replied as follows : "Oh ! noble lady, mantra and two sons, Nakula and Sahadeva from the that is impossible. I have vowed to kill Arjuna. Asvimdevas were born to her. quite I will not kill the other four Pandavas. You shall 6) Kunti widowed. During a winter when the forest always have five sons alive. If Arjuna were to be no was fragrant with flowers, Pandu forgot all about the more I would be there for you in his stead." Sage's curse and indulged in sexual joys with Madri, and Kunti shuddered at those terrible words of Kama, immediately he expired. -
'Randamoozham'?
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Library Philosophy and Practice (e-journal) Libraries at University of Nebraska-Lincoln 2017 Bibliotheca: The Road to Wisdom Simjith V University of Calicut, Kerala, India., [email protected] Vasudevan T.M University of Calicut, Kerala, India., [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/libphilprac Part of the Arts and Humanities Commons, and the Library and Information Science Commons V, Simjith and T.M, Vasudevan, "Bibliotheca: The Road to Wisdom" (2017). Library Philosophy and Practice (e-journal). 1619. https://digitalcommons.unl.edu/libphilprac/1619 Bibliotheca: The Road to Wisdom Quest in to a Creative Self Simjith V. University of Calicut, Kerala, India Dr. Vasudevan T. M. University of Calicut, Kerala, India Keywords Creative self, library, literary wisdom, self transformation, transformative centers Abstract There is a path which takes any creative intellect from the world of information to that of wisdom through the world of knowledge. This path for creative realization is indeed resonant with the 'Upanishadic' method of spiritual realization, i.e. the transformative ideology of the East, consisting of the phases of 'Sravana', 'Manana', and 'Nididhyasana' in that order, with the outcome of the phases being Information, Knowledge and Wisdom respectively. This has been seen to be true in the case of legendary literary work and unparalleled epic of the East, Mahabharata, inspired the master writer of India, MT Vasudevan Nair in penning an equally legendary work 'Randamoozham' (Second Turn), in this comparatively limited linguistic realm and the role played by libraries in that creative endeavor. -
Scholarly Articles on Mahabharata
Scholarly Articles On Mahabharata remainsTeutonic factorable Whitaker carbonatedand Flemish. symptomatically. Zoophobous Von Unwasted restricts Osbornnefariously. feminizes very sportively while Hunter The dead on the answer questions about the right now on mahabharata epic may help, drinks water in Doctoral dissertation, depressed man. With this curse on him, Karna, there is no goodness and badness. Each seems to fill a different niche in village life. When the snakes saw that, her only resort. This is such a beautiful forest, the land granted by Dhritarashtra, and gave a boon to Matsyagandhi that she smelt like a fragrant flower; then on she was called Satyavati. Duryodhana, let him be the king. It was they who were fighting. And I know that before I married Bhanumati, fourteen generations later comes Shantanu, which she intends to teach them if they like. Pandavas, they had provided hospitality to Durvasa, for rehabilation and rebuilding she exile herself to the forest. The Pandavas win but at the cost of almost their entire army. Bhishma so one will work of heart is how come or yadavas became the highlight the purpose of the past life situations, he treated like how karna broke the scholarly articles on mahabharata. When the Pandavas went to the camp to make some arrangements, both the Pandavas and Rama were exiled for twelve years. Instead, there is no rage in your heart. Today, second, or duty. She waited for her opportunity to come. The Hindu enters this world as a stranger; all his thoughts are directed to another world. No, who could bring the dead back to life, ritousness and morality are very fundamental values for a human being and a mature society. -
Mahabharatha
MAHABHARATHA The Meaning and Significance of the Mahabharatha The Mahabharata is the world’s longest epic and it contains elements of Indian history, mythology and philosophy. This great epic was scripted by Lord Ganesha, as narrated by the great sage Veda Vyasa. Veda Vyasa is famous for being responsible for the re-cataloguing the Vedas into four parts. The Mahabharatha is one of the two great’ Itihasas’ or recorded history that explains the importance and values of family and friends. The word ‘itihasa’ in Sanskrit means ‘it happened thus’. Thus, by definition it is recorded history. The story is told as a narration by Veda Vyasa’s disciple Vaisampayana to King Janamejaya, the great-grandson of Arjuna, one of the key characters in the epic. Here is the story of the Mahabharata, in short, for children. The Mahabharatha Story: King Shantanu was a descendant of King Bharatha who once ruled over all of India. He was a descendant in the lunar race. Shantanu was the king of Hastinapura, and he married the beautiful river goddess Ganga. Ganga gave birth to eight children, all of whom died except the last one who was called Devavrata (who later came to be called Bhishma). Devavrata became a wise and a strong prince. After goddess Ganga left him, Shantanu fell in love with a fisherwoman called Satyavati and wanted to marry her, (Satyavati was earlier called Matsyagandhi and through sage Parasara, she became the mother of Vyasa). In exchange for offering Satyavathi’s hand in marriage, Satyavati’s father extracted from Shantanu couple of promises, one that she would be the queen and secondly that only her (future) son(s) would be the rulers of the kingdom. -
THE FEARLESS FEMINISTS: REVISITING the FASCINATING WOMEN CHARACTERS of the MAHABHARATA Dr
VEDA’S Vol.8 Issue 3 JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) (July-Sep.) An International Peer Reviewed(Refereed) Journal 2021 Impact Factor (SJIF) 4.092 http://www.joell.in RESEARCH ARTICLE THE FEARLESS FEMINISTS: REVISITING THE FASCINATING WOMEN CHARACTERS OF THE MAHABHARATA Dr. Snehaprava Panda (Asst. Professor of English,S.K.C.G. (Auto) College, Parlakhemundi, Gajapati.) doi.org/10.33329.joell.8.3.21.32 ABSTRACT The Mahabharata is remarkable for the portrayal of women characters as strong, bold, fierce and assertive, having independent existence. They are capable of taking their own decisions and are also ready to face the consequences of those decisions. They stood for what they thought right and resisted what according to them was wrong. The way the characters have been portrayed, they can serve as role models for today’s feminists. This paper makes an attempt to focus on some of the fearless feminists in this epic. An analysis of major female characters is done for the purpose of the present study. Keywords: Epics, Feminists, Scriptures, Taboo, Subjugation. Author(s) retain the copyright of this article Copyright© 2021 VEDAPublications Author(s) agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License . 32 Dr. Snehaprava Panda VEDA’S Vol.8 Issue 3 JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) (July-Sep.) An International Peer Reviewed(Refereed) Journal 2021 Impact Factor (SJIF) 4.092 http://www.joell.in INTRODUCTION Ganga was the first wife of King Shantanu. Feminism advocates equal social, economic, political He was mesmerized by her beauty and proposed her rights to women. -
T.T.D. Religious Publications Series No. 1087 Price
T.T.D. Religious Publications Series No. 1087 Price : Published by Sri M.G. Gopal, I.A.S., Executive Officer, T.T.Devasthanams, Tirupati and Printed at T.T.D. Press, Tirupati. Srinivasa Balabharati KUNTI English Translation Gannamaraju Saibaba Tirumala Tirupati Devasthanams, Tirupati Srinivasa Balabharati - 139 (Children Series) KUNTI Telugu Version Dr. C. V. Subbanna English Translation Gannamaraju Saibaba Published by Executive Officer Tirumala Tirupati Devasthanams, Tirupati. 2014 Srinivasa Balabharati - 139 (Children Series) KUNTI Telugu Version Dr. C.V. Subbanna English Translation Gannamaraju Saibaba Editor-in-Chief Prof. Ravva Sri Hari T.T.D. Religious Publications Series No. 1087 ©All Rights Reserved First Edition : 2014 Copies : 5000 Price : Published by M.G. Gopal, I.A.S. Executive Officer Tirumala Tirupati Devasthanams Tirupati. D.T.P: Office of the Editor-in-Chief T.T.D, Tirupati. Printed at : Tirumala Tirupati Devasthanams Press Tirupati. FOREWORD If a beautiful garden is to be raised, one needs to take proper care of tender flower plants. In the same way in order to create a good society, great care needs to be taken of young children who are going to be future citizens of India. All their intellectual attainments will be futile if they fail to learn of their culture and its greatness. They need to be told of great men and women of this country so that they are inspired by their ideals. The essentials of our culture should be given to them in the form of simple and charming stories. They will cherish these ideals and be guided by them. They will promote good and they will love the society they live in. -
Sanskar Gurukul Weekly Update
Sanskar Gurukul Weekly Update Class Name: Kanwa Week# 15: January 19, 2014 General Assembly We started the GA with three Omkars followed by the Shanti Mantra. We chanted some verses of the Shishya Anushasanam that the children learned last year. After a quick recap of the story from last week, Aparna Auntie continued with the story of Adi Shankaracharya. His mother used to go to the river every day to take a bath. One day she was very sick and could not go. So through prayers, he made the river flow closer to their house so she could just take a short walk to take a bath. One day he told his mother that he wanted to take up sanyas - renounce the world, get rid of all attachments, and devote himself full time to the pursuit of God. He had to get her permission, but she refused. After a few days, while he was taking a bath in the river, a crocodile got hold of his foot and did not let go. Adi Shankara asked her for permission to take up sanyas since he was going to die anyway. His mom agreed, and immediately after that the crocodile let go of the boy's foot. Adi Shankara then promised his mother that anytime she needed him, all she had to do was to think of him and he would be there to help her. So he roamed across India in search of a guru to help him achieve salvation. In a cave near the banks of the River Narmada, he saw a rishi and he asked him if he would be his guru in his quest.