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Taiping Rebellion PMUNC 2017
Taiping Rebellion PMUNC 2017 Princeton Model United Nations Conference 2017 The Taiping Rebellion Chair: Nicholas Wu Director: [Name] 1 Taiping Rebellion PMUNC 2017 CONTENTS Letter from the Chair……………………………………………………………… 3 The Taiping Rebellion:.…………………………………………………………. 4 History of the Topic………………………………………………………… 4 Current Status……………………………………………………………….7 Country Policy……………………………………………………………… 9 Keywords…………………………………………………………………...11 Questions for Consideration………………………………………………...12 Positions:.………………………………………………………………………. 14 2 Taiping Rebellion PMUNC 2017 LETTER FROM THE CHAIR Dear Delegates, Welcome to PMUNC 2017! This will be my fourth and final PMUNC. My name is Nicholas Wu, and I’m a senior in the Woodrow Wilson School, pursuing certificates in American Studies and East Asian Studies. It’s my honor to chair this year’s crisis committee on the Taiping Rebellion. It’s a conflict that fascinates me. The Taiping Rebellion was the largest civil war in human history, but it barely receives any attention in your standard world history class. Which is a shame — it’s a multilayered conflict. There are ethnic, economic, and religious issues at play, as well as significant foreign involvement. I hope that you all find it as interesting as I do. On campus, I’m currently figuring out how to write my thesis, and I’m pretty sure that I’m going to be researching the implementation of Deferred Action for Childhood Arrivals (DACA). I’m also involved with the International Relations Council, the Daily Princetonian, the Asian American Students Association, and Princeton Advocates for Justice. I also enjoy cooking. Best of luck at the conference! Please don’t hesitate to reach out if you have any questions. You can email me anytime at [email protected]. -
Information to Users
"No more interference": The response of Chinese intellectuals to United States China policy, 1945-1950. Item Type text; Dissertation-Reproduction (electronic) Authors Zhang, Hong. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 06:36:10 Link to Item http://hdl.handle.net/10150/187365 INFORMATION TO USERS This manuscript ,has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is depeDdent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedtbrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with smaIl overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
Chinese Popular Romance in Greater East Asia, 1937-1945 Chun-Yu Lu Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2016 Make Love and War: Chinese Popular Romance in Greater East Asia, 1937-1945 Chun-Yu Lu Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian Studies Commons, East Asian Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, Gender and Sexuality Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Lu, Chun-Yu, "Make Love and War: Chinese Popular Romance in Greater East Asia, 1937-1945" (2016). Arts & Sciences Electronic Theses and Dissertations. 800. https://openscholarship.wustl.edu/art_sci_etds/800 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Committee on Comparative Literature Dissertation Examination Committee: Lingchei Letty Chen, Chair Robert E Hegel, Co-Chair Rebecca Copeland Diane Lewis Zhao Ma Marvin Marcus Make Love and War: Chinese Popular Romance in “Greater East Asia,” 1937-1945 by Chun-yu Lu A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2016 St. Louis, Missouri © 2016, Chun-yu Lu Table of Content Acknowledgments ................................................................................................. -
Utopia/Wutuobang As a Travelling Marker of Time*
The Historical Journal, , (), pp. – © The Author(s), . Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http://creativecommons.org/ licenses/by-nc-nd/./), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work. doi:./SX UTOPIA/WUTUOBANG AS A TRAVELLING MARKER OF TIME* LORENZO ANDOLFATTO Heidelberg University ABSTRACT. This article argues for the understanding of ‘utopia’ as a cultural marker whose appearance in history is functional to the a posteriori chronologization (or typification) of historical time. I develop this argument via a comparative analysis of utopia between China and Europe. Utopia is a marker of modernity: the coinage of the word wutuobang (‘utopia’) in Chinese around is analogous and complementary to More’s invention of Utopia in ,inthatbothrepresent attempts at the conceptualizations of displaced imaginaries, encounters with radical forms of otherness – the European ‘discovery’ of the ‘New World’ during the Renaissance on the one hand, and early modern China’sown‘Westphalian’ refashioning on the other. In fact, a steady stream of utopian con- jecturing seems to mark the latter: from the Taiping Heavenly Kingdom borne out of the Opium wars, via the utopian tendencies of late Qing fiction in the works of literati such as Li Ruzhen, Biheguan Zhuren, Lu Shi’e, Wu Jianren, Xiaoran Yusheng, and Xu Zhiyan, to the reformer Kang Youwei’s monumental treatise Datong shu. -
“Estudios Artísticos, Literarios Y De La Cultura” Tesis Doctoral
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE LINGÜÍSTICA GENERAL, LENGUAS MODERNAS, LÓGICA Y FILOSOFÍA DE LA CIENCIA, TEORÍA DE LA LITERATURA Y LITERATURA COMPARADA ÁREA DE TEORÍA DE LA LITERATURA Y LITERATURA COMPARADA PROGRAMA DE DOCTORADO en “Estudios Artísticos, Literarios y de la Cultura” Tesis Doctoral “ESPEJO CURVO: DISEÑO DE CUBIERTAS DE LIBROS DE LITERATURA CONTEMPORÁNEA CHINA EN ESPAÑA” Doctorando: Cheng Li Directores: Dr. Juan Carlos Gómez Alonso Dr. David Amezcua Gómez Madrid, octubre de 2018 Tesis que, para la obtención del Título de Doctor, dentro del programa de Programa de doctorado del RD 99/2011 en “Estudios Artísticos, Literarios y de la Cultura”, presenta el Licenciado Cheng Li bajo la dirección del Doctor Juan Carlos Gómez Alonso, Profesor Titular de Teoría de la Literatura y Literatura Comparada de la Universidad Autónoma de Madrid, y del Doctor David Amezcua Gómez, profesor ayudante doctor de Lengua y Literatura Inglesa en la Universidad CEU San Pablo en Madrid. Vº Bº de los directores 3 ÍNDICE INTRODUCCIÓN .......................................................................................................... 9 CAPÍTULO I: LA CUBIERTA DE LOS LIBROS: MARKETING, DISEÑO Y RETÓRICA ............................................................................................... 15 1.1 El carácter mercantil del libro y la competencia en el mercado editorial .......... 15 1.2 La cubierta de los libros: evolución histórica .................................................... 20 1.3 El -
Part 7: Invasions, Rebellions, and the End of Imperial China Part 7 Introduction Pre-Modern Vs
Part 7: Invasions, Rebellions, and the End of Imperial China Part 7 Introduction Pre-modern vs. Modern When does modern Chinese history begin? Some say during the Opium War, the late 1830s and 1840s. Others date modern history from 1919 and the May Fourth Movement. In this course we take the 18th century, when the Qing was at its height, to begin modern Chinese history. Considering that modern history bears some relation to the present, what events signified the beginning of that period? In Europe, historians often chose 1789, the French Revolution. The signifying events, the transitional events, for China begin with its transition from empire to nation-state, with population growth, with the inclusion of Xinjiang and Tibet during the Qianlong reign, and with the challenges of maintaining unity in a multi-ethnic population. Encounter with the West In the 19th century this evolving state ran head-on into the mobile, militarized nation of Great Britain, the likes of which it has never seen before. This encounter was nothing like the visits from Jesuit missionaries (footnote 129 on page 208) or Lord Macartney (page 253). It challenged all the principles of imperial rule. Foreign Enterprise Today’s Chinese economy has its roots in the Sino-foreign enterprises born during these early encounters. Opium was one of its main enterprises. Christianity was a kind of enterprise. These enterprises combined to weaken and humiliate the Qing. As would be said of a later time, these foreign insults were a “disease of the skin.”165 It was the Taiping Rebellion that struck at the heart. -
American Protestant Missions in Nineteenth-Century China
Asian Intercultural Contacts American Protestant Missions in Nineteenth-Century China By George B. Pruden background: Religion and Trade European Catholics mounted the first systematic effort to convert Chinese to Christi- anity in the late sixteenth century. Their work was part of the Catholic Counter Refor- mation, but by 1750, the glory days were over. Jesuits such as Matteo Ricci (1552–1610) had not only won converts, but gained the respect of influential Chinese and even some emperors in the latter part of the Ming dynasty (1368–1644) and the early part of the Qing dynasty (1644– 1912). Their success stemmed in part from accommodating the tradition of venerating an- cestors (calling it a civil and not a religious prac- tice) and using Chinese terms to refer to God. A rival monastic order, though, had gained the Pope’s support in condemning those accommodations. This Rites Controversy came to a head during the early eighteenth century. After Pope Clement IX prohibited Chinese Christian converts from taking part in ancestor-veneration ceremonies in 1715, the Kangxi Emperor in 1721 banned all Christian preaching in China. Although Catholic missionaries remained in China, their numbers and influence dwindled. ithin a few decades of the decline of Catholic presence in China, western European merchants arrived in growing numbers, eager for trade. Silk and porcelain—at the time produced only in WChina—fed a growing appetite for chinoiserie among the European elite classes. Tea became a popular beverage, not only for the aristocracy, but also for their affluent, social-climbing imitators among the country gentry and urban merchant class. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Commander's Corner
Generals Ward & Chennault & LT Helseth China Post 1® Poop Sheet Commander’s Corner By 龙老板 Scott Riebel, Commander Hello Comrades, I hope you all had a Merry Christmas and wishing you all a happy, healthy, and prosperous new year. On January 25th, we will ring in the year of the Rat. Each new year brings us new opportunities, and this year will be no different. The vision of the future of China Post 1 looks bright, the Post is fiscally sound, our membership renewal rate remains strong with nearly 90% of our members having renewed this year, and the Post enjoys the overwhelming support of the members for our shared vision of the future of the Post. Part of that vision is developing a sound relationship with the owners of the Old Post Home at 209 Fuzhou Lu, Shanghai and establishing a long-term sustainable Post presence in China. We’ve achieved tangible results in that arena. During the second week of December 2019, Joe Gentile and I traveled to China with the hopes of opening a dialog between the Director of Cultural resources, Shanghai, the U.S. Consulate and China Post 1. This edition of the Poop Sheet contains an abbreviated copy of our trip report detailing our efforts and successes. We will be returning in February to finalize plans for the Post to present the plaque celebrating our 100th anniversary, scheduled for April 20, 2020. We have invited several dignitaries including the C.E.O. of the Chennault Aviation Museum in Monroe, LA and granddaughter of Claire Chennault, Ms. -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Uncertain Satire in Modern Chinese Fiction and Drama: 1930-1949 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature by Xi Tian August 2014 Dissertation Committee: Dr. Perry Link, Chairperson Dr. Paul Pickowicz Dr. Yenna Wu Copyright by Xi Tian 2014 The Dissertation of Xi Tian is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION Uncertain Satire in Modern Chinese Fiction and Drama: 1930-1949 by Xi Tian Doctor of Philosophy, Graduate Program in Comparative Literature University of California, Riverside, August 2014 Dr. Perry Link, Chairperson My dissertation rethinks satire and redefines our understanding of it through the examination of works from the 1930s and 1940s. I argue that the fluidity of satiric writing in the 1930s and 1940s undermines the certainties of the “satiric triangle” and gives rise to what I call, variously, self-satire, self-counteractive satire, empathetic satire and ambiguous satire. It has been standard in the study of satire to assume fixed and fairly stable relations among satirist, reader, and satirized object. This “satiric triangle” highlights the opposition of satirist and satirized object and has generally assumed an alignment by the reader with the satirist and the satirist’s judgments of the satirized object. Literary critics and theorists have usually shared these assumptions about the basis of satire. I argue, however, that beginning with late-Qing exposé fiction, satire in modern Chinese literature has shown an unprecedented uncertainty and fluidity in the relations among satirist, reader and satirized object. -
ABSTRACT Liang Fa's Quanshi Liangyan and Its Impact on The
ABSTRACT Liang Fa’s Quanshi liangyan and Its Impact on the Taiping Movement Sukjoo Kim, Ph.D. Mentor: Rosalie Beck, Ph.D. Scholars of the Taiping Movement have assumed that Liang Fa’s Quanshi liangyan 勸世良言 (Good Words to Admonish the Age, being Nine Miscellaneous Christian Tracts) greatly influenced Hong Xiuquan, but very little has been written on the role of Liang’s work. The main reason is that even though hundreds of copies were distributed in the early nineteenth century, only four survived the destruction which followed the failure of the Taiping Movement. This dissertation therefore explores the extent of the Christian influence of Liang’s nine tracts on Hong and the Taiping Movement. This study begins with an introduction to China in the nineteenth century and the early missions of western countries in China. The second chapter focuses on the life and work of Liang. His religious background was in Confucianism and Buddhism, but when he encountered Robert Morrison and William Milne, he identified with Christianity. The third chapter discusses the story of Hong especially examining Hong’s acquisition of Liang’s Quanshi liangyan and Hong’s revelatory dream, both of which serve as motives for the establishment of the Society of God Worshippers and the Taiping Movement. The fourth chapter develops Liang’s key ideas from his Quanshi liangyan and compares them with Hong’s beliefs, as found in official documents of the Taipings. The fifth chapter describes Hong’s beliefs and the actual practices of the Taiping Movement and compares them with Liang’s key ideas. -
The Circulation and Interpretation of Taiping Depositions
Washington University in St. Louis Washington University Open Scholarship Senior Honors Papers / Undergraduate Theses Undergraduate Research Spring 5-17-2019 A War of Words: The irC culation and Interpretation of Taiping Depositions Jordan Weinstock Follow this and additional works at: https://openscholarship.wustl.edu/undergrad_etd Part of the Asian History Commons Recommended Citation Weinstock, Jordan, "A War of Words: The irC culation and Interpretation of Taiping Depositions" (2019). Senior Honors Papers / Undergraduate Theses. 15. https://openscholarship.wustl.edu/undergrad_etd/15 This Unrestricted is brought to you for free and open access by the Undergraduate Research at Washington University Open Scholarship. It has been accepted for inclusion in Senior Honors Papers / Undergraduate Theses by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. A War of Words: The Circulation and Interpretation of Taiping Depositions By Jordan Weinstock A Thesis Submitted in Partial Fulfillment Of the Requirements for Honors in History In the College of Arts and Sciences Washington University Advisor: Steven B. Miles April 1 2019 © Copyright by Jordan Weinstock, 2019. All rights reserved. Abstract: On November 18, 1864, the death knell of the Taiping Heavenly Kingdom was rung. Hong Tiangui Fu had been killed. Hong, divine leader of the once nascent kingdom and son of the Heavenly Kingdom’s founder, was asked to confess before his execution, making him one of the last figures to speak directly on behalf of the Qing’s most formidable opposition. The movement Hong had inherited was couched in anti-Manchu sentiment, pseudo-Marxist thought, and a distinct, unorthodox, Christian vision.