Books / Catalogues

Total Page:16

File Type:pdf, Size:1020Kb

Books / Catalogues Books / Catalogues 2010 The Art and Design of Natalia Goncharova Anthony Parton Antique Collectors’ Club, Suffolk, England Summer 2010 Catalogue raisonné de l‘Œuvre de Natalia Gontcharova Volume 1 Denise Bazetoux with Jean Chauvelin Editions Avril graphique, Paris, France Summer 2010 Roter Stern über Russland Eine visuelle Geschichte der Sovjetunion von 1917 bis zum Tode Stalins 42 Mehring Verlag, Essen, Germany Victory Over the Sun Artists . Bookworks, England Distributed by NetworkBooks: www.networkbooks.eu 2009 Covers: Anna Garvey Alexandra Exter Jean Chauvelin, Editor Volume 1 Musée Château de Tours, France A. Kruchenykh, libretto, V. Khlebnikov, Prologue Music: M. Matiushin Natalja Gontscharowa: Zwischen russischer Sets & Costumes: K. Malevich Tradition und europäischer Moderne Essay: E. Steiner Beate Kemfert Texts: M. Matiushin, B. Livshits, A. Kruchenykh Hatje Cantz Verlag, Munich, Germany Translated from the Russain by Evgeny Steiner Lizzitzky Design Volume 2 John Milner Patricia Railing, Editor Antique Collectors’ Club, Suffolk, England Anthony Parton, “Killing the Moonlight & Conquering the Sun” Red Star Over Russia Nina Gourianova, “Aleksei Kruchenykh’s Theatre A Visual History of the Soviet Union From the of Alogism” Revolution to the Death of Stalin Aleksei Kruchenykh, “New Ways of the Word” David King (1913) Tate Publishing, London, England Christopher Dempsey, “On Zaum and its Use in Victory Over the Sun” Rodchenko Design Caroline Wallis & P. Railing, “Journey in Space- John Milner Time in the Vehicle of Destiny” Antique Collectors’ Club, Suffolk, England John Milner, “Malevich’s Victory Over the Sun” Christopher Dempsey, “A Musical Assessment of Rodchenko & Popova: Defining Constructivism Victory Over the Sun” Margarita Tupitsyn, Christina Kiaer John Milner, “The After-Life of Victory Over the Tate Publishing, London, England Sun” InCoRM Journal Vol. 1 No. 1 • 2009 Kandinsky – Theories and Experiments from 2008 Various Years Valery Turchin Chagall: A Biography State Institute of Art History, Libri di Arte, Moscow Jackie Wullschlager Distribution: [email protected] Knopf, New York Chagall and the Artists of the Russian Jewissh Theatre Susan Tumarkin Goodman The Jewish Museum, New York, and Yale University Press, New Haven and London Harmony & Synthesis – Aspects of Russian Modernism: Universal Aspirations and National Cultural Identity Isabel Wünsche Wilhelm Fink Verlag, Paderborn, Germany 43 Kandinsky in Russia (2005) Valery Turchin State Institute of Art History, Libri di Arte, Moscow Distribution: [email protected] Moscow and St. Petersburg in Russia‘s Silver Age 1900-1920 John E. Bowlt Thames and Hudson, London, England Kandinsky – Absolut Abstrakt: Der Katalog The Moscow Yiddish Theatre Kandinsky – Absolute Abstract Art on Stage in the Time of Revolution Helmut Freidel, Editor Benjamin Harshav Stadtische Galerie im Lenbachhaus und Kunstbau, Yale University Press, New Haven and London Munich Centre Pompidou, Paris, and L‘Avant-garde russe dans la collection Solomon R. Guggenheim Foundation, N.Y. Costakis Prestel Verlag, Munich, Germany Yves Kobry et al. Musée Maillol and Editions Gallimard, Paris, France Vasily Kandinsky Kleine Welten / Small Worlds (facsimile) Alexander Rodchenko – Revolution in Prestel Verlag, Munich and London Photography Olga Sviblova and others The Hayward, London, England InCoRM Journal Vol. 1 No. 1 • 2009.
Recommended publications
  • Taus Makhacheva
    TAUS MAKHACHEVA Born 1983 in Moscow, Russia Lives and works between Makhachkala, Dagestan and Moscow, Russia EDUCATION 2003-07 BA Fine Art (Studio practice and contemporary critical studies), Goldsmiths College, University of London, London, UK 2008-09 New Strategies in Contemporary Art, The Institute of Contemporary Art, Moscow, Russia 2011-13 MA Fine Art, Royal College of Art, London, UK SELECTED SOLO EXHIBITIONS 2015 Vababai Vadadai!, Narrative Projects, London, UK (In)sidenotes, curated by Rebecka Wigh Abrahamsson, Uppsala Konstmuseum, Uppsala, Sweden 2014 Dagestan. Not for Sale, curated by Alexey Maslyaev, artSumer Gallery, Istanbul, Turkey A Walk, A Dance, A Ritual, curated by Ilina Koralova, Museum of Contemporary Art, Leipzig, Germany 2013 What? Whose? Why?, curated by Daria Kirsanova, Raf projects, Tehran, Iran Story Demands to be Continued, curated by Alexey Maslyaev, Republic of Dagestan Union of Artists Exhibition Hall, Makhachkala, Dagestan On Historical Ideals of Labour in the Country that Conquered Space, The Mews artist run space, London, UK The Process of Instance of Breaking Open, curated by Maria Kotlyachkova and Emmeli Person, Kalmar Konstmuseum, Kalmar, Sweden 2012 Let Me Be Part of a Narrative, curated by Alexey Maslyaev, Paperworks Gallery, Moscow, Russia City States, Topography of Masculinity, 7th Liverpool Biennial, curated by Irina Stark, Kelly Klifa, LJMU, Liverpool John Moores Copperas Hill Building, Liverpool, UK 2011 Affirmative Action (mimesis), curated by Marco Scotini, Laura Bulian Gallery, Milan, Italy
    [Show full text]
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
    [Show full text]
  • 25Th Anniversary
    25th Anniversary Montblanc de la Culture 25th Anniversary Montblanc de la Culture Arts Patronage Award Arts Patronage Montblanc de la Culture 25th Anniversary Arts Patronage Award 1992 25th Anniversary Montblanc de la Culture Arts Patronage Award 2016 Anniversary 2016 CONTENT MONTBLANC DE LA CULTURE ARTS PATRONAGE AWARD 25th Anniversary — Preface 04 / 05 The Montblanc de la Culture Arts Patronage Award 06 / 09 Red Carpet Moments 10 / 11 25 YEARS OF PATRONAGE Patron of Arts — 2016 Peggy Guggenheim 12 / 23 2015 Luciano Pavarotti 24 / 33 2014 Henry E. Steinway 34 / 43 2013 Ludovico Sforza – Duke of Milan 44 / 53 2012 Joseph II 54 / 63 2011 Gaius Maecenas 64 / 73 2010 Elizabeth I 74 / 83 2009 Max von Oppenheim 84 / 93 2 2008 François I 94 / 103 3 2007 Alexander von Humboldt 104 / 113 2006 Sir Henry Tate 114 / 123 2005 Pope Julius II 124 / 133 2004 J. Pierpont Morgan 134 / 143 2003 Nicolaus Copernicus 144 / 153 2002 Andrew Carnegie 154 / 163 2001 Marquise de Pompadour 164 / 173 2000 Karl der Grosse, Hommage à Charlemagne 174 / 183 1999 Friedrich II the Great 184 / 193 1998 Alexander the Great 194 / 203 1997 Peter I the Great and Catherine II the Great 204 / 217 1996 Semiramis 218 / 227 1995 The Prince Regent 228 / 235 1994 Louis XIV 236 / 243 1993 Octavian 244 / 251 1992 Lorenzo de Medici 252 / 259 IMPRINT — Imprint 260 / 264 Content Anniversary Preface 2016 This year marks the 25th anniversary of the Montblanc Cultural Foundation: an occasion to acknowledge considerable achievements, while recognising the challenges that lie ahead. Since its inception in 1992, through its various yet interrelated programmes, the Foundation continues to appreciate the significant role that art can play in instigating key shifts, and at times, ruptures, in our perception of and engagement with the cultural, social and political conditions of our times.
    [Show full text]
  • Aes & Aes+F Group
    ANNA SCHWARTZ GALLERY AES & AES+F GROUP TATIANA ARZAMASOVA 1955 Born Moscow, Russia 1978 Graduated Moscow Architectural Institute (MARCHI) – State Academy 1979 Grand-Prix award winner of the joint OISTT and UNESCO competition Theatre of Future Lives and works in Moscow, Russia LEV EVZOVICH 1958 Born Moscow, Russia 1982 Graduated Moscow Architectural Institute (MARCHI) – State Academy 1983 Prize winner of OISTT competition The Tour Theatre, Stockholm Lives and works in Moscow, Russia EVGENY SVYATSKY 1957 Born Moscow, Russia 1980 Graduated Moscow University of Printing Arts (department of the book graphic arts) Lives and works in Moscow, Russia VLADIMIR FRIDKES 1956 Born Moscow, Russia. Lives and works in Moscow, Russia SELECTED SOLO EXHIBITIONS 2014 Painting and Video in Relations, State Gallery, Moscow The Liminal Space Triology, Museé dss Beaux-Arts de La Chaux-de-Fonds, Switzerland 2013 AES+F. Happy End, Tennis Palace Museum, Helsinki The Liminal Space Trilogy, Fresh Paint Art Fair, Tel Aviv AES+F. Allegoria Sarca, Wellness Club, Moscow AES+F. Trilogy. Final Cut, Triumph Gallery, Moscow, Russia Allegoria Sarca. AES+F, The Glasshouse Regional Gallery, Port Macquarie, NSW AES+F. Angels-Demons, Anna Schwartz Gallery Sydney 2012 AES+F. The Trilogy, Martin-Gropius-Bau, Berlin AES+F. The Trilogy, Manege, Moscow AES+F. The Feast of Trimalchio, Bathurst Regional Art Gallery, Bathurst, NSW AES+F. Allegoria Sacra, Sergey Kuryokhin Modern Art Centre, St Petersburg AES+F – Guest of Honor, Seoul Photo Fair, Seoul AES+F. The Feast of Trimalchio, Vanhaerents Art Collection, Brussels AES+F. Allegoria Sacra, Art Gallery of South Australia, Adelaide 2011 AES+F. Allegoria Sacra, Triumph Gallery, Moscow Angel-Demons Parade, Melbourne Festival The Feast of Trimalchio, Toronto Festival AES+F.
    [Show full text]
  • Fucking Winter Outside 15 Dmitry Vilenski Artur Żmijewski
    Dimitry Vilensky (b. 1964) is an art- Artur Żmijewski (b. 1966) is an art- ist, writer and founding member of the group ist, primarily working with photography and Chto delat?/What is to be done? and serves as film. He studied in the sculpture class of Pro- 15 dmitry Vilenski the editor of its magazine. Chto delat?/What is fessor Grzegorz Kowalski at the Warsaw Art to be done? is a platform that was initiated in Academy from 1990 to 1995, as well as the Ger- Artur ŻmijeWski 2003 by a collective of artists, critics, philoso- rit Rietveld Academie in Amsterdam in 1999. phers, and writers with the goal of merging In 2005, he represented Poland at the 51st Art political theory, art, and activism. Vilensky Biennale in Venice showing a video “Repeti- regularly contributes to the group’s online tion” – a reenactment of the famous experi- magazine and he is member of the editorial ment of Phillip G. Zimbardo . He is member of board of the Art Journal. His most recent work, the Polish political movement “Krytyka Poli- created with Tsaplya [Olga Egorova], was a tyczna” and the art director of the magazine of video entitled “Russian woods” (2012) that was the same name. He curated the 7th Berlin Bi- Fucking Winter published on the group’s website [www.ch- ennale for Contemporary Art in 2012, which todelat.org]. Exhibitions of his work and that developed his position on social activism, for- of Chto delat?/What is to be done? include: “The mulated earlier in his manifesto The Applied So- Outside Lesson on Dis-Consent”, Staatliche Kunsthalle cial Arts (2007).
    [Show full text]
  • Continental Breakfast
    CONTINENTAL BREAKFAST. THE EXPANDED MAP Second CEI Venice Forum for Contemporary Art Curators Venice, UNESCO Office in Venice - Regional Bureau for Science in Europe (ROSTE), Palazzo Zorzi, Castello 4930, 7-8 June 2005 promoted by the Trieste Contemporanea Committee in collaboration with UNESCO Office in Venice - Regional Bureau for Science in Europe (ROSTE) with the patronage of CEI-Central European Initiative and Regione del Veneto supported by CEI-Central European Initiative; Regione Autonoma Friuli Venezia Giulia; BEBA Foundation Venice LIST OF THE EXPECTED PARTICIPANTS Konstantin Akinsha, ARTnews, New York, UKRAINE/USA Alexandra Estela Bjelica Mladenovic, Belgrade Cultural Centre, SERBIA AND MONTENEGRO Alena Boika, Curator, Minsk, BELARUS Giuliana Carbi, Trieste Contemporanea Committee, ITALY Corrado Catesi, Nucleo CC Tutela Patrimonio Culturale di Venezia, ITALY Irina Cios, ICCA International Centre for Contemporary Arts, Bucharest, ROMANIA Giulia Del Fabbro, CEI, Executive Secretariat, Trieste, ITALY Zorana Djakovic, Belgrade Cultural Centre, SERBIA AND MONTENEGRO Branko Franceschi, Museum of Modern and Contemporary Art, Rijeka, CROATIA Marco Enrico Giacomelli, Exibart, Firenze, ITALY Irina Grabovan, AoRTa Art Centre, Chisinau, MOLDOVA Giancarlo Graziani, Federazione Italiana Mercanti d'Arte, Milano, ITALY Anders Harm, Tallinn Kunstihoone, Tallinn, ESTONIA Sirje Helme, KUMU Estonian Museum of Art, Tallinn, ESTONIA Anja Jagiello, Istituto Polacco di Cultura, Roma, POLAND/ITALY Danica Jovovic Prodanovic, Belgrade
    [Show full text]
  • Happy Women's Day!
    MOSCOW MARCH 2011 www.passportmagazine.ru HAPPY WOMEN’S DAY! African Sojourn 1994: Crisis Year Buying Property Abroad March_covers.indd 1 21.02.2011 12:28:52 March_covers.indd 2 21.02.2011 12:29:31 Contents 3. Editor’s Choice Alevitina Kalenina 7. Important! Russian International Women’s Day, Irina Lovanova 8. Theatre Review 8 Marina Lukanina 10. Travel Parched Pleasures in Namibia, Euan Crawford 12. The Way It Was 1994, The Ugly Truth, John Harrison To Vladivostok on the Trans-Siberian in 1994, Luc Jones 10 From Perestroika to Loneliness, Elena Forseva 17. The Way It Is Juries in Russia, part II, Ian Mitchell Future World Cup Footballists, Charles Borden 22. Real Estate News, Vladimir Kozlov Your Place in the Sun, Kim Waddoup 17 Watch Your Back in Real Estate Deals in Moscow, Vladimir Kozlov 28. Wine & Dining Luce, the New Novikov Restaurant, Charles Borden Tverbul, Charles Borden Wine & Dining Listings 36. Out & About CERBA Charity Event, Marina Lukanina 28 IWC Embassies Dinner and Ball, Marina Lukanina Moscow Dragon’s Valentine’s Ball, Ross Hunter AEB Winter Reception and Russian Perspectives’ Breakfast, Ross Hunter 41. Sports Page Sports Update, Ross Hunter 42. Family Pages 36 Pileloop IV, Natalie Kurtog Puzzle Page, Ross Hunter 46. Personal Opinion Island Britain, Anth Ginn Deidre Dares 48. Distribution List 42 March 2011 3 Letter from the Publisher As I write this letter, it is minus 25 degrees centigrade outside on the street. Somebody just said that they saw an iceberg just outside Textilshiki Metro station. Nobody laughed. I am thinking what would happen back in my home town if the mercury went anywhere lower than a couple of degrees below freezing point.
    [Show full text]
  • Sean Scully, Jim Dine, Zhang Huan, Wang Guangyi and Historian and Scholar Barry Schwabsky
    Skira Skira Spring 2020 SKIRA EDITORE Spring 2020 Palazzo Casati Stampa via Torino 61 I - 20123 Milan T: +39 02 72 444 1 F: +39 02 72 444 211 [email protected] www.skira.net DISTRIBUTION in USA, Canada, Central & South America through ARTBOOK | D.A.P. (see Trade Information page) in the rest of the world by Thames & Hudson (see Trade Information page) SkiraSpring2020 Skira Group Milan Genève Spring2020 Skira editore All prices apply in the UK, 7 Palazzo Casati Stampa US and Canada only Via Torino, 61 and are subject to alteration Highlights and New Titles I – 20123 Milano without notice. For Value Limited Editions T +39 02 724441 Added Tax (VAT) purposes, F +39 02 72444211 books are zero rated. Photography www.skira.net Information contained Design and Applied Arts Marketing, Publicity and Rights Enquiries in this catalogue was Please contact the International Marketing correct at the time of going Special Editions Manager at Skira: [email protected] to press but is liable to Ancient Art alteration without notice. Editions d’Art Skira Genève Contemporary Art Place du Molard 3 CH 1204 Genève Fashion Distribution details are listed on the Architecture Trade Information pages of this catalogue. Printed in Italy 51 Backlist visit our website Limited Editions www.skira.net Sports find us on Japanese and Oriental Art facebook.com/skiraeditore Modern and Contemporary Art follow us on twitter.com/skiraeditore Catalogues raisonnés instagram.com/skiraeditore pinterest.com/skiraeditore Ancient Art youtube.com/skiraeditore Louvre Abu
    [Show full text]
  • Nouvelles Acquisitions Septembre 2015 Éditions D
    NOUVELLES ACQUISITIONS SEPTEMBRE 2015 ÉDITIONS D’ARTISTES : Notice : 0974511 Apartheid [Texte imprimé] / 11 photographies de Marc Pataut ; [texte de Jean-François Chevrier]. - Blanc Mesnil : Affaires culturelles (Seine Saint Denis), [1989?]. - 1 vol. avec depl. [ca 10 p.] : ill. ; 42 cm. Il a été tir. 500 ex. sur offset à grain de rives, par Marchand Imprimeur, villa d'Alésia. Les 11 premiers exemplaires num. de 1 à 11 comportent une des photographies ayant servi à la photogravure de l'ouvrage. - ISBN 295013196-4 (erroné) * Sujets : Pataut, Marc (1952-) ** Exemplaire (s) : Imprimés section Réserve, RLGF 962 Imprimés section Réserve, RLGF 1071 Notice : 1068218 Forget me not [Texte imprimé] : Bernard Plossu inédito. - Madrid : Tf editores, [2002]. - 1 vol. [160 p.] : photogr. ; 26 cm. (Colección Foto) ISBN 84-95183-77-3 : $49.85. -ISBN 978-84-95183-77-4 * Sujets : Plossu, Bernard (1945-....) -- Catalogues ** Exemplaire (s) : Imprimés section Réserves basses, Fonds Plossu L 17, Consultable uniquement sur place Notice : 1067451 New Mexico, U.S.A [Texte imprimé] : a photographic essay of New Mexico / created and edited by Barbara Erdman ; designed by Mary Shapiro. - Santa Fe, N.M. : Santa Fe Center for Photography, cop. 1985. - 1 vol. (111 p.) : photogr. en noir et en coul., cartes ; 25 x 30 cm. - Notes : Photographes : Roswell Angier (14. 35. 43 .64) ; Raymond Belcher ( 96. 104. 105) ; Kevin BubrisKi (18. 20. 69) ; Paul Caponigro (53) ; Walter Chappell (51. 97) ; Rahoul Contractor (75) ; Stephen Cooper (45. 48. 98) ; William Davis (11. 52. 92) ; Orlando Diaz (73) ; Helen Doroshow (88) ; Barbara Erdman (7. 33. 42. 79) ; Richard Erdoes (21. 23. 24.
    [Show full text]
  • Cover April.Indd
    APRIL 2008 www.passportmagazine.ru Easter Orthodox Style! TThehe PPricerice ooff RRealeal EEstatestate inin SochiSochi TThehe ChangingChanging FaceFace ofof MoscowMoscow RRussianussian RRoadoad RRageage AAustrianustrian WWinesines advertising Contents 4 Goings On Faberge: A Symbol of Russian Easter Moscow Fotobiennale The Golden Mask Billy’s Band Easter Festival Russian Films: Between Victory and Defeat Sweeney Todd: The Demon Barber of Fleet Street Thank you, Zemfira! 10 Travel Ray Nayler travels to Kazan in a search for the border between East and West. Neil McGowan finds it (literally) in Ekaterinburg. 14 A Day Out in Moscow Let Ian Mitchell take you to Novodevichy Cemetery. (You won’t believe who’s buried there...) Plus, Ray Nayler telld you where you can take the dark blue line. 18 Art Olga Slobodkina-von Brommsen explores the world of Oscar Rabin. Plus, Russian performance artist Andrei Bartenev talks to Passport. 22 Outlook James Blake examines what’s ahead for Dmitry Medvedev. 24 What goes up... Olga Mironenko on real estate prices in Sochi. Duma deputy Svishchov talks about hitting the slopes. Plus, James Brooke on Rebuilding Russia. 30 Cover Story It’s Easter, Russian Orthodox-style! 32 Business Intellectual property in Russia. Plus, the booming stock market. 36 Wine & Dine The Hills are Alive One Night In … Vienna 42 Soup’s On Frenchman Thomas Vincent Bluy, 33, is the new executive chef at Moscow’s Most Cafe. Recently, he couldn’t stand the heat and got out of the kitchen for a moment to talk to Passport. 48 Community Ross Hunter and Fred Flintstone compare notes on the Moscow driving experience.
    [Show full text]
  • L'arte in Quarantena Imbrigliata
    88 PAGINE, CONTIENE Mostre & Musei ILLA CLASSIFICA GIORNALE MONDIALE 2019 DELL’ARTEE IL GIORNALE DELLE MOSTRE MENSILE DI INFORMAZIONE, CULTURA, ECONOMIA FONDATO NEL 1983 SOCIETÀ EDITRICE ALLEMANDI TORINO WWW.ILGIORNALEDELLARTE.COM ANNO XXXVII N. 407 APRILE 2020 EURO 10,00 L’ARTE IN QUARANTENA IMBRIGLIATA NELLA RETE SPEDIZIONE IN A.P. - D.L. 353/2003 (CONV. IN L. 27/02/2004 N° 46) ART. 1, COMMA 1, DCB TORINO - MENSILE N. 4-APRILE 2020 PRIMA IMMISSIONE 4 APRILE 2020 4-APRILE 2020 PRIMA IMMISSIONE 4 - MENSILE N. TORINO DCB COMMA 1, 1, ART. 27/02/2004 N° 46) IN L. 353/2003 (CONV. - D.L. A.P. SPEDIZIONE IN Il 25 marzo le autorità egiziane hanno iniziato a liberare l’area attorno alle Piramidi di Giza e a sanificare il sito Nei giorni dell’emergenza il web è pieno di arte. Musei, gallerie, aste e artisti si rivolgono al digitale Il tallone e al virtuale per dimostrare di esistere ancora, inventandosi progetti e proposte. Nessuno sa che cosa succederà: chi sopravviverà e come? Ma l’arte resterà (e non solo in rete) di Achille di ABO ONLINE IL CONTAGIO Dottori & C. Un nuovo Stato «Noi siamo già tutti morti», Il vizio Tutto chiuso, dice Prigogine. Malgrado tale lucida asserzione, l’umanità continua ci manca tutti a casa i suoi banchetti, assistita da un dinamismo fomentato dallo di Flaminio Gualdoni sviluppo tecnologico. La fame di vita determina la Ohibò, è arrivato un virus che non sai La perdita di introiti per chi lavora nel mondo continuità della storia, ci invita bene come immaginarti e la tua «comfort dell’arte non è parziale.
    [Show full text]
  • Kollektsia! – the Final View
    KOLLEKTSIA! – THE FINAL VIEW Our International Editor Simon Hewitt has been reporting on Russian Contemporary Art since 2007, travelling from Kaliningrad to Vladivostok in the process. Here he delivers his judgment on the juggernaut Pompidou Centre exhibition Kollektsia! Contemporary Art in the USSR & Russia 1950-2000 that has just closed in Paris after a six-month run. The opening of the Kollektsia! exhibition in Paris on 13 September 2016 was one of those blockbuster social events in which the Russian art fraternity delights. Many of its seventy featured artists jetted in from Moscow. It was a good time to renew old acquaintances, less so for viewing works of art. I returned five months later for a quieter look, just after the original 250-work exhibition had received a further 100 pieces. Kollektsia! was assembled under the auspices of the Potanin Foundation, launched in 1999 to support culture and education by Vladimir Potanin, one of Russia’s richest men. In 2001 he became a Trustee of the Guggenheim Foundation. In 2003 he was made Chairman of Trustees at the St Petersburg Hermitage. In 2007 he was created an Officer of the Order of Arts & Literature by the French Ministry of Culture. There were high hopes that a show at one of Europe’s top museums, with such a major backer, would snap Western art-lovers out of their indifference to Russian contemporary art. But the exhibition’s very title suggested that might be tough. ‘Kollektsia’ (Collection) would sound fatuously banal were it not accompanied by a self- important exclamation-mark, borrowed from the RUSSIA! exhibition held at the New York and Bilbao Guggenheims in 2005/6 (with Vladimir Potanin as Co-Chairman of the ‘Leadership Committee’).
    [Show full text]