Barbara Kasten, “Construct NYC-4,” 1983
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art green, spread from The Portable Hairy Who (1966). From The Collected Hairy Who Publica- tions , 1966–1969, published by matthew marks. See page 67. FEATURED RELEASES 2 Journals 84 Back in Stock 88 Limited Editions 92 catlogue editor thomas evans FALL HIGHLIGHTS 96 art director Photography 98 Stacy Wakefield Art 118 image production Kyra Sutton Writings 142 data production Group Exhibitions 147 alexa Forosty Art History 150 copy Writing Architecture 156 Janine deFeo, thomas evans, annabelle maroney, Kyra Sutton Design 164 printing Sonic media Solutions, inc. SPECIALTY BOOKS 166 Art 168 Front cover image Barbara Kasten, “construct nyc-4,” 1983. From Barbara Group Exhibitions 180 Kasten: Stages, published by Jrp|ringier. See page 33. Photography 184 Bca K cover image paper airplanes from the collection of Harry Smith. From Paper Airplanes: The Collections of Harry Smith , published by Backlist Highlights 193 J&l Books/anthology Film archives. See page 70. Index 199 From geodesic domes and radical performance to Hippie Modernism: The Struggle for Utopia EditedwithtextbyAndrewBlauvelt.TextbyGregCastillo,EstherChoi,AlisonClarke,HughDubberly, RossElfline,CraigPeariso,TinaRiversRyan,CatharineRossi,SimonSadler,FelicityScott,LorraineWild Day-Glo posters: design and withDavidKarwan.InterviewsbyAdamGildar,SusanSnodgrass,ElizabethGlass. Hippie Modernism examines the art, architecture and design of the counterculture of the 1960s and counterculture in the 1960s early 1970s. the catalogue surveys the radical experiments that challenged societal norms while propos- ing new kinds of technological, ecological and political utopia. it includes the counter-design propos- als of victor papanek and the anti-design polemics of global tools; the radical architectural visions of archigram, Superstudio, Haus-rucker-co and onyX; the installations of Ken isaacs, Joan Hills, mark Boyle, Hélio oiticica and neville d’almeida; the experimental films of Jordan Belson, Bruce conner and John Whitney; posters and prints by emory douglas, corita Kent and victor moscoso; documentation of performances by the diggers and the cockettes; publications such as Oz and The Whole Earth Catalog; books by marshall mcluhan and Buckminster Fuller; and much more. While the turbulent social history of the 1960s is well known, its cultural production remains compara- tively under-examined. in this substantial volume, scholars explore a range of practices such as radical architectural and anti-design movements emerging in europe and north america; the print revolution in the graphic design of books, posters and magazines; and new forms of cultural practice that merged street theater and radical politics. through a profusion of illustrations, interviews with figures including gerd Stern and michael callahan of uSco, gunther Zamp Kelp of Haus-rucker-co, Ken isaacs, ron Williams and Woody rainey of onyX, Franco raggi of global tools, tony martin, clark richert and EXHIBITION SCHEDULE richard Kallweit of drop city, and new scholarly writings, this book explores the conjunction of the minneapolis, mn: Walker art center, countercultural ethos and the modernist desire to fuse art and life. 10/24/15–02/28/16 Bloomfield Hills, mi: cranbrook Walker art Center art museum, 06/16–10/16 9781935963097 u.s. $55.00 cdn $65.00 Berkeley, CA: university of california, pbk, 9 x 11.75 in. / 368 pgs / 200 color / 80 b&w. Berkeley art museum and pacific Film november/design/architecture/art archive, 02/17–05/17 2 artbook.com artbook.com 3 The Russian avant-garde produced some of the finest book works of the 20th century The Soviet Photobook 1920–1941 EditedbyMikhailKarasik,ManfredHeiting. t he Soviet union was unique in its dynamic use of the illustrated book as a means of propaganda. through the form of the book, the uSSr articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. no other country or political system advanced its cause by attracting and employing acclaimed mem- bers of the avant-garde. among them were writers such as Semion Kirsanov, vladimir mayakovsky, ilya Selvinsky, Sergei tretyakov and Kornely Zelinsky; artist designers such as gustav Klutsis, valentina Kulagina, el lissitzky, Sergei Senkin, varvara Stepanova, Solomon telingater and nikolai troshin; and photographers such as dmitry debabov, vladimir griuntal, Boris ignatovich, alexander Khlebnikov, yeleazar langman, alexander rodchenko and georgy petrusov, not to mention many of the best printing plants and bookbinders. gorgeously produced, edited and designed, The Soviet Photobook 1920–1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. the book also provides short biographies of the photobook contributors, some of whom are presented for the first time. Steidl 9783958290310 u.s. $150.00 cdn $180.00 Hbk, 10.5 x 11.25 in. / 636 pages. January/photography/design 4 artbook.com artbook.com 5 The most in-depth account of the lives of Picasso’s sculptures Picasso Sculpture EditedwithtextbyAnnTemkin,AnneUmland.TextbyLuiseMahler, VirginiePerdrisot. published in conjunction with the first large-scale retrospective of picasso’s sculpture in the uS since the museum of modern art’s historic show of 1967, Picasso Sculpture is a sweeping survey of the artist’s profoundly innovative and influential work in three dimensions. over the course of his long career, picasso devoted himself to sculpture wholeheartedly, if episodically, using both traditional and unconventional materials and techniques. unlike painting, in which he was formally trained and through which he made his living, sculpture occupied a uniquely personal and experimental status in picasso’s oeuvre. He kept the majority of his sculptures in his private possession during his lifetime, and it was only in the late 1960s that the public became fully aware of this side of his oeuvre. Picasso Sculpture presents approximately 150 sculptures—many of them captured in newly commissioned and sometimes multi-view photographs—alongside a selection of works on paper and photographs. organized into chapters that correspond to distinct periods during which picasso devoted himself to sculpture, the publication features an introduction by the exhibition curators as well as a richly illustrated documentary chronology focusing on the sculptures included in the exhibition. a comprehensive bibliography and list of historic exhibitions related to picasso’s work in sculpture closes the volume, advancing the understanding of picasso’s practice and lifelong commitment to constant reinvention. the MuSeuM of Modern art, neW York 9780870709746 u.s. $85.00 cdn $100.00 Hbk, 9.5 x 12 in. / 352 pgs / 300 color / 200 b&w. october/art EXHIBITION SCHEDULE new york: the museum of modern art, 09/14/15–02/07/16 A LSoAVAILABLE a picasso portfolio: picasso: the pablo picasso: picasso: guitars prints from the mu- monograph, Family album 1912–1914 seum of modern art 1881–1973 9788494024986 9780870707940 9780870707803 9788434310919 Hbk, u.S. $65.00 CDN $75.00 Hbk, u.S. $24.95 Hbk, u.S. $40.00 pbk, u.S. $49.00 Fundación museo picasso CDN $27.50 CDN $50.00 CDN $60.00 málaga/legado paul, the museum of the museum of poligrafa christine y Bernard modern art, new york modern art, new york ruiz-picasso artbook.com 7 Class and everyday life in the Dutch Golden Age Class Distinctions Dutch Painting in the Age of Rembrandt and Vermeer TextbyRonniBaer,HenkvanNierop,HermanRoodenburg,EricJanSluijter,MariekedeWinkel,SannydeZoete. the dutch republic in the 17th century was home to one of the greatest flowerings of painting in the history of Western art. Freed from the constraints of royal and church patronage, artists created a rich outpouring of naturalistic portraits, genre scenes and landscapes that circulated through a newly open market to patrons and customers at every level of dutch society. their closely observed details of everyday life offer a wealth of informa- tion about the possessions, activities and circumstances that distinguished members of social classes, from the nobility to the urban poor. the dazzling array of paintings gathered here—from artists such as Frans Hals, Jan Steen and gerrit dou, as well as rembrandt and vermeer—illuminated by essays by leading specialists, invites us to explore a vibrant early modern society and its reflection in a golden age of brilliant painting. MFA PubliCationS, MuSeuM of fine artS, boSton 9780878468300 u.s. $65.00 cdn $75.00 Hbk, 9 x 11 in. / 344 pgs / 185 color. october/art A LSoAVAILABLE vermeer: the complete Works EXHIBITION SCHEDULE Frans Hals: Boston, ma: museum of Fine arts Boston, 10/11/15–01/18/16 a phenomenon 9788836624911 u.S. CDN $60.00 Kansas city, mo: nelson-atkins museum of art, 02/20/16–05/29/16 9789462081680 Hbk, $49.95 pbk, u.S. $19.95 CDN $25.00 Silvana editoriale nai010 publishers artbook.com 9 Modern Taste: Art Deco in Paris 1910–1935 EditedbyTimBenton,ManuelFontándelJunco, MaríaZozaya.TextbyTimBenton,JoséMiguel Marinas,EmmanuelBréon,FranciscoJavierPérez Roja,GhislaineWood,TagGronberg,Évelyne Possémé,HélèneAndrieux,AgnèsCallu,Carole Aurouet. Modern Taste: Art Deco in Paris, 1910–1935 offers readers an opportunity to appreciate, examine, as- sess and enjoy an artistic movement that defies easy definition but which has been described as “the last of the total styles”: art deco. the book aims to question the almost total absence of art deco from the history of modern art and from curatorial practice, and to vindicate—as some exemplary cases did in the wake of the deco revival from the 1970s onwards—not only the evident beauty of art deco but also the fascination exerted by this singularly modern phenomenon with all its cultural and artistic complexity.