CIMAM 2014 Annual Conference Proceedings Mathaf: Arab Museum
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Frank Paco Art Ensemble
Frank Paco Art Ensemble Nu-World Jazz @ its best Frank Paco’s impressive career includes highlights such as 46664 Mandela AIDS concert performing with many of the world’s great musicians such as the legendary band “Queen”, Bono, Jimmy Cliff, Angelique Kidjo, Dave Stewart, Andrew Bonsu, Johnny Clegg, Brian May and Peter Gabriel. Frank started playing drums at the tender age Jazz Fest, Washington DC, New York, of 11 in Mozambique, where he already gained Switzerland’s Lugano Jazz Fest, Italy, France performance experience with friends and and Holland’s North Sea Jazz Fest just to name school bands. He recalls making his own but a few. drums and guitars out of oil canisters as a child, as it was hard to find musical instruments in a Mozambique oppressed by a In 1994 Frank Paco decided to further his raging civil war. Despite the challenges, study in jazz by enrolling at the University of however, Frank achieved true musical Cape Town where he attained an Honours greatness. Degree in Jazz Performance with distinction. Other collaborative highlights include In 2000 Frank was invited to record with performances with internationally acclaimed South Africa’s top musicians under the Sheer South African-born LA-based guitarist / singer Sound Jazz Label, of which his composition Jonathan Butler; Miriam Makeba, Hugh Milagre was chosen for the music video. The Masekela, Ragga Africa, an Indian-African group also won the South African Music collaboration that performed at Cape Town’s Awards (SAMA), for the Best Contemporary 2004 North Sea Jazz Festival; Award-winning Jazz Album and received an invitation to Den guitarist Allou April and saxophonist Moreira Hague to perform at the North Sea Jazz Chonguiça; the highly acclaimed house music Festival in 2001. -
Taus Makhacheva
TAUS MAKHACHEVA Born 1983 in Moscow, Russia Lives and works between Makhachkala, Dagestan and Moscow, Russia EDUCATION 2003-07 BA Fine Art (Studio practice and contemporary critical studies), Goldsmiths College, University of London, London, UK 2008-09 New Strategies in Contemporary Art, The Institute of Contemporary Art, Moscow, Russia 2011-13 MA Fine Art, Royal College of Art, London, UK SELECTED SOLO EXHIBITIONS 2015 Vababai Vadadai!, Narrative Projects, London, UK (In)sidenotes, curated by Rebecka Wigh Abrahamsson, Uppsala Konstmuseum, Uppsala, Sweden 2014 Dagestan. Not for Sale, curated by Alexey Maslyaev, artSumer Gallery, Istanbul, Turkey A Walk, A Dance, A Ritual, curated by Ilina Koralova, Museum of Contemporary Art, Leipzig, Germany 2013 What? Whose? Why?, curated by Daria Kirsanova, Raf projects, Tehran, Iran Story Demands to be Continued, curated by Alexey Maslyaev, Republic of Dagestan Union of Artists Exhibition Hall, Makhachkala, Dagestan On Historical Ideals of Labour in the Country that Conquered Space, The Mews artist run space, London, UK The Process of Instance of Breaking Open, curated by Maria Kotlyachkova and Emmeli Person, Kalmar Konstmuseum, Kalmar, Sweden 2012 Let Me Be Part of a Narrative, curated by Alexey Maslyaev, Paperworks Gallery, Moscow, Russia City States, Topography of Masculinity, 7th Liverpool Biennial, curated by Irina Stark, Kelly Klifa, LJMU, Liverpool John Moores Copperas Hill Building, Liverpool, UK 2011 Affirmative Action (mimesis), curated by Marco Scotini, Laura Bulian Gallery, Milan, Italy -
Jazz Circuit Texto Text Amâncio Miguel Fotografia Photography Ouri Pota
Carlos Gave e/and Sheila Jesuíta O circuito de jazz de TheMaputo jazz circuit texto text Amâncio Miguel fotografia photography Ouri Pota Trinta de janeiro. Noite de chuviscos, na Julius 30 January. A night of showers on Julius Nyerere Nyerere, avenida da zona nobre de Maputo. Quanto Avenue in the heart of Maputo. As I approach the mais me aproximo do parque de estacionamento do Polana Hotel car park, the rain is competing with the Hotel Polana, mais os chuviscos competem com o sounds of guitar and saxophone. I follow the sound som de guitarra e saxofone. Sigo o som e vou dar ao and come to the Polana’s Aquarius Bar which, Aquarius Bar deste ex-libris de Maputo, que, por ser because it is Thursday, is hosting another jazz quinta-feira, acolhe mais uma sessão de jazz. Aqui, session. Here I decide to begin my round of the decido iniciar a ronda pelo circuito jazz da capital. capital’s jazz circuit. O sopro e a guitarra que atrairiam qualquer The sax and guitar notes which would attract amante de jazz são do tema “Mo’ any lover of jazz are from the theme “Mo’ Better Blues", composed by Bill Lee, and popularised by the Branford Marsalis quartet (with the collabora- tion of Terence Blanchard), for the soundtrack of the film of the same name, by the American director Spike Lee, of 1990. The dramatic film is about Bleek Gilliam, a fictitious jazz trumpeter. This time, “Mo’ Better Blues" is recreated by the guitarist João Cabral, accompanied by Vando Infante, on drums; Sarmento de Cristo, alto sax; and Realdo Salato, on bass. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
25Th Anniversary
25th Anniversary Montblanc de la Culture 25th Anniversary Montblanc de la Culture Arts Patronage Award Arts Patronage Montblanc de la Culture 25th Anniversary Arts Patronage Award 1992 25th Anniversary Montblanc de la Culture Arts Patronage Award 2016 Anniversary 2016 CONTENT MONTBLANC DE LA CULTURE ARTS PATRONAGE AWARD 25th Anniversary — Preface 04 / 05 The Montblanc de la Culture Arts Patronage Award 06 / 09 Red Carpet Moments 10 / 11 25 YEARS OF PATRONAGE Patron of Arts — 2016 Peggy Guggenheim 12 / 23 2015 Luciano Pavarotti 24 / 33 2014 Henry E. Steinway 34 / 43 2013 Ludovico Sforza – Duke of Milan 44 / 53 2012 Joseph II 54 / 63 2011 Gaius Maecenas 64 / 73 2010 Elizabeth I 74 / 83 2009 Max von Oppenheim 84 / 93 2 2008 François I 94 / 103 3 2007 Alexander von Humboldt 104 / 113 2006 Sir Henry Tate 114 / 123 2005 Pope Julius II 124 / 133 2004 J. Pierpont Morgan 134 / 143 2003 Nicolaus Copernicus 144 / 153 2002 Andrew Carnegie 154 / 163 2001 Marquise de Pompadour 164 / 173 2000 Karl der Grosse, Hommage à Charlemagne 174 / 183 1999 Friedrich II the Great 184 / 193 1998 Alexander the Great 194 / 203 1997 Peter I the Great and Catherine II the Great 204 / 217 1996 Semiramis 218 / 227 1995 The Prince Regent 228 / 235 1994 Louis XIV 236 / 243 1993 Octavian 244 / 251 1992 Lorenzo de Medici 252 / 259 IMPRINT — Imprint 260 / 264 Content Anniversary Preface 2016 This year marks the 25th anniversary of the Montblanc Cultural Foundation: an occasion to acknowledge considerable achievements, while recognising the challenges that lie ahead. Since its inception in 1992, through its various yet interrelated programmes, the Foundation continues to appreciate the significant role that art can play in instigating key shifts, and at times, ruptures, in our perception of and engagement with the cultural, social and political conditions of our times. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Durban: a Return to Paradise and Its People
DURBAN A Return to Paradise and its People welcome t to durban you are here CONTENTS 009 Foreword 010 History 016 City Plans 026 Faith 030 Commerce 036 Eating 042 Building 048 Design 054 Writing 058 Art 064 Music 072 Dance 076 Theatre 080 Film Published by eThekwini Municipality 084 Museums Commissioned by Ntsiki Magwaza 088 Getting Out eThekwini Communications Unit Words and layout Peter Machen 092 Sport Photography See photo credits 096 Mysteries Printed by Art Printers 100 Where to Stay Printed on Environmentally friendly Sappi Avalon Triple Green Supreme Silk paper 102 Governance ISBN 978-0-620-38971-6 104 Etcetera FOREWORD The face of Durban has changed citizens in to the mainstream of economic activity in eThekwini. dramatically over the past few years These plans are part of the Citys 2010 and Beyond Strategy. due to the massive investments in When the Municipality was planning for the 2010 World Cup, it did infrastructure upgrade that were kick- not just focus on the tournament but tried to ensure that infrastructural started ahead of the 2010 Fifa World improvements would leave a lasting legacy and improve the quality Cup. Many of the plans that were of life for its residents. Beyond the World Cup, these facilities, detailed in the previous edition of Durban together with the Inkosi Albert Luthuli International Convention Centre A Paradise and its People have now been completed and have and Ushaka Marine World, have helped Durban to receive global helped to transform Durban into a world class city that is praised by recognition as Africas sporting and events capital. -
MALAUENE Umn 0130E 22082.Pdf
A history of music and politics in Mozambique from the 1890s to the present A DISSERTATION SUBMITTED TO THE COLLEGE OF LIBERAL ARTS OF THE UNIVERSITY OF MINNESOTA BY DENISE MARIA MALAUENE IN PARTIAL FULFILLMENT OF THE REQUEREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ALLEN F. ISAACMAN JANUARY 2021 Ó DENISE MARIA MALAUENE, 2021 Acknowledgements Nhi bongide ku womi ni vikelo Thank you for life and protection Nhi bongide gurula ni guhodza Thank you for peace and provision Nhi bongide gu nengela omo gu Thank you for happiness in times of tsanisegani suffering Nhi bongide Pfumu Thank you, God! Denise Malauene song titled “Nhi bongide Pfumu”1 Pfumu Nungungulu, nhi bongide ngudzu! (Thank you, God!) My children Eric Silvino Tale and Malik TSakane Malauene Waete: I thank you for your unconditional love, Support, and understanding aS many timeS I could not be with you nor could meet your needs because I waS studying or writing. Mom and dad Helena ZacariaS Pedro Garrine and João Malauene, nhi bongide ku SatSavbo. My Siblings Eduardo Malauene, GiSela Malauene, Guidjima Donaldo, CriStina AgneSS Raúl, DioníSio, Edson Malauene, ChelSea Malauene, Kevin Malauene, obrigada por tudo. I am grateful to my adviSor Allen IsSacman for the advice, guidance, and encouragement, particularly during the difficult timeS in my Ph.D. trajectory Somewhat affected by Several challengeS including CycloneS Idai, the armed instability in central and northern Mozambique, and Covid 19. Barbara’s and hiS support are greatly appreciated. I am grateful to ProfeSSor Helena Pohlandt-McCormick for her encouragement, guidance, and Support. Her contribution to the completion of my degree in claSSeS, reading groups, paper preSentations, grant applications, the completion of my prelimS, and Michael’s and her support are greatly appreciated. -
Aes & Aes+F Group
ANNA SCHWARTZ GALLERY AES & AES+F GROUP TATIANA ARZAMASOVA 1955 Born Moscow, Russia 1978 Graduated Moscow Architectural Institute (MARCHI) – State Academy 1979 Grand-Prix award winner of the joint OISTT and UNESCO competition Theatre of Future Lives and works in Moscow, Russia LEV EVZOVICH 1958 Born Moscow, Russia 1982 Graduated Moscow Architectural Institute (MARCHI) – State Academy 1983 Prize winner of OISTT competition The Tour Theatre, Stockholm Lives and works in Moscow, Russia EVGENY SVYATSKY 1957 Born Moscow, Russia 1980 Graduated Moscow University of Printing Arts (department of the book graphic arts) Lives and works in Moscow, Russia VLADIMIR FRIDKES 1956 Born Moscow, Russia. Lives and works in Moscow, Russia SELECTED SOLO EXHIBITIONS 2014 Painting and Video in Relations, State Gallery, Moscow The Liminal Space Triology, Museé dss Beaux-Arts de La Chaux-de-Fonds, Switzerland 2013 AES+F. Happy End, Tennis Palace Museum, Helsinki The Liminal Space Trilogy, Fresh Paint Art Fair, Tel Aviv AES+F. Allegoria Sarca, Wellness Club, Moscow AES+F. Trilogy. Final Cut, Triumph Gallery, Moscow, Russia Allegoria Sarca. AES+F, The Glasshouse Regional Gallery, Port Macquarie, NSW AES+F. Angels-Demons, Anna Schwartz Gallery Sydney 2012 AES+F. The Trilogy, Martin-Gropius-Bau, Berlin AES+F. The Trilogy, Manege, Moscow AES+F. The Feast of Trimalchio, Bathurst Regional Art Gallery, Bathurst, NSW AES+F. Allegoria Sacra, Sergey Kuryokhin Modern Art Centre, St Petersburg AES+F – Guest of Honor, Seoul Photo Fair, Seoul AES+F. The Feast of Trimalchio, Vanhaerents Art Collection, Brussels AES+F. Allegoria Sacra, Art Gallery of South Australia, Adelaide 2011 AES+F. Allegoria Sacra, Triumph Gallery, Moscow Angel-Demons Parade, Melbourne Festival The Feast of Trimalchio, Toronto Festival AES+F. -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
Fucking Winter Outside 15 Dmitry Vilenski Artur Żmijewski
Dimitry Vilensky (b. 1964) is an art- Artur Żmijewski (b. 1966) is an art- ist, writer and founding member of the group ist, primarily working with photography and Chto delat?/What is to be done? and serves as film. He studied in the sculpture class of Pro- 15 dmitry Vilenski the editor of its magazine. Chto delat?/What is fessor Grzegorz Kowalski at the Warsaw Art to be done? is a platform that was initiated in Academy from 1990 to 1995, as well as the Ger- Artur ŻmijeWski 2003 by a collective of artists, critics, philoso- rit Rietveld Academie in Amsterdam in 1999. phers, and writers with the goal of merging In 2005, he represented Poland at the 51st Art political theory, art, and activism. Vilensky Biennale in Venice showing a video “Repeti- regularly contributes to the group’s online tion” – a reenactment of the famous experi- magazine and he is member of the editorial ment of Phillip G. Zimbardo . He is member of board of the Art Journal. His most recent work, the Polish political movement “Krytyka Poli- created with Tsaplya [Olga Egorova], was a tyczna” and the art director of the magazine of video entitled “Russian woods” (2012) that was the same name. He curated the 7th Berlin Bi- Fucking Winter published on the group’s website [www.ch- ennale for Contemporary Art in 2012, which todelat.org]. Exhibitions of his work and that developed his position on social activism, for- of Chto delat?/What is to be done? include: “The mulated earlier in his manifesto The Applied So- Outside Lesson on Dis-Consent”, Staatliche Kunsthalle cial Arts (2007). -
THU APRIL 21 – SUN APRIL 24 in TQW / Studios and TQW / Halle G
THU APRIL 21 – SUN APRIL 24 in TQW / Studios and TQW / Halle G ARCHIVES TO COME SCORES N°11 / / ATELIER EDN — EUROPEAN DANCEHOUSE NETWORK Perjovschi (c) Dan CALENDAR ----------------------------------- ----------------------------------- ----------------------------------- ----------------------------------- MON 18 – SAT 23 APRIL FRI 22 APRIL SAT 23 APRIL SUN 24 APRIL 10.45 h – 12.30 h in TQW / Studios 14.00 h – 17.30 h in Leopold Museum / ongoning at TQW / Studios Passage ongoning at TQW / Studios Passage SHANNON COONEY unteres Atrium DAN PERJOVSCHI DAN PERJOVSCHI TRAINING Legible Archive SIOBHAN DAVIES DANCE Black Belt Drawing Black Belt Drawing Table of Contents ----------------------------------- 12.00 h – 17.30 h in Leopold Museum / 10.30 h – 15.00 h in Leopold Museum / 15.00 h in TQW / Studios Passage unteres Atrium unteres Atrium THU 21 – SAT 23 APRIL DAN PERJOVSCHI SIOBHAN DAVIES DANCE SIOBHAN DAVIES DANCE 13.00 h – 15.30 h in TQW / Studios Black Belt Drawing Table of Contents Table of Contents CLAUDIA BOSSE + GUESTS WORKSHOP The archive as a body, 16.00 h – 21.00 h in TQW / Studios 16.00 h – 21.00 h in TQW / Studios 12.00 h in TQW / Studios the body as an archive DANIEL ASCHWANDEN + DANIEL ASCHWANDEN + FUTURE ARCHIVES CONNY ZENK CONNY ZENK with ARKADI ZAIDES, ----------------------------------- INSTALLATION OPENING INSTALLATION Mobil[e]_migration DAN PERJOVSCHI, Mobil[e]_migration SIOBHAN DAVIES + THU 21 APRIL 16.00 h – 21.00 h in TQW / Studios SCOTT DELAHUNTA, PENELOPE 16.00 h – 21.00 h in TQW / Studios 16.00 h – 21.00 h in