HENI Publishing Catalogue 2019
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Press Release 13 October 2019
Under embargo until 13 October 2019, 10am GMT Press Release 13 October 2019 Five shortlisted artists announced for the 8th edition of the Max Mara Art Prize for Women 2019 – 2021 The Whitechapel Gallery, Collezione Maramotti and Max Mara are delighted to announce the five shortlisted artists for the 8th edition of the Max Mara Art Prize for Women: Allison Katz, Katie Schwab, Tai Shani, Emma Talbot and Hanna Tuulikki. This weekend the artists travelled to Collezione Maramotti in Reggio Emilia, Italy, for the announcement, and to celebrate the opening of the major art work Che si può fare, by the seventh winner of the prize, Helen Cammock. Che si può fare tours from the Whitechapel Gallery where it was unveiled this summer. The artists shortlisted for the 2019 - 2021 iteration of the prize were selected by a judging panel chaired by Iwona Blazwick OBE, Director of the Whitechapel Gallery, joined by gallerist Florence Ingleby, artist Chantal Joffe, collector Fatima Maleki and art critic Hettie Judah. The Max Mara Art Prize for Women was established by Whitechapel Gallery in collaboration with the Max Mara Fashion Group in 2005. Its aim is to promote emerging female artists based in the UK, enabling them to develop their potential; and to inspire new artistic perspectives on 21st century Italy. The winning artist, announced in early 2020, is awarded a bespoke six-month artist residency in locations around Italy after presenting the judges with a proposal for a new body of work. The resulting work is premiered at the Whitechapel Gallery and travels to the Collezione Maramotti in Reggio Emilia, Italy, in 2021. -
Grayson Perry
GRAYSON PERRY Born in Chelmsford in 1960 Lives and works in London SOLO EXHIBITIONS 2017 The Most Popular Art Exhibition Ever!, Serpentine Galleries, London; travelling to Arnolfini, Bristol (2017) 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 - 2017 The Vanity of Small Differences (UK Art Fund/British Council National and International Tour): Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds; Victoria Art Gallery, Bath; The Herbert Museum and Art Gallery, Coventry; Croome Park, Worcester; Beaney House of Art and Knowledge, Canterbury; Izolyatsia Platform for Cultural Initiatives, Kyiv, Ukraine; Museum of Contemporary Art Vojvodina, Novi Sad, Serbia; National Gallery, Pristina, Kosovo; Art Gallery of Bosnia and Herzegovina, Sarajevo, Bosnia 2012 The Vanity of Small Differences, Victoria Miro Gallery, London The Walthamstow Tapestry, William Morris Gallery, Walthamstow 2011 Grayson Perry: The Tomb of the Unknown Craftsman, The British Museum, London Grayson Perry, Louis Vuitton Maison, London Grayson Perry: Visual Dialogues, Manchester Art -
Zarina Bhimji
Zarina Bhimji ‘My work is not about the actual facts but about the echo they create, the marks, the gestures and the sound. This is what excites me.’ Zarina Bhimji Landscapes and buildings bearing the traces of time are the protagonists in British artist Zarina Bhimji’s poetic photographs and large-scale film installations. Devoid of any human presence they are intentionally open-ended and ambiguous. This first major survey exhibition traces 25 years of Bhimji’s career. It opens with two seascapes taken in Zanzibar and a selection of images from the Love series (1998–2007), which were shot in Uganda. The photographs are grounded in meticulous research but, like much of Bhimji’s work, are distanced from historic and political specificity. The premiere of Yellow Patch (2011), Bhimji’s ambitious new film shot on location in India, takes centre stage in Gallery 1. This is complemented by the artist’s debut filmOut of Blue (2002), an arresting visual journey across Uganda, which is on view in Gallery 8 upstairs. Two early commissions are presented together here for the first time:She Loved to Breathe - Pure Silence (1987), an installation of photographs suspended from the ceiling above a field of spices, and Cleaning the Garden (1998) which is made up from photographs, light boxes and mirrors. Zarina Bhimji was born in Mbarara, Uganda in 1963 to Indian parents, and moved to Britain in 1974, two years after the expulsion of Uganda’s Asian community under the dictatorship of Idi Amin. She was nominated for the Turner Prize in 2007. -
Key Title Information IT's URGENT!
Key title information IT’S URGENT! Product Details A LUMA Project curated by Hans Ulrich Obrist £28.00 Editor(s) Luma Foundation Publisher Walther Koenig ISBN 9783960989363 “The point of departure for IT’S URGENT! is an exhibition model that I Format softback started (with Christian Boltanski and Betrand Lavier) in 1993 with DO Pages 320 IT. For this on-going, flexible and open-ended show, we invite artists to Illustrations 152 colour, 5 b&w write instructions, scores and recipes that can then be interpreted by others each time they are presented.” – Hans Ulrich Obrist Dimensions 310mm x 210mm Weight 1589 This book features all 153 original posters created by the 127 artists invited to participate in IT’S URGENT!, an open form touring exhibition. Publication Date: Feb 2021 IT’S URGENT! aims to make the artists’ ideas available to all, open up to new audiences and insert them into public life and the community at large. Artists from all over the world responded to this invitation to address the most pressing themes of our times – ecology, inequality, common future, solidarity, anti-racism and social justice had a profound presence in this vast ensemble of creative endeavour. Artists include – Etel Adnan, Tania Bruguera, Olafur Eliasson, Hans Haacke, Wolfgang Tillmans, Rirkrit Tiravanija, David Adjaye, Mark Bradford, Judy Chicago, Douglas Coupland, Jimmie Durham, Formafantasma, Cao Fei, Fernando Garcia-Dory, Liam Gillick, Renée Green, Newton Harrison, Luchita Hurtado, Pierre Huyghe, Koo Jeong A, Josh Kline, Suzanne Lacy, Yoko Ono, Trevor Paglen, Raymond Pettibon, Raqs Media Collective, Peter Saville, Stephen Shore, Lawrence Weiner, and Stanley Whitney. -
Full Version
CURRICULUM VITAE Name Zarina Bhimji Email [email protected] Web www.zarinabhimji.com EDUCATION 1987 - 1989 Slade School of Fine Art University College London, London, UK [Higher Diploma in Fine Art] 1983 - 1986 Goldsmiths' College University of London, London, UK [B.A. Fine Art] 1982 - 1983 Leicester Polytechnic, Leicester, UK [Art Foundation] SOLO EXHIBITIONS 2020 - Zarina Bhimji, Sharjah Art Foundation, Sharjah, UAE 2018 - Spotlight, Tate Britain, London, UK * 2015 - Zarina Bhimji: Jangbar, NAE, Nottingham, UK * 2012 - Zarina Bhimji, Whitechapel Gallery, London, UK * 2012 - Yellow Patch, The New Gallery, Walsall, UK * 2012 - Zarina Bhimji, Kunstmuseum Bern, Bern, Switzerland * 2012 - Zarina Bhimji, de Appel, Amsterdam, Netherlands 2009 - Zarina Bhimji, Art Institute of Chicago, Chicago, USA 2007 - Zarina Bhimji, Haunch of Venison, Zürich, Switzerland 2007 - Galerie Lumen Travo, Amsterdam, Netherlands 2006 - Zarina Bhimji, Haunch of Venison, London, UK 2004 - Zarina Bhimji, Archive Season, inIVA, London, UK 2003 - Matrix 150, Wadsworth Athenium Museum of Art, Hartford, CT, USA * 2003 - Art Now, Tate Britain, London, UK* 2001 - Talwar Gallery, New York, USA 1998 - Cleaning the Garden - Harewood House, Terrace Gallery, Leeds, UK * 1995 - Kettle's Yard, University of Cambridge, Cambridge, UK * 1992 - I will always be here - Ikon Gallery, Birmingham & tour, UK * 1989 - Tom Allen Community Art Centre, London, UK * Catalogue available Page 1 SELECTED GROUP EXHIBITIONS 2020 - Lahore Biennale 02, Lahore Biennale Foundation, Lahore, Pakistan -
Frieze New York
FRIEZE NEW YORK Press Release Precious Okoyomon Wins 2021 Frieze Artist Award at Frieze New York New York, US (February 25, 2021) – New York-based artist Precious Okoyomon is the winner of the 2021 Frieze Artist Award. Supported by the Luma Foundation, the award presents a major opportunity for an emerging artist to debut an ambitious new commission at Frieze New York. Launched in 2018, the initiative furthers the established program of Artist Award commissions at Frieze London. Previous recipients of the award at Frieze New York include Lauren Halsey and Kapwani Kiwanga. This year, Frieze New York will take place for the first time at The Shed in Manhattan, from May 5 – 9, 2021. The fair is supported by global lead partner Deutsche Bank, continuing a shared commitment to artistic excellence. Okoyomon’s commission was selected by a jury chaired by Jenny Schlenzka (Executive Artistic Director at Performance Space New York), and featuring Ralph Lemon (Artistic Director, Cross Performance), Vassilis Oikonomopoulos (Senior Curator, Luma Arles), and Stuart Comer (Chief Curator of Media and Performance Art, MOMA). Loring Randolph, Director of Programming for Frieze New York said: ‘In recent years, the Frieze Artist Award in New York and Luma Foundation have debuted significant large- scale sculptures by leading international artists. In 2021, we could not be more excited to work with an exceptional New Yorker, Precious Okoyomon on realizing their live project in collaboration with The Shed. It has been hugely beneficial to work with Jenny Schlenzka of Performance Space, a leading institution moving boundaries in New York, and our expert jury who are the world’s tastemakers in performance art amongst much more.’ Jenny Schlenzka, Executive Artistic Director at Performance Space New York added: ‘The jury is proud to present Precious Okoyomon with the Frieze Artist Award. -
University Microfilms International 300 N
THE CRITICISM OF ROBERT FRANK'S "THE AMERICANS" Item Type text; Thesis-Reproduction (electronic) Authors Alexander, Stuart Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 11:13:03 Link to Item http://hdl.handle.net/10150/277059 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
A Geochemist in His Garden of Eden
A GEOCHEMIST IN HIS GARDEN OF EDEN WALLY BROECKER 2016 ELDIGIO PRESS Table of Contents Chapter 1 Pages Introduction ................................................................................................................. 1-13 Chapter 2 Paul Gast and Larry Kulp ......................................................................................... 14-33 Chapter 3 Phil Orr...................................................................................................................... 34-49 Chapter 4 230Th Dating .............................................................................................................. 50-61 Chapter 5 Mono Lake ................................................................................................................ 62-77 Chapter 6 Bahama Banks .......................................................................................................... 78-92 Chapter 7 Doc Ewing and his Vema ........................................................................................ 93-110 Chapter 8 Heezen and Ewing ................................................................................................ 111-121 Chapter 9 GEOSECS ............................................................................................................. 122-138 Chapter 10 The Experimental Lakes Area .............................................................................. 139-151 Table of Contents Chapter 11 Sea Salt ................................................................................................................. -
Dzieła Mistrzów Tradycyjnego Malarstwa Sztalugowego Jako Inspiracje Współczesnych Murali – Projekt „Off Galeria” (2015)
Wioletta Kazimierska-Jerzyk Instytut Filozofii Uniwersytetu Łódzkiego Dzieła mistrzów tradycyjnego malarstwa sztalugowego jako inspiracje współczesnych murali – projekt „Off Galeria” (2015) 1 esienią 2015 r. z inicjatywy Fundacji Urban Forms (dalej FUF) zrealizo- Jwano w2 Łodzi projekt „Off Galeria”, w wyniku którego na obszarze Starego Polesia powstały trzy wielkoformatowe malowidła ścienne inspirowane dziełami sztuki ze zbiorów malarstwa polskiego znajdujących się w Muzeum Miasta Łodzi. Prace te są – w odróżnieniu od wielu innych łódzkich murali 1 FUF zajmuje się animacją sztuki miejskiej w Łodzi, a także w innych polskich miastach. Zrealizowała m.in. projekty rewitalizacji w zabytkowej przestrzeni Starego Miasta w Gdańsku „OgarnaDoświadczenie 2.0” i „Nowa Szeroka” sztuki w przestrzeni(2013–15), miejskieja także Program Galeria Urban Partycypacji Forms 2011Społecznej2013 /w Experi Łodzi- encew 2015 of Art r. Formalnie in Urban Spaceistnieje Urban pod tą Forms nazwą Gallery od 2011 2011 r., zob.:2013 A. Gralińska-Toborek, W. Kazimierska -Jerzyk, . – 2 . – , tłum. M. Koniarek, Łódź 2014, s. 5. Stare Polesie jest dziś częścią osiedla administracyjnego (tzw. jednostki pomocniczej gminy według obecnej nomenklatury Urzędu Miasta Łodzi; ostatni podział administracyjny, w którym istniały dzielnice, obowiązywał w latach 1960–1992). Nazwa ta odnosi się do naj- wcześniej zurbanizowanego obszaru dawnej dzielnicy Polesie. Obecnie Stare Polesie uchodzi za jedną z najbardziej zaniedbanych części miasta, ale jest jednocześnie obszarem zabytko- wym o -
Newsletter #132 (Spring 2002)
T WIC y Relax. You're in safe hands. TO FOSTER AND SAFEGUARD THE AMENITIES OF DULWICH Whatever pressures you deal with on a daily basis, moving home can be one of i[([([:i:[\,, the most stressful. And in our eight inter-linked branches over South East London, our Newsletter 132 Spring 2002 experienced teams are here to make the whole process as easy as possible, right up until the day you move. What's On .................................................................................................. 4-5 Annual General Meeting .................................................................................. 6 So, whether you're looking to buy or Our Priorities ............................................................................................. 7-9 Dulwich Park ........................................................................................... 11-14 sell, please contact us. Crystal Palace Park ................................................................................... 16-18 Norman Ackroyd Exhibition ........................................................................... 19 We'd be delighted to help you move. Dulwich Community Hospital. .................................................................... 21-22 Tree News ................................................................................................... 23 Dulwich Farmers' Market .............................................................................. 24 Bird Watch ................................................................................................. -
Glass Circle Publications
INDEXOF GLASS CIRCLE PUBLICATIONS by Hazel Bell Incorporating and modifying the previous indexes by Peter Lole Indexed publications Key Glass Circle News Issues 1-140 (1977–2016) 1.1 (Issue no.page no(s);) The Glass Circle Journal 1-11 (1972-2009) JL The Centenary Supplement (2004) CS GCN (2004) Ex. ExFromcerpts Palace from to the Parlour first 99(2003) issues of PP The Glass Circle Diamond Jubilee 1937–1997 DJ Glass Collectors and their Collections (1999) Col. Strange and Rare: 50th Anniversary Exhibition 1937–1987 SR Major references to a topic are given in bold type Abbreviations used: c. GCN for Glass Circle News. Notesexh. for exhibition; for century; GC for Glass Circle; Short forms of article and book titles are used. Article titles, and titlesin ofitalics talks reported, are given ‘in quotes’ under the names of the speakers. Book titles are given under the names of the authors, except for multi-author books, listed under their titles. GlassReviewers Circle of books,News andreferences writers of are letters given and in obituaries, the form: are rarely included. Issue number.page number(s) with the Issue numbers followed by stops; page numbers in the same issue separated by commas; Issue numbers separated by semi-colons. Newsletters for April and July 1983 are both numbered 26; references to those issues are given in the index as 26A and 26Jy. The first page of Issue 115, 2 June 2008, shows Issue number as 114. Announcements of coming events, advertisements, auctions, fairs, and sales reports are not indexed; of exhibitions, only major ones are indexed.