L'arte in Quarantena Imbrigliata

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L'arte in Quarantena Imbrigliata 88 PAGINE, CONTIENE Mostre & Musei ILLA CLASSIFICA GIORNALE MONDIALE 2019 DELL’ARTEE IL GIORNALE DELLE MOSTRE MENSILE DI INFORMAZIONE, CULTURA, ECONOMIA FONDATO NEL 1983 SOCIETÀ EDITRICE ALLEMANDI TORINO WWW.ILGIORNALEDELLARTE.COM ANNO XXXVII N. 407 APRILE 2020 EURO 10,00 L’ARTE IN QUARANTENA IMBRIGLIATA NELLA RETE SPEDIZIONE IN A.P. - D.L. 353/2003 (CONV. IN L. 27/02/2004 N° 46) ART. 1, COMMA 1, DCB TORINO - MENSILE N. 4-APRILE 2020 PRIMA IMMISSIONE 4 APRILE 2020 4-APRILE 2020 PRIMA IMMISSIONE 4 - MENSILE N. TORINO DCB COMMA 1, 1, ART. 27/02/2004 N° 46) IN L. 353/2003 (CONV. - D.L. A.P. SPEDIZIONE IN Il 25 marzo le autorità egiziane hanno iniziato a liberare l’area attorno alle Piramidi di Giza e a sanificare il sito Nei giorni dell’emergenza il web è pieno di arte. Musei, gallerie, aste e artisti si rivolgono al digitale Il tallone e al virtuale per dimostrare di esistere ancora, inventandosi progetti e proposte. Nessuno sa che cosa succederà: chi sopravviverà e come? Ma l’arte resterà (e non solo in rete) di Achille di ABO ONLINE IL CONTAGIO Dottori & C. Un nuovo Stato «Noi siamo già tutti morti», Il vizio Tutto chiuso, dice Prigogine. Malgrado tale lucida asserzione, l’umanità continua ci manca tutti a casa i suoi banchetti, assistita da un dinamismo fomentato dallo di Flaminio Gualdoni sviluppo tecnologico. La fame di vita determina la Ohibò, è arrivato un virus che non sai La perdita di introiti per chi lavora nel mondo continuità della storia, ci invita bene come immaginarti e la tua «comfort dell’arte non è parziale. È totale. Economia tutti e ancora a un «pranzo gratis», zone» salta per aria perché ti manca di guerra è un eufemismo: il restauro del secondo un’ulteriore asserzione qualcosa da raccontarti nella testa. campanile romanico a cento metri dalla dell’ironico Prigogine. L’arte fa Che non sia una faccenda di un paio nostra redazione reca la data del 1940. lo stesso: prosegue nelle sue libere di settimane e poi basta e torna tutto Almeno si restaurava. Certamente anche traiettorie creative una strategia uguale a prima l’hai capito subito, se qualcosa d’altro. Adesso niente. della sorpresa, puntando sulla non sei un imbesuito che crede a quello A differenza di un’alluvione o di un terremoto sperimentazione e sulla citazione. che raccontano i nostri reggitori. E la che distrugge tutto, tutto continua a esistere. Esperimento tecnico ed esperienza situazione di straniamento è accentuata Ma tutto è come morto. Immobilizzato e creativa intrecciano le proprie dal fatto che da ogni parte si affrettano inaccessibile. valenze per fondare la realtà a spiegarti che il web può essere un Potrà apparire assurdo, ma questa copia lampante della forma. Insomma sostituto pressoché onnipotente di ogni del giornale che state leggendo sarà è evidente: l’arte vuole salvare esperienza, e tu sei costretto a volerci probabilmente, questo mese, una delle la forma. Non per buona credere. Anche perché è più o meno rarissime manifestazioni di attività «tangibili» educazione, semmai per dimostrare l’unica cosa che ti sia consentita in del mondo dell’arte. Lo pubblichiamo forse a tutti la sua disposizione a essere questa situazione così radicalmente irragionevolmente, in condizioni di assoluta socievole. Che non significa essere anticapitalistica: il tuo capitale è il tempo non economicità, proprio come si sventola accomodante, piuttosto isolare a disposizione, pressoché illimitato (salvo una bandiera. Per segnalare che c’è ancora lo spettatore nella contemplazione quello che passi in coda per comprarti vita, che la vita continua. Leggiamo appelli, di un nuovo stato di conoscenza. continua a p. 6, iv col. continua a p. 6, v col. GIOIELLI Valutazioni gratuite e confidenziali per le prossime aste di Milano, Genova e Monte Carlo MILANO | Costanza da Schio | Servizio Valutazioni | [email protected] | + 39 02 382 63 388 MILANO | GENOVA | ROMA | MONTE CARLO . 2 Notizie IL GIORNALE DELL’ARTE Numero 407, aprile 2020 Il settore «Notizie» è a cura di Alessandro Martini Andirivieni Che cosa fa la gente dell’arte www.allemandi.com Le due architette di Dublino Yvonne mite l’account della galleria White esperti del museo che l’imprenditore Farrell e Shelley McNamara (fonda- Cube) un diario del suo confinamento aveva aperto nel 2017, riconsegnerà www.ilgiornaledellarte.com trici nel 1978 dello studio Grafton in casa. «In questa epoca terrificante ai governi di Iraq ed Egitto 11.500 re- Architects) sono le vincitrici dell’edi- abbiamo bisogno di ogni genere d’ar- perti delle sue collezioni. Umberto Allemandi srl Pubblicità zione 2020 del Pritzker Prize di Archi- te», ha detto. piazza Emanuele Filiberto, 13-10122 Torino, Cinzia Fattori, 011 8199118 Tel. 011 8199111 - Fax 011 8193090 ([email protected]) tettura. È la prima volta che il premio La nomina a direttore di Villa Medici a Piemonte e Lombardia Claire Pizzini viene attribuito a due donne. Tra i loro La prima edizione della Biennale di Roma, sede dell’Accademia di Francia, Presidente onorario della Società editrice [email protected] lavori più noti l’Università Bocconi di Yerevan, che si sarebbe dovuta tene- di Sam Stourdzé, direttore dei Rencon- Paolo Emilio Ferreri Liguria Valeria De Simoni 333 2778388; Milano (2008), il campus universitario re nella seconda metà di quest'anno [email protected] tres di Arles e specialista di fotografia, Amministratore unico Umberto Allemandi Veneto, Friuli Venezia Giulia, Utec di Lima (2015) e l’Institut Mines in diverse sedi nella capitale dell’Ar- mette fine a un interim di 18 mesi al Trentino-Alto Adige, Emilia-Romagna, Télécom a Parigi (2019). menia e che è stata invece posposta vertice dell’istituzione romana. Consiglieri Alessandro Allemandi, Umbria, Marche e Abruzzo al prossimo anno, dal 15 aprile al 13 Beatrice Allemandi, Anna Somers Cocks Valeria Riselli 335 6390119; [email protected] Novità alla Fondazione VAF, l’istituzio- giugno, ha scelto il pro- Una giuria interamente femminile inti- Venezia Luciana Cicogna, 347 6176193; ne tedesca istituita nel 2000 dall’im- prio curatore: è Loren- tolata «Le donne per l’arte» ha nomi- «Il Giornale dell’Arte» [email protected] prenditore Volker W. zo Fusi, 52 anni, già nato Germano Celant «Reuccio della Toscana Benedetta Angioni, 348 3157377; Feierabend (nella foto), curatore della Biennale critica contemporanea» per l’attività Direttore responsabile Umberto Allemandi [email protected] Lazio e Roma Antonio Jommelli le cui oltre 2mila opere di Liverpool nel 2010 e svolta in nome di Prada. L’incorona- Assistente di direzione Angela Piciocco 328 1042199; [email protected] d’arte italiana moderna nel 2012. zione doveva avvenire l’1 aprile a Pe- 0118199153 [email protected] Sud Italia e isole 011 8199118 e contemporanea sono schici, ma il critico ha declinato l’invito Pubblicità internazionale Vicedirettore Franco Fanelli Londra 0044 207 7353331; conservate al Mart di Antonio Tarasco, direttore del Servizio alla cerimonia che comunque sarebbe New York 001 914 2665105; Rovereto. Tre donne, per la prima vol- I della Direzione generale Musei del Mi- stata sospesa per i noti motivi. Caporedattore Barbara Antonetto Parigi 0033 1 42364597 ta tutte italiane, entrano nel Consiglio bact, giudica «niente affatto felice l’im- d’amministrazione a fianco di Peter patto del Covid-19 sui musei statali. Noi L'ottava edizione del Max Mara Art for Redattori Vittorio Bertello, Distribuzione: Me.Pe. Anna Maria Farinato, Cristina Valota via Ettore Bugatti 15, 20149 Milano, Weiermair: Elena Pontiggia, docen- abbiamo una modalità di produzione Women è stata assegnata all'artista tel. 02 89592240 te di Storia dell’arte contemporanea dei ricavi basata principalmente sulla bi- inglese Emma Talbot (1969). Product manager all’Accademia di Brera e al Politecnico glietteria: l’interruzione del servizio com- Beatrice Allemandi 011 8199115 Stampa: GEDI Printing spa di Milano, Nicoletta Colombo, che ha porta immediatamente la soppressione [email protected] Via Giordano Bruno 84, 10134 Torino La candidatura della studiosa dell’an- Registrazione del Tribunale di Torino maturato 45 anni di esperienza nel set- di circa il 90% delle entrate», spiega. tichità Mary Beard a nuovo membro Advertising manager n. 3227 del 7/12/82 tore artistico e dal 1992 è titolare dello del board del British Museum di Lon- Cinzia Fattori 011 8199118 studio di consulenza d’arte a Milano Dopo 6 anni e due dra è stata rifiutata dall’ufficio del pri- [email protected] Spedizione in a.p. d.l. 353/2003 (conv. in L. 27/02/2004 n° 46) art. 1, comma 1, dcb che porta il suo nome, e Serena Reda- mandati consecutivi, mo ministro inglese Boris Johnson a Art director Claudia Carello 0118199176 Torino. Mensile n. 4 aprile 2020 elli, che dal 2006 affianca la Colombo Claudia Perren (1973) causa delle posizioni anti Brexit della [email protected] come consulente. Tutte nel loro curri- lascia la guida della storica britannica. Tuttavia il museo, culum vantano esperienze di curatela Stiftung Bauhaus di che ha la facoltà di nominare cinque Curatori di Settore Abbonamenti Alessandro Martini (Notizie, Musei e S.O.F.I.A. via Ettore Bugatti 15, per mostre temporanee e pubblicazio- Dessau, in Germania, soggetti di propria iniziativa, potrà ac- Turismo culturale), Arabella Cifani (Libri), 20142 Milano ni d’arte. Lo storico presidente Klaus per dirigere l’Università di Arti e Desi- coglierla autonomamente. Laura Giuliani (Archeologia), tel. 02 84402242; fax 02 84402207 Wolbert sarà affiancato da Thorsten gn di Basilea. Nata nell’ex Berlino Est, Walter Guadagnini (Fotografia) email: [email protected] Un numero, compresi «Vernissage» Feierabend, figlio del fondatore. ha studiato architettura a Berlino, New Era in prigione dal 2016 Fatos Collaboratori e «Rapporti Annuali» € 10 York e Zurigo e ha insegnato all’Univer- Irwen, artista curda nota per le sue Antonio Aimi (Arte precolombiana), Arianna Arretrati € 16 Marina Abramovic ha postato su You- sità di Sydney.
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