Meditate, Meditation. Islam
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Poetry, Place, and Spiritual Practices by Katharine Bubel BA, Trinity
Edge Effects: Poetry, Place, and Spiritual Practices by Katharine Bubel B.A., Trinity Western University, 2004 M.A., Trinity Western University, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Katharine Bubel, 2018 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Edge Effects: Poetry, Place, and Spiritual Practices by Katharine Bubel B.A., Trinity Western University, 2004 M.A., Trinity Western University, 2009 Supervisory Committee Dr. Nicholas Bradley, Department of English Supervisor Dr. Magdalena Kay, Department of English Departmental Member Dr. Iain Higgins, Department of English Departmental Member Dr. Tim Lilburn, Department of Writing Outside Member iii Abstract "Edge Effects: Poetry, Place, and Spiritual Practices” focusses on the intersection of the environmental and religious imaginations in the work of five West Coast poets: Robinson Jeffers, Theodore Roethke, Robert Hass, Denise Levertov, and Jan Zwicky. My research examines the selected poems for their reimagination of the sacred perceived through attachments to particular places. For these writers, poetry is a constitutive practice, part of a way of life that includes desire for wise participation in the more-than-human community. Taking into account the poets’ critical reflections and historical-cultural contexts, along with a range of critical and philosophical sources, the poetry is examined as a discursive spiritual exercise. It is seen as conjoined with other focal practices of place, notably meditative walking and attentive looking and listening under the influence of ecospiritual eros. -
Protestants Reading Catholicism: Crashaw's Reformed Readership
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 8-14-2009 Protestants Reading Catholicism: Crashaw's Reformed Readership Andrew Dean Davis Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Davis, Andrew Dean, "Protestants Reading Catholicism: Crashaw's Reformed Readership." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/69 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. PROTESTANTS READING CATHOLICISM: CRASHAW’S REFORMED READERSHIP by ANDREW D. DAVIS Under the direction of Dr. Paul Voss ABSTRACT This thesis seeks to realign Richard Crashaw’s aesthetic orientation with a broadly conceptualized genre of seventeenth-century devotional, or meditative, poetry. This realignment clarifies Crashaw’s worth as a poet within the Renaissance canon and helps to dismantle historicist and New Historicist readings that characterize him as a literary anomaly. The methodology consists of an expanded definition of meditative poetry, based primarily on Louis Martz’s original interpretation, followed by a series of close readings executed to show continuity between Crashaw and his contemporaries, not discordance. The thesis concludes by expanding the genre of seventeenth-century devotional poetry to include Edward Taylor, who despite his Puritanism, also exemplifies many of the same generic attributes as Crashaw. INDEX WORDS: Richard Crashaw, Edward Taylor, Steps to the Temple , Metaphysical poets, Catholicism, Puritans, New Historicism, Meditative poetry, Louis Martz, Genre Theory PROTESTANTS READING CATHOLICISM: CRASHAW’S REFORMED READERSHIP by ANDREW D. -
At Last, the Real Distinguished Thing at Last, the Real Distinguished Thing
at last, The Real Distinguished Thing at last, The Real Distinguished Thing The Late Poems of Eliot, Pound, Stevens, and Williams by Kathleen Woodward OHIO STATE UNIVERSITY PRESS Excerpts from Four Quartets by T. S. Eliot are reprinted by permission of Harcourt Brace Jovanovich, Inc., and Faberand Faber, Ltd.; copyright 1943 by T. S. Eliot; copyright 1971 by Esme Valerie Eliot. Excerpts from the following works are reprinted by permission of New Directions, New York, and Faber and Faber, Ltd., London: The Cantos ofEzra Pound, copyright 1948 by Ezra Pound; Pavannes and Divagations by Ezra Pound, copyright © 1958 by Ezra Pound, all rights reserved. Excerpts from The Collected Poems of Wallace Stevens are reprinted by permission of Alfred A. Knopf, Inc., and Faber and Faber, Ltd.; copyright © 1923, 1931, 1935, 1936, 1937, 1942, 1943, 1944, 1945, 1946, 1947, 1948, 1949, 1950, 1951, 1952, 1954 by Wallace Stevens. Excerpts from the following works by William Carlos Williams are reprinted by permission of New Directions: Paterson, copyright 1946, 1949, 1951, 1958 by William Carlos Wil liams; Pictures from Brueghel and Other Poems, copyright 1954 by William Carlos Williams; Selected Essays, copyright 1954 by William Carlos Williams; / Wanted to Write a Poem, edited by Edith Heal, copyright © 1958 by William Carlos Williams. Chapter 1 originally appeared in different form as "Master Songs of Meditation: The Late Poems of Eliot, Pound, Stevens, and Williams," in Aging and the Elderly: Humanistic Perspectives in Gerontology, edited by Stuart F. Spicker, Kathleen Woodward, and David D. Van Tassel (Humanities Press, 1978), and is reprinted by permission of Humanities Press, Inc., Atlantic Highlands, N.J. -
Self-Possession in the Poetry of Paul Celan, Ts Eliot
THE LANGUAGE OF REAL LIFE: SELF-POSSESSION IN THE POETRY OF PAUL CELAN, T. S. ELIOT, RAINER MARIA RILKE, AND PAUL VALÉRY by Scott Marentette A thesis submitted in conformity with the requirements for the degree of Ph. D. Graduate Department of The Centre for Comparative Literature University of Toronto © Copyright by Scott James Marentette 2010 The Language of Real Life: Self-Possession in the Poetry of Paul Celan, T. S. Eliot, Rainer Maria Rilke, and Paul Valéry Scott Marentette Ph. D. 2010 Centre for Comparative Literature University of Toronto In his “Letter on Humanism,” Martin Heidegger conveys the importance he attributes to poetry when he states: “Language is the house of being” (“Letter” 239). In response to his early Jesuit education, he developed a secular alternative to theology with his existential phenomenology. Theology, poetry, and phenomenology share the basic concern of explaining the foundations of being. For Heidegger, ownership characterizes being in a fundamental way; in Contributions to Philosophy (From Enowning) , he establishes the “Ereignis” (“event of appropriation”) as the foundation of being. Ownership lies at the core of being in his thinking following Being and Time . Yet his philosophy ignores the material circumstances of ownership. By way of a materialist critique of Heidegger’s Idealist phenomenology, I expose how property-relations are encoded in the modern poetry and philosophy of dwelling with the question: who owns the house of being? The answer lies in “self-possession,” which represents historical subjectivity as the struggle for the means of production. Paul Celan, T. S. Eliot, Rainer Maria Rilke, and Paul Valéry are all poets who address the relationship between being and ownership in expressing what Marx and Engels call the “language of real life” in The German Ideology (26). -
Vol. 27, No. 1 (Spring 2003)
The Wallace Stevens Journal Volume 27 Number 1 Spring 2003 Special Issue The Poetics of Place in the Poetry of Wallace Stevens Contents Introduction: A Personal Reflection —John N. Serio 3 “A Moving Part of a Motion”: Place as Poesis in Stevens’ Poetry of the Earth —Carol H. Cantrell 7 The Westwardness of Everything: Irishness in the Poetry of Wallace Stevens —Daniel Tobin 27 Places for the Future to Come: Wallace Stevens and Frank Lloyd Wright —Michael Beehler 49 Family and Place in Wallace Stevens —Justin Quinn 65 Wallace Stevens’ “An Ordinary Evening in New Haven”: The “Inescapable Romance” of Place —Keith Manecke 80 Place and Nothingness in the Poetry of Wallace Stevens —Robert Pack 97 Place and Poetry in Stevens’ “The Rock” —Karen Helgeson 116 Two Photographs of Wallace Stevens by Charles Henri Ford —Erik La Prade 132 Poems 136 Reviews 143 Current Bibliography 157 Cover Wallace Stevens’ House 118 Westerly Terrace, Hartford, Conn. Pen-and-ink drawing by Brigham P. Fay The Wallace Stevens Journal EDITOR John N. Serio POETRY EDITOR ART EDITOR BOOK REVIEW EDITOR Joseph Duemer Kathryn Jacobi George S. Lensing EDITORIAL ASSISTANTS EDITORIAL BOARD Maureen Kravec Milton J. Bates A. Walton Litz Hope Steele Jacqueline V. Brogan James Longenbach Robert Buttel Glen MacLeod Eleanor Cook Marjorie Perloff TECHNICAL ASSISTANT Alan Filreis Joan Richardson Sue Campbell B. J. Leggett Melita Schaum George S. Lensing Lisa M. Steinman The Wallace Stevens Society, Inc. PRESIDENT ADVISORY BOARD John N. Serio Milton J. Bates Joseph Duemer Owen E. Brady Kathryn Jacobi Robert Buttel George S. Lensing David M. Craig A. -
Allen Ginsberg's Many Multitudes Joseph Karwin University of Texas at Tyler
University of Texas at Tyler Scholar Works at UT Tyler English Department Theses Literature and Languages Spring 5-9-2018 The heP nomenological Beat: Allen Ginsberg's Many Multitudes Joseph Karwin University of Texas at Tyler Follow this and additional works at: https://scholarworks.uttyler.edu/english_grad Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Karwin, Joseph, "The heP nomenological Beat: Allen Ginsberg's Many Multitudes" (2018). English Department Theses. Paper 17. http://hdl.handle.net/10950/1159 This Thesis is brought to you for free and open access by the Literature and Languages at Scholar Works at UT Tyler. It has been accepted for inclusion in English Department Theses by an authorized administrator of Scholar Works at UT Tyler. For more information, please contact [email protected]. THE PHENOMENOLOGOICAL BEAT: ALLEN GINSBERG’S MANY MULTITUDES by JOSEPH KARWIN A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts English Department of Literature & Languages Anett Jessop, Ph.D., Committee Chair College of Graduate Studies The University of Texas at Tyler May 2018 The University of Texas at Tyler Tyler, Texas This is to certify that the Master’s Thesis of JOSEPH KARWIN has been approved for the thesis requirement on April 17, 2018 for the Master of Arts English degree © Copyright 2018 by Joseph Karwin All rights reserved. Table of Contents Abstract ...........................................................................................................................ii -
Making Waves
INTRODUCTION MAKING WAVES THOMAS A. FORSTHOEFEL AND CYNTHIA ANN HUMES EVERYTHING CHANGES. Mystics and storytellers in South Asia have woven this deceptively simple observation into the Indic consciousness for millennia. Hindu scriptures warn that the true nature of endlessly changing phenomenal reality can be lost to us as we thrash about the crashing waves of life.Yet the Hindu emphasis on the phenomenal fact of impermanence is tempered by the promise of something substantial, enduring, and utterly liberating beyond the very flux of life, so often likened to a roiling ocean, the “ocean of samsara.”The phenomenal flux of mundane reality, staggering in its chaos and suffering, nonetheless motivates the journey to cross the “far shore,” the quintessential Indian metaphor for lib- eration. Among the premier rafts for this tumultuous crossing is the spiritual teacher, the guru, a term that, not incidentally, also means “heavy.”The word intimates the higher truth that there is something weighty, substantial, and enduring about life, a truth borne witness to by extraordinary spiritual teach- ers. Gurus assist in the journey to make the crossing—from the ocean of sam- sara to the ocean of awareness, from the changing flux of phenomenal reality to the far shore of liberation, from death to immortality.The far shore is the “site” for an ultimate ground that suffers no loss or change, understood vari- ously in Hinduism to be an enduring soul, consciousness, an unchanging Absolute or a deity with form. This book is about gurus who have crossed the far shore, but not necessar- ily to ultimate liberation. -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... From Mourning to Meditation: Theorizing Ecopoetics, Thinking Ecology A Dissertation Presented by Jessica Lee Curran to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Stony Brook University August 2012 Copyright by Jessica Lee Curran 2012 Stony Brook University The Graduate School Jessica Lee Curran We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Rowan Ricardo Phillips – Dissertation Advisor Associate Professor, Department of English Susan Scheckel - Chairperson of Defense Associate Professor, Department of English Peter Manning – Committee Member Professor, Department of English Lynn Keller Professor, Department of English – University of Wisconsin, Madison This dissertation is accepted by the Graduate School Charles Taber Interim Dean of the Graduate School ii Abstract of the Dissertation From Mourning to Meditation: Theorizing Ecopoetics, Thinking Ecology by Jessica Lee Curran Doctor of Philosophy in English Stony Brook University 2012 Composed of twelve chapters and argued through the months of the year, this dissertation analyzes the works of Emily Dickinson and Henry David Thoreau, situating them in a contemporary ecocritical context, but more importantly, in a widened sense of ecopoetics. The project’s thesis states that the ecopoet, in mourning the loss of nature as idealization and salvation, embraces a state of radical metaphor-making, which in turn allows for a heightened sense of intimacy and necessitates a commitment to meditation. -
Bishop2020 Redacted.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Touch in Contemporary Tantra: Transgression, Healing, and Ecstasy in Women’s Constructions of Selfhood Samantha Bishop Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Religious Studies School of Divinity University of Edinburgh 2019 Declaration I declare that this thesis has been composed solely by myself and that it has not been submitted, in whole or in part, in any previous application for a degree. Except where stated otherwise by reference or acknowledgement, the work presented is entirely my own. Signed: Samantha Bishop 2 3 Abstract This thesis argues that women in contemporary Tantra engage with tactile practices in an ongoing effort to create an autonomous, empowered, and healthy sense of self. Focusing specifically on the sense of touch and how it is used in contemporary Tantra, I explore how and why touch techniques are used by participants – namely in inducing transformation, healing, and ecstatic experiences. -
Grihasthya Dharma As a Guiding Ideal for the Transpersonal Marriage Therapist
International Journal of Transpersonal Studies Volume 38 Issue 1 Article 16 9-1-2019 The Path to Enlightenment of Sacred Married Home Life: Grihasthya Dharma as a Guiding Ideal for the Transpersonal Marriage Therapist Stuart Sovatsky Private Practice, Richmond, California, USA Follow this and additional works at: https://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Other Feminist, Gender, and Sexuality Studies Commons, Philosophy Commons, Psychology Commons, and the Religion Commons Recommended Citation Sovatsky, S. (2019). The path to enlightenment of sacred married home life: Grihasthya dharma as a guiding ideal for the transpersonal marriage therapist. International Journal of Transpersonal Studies, 38 (1). http://dx.doi.org/https:// doi.org/10.24972/ijts.2019.38.1.236 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Essay is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. The Path to Enlightenment of Sacred Married Home Life: Grihasthya Dharma as a Guiding Ideal for the Transpersonal Marriage Therapist Stuart Sovatsky Private Practice Richmond, CA, USA This paper attempts to correct the unwitting reliance of much transpersonal psychology upon Indian texts that were indigenously specific to sannyasins (non- householder, monastics). This includes teachings from advaita vedanta, yoga, and many Buddhist schools on releasement from desire, the diminishing role of the ego, guardedness toward “the mellow-drama” of “worldly” life (as Ram Dass famously cast relational involvements). -
Durham E-Theses
Durham E-Theses Ars biographica poetica: Coleridgean Imagination and the Practical Value of Contemplation CHEYNE, PETER,ROBERT How to cite: CHEYNE, PETER,ROBERT (2014) Ars biographica poetica: Coleridgean Imagination and the Practical Value of Contemplation, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10754/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Ars biographica poetica: Coleridgean Imagination and the Practical Value of Contemplation Submitted by Peter Robert Cheyne For the degree of Ph.D. in Philosophy, Durham University, 2014 The copyright of this thesis rests with the author, who requests that no quotation from it be published without the author’s prior written or e-mailed consent ([email protected]) and that information derived from it be acknowledged. 1 This work is dedicated with love and prayers for my wife, Sachie Francesca, and our children, Maria Matsumi, Angus Keita, and Martha Taylor. -
ABSTRACT Meditative Poetry, Covenant Theology, and Lucy Hutchinson's Order and Disorder Seth Andrew Wright, Ph.D. Dissertation
ABSTRACT Meditative Poetry, Covenant Theology, and Lucy Hutchinson’s Order and Disorder Seth Andrew Wright, Ph.D. Dissertation Chairperson: Phillip J. Donnelly, Ph.D. I argue that Order and Disorder (1679), Lucy Hutchinson’s biblical epic on Genesis, is a meditative poem, while claiming that Hutchinson’s study of Independent theologian John Owen’s covenant theology informed her narration of the events in Genesis. I offer a reading of the poem as a whole to show how these claims illuminate Hutchinson’s construal of Genesis. These claims permit me to engage scholarly literature on three heads. First, by demonstrating that Order and Disorder is a meditative poem, I seek to extend the current discussion of seventeenth-century meditative poetry to include poems narrating the content of the poet’s meditation alongside poems narrating the process. Second, by showing Order and Disorder’s specific theological background, I challenge accounts claiming Lucretian atomism and Republican politics as the poem’s intellectual foundation. Finally, I offer the first extended account of meditation in Owen’s theology. Chapter One puts Hutchinson and her work in the historical and critical context, while Chapter Two argues that Owen understood meditation as an intellectual duty whose final cause is communion with God by understanding biblical revelation, and that Hutchinson assumed a similar view in Order and Disorder. As she discerned scriptural truth through meditation, Hutchinson rejected the Epicurean philosophy she had encountered while translating Lucretius. In Chapter Three, I argue that Theologoumena Pantodapa, Owen’s major treatise on covenant theology, which Hutchinson studied closely, implicitly confronts Thomas Hobbes’s contract theory by arguing that communion with God is the highest end of humanity.