The Daimyo and Samurai and Were Confined to Their Own Any Al Sis and Use of Sources Belonged to the Warrior Class Or Shi
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Why Did Japan Industrialize During the Meiji Period? Objectives: Students Will Examine the Causes for Industrialization in Japan
Why did Japan end its isolation? Why did Japan industrialize during the Meiji Period? Objectives: Students will examine the causes for industrialization in Japan. Introduction Directions: Examine the two documents below and answer the questions that follow. Tokugawa Laws of Japan in 1634 * Japanese ships shall not be sent abroad. *No Japanese shall be sent abroad. Anyone breaking this law shall suffer the penalty of death... *The arrival of foreign ships must be reported to Edo (Tokyo) and a watch kept over them. *The samurai shall not buy goods on board foreign ships. Source: January 2002 Global History and Geography Regents Exam. Source: January 2002 Global History and Geography Regents Exam. Japan Opens Up Japan, under the rule of the Tokugawa clan (1603 to 1867), experienced more than 200 years of isolation. During this period, the emperors ruled in name only. The real political power was in the hands of the shoguns all of whom were from the Tokugawa family. The Tokugawa maintained a feudal system in Japan that gave them and wealthy landowners called daimyo power and control. After negative experiences with Europeans in the 1600s, the shoguns were extremely resistant to trade because they viewed outsiders as a threat to his power. Japan's isolation came to an end in 1853 when Commodore Matthew Perry of the United States Navy, commanding a squadron of two steam ships and two sailing vessels, sailed into Tokyo harbor. He sought to force Japan to end their isolation and open their ports to trade with U.S merchant ships. At the time, many industrialized nations in Europe and the United States were seeking to open new markets where they could sell their manufactured goods, as well as new countries to supply raw materials for industry. -
Some Observations on the Weddings of Tokugawa Shogun’S Daughters – Part 2
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Family, Life Course, and Society Commons, Inequality and Stratification Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2" (2012). Department of East Asian Languages and Civilizations. 8. https://repository.upenn.edu/ealc/8 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/8 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 Abstract This section discusses the complex psychological and philosophical reason for Shogun Yoshimune’s contrasting handlings of his two adopted daughters’ and his favorite son’s weddings. In my thinking, Yoshimune lived up to his philosophical principles by the illogical, puzzling treatment of the three weddings. We can witness the manifestation of his modest and frugal personality inherited from his ancestor Ieyasu, cohabiting with his strong but unconventional sense of obligation and respect for his benefactor Tsunayoshi. Disciplines Family, Life Course, and Society | Inequality and Stratification | Social and Cultural Anthropology This is available at ScholarlyCommons: https://repository.upenn.edu/ealc/8 Weddings of Shogun’s Daughters #2- Seigle 1 11Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 e. -
専門家会議 Meeting of Japanese Art Specialists
専門家会議 Meeting of Japanese Art Specialists 2019 年 1 月 19 日(土) 於東京国立博物館 平成館第一会議室 January 19 (Sat.), 2019; Meeting Room 1, Heiseikan, Tokyo National Museum January 19, 2019: Meeting of Japanese Art Specialists Purpose: Tis meeting was an opportunity for experienced curators of Japanese art from North America, Europe, and Japan to exchange information and discuss challenges per- taining to their work. Venue: Meeting Room 1, Heiseikan, Tokyo National Museum Chairman and Facilitator: Mr. Atsushi Imai (Tokyo National Museum) Participants from North America Dr. Laura Allen (Asian Art Museum of San Francisco) Dr. Monika Bincsik (Te Metropolitan Museum of Art) Dr. Andreas Marks (Minneapolis Institute of Art) Dr. Anne Nishimura Morse (Museum of Fine Arts, Boston) Dr. Xiaojin Wu (Seattle Art Museum) Participants from Europe Dr. Rupert Faulkner (Victoria and Albert Museum) Dr. Akiko Yano (Te British Museum) Ms. Wibke Schrape (Museum für Kunst und Gewerbe Hamburg) Dr. Ainura Yusupova (Te Pushkin State Museum of Fine Arts) Mr. Menno Fitski (Rijksmuseum) Participants from Japan Mr. Tomoyuki Higuchi (Sendai City Museum) Dr. Maromitsu Tsukamoto (University of Tokyo, Institute for Advanced Studies on Asia) Mr. Takeo Oku (Agency for Cultural Afairs) Participants from the National Institutes for Cultural Heritage Mr. Atsushi Imai (Tokyo National Museum) Mr. Ryusuke Asami (Tokyo National Museum) Ms. Satomi Kito (Tokyo National Museum) Mr. Hideaki Kunigo (Tokyo National Museum) Mr. Hiroshi Asaka (Kyoto National Museum) Mr. Rintaro Inami (Kyoto National Museum) Ms. Melissa M. Rinne (Kyoto National Museum) Dr. Sakae Naito (Nara National Museum) Ms. Mihori Okina (Nara National Museum) Dr. Norifumi Mochizuki (Kyushu National Museum) Mr. -
JP Domain Name Registry Report 2019
2019.1-12 JP Domain Name Registry Report Japan Registry Services Co.,Ltd. Introduction The Internet is being used in increasingly broad and diverse areas of society as technology advances. Along with that, the need for domain names and the importance of the domain name system (DNS) are also being strengthened. With this background, the number of JP domain names surpassed 1.57 million in January 2020. Over 420,000 names are registered under “co.jp,” making it the most registered category in the Organizational Type JP Domain Name, the domain name space categorized by organizational type of registrants. 97% of publicly-listed companies in Japan have already registered “co.jp” domain names. JPRS is committed to its ongoing effort to improve JP domain name services, develop systems and carry out promotional activities to facilitate the use of JP domain names and deliver greater value to users. The domain name industry saw the number of domain names across TLDs increase. On the other hand, various challenges have continued to threaten the Internet infrastructure, such as domain hijacking that exploits falsified DNS configurations and detection of vulnerabilities in DNS software. As a company supporting the basis of the Internet society through domain names and DNS, JPRS is striving to make the Internet safe for everyone to use. To this end, JPRS promptly provides information and deals with risks and challenges related to domain names and DNS as they arise. JPRS also actively contributes to discussions of global issues and conveys relevant information to the communities in Japan. The management and administration of JP domain names require a high level of commitment to enhancing the public interest and getting ahead in the competition. -
International Camellia Journal 2010 No
AN OFFICIAL PUBLICATION OF 2010 I NTERNATIONAL CAMELLIA JOURNAL 2010 JOURNAL CAMELLIA NTERNATIONAL INTERNATIONAL CAMELLIA SOCIETY INTERNATIONAL NUMBER ISSN 0159-656X INTERNATIONAL CAMELLIA JOURNAL 国际山茶杂志 国際 ツノヾキ会誌 JOURNAL INTERNATIONAL DU CAMELLIA REVISTA INTERNAZIONALE DELLA CAMELIA REVISTA INTERNACIONAL DE LA CAMELIA INTERNATIONALE KAMELIENZEITSCHRIFT INTERNATIONAL CAMELLIA TIJDSCHRIFT Main Photo: Katsuhiko Mizuno. Inset: �hi���������eo Matsu�oto ‘Jikkô’(literally meaning ‘the sunlight’) is a 300 year old camellia just inside the entrance to the garden of Reikanji Temple in Kyoto City. It is thought to be the original plant of this variety and was cherished by the retired Emperor Gomizuno’o (1596-1680) and designated as a natural treasure by Kyoto City. See page 104 for Kentaro Nakamura’s paper that includes information about experiments for the propagation of this historic camellia. FRONT COVER PICTURE ‘Goshiki-yae-chiri-tsubaki’ was seen on several occasions on visits during the 2010 International Camellia Society Congress in Japan. The name means, literally “Five colours, double, petals scattering”. The five colours are all seen on one tree, with branches bearing white, deep pink, pale pink, striped pink on a white background, and striped with white on a pink background, making a glorious display. The most striking trees are ancient, estimated to be 400 – 500 years old. Its history is not clear, but there is a legend that the plant of the same cultivar at Jizoin Temple in camellia japonica camellia seeds filtered camellia oil Kyoto was brought in from Korea during the war between Japan and Korea in 1593. This unique cultivar the pride of the people of Kyoto and Nara. -
Kigo-Articles.Pdf
Kigo Articles Contained in the All-in-One PDF 1) Kigo and Seasonal Reference: Cross-cultural Issues in Anglo- American Haiku Author: Richard Gilbert (10 pages, 7500 words). A discussion of differences between season words as used in English-language haiku, and kigo within the Japanese literary context. Publication: Kumamoto Studies in English Language and Literature 49, Kumamoto University, Kumamoto, Japan, March 2006 (pp. 29- 46); revised from Simply Haiku 3.3 (Autumn 2005). 2) A New Haiku Era: Non-season kigo in the Gendai Haiku saijiki Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (4 pages, 1900 words). Introduction to the Muki Saijiki focusing on the muki kigo volume of the 2004 the Modern Haiku Association (Gendai Haiku Kyôkai; MHA). This article contains the translation of the Introduction to the volume, by Tohta Kaneko. Publication: Modern Haiku 37.2 (Summer 2006) 3) The Heart in Season: Sampling the Gendai Haiku Non-season Muki Saijiki – Preface Authors: Yûki Itô, with Richard Gilbert (3 pages, 1400 words). An online compliment to the Introduction by Tohta Kaneko found in the above-referenced Muki Saijiki article. Within, some useful information concerning the treatments of kigo in Bashô and Issa. Much of the information has been translated from Tohta Kaneko's Introduction to Haiku. Publication: Simply Haiku Journal 4.3 (Autumn 2006) 4) The Gendai Haiku Muki Saijiki -- Table of Contents Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (30 pages, 9300 words). A bilingual compilation of the keywords used in the Muki Saijiki Table of Contents. -
Japanophone Literature? a Transpacific Query on Absence Nayoung Aimee Kwon
Japanophone Literature? A Transpacific Query on Absence Nayoung Aimee Kwon MFS Modern Fiction Studies, Volume 64, Number 3, Fall 2018, pp. 537-558 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/mfs.2018.0041 For additional information about this article https://muse.jhu.edu/article/702962 Access provided by Duke University Libraries (30 Sep 2018 17:10 GMT) Nayoung Aimee Kwon 537 Japanophone Literature? A Transpacific Query on f Absence Nayoung Aimee Kwon Franz Kafka, in a 1921 letter to Max Brod, his close confidant and literary executor, writes on the linguistic impossibilities for minor writers in relation to a major or metropolitan language: “[t]he impossibility of not writing, the impossibility of writing German, the impossibility of writing differently. One might also add a fourth impossibility, the impossibility of writing” (qtd. in Casanova 254). As someone researching a distant imperial context, what strikes me about Kafka’s oft-cited dilemma is how uncannily similar it is to the relatively little-known struggles of colonized authors writing from the periphery of the Japanese empire. Noting such parallels among far- flung yet similar power dynamics, this essay begins with a question: what might we learn from paying attention to these similarities be- tween a Jewish Czech author writing from the periphery of Germany, itself a minor empire vis-à-vis the dominant European empires, and the language struggles of minor authors writing in the periphery of Japan, another minor empire? How might comparing the uncanny similarities between these experiences of unhomeliness help us to clarify the little-understood but far-reaching entanglements of shifting border formations among major and minor imperial competitions and collusions?1 MFS Modern Fiction Studies, Volume 64, number 3, Fall 2018. -
Shizuoka Prefecture
Japan Credit 26 February 2019 Japanese report: 25 February 2019 (DSCR3183) Shizuoka Prefecture Why Shizuoka became one of Japan's leading prefectures for manufacturing Credit Memorandum JCRE443 Tokugawa Ieyasu retired to Sunpu Castle in Shizuoka Prefecture after yielding FICC Research Dept. power to his son in 1605. The prefecture, known for its mild climate and scenic beauty, is one of Japan's leading prefectures in terms of manufacturing. Its favorable location, between Tokyo area and Nagoya area, the early completion of the Tomei Expressway, and abundant water resources have contributed to the Senior Credit Analyst development of manufacturing in the prefecture. Kouji Hamada (81) 3 5555-8791 The prefecture is also the birthplace of Japan's motorcycle industry, the [email protected] top-ranking one in Japan for seven straight years in terms of the total value of output of pharmaceuticals and medical equipment, and Japan's leading one in terms of pulp and paper production. Daiwa Securities Co. Ltd. Tokugawa Ieyasu yielded The Edo era, which lasted 265 years (1603-1868), started when Tokugawa Ieyasu was power to his son after appointed shogun (generalissimo) and established the Tokugawa Shogunate in Edo two years (current Tokyo) in 1603. However, just two years later, in 1605, he named his son Hidetada to the shogunate. Ieyasu took control after winning the Battle of Sekigahara in 1600, after the leader Toyotomi Hideyoshi died, but members of the Toyotomi clan remained in Osaka. Ieyasu's early retirement was apparently a declaration that he did not intend to return power to the Toyotomi clan. -
Yinger 1983-06.Pdf
, ~" " •. """~" > ACKN OWLEDGE1VIENTS This thesis has been an interna.tional effort, produced with trle cooperation of a grea.t many people in Japan~ Korea, England, and the United States. With no .i.l1tentionof diminishing the cor:tributi.qn of anyone not. mentioned below, I would like to single out a. few people for special thanks. I wish to thank the IJcmgwood Program at the University of Delavv"are for th8 award of the fell.owE}hip which helped to support this project. I am particularly indebted to my thesis committee--Dr. Richard W. Lighty, Mr. William H. Frederick, ,Jr., and Dr. Donald Huttleston-- for their very patient assistance. In Japan I wish to thank Dr. Sumihiko Hatsushima, Dr. FU"TIioMaekawa., Mr. Tadanori 'I'animura, Mr. Eiji Yamaha.ta, and Mr. NIatoshi Yoshida for patiently respondi.ng to my endless questions and for providing much of the research material cited herein. In addition, Mr. Yoshimichi Hirose, Mr. Mikinori Ogisu, Dr. Yotaro rrsuka.moto, and iii Dr. Ma,sato Yokol have earned my gratitude for directing me to useful research material. Among the many people who helped me in Japan, I must single out the efforts of Dr. Toshio Ando who so often arranged my itinerary in Japan and helped me with the translation of Japanese source material. For the privilege of examining herbarium specimens I wish to thank Dr. TchaT1;gBok 1,ee and h.is staff at Seoul. National University, Korea, and Mr. Ian Beier and his staff at the Royal Botanic Gardens, Kew, England. My thanks too to Mr. Yong-,Jun Chang (Korea), Mr. -
Tokugawa Ieyasu, Shogun
Tokugawa Ieyasu, Shogun 徳川家康 Tokugawa Ieyasu, Shogun Constructed and resided at Hamamatsu Castle for 17 years in order to build up his military prowess into his adulthood. Bronze statue of Tokugawa Ieyasu in his youth 1542 (Tenbun 11) Born in Okazaki, Aichi Prefecture (Until age 1) 1547 (Tenbun 16) Got kidnapped on the way taken to Sunpu as a hostage and sold to Oda Nobuhide. (At age 6) 1549 (Tenbun 18) Hirotada, his father, was assassinated. Taken to Sunpu as a hostage of Imagawa Yoshimoto. (At age 8) 1557 (Koji 3) Marries Lady Tsukiyama and changes his name to Motoyasu. (At age 16) 1559 (Eiroku 2) Returns to Okazaki to pay a visit to the family grave. Nobuyasu, his first son, is born. (At age 18) 1560 (Eiroku 3) Oda Nobunaga defeats Imagawa Yoshimoto in Okehazama. (At age 19) 1563 (Eiroku 6) Engagement of Nobuyasu, Ieyasu’s eldest son, with Tokuhime, the daughter of Nobunaga. Changes his name to Ieyasu. Suppresses rebellious groups of peasants and religious believers who opposed the feudal ruling. (At age 22) 1570 (Genki 1) Moves from Okazaki 天龍村to Hamamatsu and defeats the Asakura clan at the Battle of Anegawa. (At age 29) 152 1571 (Genki 2) Shingen invades Enshu and attacks several castles. (At age 30) 豊根村 川根本町 1572 (Genki 3) Defeated at the Battle of Mikatagahara. (At age 31) 東栄町 152 362 Takeda Shingen’s151 Path to the Totoumi Province Invasion The Raid of the Battlefield Saigagake After the fall of the Imagawa, Totoumi Province 犬居城 武田本隊 (別説) Saigagake Stone Monument 山県昌景隊天竜区 became a battlefield between Ieyasu and Takeda of Yamagata Takeda Main 堀之内の城山Force (another theoried the Kai Province. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Kanazawa Citizen’S Art Center Contemporary Art, Kanazawa
❖21st Century Museum of ❖The Kanazawa Citizen’s Art Center Contemporary Art, Kanazawa The Kanazawa Citizen’s Art Center is used as a The museum exhibits experimental place for art activities for residents centering contemporary artworks that visitors can touch on the special features of the red brick or sit on. It includes zones where visitors can warehouses that used to be spinning mills. enter for free. Both adults and children can experience an exciting time in the museum. Address: 1-1 Daiwa-machi Contact: Tel. 265-8300 Address: 1-2-1 Hirosaka Open: 24 hours a day and 365 days a year Contact: Tel. 220-2800 乙丸町 北安江町 浅 野 Open: 10 am to 6 pm (closes at 8 pm on Fridays and Saturdays) 北 陸 Admission fee: The fee varies with the special exhibition. 鉄 鳴和 川 道 Closed: Mondays and Dec. 29 to Jan. 3. Visitors can enter the 浅 野 JR北陸本線 free zone from 9 am to 10 pm everyday including Mondays. 川 駅 線 西5 駅西本町1 浅野本町 0m 道 159 路 広岡1 応化橋 Yamanoue Utatsuyama 二口町 Moriyama-kita Hikoso Ohashi Kanazawa Station Bridge ● Ishikawa Ongakudo Higashi-betsuin Temple ● Hikoso-machi Nakabashi Hon-machi 2 Higashi Chaya-gai District Kanazawa Yasue Higashiyama ● Kanazawa Rokumai Gold-Leaf Museum ● Utatsuyama Craft Workshop Musashi Asanogawa Ohashi Meitetsu ● Bakuro-machi A City of Rich, ● Bridge M’za Omi-cho Market Hashiba-cho Umenohashi Sanja Bridge Vibrant Culture 大豆田橋 Kamitsutsumi-cho The Kanazawa Tenjinbashi Citizen’s Art Center Ote-machi Bridge 大豆田大橋 ● 卯 Minami-cho 辰 入江 ト Kanazawa Castle Park ン Oyama Shrine ネ ● ル Saigawa River Motoguruma Kenrokuen-shita Naga-machi Buke