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OCTOBER 1960 • • R St Rs (Conthiued Fi.·Om Page 1) Some :Sources in 1959 to 1960 ; Ary Increases for the Business
•.' _, -PERMANENT FILE '•' STATIONARY. ~ ENGfNEERS. ·. '· ... .·. -~· - .. OCTOBER,"1960 • " ~- ~- .,,.,. " J ' • •• r • • '•Ort ~ - r • :• s• "'• Past. -~ .' . --· \! . By NEWELL J. · CA~MAN, Superf isor : ·, io~aL B< Election;,, .·· ·. ;: .c. " , .' SUPElR.V.ISOR TM report-. unfolded ~ below is -~one ::. of .genuine .· accorriplfshmerit : by the Officers and Members toward improvement ·oftoc~l :N·o. 3's - .. REPORTS -~ st~tti:i-e iii: the LabOr Movement and :the community. This same p~dod _has been one of difficulty _·::1\ . :.- ~a~:-:::·-~- ·t· .. _,;·_··;_··· o~/·.:··· a-- ···- e:· < ~_:: ·· a ·ctlle:-=- .l -.-i·. · ;FiNANCES: · .. for the--Laj)or ... _. :- .. ·. ~ __1, ...:- .~ ~. '·. /: u t' Movement: As a result of labor legislation, the day-to;.day £:unc :.ye · ~q~·t W:~rt,h~Op' ll , per tions of a. labor union . · · c;ent have been.. tremendously complicated .. This · . .· .. • · . · · report is one in which · -•Income Down ;.... .Protec:- the membership m<~y be· proud because . -tici'n ·.up,·. · · · withoqt .the~r sincere --cooperation and understanding from the maj~.r,:ity tb,e task could not h<~ up-.;-:Resul!:s.Up _ve •• . Mo•~ " t5~·. l'alliid ·: Nov.,• 2~ -.>•_Cost~ '. been·· · so suec~ssfully · acc'oni- ()n the ord~i: ~ of S_up~~vis.or New ,eli. '"J~ . C~rn~a:n.; a_cting unde;, di · . • Members: , Moriey~Safe plished. · · . , r.ectlon' Qf-Ge)l'eralPresidell,t Joseph JhD_elaney~ an'electlori of' ·cott~ctrve aA.fiG~INI;i\iG - . In spite. of the significant'" ad~ · fleers and -D1§tricf Executive ·J.3oard ·.Memb€rs .of Operating . · ··wage: Increases - 'More 'd'itional expenditures of 'the1' Lo giiie$rs :· LCic<U Union ·· N:o: 3 :will b.e li~la .:ne:xtrnonth . -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language. -
International Producer/Dj, Yultron & Multi-Platinum
INTERNATIONAL PRODUCER/DJ, YULTRON & MULTI-PLATINUM HIP-HOP ARTIST, JAY PARK RELEASE CROSSOVER EP, ON FIRE ON H1GHR MUSIC Featuring Lead Single, “West Coast” and Three New Tracks The Duo Unveil Music Video for Title Track, “On Fire” Download/Listen to Yultron x Jay Park On Fire EP HERE Watch “On Fire” Music Video HERE Download Album Artwork and Press Images HERE (Credit: H1GHR Music) AUGUST 30, 2019 (LOS ANGELES, CA) – International producer and DJ, Yultron, and multi- platinum hip-hop artist, Jay Park, today released their crossover EP On Fire, along with the music video for their track of the same name “On Fire,” on Park’s label, H1GHR Music. The collaboration mashes up the artists' worlds of dance and hip-hop, east and west, and ranges sonically from smooth pop, energetic dance drops, to hard hip-hop. The EP also includes appearances from emerging Korean artists Sik-K, PH-1, and Haon. “Jay and I have been friends for some time and we really vibe working together,” said Yultron. “All genres inspire me, so I was excited to work on this crossover EP that melds our worlds together. We were both creatively ‘on fire’ throughout the whole process.” “I like to explore new genres and Yultron is a good friend and very chill,” said Jay Park. “We set out to collab using influences of hip-hop, EDM, pop and K-pop. I love the range of the tracks we put out on this EP and its vibe.” Yultron and Jay Park’s kinship spans several years, starting with their first song "BO$$," which hit #1 on Korea's charts in 2015. -
History of Hot Springs National Park
... ~! I~;~~~~,~--,:;:~,-:~-~~·· D -13 k. !'.::-"'!, .,,j •',·'; I ; .• ' ' I ; ' \ ., ") .• >; • •'.. : .: . ., .. i!}: . ,cirHrSTORr C8 .BOT SPrttNOS NATIOOAL P~.RI . _........_. ---. ", ~· •'i · .•/.i::· ;~ ,. r·'> )• .. ' ,"t_ 7 ·1.orr~s:t·M. Beneosr'.and tcnald ·s. Libbey ··:>'.··~-. '.,,t··~' r ... ,\;; , ' -< '·.,, ..: :~:·,;r-;.. · <"'.< .;~~:f~1f::p 1ABL! ~:~TmTs './" 1• " ""-'.1, ~ \·~ > '- ,' :. /' ~ ~ , \' ; ; ' -- '-!. • ' Introduction .... •:••.• •• , •• ••.•·••••••••••••••••••••••••••• • • •.• • • l Aboriginal Ri•toZ'J'•,• •••••,~ ..... ~ •. •·• •.• • •••• • •••••• ~ •••••••••• •. • 3 . ' Coming ot The White Man •••••· ••••••• , •••. , •••••••••••••••••••••• 6 Louiaiana Territory Under Other Flags ••••••• ~................. 8 ~· . l ·.· Hote~, • .~a thhou.sea •••••••••••• •.. • ~ --~- .......................... lh ~ans-port4tion ••••••••• •.• •••••• • • .-~ • • •• •• •••••••••• • •••••••••• 21 // . ••• f!?indary ·St.a tus •••.••••••••••••• • • • • •. • •••• '! , ................. • • • .FedeNt1. 18st~trat1on Bonrd,._ ••• ••J •;• •••••• • ••••••••••• • ••• • •• •• 27 Legietitive History•• ~~ ••••••• •••.••••••••••••••*••••••••••••••• 32 I . -.... Appo~tive Off1ciais ~ Charge ••• •••.~ •••• " ............ •.•• •• •" liO Mincttllaneoua Important Dntes ••••· • ., •• ••••••• : •••••••••••• -~-•••• . ·"tfP Dibl1ogl"aphy•• • •••••••••• •:• •.• t'9 ....... • •-•. •. • •. • •• • ••• •. • ..... • • • • ~.-<-:-; . B& W Scans ~.. s~s·.zo0s- ON MICRORLM ATTENTION: Portions of this Scanned docu1nent are illegible due to the poor quality -
G R O S S E P O I N T E N E W S ♦ Ju N E 7 ,2 0 1 2
SUBSCRIBE NOW (313) 343-5578 Standard $14.50 OFF THE NEWSSTAND PRICE G rosse Pointe N ew s VOL. 73, NO. 23,38 PAGES TTINF7 2012 ONE DOLLAR (DELIVERY 7 One of America’s great community newspapers since 1940 GROSSE POINTE, MICHIGAN SAVE with the Grosse Pointe News! Graduation day Outages Liggett Scholar and Valedictorian Patrick Thomas addresses the crowd at University Liggett School’s Class of 2012 graduation cer irk emonies, held Sunday, June 3, at the Cook Road campus. resident By Brad lindberg Staffwriter GROSSE POINTE FARMS — Mike Thomas is tired of power week ahead outages. “It seems that every time it 3 4. 5 ft 7 8 9 gets 90 degrees or more, the PHOTOS BY RENEE LANDUYT power goes out,” said 10 11 12 13 14 -st; ■?£> Thomas, a homeowner on McMillan between Ridge and Charlevoix for nearly 20 THURSDAY, JUNE 7 years. ♦ Grosse Pointe North “It has come to light in the and South High School last two years that we have an jazz bands open the 25th infrastructure problem,” he annual Music on The said. Plaza free outdoor con In addition to flooding last cert series at 7 p.m. on summer, he said he’s had two The Village Festival Plaza, power failures this year. at the comer of Kercheval Outages are so common, and St. Clair, City of Thomas said he knows when Grosse Pointe. Attendees they’re coming. should bring a chair. “Just before it happens, I can look out my back window SATURDAY, JUNE 9 toward my neighbor’s house ♦ Dermatologist Shauna and hear the popping and see Ryder-Diggs, M.D. -
JAN'1fi?(?19I;V CLERH of COURT SUPREME COURT Ofon1p in the SUPREME COURT of OHIO
IN THE SUPREME COURT OF OHIO STATE OF OHIO, Appellee, Case No. 2001-1518 -vs- On Appeal from Montgomery County Common Pleas Case No. 00 CR 2945 LARRY JAMES GAPEN, THIS IS A DEATH PENALTY CASE Appellant. APPLICATION FOR REOPENING PURSUANT TO S.CT. PRAC.R. XI(6) William Lazarow - 0014625 Mathias H. Heck, Jr. 400 S. Fifth Street, Suite 301 Prosecuting Attorney Columbus, Ohio 43215-5430 (614) 228-9058 Kristen A. Brandt - 0070162 (614) 221-8601 (fax) Assistant Prosecuting Attorney Montgomery County Prosecutor's Office 301 West Third Street - 5u' Floor P.O. Box 972 Dayton, Ohio 45422 (937) 225-4117 COUNSEL FOR APPELLANT COUNSEL FOR APPELLEE JAN'1fi?(?19I;V CLERH oF COURT SUPREME COURT OFON1p IN THE SUPREME COURT OF OHIO STATE OF OHIO, Appellee, Case No. 2001-1518 -vs- On Appeal from Montgomery County Common Pleas Case No. 00 CR 2945 LARRY JAMES GAPEN, THIS IS A DEATH PENALTY CASE Appellant. APPLICATION FOR REOPENING PURSUANT TO S.CT. PRAC.R. XI(6) Now comes Larry James Gapen, by and through counsel, and moves this Court to reopen his direct appeal pursuant to Supreme Court of Ohio Rule of Practice XI(6) ("Rule X1(6)"). Under the familiar two-prong test delineated in Strickland v. Washington, 466 U.S. 668, 687 (1984), Gapen received constitutionally ineffective representation when his appellate counsels' performance fell far below the prevailing professional norms for appellate counsel in capital cases, and Gapen was prejudiced by counsels' failures. Critically, prior appellate counsel failed "to lifigate all issues, whether or not previously presented, that are arguably meritorious under the standards of applicable high quality capital defense representation...[and] to present issues in a manner that will preserve them for subsequent review." ABA Guidelines 10.15.1.C. -
The Republican Journal
The Republican Journal. 'll: APRIL 3. 1!I02. '_ BELFAST, MAINE, THURSDAY, NUMBER U. THE :.!s of To-Day’s Journal. BELFAST FIRE DEPARTMENT. W. E. Marsh—We don't want to increase the taxes. HIGH SCHOOL NOTES. EASTER SERVICES IN THE CHURCHES. THBtfJHURCHES. PERSONAL. PAGE 1. Finns Ex-Mayor L. F. McDonald—The Suggested for its lie-organization. depart Services to " K. \. .1 Bixby. Two of Rook- nient would be much more efficient after the usual appropriate Easter were held Interviews with Citizens on under School Monday, in the Subject. the and began in this last Rev. Fr. Charland of J. L. Colby arrived home from Haverhill Zephra Portsmouth, N. H proposed plan the extra expense weeks. city Sunday, with a good atten- Waterville will Tlu* Belfast Fire would be but spring vacation of two last Department. little. I ani in favor of it. dance at all the preach on “The of Christ” at Friday evening. !’< a 1 au W in. A. ‘Chief of churche.s Divinity St. Rotate... Isle Haut Town MacKenzie, Engineer J- W. Jones—If the can '’ thing he handled Francis mister to Young Women.. A loth The Baptist Christian Endeavor Catholic church next Sunday fore- Miss \ innie Vose of Calais is the Fire Department, has thoroughly in- right it should be done. Would like to Miss has the Society visiting her High school Notes.. Belfast pay Beulah Philbrook joined noon at 10 the the same amount I now for held a morning service at 7.30. The o’clock. sister. Mrs. G. S. Mills. | 'it—The Seliool Committee. -
The Transnational Distribution of East-Asian Popular Culture to Western Audiences by Internet Platforms
The transnational distribution of East-Asian popular culture to Western audiences by internet platforms Master thesis in Musicology Joram Bauwens Supervisor: Dr. O. Seibt Amsterdam, The Netherlands – August 15, 2017 3 Table of contents INTRODUCTION ……………………………………………………………………….. 4 PLATFORM ANALYSES ……………………………………………………………… 10 88Rising ………………………………………………………………………………….. 10 Overview of 88Rising …………………………………………………………….. 13 Intention and target audience ……………………………………………………... 14 Categorical content ……………………………………………………………….. 17 Analysis …………………………………………………………………………... 19 Synthesis ………………………………………………………………………….. 26 JaME / KoME ……………………………………………………………........................ 29 Overview of JaME / KoME ………………………………………………...…….. 29 Target audience and intention …………………………………………………….. 32 Categorical content ………………………………………………………………... 35 Analysis …………………………………………………………………………… 36 Synthesis …………………………………………………………………………... 43 HiphopKR ………………………………………………………………............................ 46 Overview of HiphopKR …………………………………………………………… 47 Target audience and intention……………………………………………………… 48 Categorical content ……………………………………………………………….... 49 Analysis ……………………………………………………………………………. 51 Synthesis ………………………………………………………………………….... 56 OVERALL SYNTHESIS AND DISCUSSION………………………………...……....... 58 CONCLUSION………………………………………………………………………….… 62 WORKS CITED…………………………………………………………………………... 65 3 4 Introduction Back in early 2015, a song called ‘It G Ma’ by South-Korean rapper Keith Ape appeared; a hard-hitting hip-hop song featuring five rappers (two Koreans, two Japanese -
Becoming-Black: Exploring Korean Hip-Hop in the Age of Hallyu
Situations 12.1 (2019): 23–46 ISSN: 2288–7822 Becoming-Black: Exploring Korean Hip-hop in the Age of Hallyu Kyung Hyun Kim (University of California, Irvine) Abstract This article examines the emergence of rap and hip-hop in contemporary South Korea. Drawing on Achille Mbembe’s idea of “becoming black,” it proceeds from the view of hip-hop as a worldwide phenomenon made possible by the fact that “blackness” has gained a “new fungibility” in the epoch of global capitalism. The essay explores the ways in which hip- hop performers in South Korea draw on their own experiences of social marginality in the ghetto-like world produced by unrelenting academic and economic competition to create their work. It also considers the ways in which the Korean language obliges rappers to experiment with its syntax and prosody in order to generate the rhymes and repetitions associated with the hip-hop genre. While rap in the South Korean context is often regarded as a successful adaptation of a foreign musical genre, in a manner that recalls the discovery and mastery of Western popular music by Korean musicians in the years following the Korean War, the essay also argues that the reception of hip-hop in the present reestablishes ties to premodern and pre-colonial practices of oral musical storytelling, such as p’ansori, that were neglected and overlooked during the period of modernization. Keywords: blackness, Critique of Black Reason, double consciousness, hip- hop, Korea 24 Kyung Hyun Kim In his recent book, Critique of Black Reason (2017), Achille Mbembe -
Media / Entertainment Content Is King
2018 Outlook | Media / Entertainment Content is king Jeong-yeob Park +822-3774-1652 [email protected] Analysts who prepared this report are registered as research analysts in Korea but not in any other jurisdiction, including the U.S. PLEASE SEE ANALYST CERTIFICATIONS AND IMPORTANT DISCLOSURES & DISCLAIMERS IN APPENDIX 1 AT THE END OF REPORT. Contents [Summary] Content is king 3 I. Broadcast content: Opening of global age 4 II. TV/digital ads: Focus on those with edge in digital ads 5 III. Film: Stabilizing at home and expanding overseas 6 IV. Entertainment agencies: New businesses create synergies with main businesses 7 V. Investment strategy and valuation VI. Top Picks & Stocks To Watch 8 (Top Picks) CJ E&M, SM Entertainment (Stocks To Watch) J Contentree, CJ CGV, YG Entertainment [Conclusion] Stock ratings and target prices 9 [Summary] Content is king Expansion of channels for broadcast content - New media: Regional expansion of global OTT services; Broadcast increasing likelihood of sales to China Companies that generate revenue from content - Conventional media: General programming channels and direct content sales: cable TV have increased time slots for dramas sales CJ E&M, J Contentree, IHQ, NEW Shift in content revenue growth driver (advertisement direct sales) Evolving into content production companies - Continued efforts to secure production staff (PDs, writers, etc.) Companies that have production staff and platform: Entertainment - Cross-shareholding investments between platform CJ E&M, YG Entertainment, SM Entertainment, -
How “Smart” Are K-Pop Fans: Can the Study of Emotional Intelligence of K-Pop Fans Increase Marketing Potential? Elizabeth Bland, Saint Leo University
ISSN: 2635-6619 (Online) Journal homepage: https://culturenempathy.org/ How “Smart” Are K-Pop Fans: Can the Study of Emotional Intelligence of K-Pop Fans Increase Marketing Potential? Elizabeth Bland, Saint Leo University To cite this article: Elizabeth Bland. 2019. “How ‘Smart’ Are K-Pop Fans: Can the Study of Emotional Intelligence of K-Pop Fans Increase Marketing Potential?” Culture and Empathy 2(2): 105-115. DOI: 10.32860/26356619/2019/2.2.0004 To link to this article: https://doi.org/10.32860/26356619/2019/2.2.0004. Published online: 30 Jun 2019. Submit your article to this journal Full Terms & Conditions of access and use can be found at https://culturenempathy.org/terms-and-conditions CULTURE AND EMPATHY Vol. 2, No. 2, pp. 105-115 https://doi.org/10.32860/26356619/2019/2.2.0004 How “Smart” Are K-Pop Fans: Can the Study of Emotional Intelligence of K-Pop Fans Increase Marketing Potential? Elizabeth Bland, Saint Leo University Abstract Emotional intelligence has been studied in conjunction with many topics since its conception in 1995; however, there is no research linking the concept to the marketing potential for any specific music ARTICLE HISTORY genre. Emotional intelligence involves the ability to recognize your Received 20 March 2019 emotions as they occur and regulate them accordingly, as well as the Revised 24 May 2019 ability to infer information about the emotions of those around you. Accepted 15 June 2019 K-pop is a music genre that has benefitted from globalization and business strategies that incorporate social media such as YouTube.