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God Is a Woman: Feminism As a Religion Protected Under the Free Exercise Clause of the First Amendment
American University Journal of Gender, Social Policy & the Law Volume 27 Issue 5 Symposium Edition Article 9 2019 God is a Woman: Feminism as a Religion Protected Under the Free Exercise Clause of the First Amendment Lalita Moskowitz American Civil Liberties Union of New Mexico Follow this and additional works at: https://digitalcommons.wcl.american.edu/jgspl Part of the First Amendment Commons, and the Law and Gender Commons Recommended Citation Moskowitz, Lalita (2019) "God is a Woman: Feminism as a Religion Protected Under the Free Exercise Clause of the First Amendment," American University Journal of Gender, Social Policy & the Law: Vol. 27 : Iss. 5 , Article 9. Available at: https://digitalcommons.wcl.american.edu/jgspl/vol27/iss5/9 This Symposium is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in American University Journal of Gender, Social Policy & the Law by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Moskowitz: God is a Woman: Feminism as a Religion Protected Under the Free E GOD IS A WOMAN: FEMINISM AS A RELIGION PROTECTED UNDER THE FREE EXERCISE CLAUSE OF THE FIRST AMENDMENT LALITA MOSKOWITZ* Introduction ...................................................................................... 224 I. Defining Religion .......................................................................... 227 A. The Seeger and Welsh Definition of Religion ................ 227 B. The Third Circuit’s Three-Factor Test for Recognizing Religion .......................................................................... 230 C. Non-Theistic and Non-Traditional Religions Recognized by Courts ........................................................................ 231 II. Defining Feminism...................................................................... -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Ariana Grande Full Album Download [FREE ALBUM] Download Ariana Grande Dangerous Woman Full Album 2016
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K-Pop in Latin America: Transcultural Fandom and Digital Mediation
International Journal of Communication 11(2017), 2250–2269 1932–8036/20170005 K-Pop in Latin America: Transcultural Fandom and Digital Mediation BENJAMIN HAN Concordia University Wisconsin, USA This article examines the transnational popularity of K-pop in Latin America. It argues K- pop as a subculture that transforms into transcultural fandom via digital mediation, further resulting in its accommodation into Latin American mass culture. The article further engages in a critical analysis of K-pop fan activism in Latin America to explore the transcultural dynamics of K-pop fandom. In doing so, the article provides a more holistic approach to the study of the Korean Wave in Latin America within the different “scapes” of globalization. Keywords: K-pop, fandom, Latin America, digital culture, Korean Wave The popularity of K-pop around the globe has garnered mass media publicity as Psy’s “Gangnam Style” reached number two on the Billboard Charts and became the most watched video on YouTube in 2012. Although newspapers, trade journals, and scholars have examined the growing transnational popularity of K-pop in East Asia, the reception and consumption of K-pop in Latin America have begun to receive serious scholarly consideration only in the last few years. Numerous reasons have been explicated for the international appeal and success of K-pop, but it also is important to understand that the transnational and transcultural fandom of K-pop cannot be confined solely to its metavisual aesthetics that creatively syncretize various genres of global popular music such as Black soul and J-pop. K-pop as hybrid music accentuated with powerful choreography is a form of visual spectacle but also promotes a particular kind of lifestyle represented by everyday modernity in which social mobility in the form of stardom becomes an important facet of the modernization process in Latin America. -
Leopold and Wolfgang Mozart's View of the World
Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World by Thomas McPharlin Ford B. Arts (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy European Studies – School of Humanities and Social Sciences University of Adelaide July 2010 i Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World. Preface vii Introduction 1 Chapter 1: Leopold Mozart, 1719–1756: The Making of an Enlightened Father 10 1.1: Leopold’s education. 11 1.2: Leopold’s model of education. 17 1.3: Leopold, Gellert, Gottsched and Günther. 24 1.4: Leopold and his Versuch. 32 Chapter 2: The Mozarts’ Taste: Leopold’s and Wolfgang’s aesthetic perception of their world. 39 2.1: Leopold’s and Wolfgang’s general aesthetic outlook. 40 2.2: Leopold and the aesthetics in his Versuch. 49 2.3: Leopold’s and Wolfgang’s musical aesthetics. 53 2.4: Leopold’s and Wolfgang’s opera aesthetics. 56 Chapter 3: Leopold and Wolfgang, 1756–1778: The education of a Wunderkind. 64 3.1: The Grand Tour. 65 3.2: Tour of Vienna. 82 3.3: Tour of Italy. 89 3.4: Leopold and Wolfgang on Wieland. 96 Chapter 4: Leopold and Wolfgang, 1778–1781: Sturm und Drang and the demise of the Mozarts’ relationship. 106 4.1: Wolfgang’s Paris journey without Leopold. 110 4.2: Maria Anna Mozart’s death. 122 4.3: Wolfgang’s relations with the Weber family. 129 4.4: Wolfgang’s break with Salzburg patronage. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
6821 Oleander Ave., Fontana, CA 92336
Volume IV Issue V April 2021 https://www.fusd.net/abmiller 6821 Oleander Ave., Fontana, CA 92336 Introduction by Michael Vedo With the vaccination rollout in California reaching unprecedented numbers, we are seeing our cases of COVID-19 plummet daily. On the twelfth of April, California’s vaccination population of those 16 years and older is 28 percent. With 29,034,050 doses being administered, nearly 50% of the population has had at least one dose of the vaccine. As a state, California has handled the efficiency of vaccine distribution better than some countries. In mid-April and as demographics of eligible groups continues to expand, the hope is that with those vaccinated, herd immunity will take hold and phase out the virus altogether. This means that our view of normalcy, inches closer and closer to restoration. This means it is time to return to in-person learning. But with all the excitement of our region heading into orange and yellow tiers, few have stopped to actually ask those that are most affected if they want to return to in-person learning this year: the students. It is almost a forgone conclusion that everyone wants to return at some point to the classroom before the year is over, but realistically, that is a falsified assumption. Some students have legitimate fears and concerns about in person learning, even if that means remaining in isolation for another few months before the start of next school year. Being that this is a student led publication, I felt it very important to allow those that matter most, the students, to voice their position on returning to in-person learning. -
God Is a Woman Deconstructed Excerpt from the Vocal Melody Analysis Section
God Is a Woman Deconstructed Excerpt from the Vocal Melody Analysis Section Ariana Grande’s God Is A Woman is the second single from her 2018 hit album, Sweetener. Co-written by Grande along with some of the biggest names in songwriting, including Max Martin, Ilya, Savan Kotecha and Rickard Goransson, God Is A Woman packs quite the musical punch and quickly became a favorite of listeners around the world. To date, the song has landed in the Top 10 on over 20 charts throughout the world, peaking at #1 in the US on the Billboard Dance Club Songs and Mainstream Top 40 charts. God Is A Woman is largely driven by its vocal melody and Ariana Grande’s signature vocal chops. The song features infectious hooks throughout, embellished by Grande’s effortless vocal runs and lush harmonies. Below you’ll find an excerpt from the Vocal Melody analysis section of the Hit Song Deconstructed report, God Is A Woman Deconstructed. © 2010-2019 Hit Songs Deconstructed, All Rights Reserved - 1 - Table of Contents (click to go to each section) Overview >> Verse 1 >> Pre-Chorus >> Chorus >> Key Form Abbreviations A=Verse | PC=Pre-Chorus | B=Chorus Vocal Melody Part Classifications Main melodic parts, such as upper-case A, B and C, reflect the main melodic structure of each line in a song section. Melodic sub parts, such as lower-case a, b, and c, reflect melodic structure both within and across lines. The vocal melody part classifications in each section are specific to that particular section and do not relate to other sections with the one exception being for the two verses. -
Multilingual Discourses Vol. 2.1-2. (Summer 2015) 62 Marine Gheno
62 Multilingual Discourses Vol. 2.1-2. (Summer 2015) Marine Gheno The FEMENist Connection: Ruptures and Agency in FEMEN France he logo adopted by FEMEN is the letter Ф, “F” in Cyrillic, hand- drawn to resemble a chest with two breasts (see fig. 1). The T group announces already with this iconography a desire to explore nudity as an activist practice. FEMEN activists are known (and famous) for inscribing the messages of their protest directly on their bare breasts and other parts of their bodies, thus claiming nudity as a way towards freedom through a “naked war” (fig. 2). The use of multiple languages on FEMEN’s demonstration signs in France, such as English and French, Arabic, Russian, Ukrainian and more depending on the topic (fig. 2), enables the group to draw a wider, and transnational, audience. FEMEN has been vocal in favor of abortion rights and gay marriage, in protest against the extreme-right party Front National, and the oppression of Muslim women by Islamism. The group claims to defend a universal and transnational new feminism promoting all women’s liberation using breasts as weapons. While successfully bringing women issues to the forefront of the mainstream media, their method is also criticized for embodying and reproducing Western standards of beauty as well as imposing Western Marine Gheno 63 neoliberal views of freedom on the non-Western other, namely Muslim women. Nudity as a form of activism is very powerful: “Because they disrupt sacrosanct dichotomies of public/private and visible/hidden, naked bodies constitute a uniquely explosive site of protest” (Eileraas 41). -
Selling Or Selling Out?: an Exploration of Popular Music in Advertising
Selling or Selling Out?: An Exploration of Popular Music in Advertising Kimberly Kim Submitted to the Department of Music of Amherst College in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors. Faculty Advisor: Professor Jason Robinson Faculty Readers: Professor Jenny Kallick Professor Jeffers Engelhardt Professor Klara Moricz 05 May 2011 Table of Contents Acknowledgments............................................................................................................... ii Chapter 1 – Towards an Understanding of Popular Music and Advertising .......................1 Chapter 2 – “I’d Like to Buy the World a Coke”: The Integration of Popular Music and Advertising.........................................................................................................................14 Chapter 3 – Maybe Not So Genuine Draft: Licensing as Authentication..........................33 Chapter 4 – Selling Out: Repercussions of Product Endorsements...................................46 Chapter 5 – “Hold It Against Me”: The Evolution of the Music Videos ..........................56 Chapter 6 – Cultivating a New Cultural Product: Thoughts on the Future of Popular Music and Advertising.......................................................................................................66 Works Cited .......................................................................................................................70 i Acknowledgments There are numerous people that have provided me with invaluable -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home