A German Requiem” Reconsidering Its Biblical, Historical, and Musical Contexts

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Brahms’s “A German Requiem” Reconsidering its Biblical, Historical, and Musical Contexts

R. Allen Lott

Supplements B, C, and D

Supplement B 2 Works Published before Ein deutsches Requiem with Subtitles including “nach Worten der heiligen Schrift” or Similar Phrase

Supplement C 5 Texts of Ein deutsches Requiem Previously Set by Other Composers

Supplement D Performances of Ein deutsches Requiem, 1867–82 (expanded version) 11 Bibliography 50 Index of Performances by City 54

Readers wishing to provide additional information for these supplements (especially regarding performances), please contact the author at [email protected].

Supplement B Works Published before Ein deutsches Requiem with Subtitles including “nach Worten der heiligen Schrift” or Similar Phrase1

Arranged chronologically by earliest printed version.

All are full scores or piano-vocal scores unless “libretto” is indicated.

Spohr, Louis. Die letzten Dinge: Oratorium nach Worten der heiligen Schrift. Bonn: Simrock, 1826.

Schneider, Friedrich. Christus der Meister: Oratorium in drei Abtheilung. Text nach Worten der heiligen Schrift. Berlin: Krause, 1829. [libretto]

Stolze, Heinrich Wilhelm. Der Tempel des Herrn: Kantate nach Worten der heil. Schrift. Leipzig: Breitkopf & Härtel, 1832.

Mendelssohn, Felix. Paulus: Oratorium nach Worten der heiligen Schrift. Bonn: Simrock, 1836.

Sobolewski, Eduard. Johannes der Täufer: Oratorium nach Worten der heiligen Schrift. Leipzig: Hofmeister, 1840.

Hiller, Ferdinand. Die Zerstörung Jerusalems: Oratorium nach der heiligen Schrift. Leipzig: Kistner, 1841.

Mendelssohn, Felix. Lobgesang: eine Symphonie-Cantate nach Worten der heiligen Schrift. Leipzig: Breitkopf & Härtel, 1841.

Sobolewski, Eduard. Der Erlöser: Oratorium nach Worten der heiligen Schrift. Leipzig: Hofmeister, 1841.

Hopfe, Julius. Protestantische Kirchenmusiken auf alle Feste des Jahres: nach Worten der heiligen Schrift. Eisleben: Reichardt, 1843.

Marx, Adolf Bernhard. Mose: Oratorium aus der heiligen Schrift. Leipzig: Breitkopf & Härtel, 1844.

1 Unless otherwise indicated, these works appear in OCLC’s WorldCat (accessed through www.firstsearch.oclc.org, primarily on June 4–6, 2013; now available at www.worldcat.org). In addition, another dozen works with similar subtitles were not published; see RISM A/II (http://opac.rism.info) and Martin Geck, Deutsche Oratorien, 1800 bis 1840: Verzeichnis der Quellen und Aufführungen (Wilhelmshaven: Heinrichshofen’s Verlag, 1971).

Reiter, Ernst. Das neue Paradies: Oratorium nach Worten der heiligen Schrift. Basel: Hunold, 1845.

Drobisch, Karl Ludwig. Charfreitag: Passionmusik nach Worten der heiligen Schrift. Leipzig: Hofmeister, 1846.

Neukomm, Sigismund Ritter von. Pfingstfeier: eine grosse geistliche Cantata aus der heiligen Schrift. Bonn: Simrock, 1846.

Mendelssohn, Felix. Elias: ein Oratorium nach Worten des alten Testaments. Bonn: Simrock, 1847.

Naumann, Emil. Christus, der Friedensbote: Oratorium nach Worten der heiligen Schrift. [Berlin: Schantze], 1848. [libretto]

Drobisch, Karl Ludwig. Pfingst-Cantate: nach Worten der heiligen Schrift. Leipzig: Hofmeister, 1850.

Hopfe, Julius. Die Auferweckung des Lazarus: Oratorium in zwei Abtheilungen nach Worten der heiligen Schrift. Berlin: Schantze, 1850. [libretto]

Meinardus, Ludwig. Simon Petrus: Geistliches Oratorium nach Worten der heiligen Schrfit. Bremen: Cranz, 1856.2

Reinthaler, Karl. Jephtha und seine Tochter: Oratorium nach dem alten Testament. Leipzig: Breitkopf & Härtel, 1857.

Mangold, Carl Amand. Abraham: Oratorium in 2 Abtheilungen nach Worten der heiligen Schrift. Winterthur: J. Rieter-Biedermann, 1859.

Erfurt, Carl. Der 104te Psalm nach den Worten der heil. Schrift frei bearbeitet. Hildesheim, 1860.

Küster, Hermann. Die ewige Heimath: Oratorium nach den Worten der heiligen Schrift und des Gesangbuches. Neu-Ruppin: Petrenz, 1860.

Möhring, Ferdinand. Sechs Motetten nach den Worten der heiligen Schrift. Neu-Ruppin: Petrenz, 1860.

Stein, Carl. Hochzeitskantate: nach Worten der heiligen Schrift. Potsdam: Riegel, 1860.

Meinardus, Ludwig. Gideon: Oratorium nach Worten d. heiligen Schrift. Bremen: Cranz, 1861.

2 Dieter Nolden, Ludwig Meinardus (1827–1896): Komponist, Musikschriftsteller, Chorleiter (Bielefeld: Bethel-Verlag, 2007), 131.

Molique, Bernhard. Abraham: Oratorium nach dem alten Testament. Leipzig: Breitkopf & Härtel, 1861.

Mangold, Carl Amand. Israel in der Wüste: Oratorium in drei Abtheilungen nach Worten der heiligen Schrift. Darmstadt: Richler, 1864. [libretto]

Meinardus, Ludwig. König Salomo: Dramatisches Oratorium nach Worten der heiligen Schrift. Bremen: Cranz, 1865.

Faisst, Immanuel. Cantate nach Worten der heiligen Schrift . . . zur 50 jährigen Jubelfeier des Catharinenstifts in Stuttgart (den 17. August 1868). Stuttgart: Zumsteeg, 1868.

Goldschmidt, Otto. Ruth: ein biblisches Idyll nach Worten der heiligen Schrift. Hamburg: Schuberth, 1868.

Supplement C Texts of Ein deutsches Requiem Previously Set by Other Composers1 (German-language texts only)

Movement I Selig sind, die da Leid tragen Matthew 5:4

Cornelius, Peter (1824–1874), Die Seligkeiten Liszt, Franz (1811–1886), Christus (movement 6, (1852) (paraphrase) 1859) Fröhlich, Friedrich Theodor (1803–1836) Methfessel, Ernst (1811–1886) Grell, Eduard (1800–1886) Reissmann, August (1825–1903) Kunzen, Adolph Carl (1720–1781) Schein, Johann Hermann (1586–1630)

Die mit Tränen säen Psalm 126:5–6

Agricola, Johann Friedrich (1720–1774) Homilius, Gottfried August (1714–1785) Bach, Johann Ludwig (1677–1731) Jaeschke, Christian David (1755–1827) Badenhaupt, Hermann (d. 1680) Kiel, Friedrich (1821–1885) Bergt, August (1771–1837) Kleinschmidt, Nicolaus Heinrich (1765–1831) Blüher, Johann August (1785–1839) Küster, Hermann (1817–1878), Die ewige Heimath Böhmer, Johann Gottlieb (1782–1843) (1860) Briegel, Wolfgang Carl (1626–1712) Markull, Friedrich Wilhelm (1816–1887), Das Bruining, Adam Heinrich (d. 1772) Gedächtnis der Entschlafenen (1855) Demelius, Christian (1643–1711) Michael, Samuel (ca. 1597–1632) Duntz, Georg Eberhard (1705–1775) Peter, Johann Friedrich (1746–1813) Erlebach, Philipp Heinrich (1657–1714) Rautenstein, Julius Ernst (ca. 1590-95–1654) Fasch, Carl Friedrich Christian (1736–1800) Rebling, Gustav (1821–1902) Fasch, Johann Friedrich (1688–1758) (v. 5) Richter, Ernst Friedrich (1808–1879) Franck, Melchior (ca. 1579–1639) Römhildt, Johann Theodor (1684–1756) Gambold, Johann (1760–1796) Rommel, F. (18th century) Geisler, Johann Christian (1729–1815) Schedlich, David (1607–1687) Geist, Christian (?1650–1711) Schein, Johann Hermann (1586–1630) Graupner, Christoph (1683–1760) Schicht, Johann Gottfried (1753–1823) Hammerschmidt, Andreas (1611/12–1675) Schmidt, Johann Christoph (1664–1728)

1 Compiled from a myriad of sources, including Grove Music Online, RISM A/I–II (http://opac.rism.info), OCLC’s WorldCat (www.worldcat.org), thematic catalogs, library catalogs, publishers’ catalogs, critical editions, bibliographies, biographies, and dissertations. No previous settings of James 5:7 and Ecclesiasticus 51:35 have been located. Metrical versions of the psalms are generally not included, although some settings may be slightly paraphrased. For nineteenth-century settings, composers born before Brahms are included whether the precise date of the work is known or not. Composers born after Brahms are only included when the work dates before the Requiem. When the text is part of a significantly larger work, that title is usually supplied.

Schütz, Heinrich (1585–1672) Telemann, Georg Philipp (1681–1767) Selich, Daniel (1581–1626) Trier, Johann (1716–1790) Selle, Thomas (1599–1663) Voullaire, Woldemar (1825–1902) Stölzel, Gottfried Heinrich (1690–1749) Weckmann, Matthias (?1616–1674) Tag, Christian Gotthilf (1735–1811)

Movement II Denn alles Fleisch ist wie Gras 1 Peter 1:24–25a

Fröhlich, Friedrich Theodor (1803–1836) Hössler, Carl Robert (1807–1855) Graupner, Christoph (1683–1760) Markull, Friedrich Wilhelm (1816–1887), Das Gregor, Christian Friedrich (1723–1801) Gedächtnis der Entschlafenen (1855) Häser, August Ferdinand (1779–1844) Reinthaler, Karl (1822–1896), Jephtha und seine Hiller, Johann Adam (1728–1804) Tochter (1855) (v. 25a)

[Alles Fleisch ist Heu] [Isaiah 40:6 (quoted in 1 Peter 1:24)]

Franck, Melchior (ca. 1579–1639) Haueisen, Wolfgang Nicolaus (1740–1804) Gessel, Johann Gottfried (1724–1793) Homilius, Gottfried August (1714–1785) Glaser, Johann Wendelin (1713–1783) Krieger, Johann Philipp (1649–1725) Gössel, Carl Friedrich (d. 1793) Telemann, Georg Philipp (1681–1767)

Die Erlöseten des Herrn werden wieder kommen Isaiah 35:10

Bach, Johann Ernst (1722–1777) Küster, Hermann (1817–1878), Die ewige Heimath Capricornus, Samuel Friedrich (1628–1665) (1860) Erlebach, Philipp Heinrich (1657–1714) Michael, Tobias (1592–1657) Franck, Melchior (ca. 1579–1639) Römhildt, Johann Theodor (1684–1756) Geisler, Johann Christian (1729–1815) Schmerbauch, Johann Nicolaus (17th/18th century) Jaeschke, Christian David (1755–1827) Spohr, Louis (1784–1859), Der Fall Babylons Kiesling, Balthasar (17th century) (1840) Krieger, Johann (1652–1735) Weber, Johann Gottfried (1739–1797) Krieger, Johann Philipp (1649–1725)

Movement III Herr, lehre mich doch Psalm 39:4–7

Briegel, Wolfgang Carl (1626–1712) Stölzel, Gottfried Heinrich (1690–1749) Grimm, Heinrich (1592/93–1637) (v. 7) Telemann, Georg Philipp (1681–1767) Homilius, Gottfried August (1714–1785) Wagener, Gregor (16th century) (vv. 4–5) Kieling, Johann Cyriacus (1670–1727) (v. 7) Wagner, Johann Konrad (b. 1706) Krieger, Johann Philipp (1649–1725) Weiland, Julius Johann (d. 1663)

Der Gerechten Seelen sind in Gottes Hand Wisdom of Solomon 3:1

Bamberg, Georg Philipp (1699–1767) Jacobi, Tobias (17th century) Beer, Johann (1655–1700) Michael, Tobias (1592–1657) Boxberg, Christian Ludwig (1670–1729) Österreich, Georg (1664–1735) Braun, August (d. 1713) Schmidt, Josef (1770–1828) Capricornus, Samuel Friedrich (1628–1665) Schütz, Heinrich (1585–1672), Musikalische Förster, Christoph (1693–1745) Exequien Freislich, Johann Balthasar Christian (1687– Schwemmer, Heinrich (1621–1696) 1764) Telemann, Georg Philipp (1681–1767) Hoepner, Stephan (ca. 1580–1628) Trümper, Michael (mid-17th century)

Movement IV Wie lieblich sind deine Wohnungen Psalm 84:1,2,4

Adam, Johann (ca. 1705–1779) Hilbrandt, Jacob Heinrich (1711–1776) Bach, Johann Michael (1648–1694) Hildebrand (17th century) Bach, Johann Sebastian (1685–1750), BWV 32 Hillmer, Gottlob Friedrich (1756–1835) (vv. 1–2, paraphrase) Hofmann (18th century) Böhm, Georg (1661–1733) Hüffel, Christian Gottlieb (1762–1842) Böhner, Johann Ludwig (1787–1860) Immler, Paul (1716–1777) Brandt, August (1825–1877) Jaeschke, Christian David (1755–1827) Briegel, Wolfgang Carl (1626–1712) Kiel, Friedrich (1821–1885) Bruhns, Friedrich Nicolaus (1637–1718) Klein, Bernhard (1793–1832) Doles, Johann Friedrich (1715–1797) Knall, Johann (d. 1794) Drobisch, Karl Ludwig (1803–1854) Krieger, Johann (1652–1735) Eberhardt, Karl Otto (1711–1757) Krieger, Johann Philipp (1649–1725) Erbe, Carl Emanuel (1801–1873) Kuntze, Carl (1817–1883) Erich, Nicolaus (1588–1631) Leutheusser, Johann Nikolaus (1836–1900) Erlebach, Philipp Heinrich (1657–1714) Liebau, Friedrich Wilhelm (1802–1843) Faisst, Immanuel (1823–1894) Liebe, Christian (1654–1708) Geisler, Johann Christian (1729–1815) Liebhold (d. 1729) Gerstenbüttel, Joachim (1647–1721) Liebling, Friedrich Carl (1809–1879) Glaser, Johann Wendelin (1713–1783) Löber, Johann Ernst (17th century) Graupner, Christoph (1683–1760) Mayer, Martin (d. 1712) Gregor, Christian Friedrich (1723–1801) Meinardus, Ludwig (1827–1896), König Salomo Grell, Eduard (1800–1886) (1865) Hammerschmidt, Andreas (1611/12–1675) Merkel, Gustav Adolf (1827–1885) Hartmann, Heinrich (ca. 1580–1616) Mettner, Karl (1820–1892) Haueisen, Wolfgang Nicolaus (1740–1804) Mölich, Gabriel (17th century) Hauptmann, Moritz (1792–1868) Neukomm, Sigismund Ritter von (1778–1858), Helder, Bartholomäus (ca. 1585–1635) Das Gesetz des alten Bundes (1832) Hellstroem, Georg Friedrich (1825–after 1870) Nicolai, Otto (1810–1849) Hemmel, Sigmund (d. 1564) Niedt, Nicolaus (d. 1700) Hertel, Johann Wilhelm (1727–1789) Polder, Martin (18th century) Hickmann, Esaia (1638–1691) Pröbster, Johann Heinrich (b. 1775)

Rheinberger, Joseph (1839–1901) Schneider, Friedrich (1786–1853) Richter, Ernst Friedrich (1808–1879) Schön, Salomon (1593–1633) Richter, Johann Sigismund (1657–1719) Schulz, Ferdinand (1821–1897) Ritter, Christian (1645/50–after 1717) Schütz, Heinrich (1585–1672) Ritter, Karl Rudolph Heinrich (fl. 1750–1800) Seidel, Samuel (ca. 1610–1665) Rohde, Eduard (1828–1883) Stade, Wilhelm (1817–1902) Römhildt, Johann Theodor (1684–1756) Stein, Karl (1824–1902) Rosenmüller, Johann (ca. 1619–1684) Steinhäuser, Karl (1823–1903) Rosthius, Nicolaus (ca. 1542–1622) Stoltzenberg, Christoph (1690–1764) Rust, Wilhelm (1822–1892) Stölzel, Gottfried Heinrich (1690–1749) Schaab, Robert (1817–1887) Tag, Christian Gotthilf (1735–1811) Schaeffer, Paul (fl. 1617–1645) Telemann, Georg Philipp (1681–1767) Schein, Johann Hermann (1586–1630) Thieme, Clemens (1631–1668) Schelle, Johann (1648–1701) Witt, Theodor de (1823–1855) Schicht, Johann Gottfried (1753–1823)

Movement V Ihr habt nun Traurigkeit John 16:22

Ahle, Johann Rudolph (1625–1673) (v. 22b) Herrmann, Christian Friedrich (1780–1850) (v. Elsbeth, Thomas (?mid-16th century–after 1624) 22b) (v. 22b) Küster, Hermann (1817–1878), Die ewige Heimath Erlebach, Philipp Heinrich (1657–1714) (v. 22b) (1860) Gebel, Georg (1709–1753) Röllig, Johann Georg (1710–1790) (v. 22b) Geisler, Johann Christian (1729–1815) (v. 22b) Rowaldt, Johann Jacob (1718–1775) Graupner, Christoph (1683–1760) Telemann, Georg Philipp (1681–1767) (v. 22b) Gregor, Christian Friedrich (1723–1801) (v. 22b) Vierling, Johann Gottfried (1750–1813) Haueisen, Wolfgang Nicolaus (1740–1804)

Ich will euch trösten, wie einen seine Mutter tröstet Isaiah 66:13a

Fasch, Johann Friedrich (1688–1758) Römhildt, Johann Theodor (1684–1756) Gerlach, Johann Christian (18th century) Simon, Johann Caspar (1701–1776) Glaser, Johann Wendelin (1713–1783) Stölzel, Gottfried Heinrich (1690–1749) Knüpfer, Sebastian (1633–1676)

Movement VI Denn wir haben hie keine bleibende Statt Hebrews 13:14

Briegel, Wolfgang Carl (1626–1712) Stölzel, Gottfried Heinrich (1690–1749) Fasch, Johann Friedrich (1688–1758) Tag, Christian Gotthilf (1735–1811) Rödiger, Johann Christoph (1704–1765) Telemann, Georg Philipp (1681–1767) Römhildt, Johann Theodor (1684–1756)

Siehe, ich sage euch ein Geheimnis / Wir werden nicht alle entschlafen 1 Corinthians 15:51–52

Handel, George Frideric (1685–1759), Messiah

Der Tod ist verschlungen in den Sieg 1 Corinthians 15:54b–55

Bach, C. P. E. (1714–1788), Die Auferstehung Krebs, Johann Gottfried (1741–1814) und Himmelfahrt Jesu (v. 55) Krieger, Johann Philipp (1649–1725) Benda, Georg (1722–1795) Kuhnau, Johann (1660–1722) Bergt, August (1771–1837) Levini, Giovanni/Johann (17th/18th century) Briegel, Wolfgang Carl (1626–1712) Musculus, Balthasar (?ca. 1540–?1595-97) Buel, Christoph (1574–1631) Ranko (18th century) Dedekind, Constantin Christian (1628–1715) Reichard, Johann Georg (1710–1782) (v. 55) Drobisch, Johann Friedrich (1723–1762) Reiter, Ernst (1814–1875), Das neue Paradies Eccard, Johannes (1553–1611) (v. 55) (1845) (v. 55) Engel, David Hermann (1816–1877) Roellig, Johann Christian (1716–ca. 1780) Fasch, Johann Friedrich (1688–1758) (v. 55) Rolle, Johann Heinrich (1716–1785) Fehre, Christoph Ludwig (1718–1772) Röllig, Johann Georg (1710–1790) Foersler (fl. 1790–1810) Roscius, Albert Friedrich (1638–1692) Franck, Melchior (ca. 1579–1639) (v. 55) Scheibe, Johann Adolf (1708–1776) Freislich, Johann Balthasar Christian (1687– Scheidt, Samuel (1587–1654) 1764) Schneider, Friedrich (1786–1853) Geere (18th century) Schröter, Johann Christoph (early 18th century) Graupner, Christoph (1683–1760) Schulze, Christian Andreas (ca. 1660–1699) Gregor, Christian Friedrich (1723–1801) (v. 55) Steinmann, Christoph (17th century) Hammerschmidt, Andreas (1611/12–1675) Stohr, Johann (17th century) Handel, George Frideric (1685–1759), Messiah Telemann, Georg Philipp (1681–1767) Hanff, Johann Nicolaus (1665–1711/12) (v. 54b) Vierling, Johann Gottfried (1750–1813) Herbst, Johannes Andreas (1588–1666) Weckmann, Jacob (1643–1680) Holland, Jan Dawid (1746–1827) Weckmann, Matthias (?1616–1674) Hössler, Carl Robert (1807–1855) Weiske, Johann Gottfried (1745–1806) Kegel, Emanuel (1654–1724) Wolf, Ernst Wilhelm (1735–1792) Köler, Martin (ca. 1620–1703/4) Zachow, Friedrich Wilhelm (1663–1712) (v. 55) Krause, Christian Gottfried (1719–1770)

Herr, du bist würdig Revelation 4:11

Sechter, Simon (1788–1867), Die Offenbarung Johannis (1845)

Movement VII Selig sind die Toten Revelation 14:13

Ahle, Johann Rudolph (1625–1673) Kotzolt, Heinrich (1814–1881) Bach, August Wilhelm (1796–1869) Krieger, Johann Philipp (1649–1725) Bach, Johann Sebastian (1685–1750), BWV 60 Krüger, J. (19th century) (v. 13a) Kuhnau, Johann (1660–1722) Bamberg, Georg Philipp (1699–1767) Kuntze, Carl (1817–1883) Beutler, Johann Georg Bernhard (ca. 1782–ca. Küster, Hermann (1817–1878), Die ewige Heimath 1814) (1860) Blüher, Johann August (1785–1839) Liebhold (d. 1729) Blumner, Martin (1827–1901) Liebling, Friedrich Carl (1809–1879) Brähmig, Bernhard (1822–1872) Markull, Friedrich Wilhelm (1816–1887), Das Brandt, August (1825–1877) Gedächtnis der Entschlafenen (1855) Breidenstein, Heinrich Carl (1796–1876) Michael, Tobias (1592–1657) Briegel, Wolfgang Carl (1626–1712) Möhring, Ferdinand (1816–1887) Commer, Franz (1813–1887) Naumann, Johann Gottlieb (1741–1801) Contius, J. Christ. (ca. 1714–1776) Neukomm, Sigismund Ritter von (1778–1858) Drese, Adam (ca. 1620–1701) Österreich, Georg (1664–1735) Duntz, Georg Eberhard (1705–1775) Ritter, August Gottfried (1811–1885) Einicke, Georg Friedrich (1710–1770) Rohde, Eduard (1828–1883) Engel, David Hermann (1816–1877) Rolle, Johann Heinrich (1716–1785) Engeling, Johann Christian (late 18th century) Römhildt, Johann Theodor (1684–1756) Fasch, Carl Friedrich Christian (1736–1800) Rungenhagen, Karl Friedrich (1778–1851) Fasch, Johann Friedrich (1688–1758) Sauerbrey, Johann Gottlob (18th century) Fischer, August Gottlob (1766–1822) Scheidt, Gottfried (1593–1661) Förtsch, Johann Philipp (1652–1732) Scheiffelhut, Jacob (1647–1709) Freislich, Johann Balthasar Christian (1687– Schneider, Friedrich (1786–1853), Die Todtenfeier 1764) (1821) (paraphrase) Fröhlich, Friedrich Theodor (1803–1836) Schütz, Heinrich (1585–1672) Gastorius, Severus (1646–1682) Sechter, Simon (1788–1867), Die Offenbarung Gebel, Georg (1709–1753) Johannis (1845) Geisler, Johann Christian (1729–1815) Spohr, Louis (1784–1859), Die letzten Dinge Glaser, Johann Wendelin (1713–1783) (1826) Glauning, Friedrich (1810–1882) Stiehl, Heinrich (1829–1886) Gleich, Andreas (d. 1693) Stölzel, Gottfried Heinrich (1690–1749) Graupner, Christoph (1683–1760) Tag, Christian Gotthilf (1735–1811) Gregor, Christian Friedrich (1723–1801) Telemann, Georg Philipp (1681–1767) Grell, Eduard (1800–1886) Ungelenk, Heinrich Konrad (18th century) Grimm, Johann Daniel (1719–1760) Vierling, Johann Gottfried (1750–1813) Hellstroem, Georg Friedrich (1825–after 1870) Vogt, Johann (1823–1888), Die Auferweckung des Herbst, Johannes (1735–1812) Lazarus (1863) Hilbrandt, Jacob Heinrich (1711–1776) Volland, Johann Wilhelm (1774–1841) Homilius, Gottfried August (1714–1785) Voullaire, Woldemar (1825–1902) Jacobi, Tobias (17th century) Wagner (18th century) Jahn, Martin (ca. 1620–ca. 1682) Weber, Bernhard Anselm (1764–1821) Kähler, Moritz Friedrich August (1781–1834) Weber, Johann Gottfried (1739–1797) Kellner, Johann Christoph (1736–1803) Witt, Christian Friedrich (1665–1717) Kirnberger, Johann Philipp (1721–1783) Wolff (18th century) Kleinschmidt, Nicolaus Heinrich (1765–1831) Zachow, Friedrich Wilhelm (1663–1712) 11

Supplement D Performances of Ein deutsches Requiem, 1867–82

The following compilation lists public performances of Ein deutsches Requiem that included at least three movements from the work; the first private London performance is also listed because of its significance. Cities in which two movements were performed in one concert include Kassel (1870), Milan (1878), Milwaukee (1875), Moscow (1875), Pirna (1877), and Ronneburg (1873). Cities that heard only one movement or one movement at a time include High Wycombe, Kaiserslautern, Lippstadt, and Ripon. Cities listed below that also heard individual movements at other times include Altenburg, Barmen, Basel, Bielefeld, Bremen, Chemnitz, Cincinnati, Cologne, Dortmund, Essen, Giessen, Graz, Kassel, Leipzig, Prague, and Quedlinburg. Such occurrences are surely underreported. Here are the guidelines for the compilation: • Cities in German-speaking areas are generally identified by their German name at the time of the performance; current names appear in parentheses. Standard anglicized titles for larger cities are generally used (e.g., Cologne, Munich, Vienna). • When a specific date for a performance is not supplied in the sources consulted here, only the year is given, and the performance appears either at the beginning of the year in which it occurred or, if the information is from a review, in chronological order according to the date of the review. • Venues are provided when known. • When Brahms is listed as the conductor, he generally conducted only the Requiem. • The Requiem was performed in English and French translations where suitable, with the French version used in Belgium. The private London performance occurred before the English translation was published, so it was most likely in German. Dutch performances were in German. • Additional repertoire is listed when known, though brief notices may have omitted such information. The sequence of works reflects reviews, which may be the same as concert order, but there is no guarantee. 12

• Sources are listed in this order: extant programs (although these have not been searched for exhaustively), books and articles alphabetically by author, local newspapers alphabetically by title, and periodicals alphabetically by title. Brahms’s early biographer Max Kalbeck lists eighty-five performances through 1876, frequently only supplying the city and year.1 Two of those entries are duplicates, and seven are performances of only one or two movements and thus not included below. Kalbeck indicates liturgical feasts, such as Good Friday, for six performances, but does not include them for twenty-four others. Kalbeck is cited below only when he provides information not available from the sources consulted here. Angelika Horstmann’s frequently referenced compilation includes sixty performances through 1880.2 Her goal was to survey the critical reception of Brahms’s works, and so she did not list performances without substantive reviews; thus, her groundbreaking work was not meant to provide an exhaustive list of performances. Horstmann is cited below only when she provides information not available from the sources consulted here.

Abbreviations

AmZ Allgemeine musikalische Zeitung BB Brahms Briefwechsel B-I Brahms-Institut an der Musikhochschule Lübeck (www.brahms-institut.de) Caecilia Caecilia: algemeen muzikaal tijdschrift van Nederland MC Musikalisches Centralblatt MMR The Monthly Musical Record MT The Musical Times MW Musikalisches Wochenblatt NBM Neue Berliner Musikzeitung NZfM Neue Zeitschrift für Musik Signale Signale für die musikalische Welt

1 Kalbeck, Brahms, 2:284–86. 2 Horstmann, Untersuchungen zur Brahms-Rezeption der Jahre 1860–1880, 154–57, 369–73. 13

1867

Vienna, December 1, 1867, Großer Redouten-Saal Singverein der Gesellschaft der Musikfreunde; Johann Herbeck, cond. Ein deutsches Requiem: 1–3; Schubert, Music from Rosamunde Program: B-I; Sandberger, ed., 48. Neue freie Presse, Dec. 3, 1867 (trans. in Hanslick, “Discovering Brahms,” 224–26); Die Presse, Dec. 4, 1867; Wiener Zeitung, Dec. 4, 1867; AmZ 2, no. 50 (Dec. 11, 1867): 403, no. 51 (Dec. 18, 1867): 408–9, AmZ 3, no. 1 (Jan. 1, 1868): 7; The Musical World 46, no. 2 (Jan. 11, 1868): 20; NBM 21, no. 50 (Dec. 11, 1867): 399; NZfM 64, no. 12 (March 13, 1868): 101–2; Signale 25, no. 51 (Dec. 6, 1867): 1017.

1868

Bremen, April 10, 1868, St. Petri Domkirche (Good Friday) (Brahms conducting) For the benefit of the widows and orphans of musicians Singakademie; Karl Reinthaler, cond. Ein deutsches Requiem: 1–3; Bach, Violin Concerto in A minor: Andante; Tartini, Andante for Violin in F major; Schumann, Abendlied, op. 85, no. 12 (arr. violin and organ); Ein deutsches Requiem: 4, 6–7; Bach, St. Matthew Passion: Erbarme dich; Handel, Messiah: Seht, das ist Gottes Lamm / Ich weiß, daß mein Erlöser lebet / Hallelujah! Program: B-I. Blum, 55–65; Hofmann and Hofmann, 109–10; AmZ 3, no. 19 (May 6, 1868): 147–49, no. 20 (May 13, 1868): 159; MT 13 (June 1, 1868): 424; NBM 22, no. 18 (April 29, 1868): 143– 44, no. 23 (June 3, 1868): 183; NZfM 64, no. 18 (April 24, 1868): 158; The Orchestra 10 (May 9, 1868): 103; Signale 26, no. 24 (April 17, 1868): 454, no. 26 (May 1, 1868): 511.

Bremen, April 28, 1868, Großer Saal der Union Benefit for the widows of musicians and the relief fund Singakademie; Karl Reinthaler, cond. Beethoven, Symphony No. 7; Weber, Der Freischütz: Wie nahte mir der Schlummer; Ein deutsches Requiem: 1-4, 6-7 Blum, 66–73; AmZ 3, no. 20 (May 13, 1868): 159; NBM 22, no. 23 (June 3, 1868): 183; Signale 26, no. 28 (May 15, 1868): 548.

1869

Cologne, February 16, 1869, Gürzenich-Saale Gürzenichconcert; Ferdinand Hiller, cond. Cherubini, Der Wasserträger: Overture; Mendelssohn, Violin Concerto; Ein deutsches Requiem: 1, 2, 4, 6; Max Bruch, Symphony No. 1 Le Ménestrel 36, no. 12 (Feb. 24, 1869): 94; The Musical World 47, no. 9 (Feb. 27, 1869): 133; NBM 23, no. 8 (Feb. 24, 1869): 63, no. 9 (March 3, 1869): 67–68; Signale 27, no. 17 (Feb. 15, 1869): 270, no. 19 (Feb. 22, 1869): 295–96: Süddeutsche Musik-Zeitung 18, no. 13 (March 29, 1869): 50; Die Tonhalle 2, no. 9 (Feb. 22, 1869): 141.

Leipzig, February 18, 1869, Gewandhaus 1st complete performance of seven-movement work Gewandhaus orchestra and chorus; Carl Reinecke, cond. Niels Gade, Im Hochland (In the Highlands); Max Bruch, Schön Ellen; Mozart, Masonic Funeral Music; Ein deutsches Requiem Forner, 55–59; AmZ 4, no. 11 (March 17, 1869): 85–86, no. 14 (April 7, 1869): 109; NBM 23, no. 8 (Feb. 24, 1869): 63; NZfM 65, no. 9 (Feb. 26, 1869): 73–75; Signale 27, no. 19 (Feb. 22, 1869): 293–94, 301; Die Tonhalle 2, no. 9 (Feb. 22, 1869): 138.

Basel, February 27, 1869, St. Martinskirche Gesangverein; Ernst Reiter, cond. Ehrismann, 182–83; Festschrift zur Feier des . . . Basler Gesangvereins, 37; AmZ 4, no. 10 (March 10, 1869): 79; NBM 23, no. 12 (March 24, 1869): 101; Signale 27, no. 23 (March 8, 1869): 363, no. 24 (March 11, 1869): 376.

Karlsruhe, March 9, 1869, Großer Museums-Saal Philharmonische Verein; Hofcapelle; Hermann Levi, cond. Haas (1983), 65–68; Haas (2012), 86; Häfner, 168–70; AmZ 4, no. 14 (April 7, 1869): 110–11; NBM 23, no. 19 (May 12, 1869): 158; Signale 27, no. 25 (March 15, 1869): 394, 396, no. 36 (May 20, 1869): 570.

Münster, March 18, 1869 Musikverein; Julius Otto Grimm, cond. Ein deutsches Requiem; Beethoven, Symphony No. 5 BB, 4:115–16; Werra, 380–84, 389; AmZ 4, no. 14 (April 7, 1869): 111.

Hamburg, March 23, 1869, Michaeliskirche (Tuesday of Holy Week) Benefit for the children’s hospital of the woman’s association for the care of the poor and sick Singakademie; Julius von Bernuth, cond. Bach, Bleib bei uns, denn es will Abend werden; Ein deutsches Requiem Feldtmann, 31–38; Hamburg Nachrichten, March 25, 1869; AmZ 4, no. 13 (March 31, 1869): 103; Signale 27, no. 28 (March 25, 1869): 446, no. 30 (April 8, 1869): 469–70.

Basel, March 24, 1869, Martinskirche (Wednesday of Holy Week) Gesangverein; Ernst Reiter, cond. Festschrift zur Feier des . . . Basler Gesangvereins, 37; AmZ 4, no. 25 (June 23, 1869): 199; Signale 27, no. 29 (April 1, 1869): 461.

Weimar, March 25, 1869, Schlosskapelle (Maundy Thursday) Singakademie; Carl Müller-Hartung, cond. NZfM 65, no. 22 (May 28, 1869): 184.

Dessau, March 26, 1869, Johanniskirche (Good Friday) Eduard Thiele, cond. NZfM 65, no. 11 (March 12, 1869): 95; Signale 27, no. 27 (March 22, 1869): 426.

Zurich, March 26, 1869, Tonhallensaal (Good Friday) Gemischte Chor; Tonhallekapelle; Friedrich Hegar, cond. Beethoven, Symphony No. 3: 2nd movement; Ein deutsches Requiem Program: Musikabteilung, Zentralbibliothek Zürich. Ehrismann, 182–85; AmZ 4, no. 15 (April 14, 1869): 119; NBM 23, no. 19 (May 12, 1869): 158– 59; Signale 27, no. 32 (April 22, 1869): 503.

Weimar, March 28, 1869, Stadtkirche (Easter) Singakademie; Carl Müller-Hartung, cond. Ein deutsches Requiem: excerpts NZfM 65, no. 22 (May 28, 1869): 184.

Zurich, March 28, 1869 (Easter) Benefit for the chapel’s disability fund Gemischte Chor; Tonhallekapelle; Friedrich Hegar, cond. Beethoven, Symphony No. 3: 2nd movement; Ein deutsches Requiem Ehrismann, 182–85; AmZ 4, no. 15 (April 14, 1869): 119; Signale 27, no. 32 (April 22, 1869): 503.

Karlsruhe, May 12, 1869, Großer Museums-Saal (Brahms conducting) Philharmonische Verein; Hofcapelle; Hermann Levi, cond. Haas (1983), 65–68 (with program); Haas (2012), 87; Häfner, 168–70; Hofmann and Hofmann, 121; Signale 27, no. 36 (May 20, 1869): 570, 572.

Dessau, June 4, 1869 NZfM 65, no. 26 (June 25, 1869): 216.

Dessau, June 13, 1869 NZfM 65, no. 26 (June 25, 1869): 216.

Chemnitz, September 17, 1869, St. Jacobikirche Singakademie; St. Jacobikirchen Chor; Theodor Schneider, cond. Festschrift zur . . . Singakademie zu Chemnitz, 30; Signale 27, no. 49 (Sept. 27, 1869): 776.

Chemnitz, September 19, 1869, St. Jacobikirche Singakademie; St. Jacobikirchen Chor; Theodor Schneider, cond. Festschrift zur . . . Singakademie zu Chemnitz, 30; Signale 27, no. 49 (Sept. 27, 1869): 776.

Koblenz, November 3, 1869 Kalbeck, 2:284.

Barmen (Wuppertal), November 13, 1869 Singverein; Hermann Schorstein, cond. Julius Rietz, Concert Overture; Mendelssohn, Violin Concerto; Ein deutsches Requiem: 4 movements; Beethoven, Symphony No. 3 NZfM 65, no. 47 (Nov. 19, 1869): 401; Signale 27, no. 62 (Nov. 15, 1869): 988.

Jena, November 21, 1869 (Todtenfest) Akademische Gesangverein; Ernst Naumann, cond. Bach, Ach wie flüchtig, ach wie nichtig; Alessandro Stradella, orch. Pauer, soprano aria; Handel (spurious), St. John Passion: bass aria; Ein deutsches Requiem MW 1, no. 1 (Jan. 1, 1870): 14, no. 2 (Jan. 7, 1870): 28; NBM 23, no. 48 (Dec. 1, 1869): 396; NZfM 65, no. 48 (Nov. 26, 1869): 412; Signale 27, no. 69 (Dec. 13, 1869): 1099.

Magdeburg, November 21, 1869, Johanniskirche (Todtenfest) Kirchengesangverein; Gustav Rebling, cond. MW 1, no. 1 (Jan. 1, 1870): 12, 14; NBM 23, no. 48 (Dec. 1, 1869): 395–96; NZfM 65, no. 52 (Dec. 24, 1869): 455.

Hainichen, December 13, 1869 In honor of the 100th anniversary of the death of the poet Christian Gellert, born in Hainichen Benefit for the Gellert-Haus and the Gellert-Stiftung Performers from Chemnitz: Singakademie; St. Jacobikirchen Chor; Stadtmusikcorps; Theodor Schneider, cond. Festschrift zur . . . Singakademie zu Chemnitz, 30; Illustrirte Zeitung, Dec. 18, 1869; MW 1, no. 2 (Jan. 7, 1870): 31; NZfM 66, no. 1 (Jan. 1, 1870): 11.

1870

Koblenz, March 29, 1870 Musikinstitut; Rafael Maszkowski, cond. Beethoven, Leonore Overture No. 3; Spohr, Jessonda: Als in mitternächtiger Stunde; Ein deutsches Requiem: 1, 5, 2; Schubert, Symphony in C MW 1, no. 16 (April 15, 1870): 255; NBM 24, no. 14 (April 6, 1870): 111; Die Tonhalle 3, no. 15 (April 4, 1870): 239.

Krefeld, April 14, 1870 (Maundy Thursday) Singverein; Hermann Wolff, cond. Müller-Reuter, 36.

Darmstadt, April 15, 1870 (Good Friday) Musikverein; Carl Amand Mangold, cond. Voltz, 20.

Aachen, May 1, 1870 Städtische Gesangverein; Ferdinand Breunung, cond. Gluck, Iphigenia in Aulis: Overture; Ein deutsches Requiem: 1–2; Méhul, Joseph: tenor aria; Ein deutsches Requiem: 3–4; Schumann, Lied (soprano); Ferdinand Breunung, Lied (soprano); Beethoven, Christus am Oelberge MW 1, no. 22 (May 27, 1870): 351; NBM 24, no. 19 (May 11, 1870): 151; NZfM 66, no. 20 (May 13, 1870): 194; Signale 28, no. 30 (May 26, 1870): 476.

Pest, 1870, Seminarkirche Carl Reinecke, Zwei geistliche Gesänge, op. 96; Ein deutsches Requiem; Liszt, Pater noster NZfM 66, no. 24 (June 10, 1870): 230.

Cologne, November 10, 1870, Gürzenich-Saale Musical memorial for those fallen in battle; Benefit for the National Disability Foundation Gürzenichconcert; Friedrich Gernsheim, cond. Mozart, Masonic Funeral Music; Mendelssohn, St. Paul: Gott, sei mir gnädig; Ein deutsches Requiem AmZ 5, no. 47 (Nov. 23, 1870): 374–75, no. 48 (Nov. 30, 1870): 383; MW 1, no. 47 (Nov. 17, 1870): 751, no. 48 (Nov. 25, 1870): 764; NBM 24, no. 50 (Dec. 12, 1870): 402, NBM 25, no. 1 (Jan. 4, 1871): 5; NZfM 66, no. 40 (Sept. 30, 1870): 361, no. 49 (Dec. 2, 1870): 454; Signale 28, no. 49 (Nov. 1, 1870): 775, no. 51 (Nov. 15, 1870): 812, no. 54 (Nov. 28, 1870): 853; Die Tonhalle 3, no. 45 (Nov. 9, 1870): 721.

Dresden, November 18, 1870, Kreuzkirche (Busstag) Memorial for fallen soldiers and in support of their widows and orphans Singakademie; Stadtmusikcorps; Christian Robert Pfretzschner, cond. Bach, St. John Passion: Ach Herr, laß dein lieb’ Engelein; Ein deutsches Requiem MW 1, no. 48 (Nov. 25, 1870): 760–61, 767; NBM 24, no. 49 (Dec. 7, 1870): 389; NZfM 66, no. 52 (Dec. 23, 1870): 485; Signale 28, no. 49 (Nov. 1, 1870): 775; Die Tonhalle 3, no. 45 (Nov. 9, 1870): 716, no. 47 (Nov. 23, 1870): 743.

Oldenburg, December 9, 1870 Memorial for the fallen warriors Singverein; Albert Dietrich, cond. Ein deutsches Requiem: 1, 2, 4, 5, 7 Horstmann, 155; AmZ 5, no. 52 (Dec. 28, 1870): 414–15; MW 1, no. 51 (Dec. 16, 1870): 817, 818, no. 52 (Dec. 23, 1870): 839; NBM 24, no. 50 (Dec. 12, 1870): 402; NZfM 66, no. 52 (Dec. 23, 1870): 489; Signale 29, no. 1 (Jan. 1871): 12.

1871

Vienna, March 5, 1871, Großer Musikvereins-Saal (Brahms conducting) 1st complete performance under the direction of the composer Singverein der Gesellschaft der Musikfreunde; Ernst Frank, cond., substituting for the ill Joseph Hellmesberger Ein deutsches Requiem; Mozart, Concert Aria, K. 490 (Non più, tutto ascoltai . . . Non temer, amato bene; sung with German text: Genug, ich bin entschlossen . . . Laß’, o Freund, uns standhaft scheiden); Schubert, orch. Liszt, March in B minor Program: B-I. Hofmann and Hofmann, 124; Sandberger, ed., 81; Fremden-Blatt, March 9, 1871; Neue freie Presse, March 7, 1871; Die Presse, March 11, 1871; Wiener Zeitung, March 6, 1871; MMR 1 (April 1, 1871): 45; MW 2, no. 12 (March 17, 1871): 190, no. 18 (April 28, 1871): 282; NBM 25, no. 15 (April 12, 1871): 117; NZfM 67, no. 12 (March 17, 1871): 117, no. 14 (March 31, 1871): 135–36; Signale 29, no. 14 (March 14, 1871): 212, no. 16 (March 24, 1871): 245. 19

Utrecht, March 17, 1871 Richard Hol, cond. Zwart, 200–201; Caecilia 28, no. 9 (May 1, 1871): 82–83, Caecilia 32, no. 4 (Feb. 15, 1875): 32; MW 2, no. 19 (May 5, 1871): 299–300.

Mosbach, March 29, 1871 Memorial for heroes fallen in battle; benefit for wounded and sick soldiers Verein für geistlichen Gesang; Karl Nüssle, cond. Beethoven, Symphony No. 3; Ein deutsches Requiem MW 2, no. 19 (May 5, 1871): 303, no. 20 (May 12, 1871): 316.

Karlsruhe, April 5, 1871, Stadtkirche (Wednesday of Holy Week) In memory of those fallen in the Franco-Prussian War Philharmonische Verein; Hermann Levi, cond. Haas (2012), 97; Häfner, 135; MW 2, no. 24 (June 9, 1871): 379; Signale 29, no. 19 (April 12, 1871): 300.

Bremen, April 7, 1871, St. Petri Domkirche (Good Friday) (Brahms conducting) In remembrance of those fallen in battle Singverein; Karl Reinthaler, cond. Ein deutsches Requiem; Handel, Messiah: Ich weiß, daß mein Erlöser lebet / Seht, das ist Gottes Lamm; Handel, Dettingen Te Deum: Verleih’ uns, Herr; Graun, Der Tod Jesu: Singt dem göttlichen Propheten!; Brahms, Triumphlied: Hallelujah! Program: B-I. Hofmann and Hofmann, 125; Sandberger, ed., 88–89; AmZ 6, no. 22 (May 31, 1871): 349–50; MW 2, no. 16 (April 14, 1871): 251, 254, 255; Signale 29, no. 24 (May 16, 1871): 375– 76.

Chemnitz, April 7, 1871, St. Jacobikirche (Good Friday) Singakademie; St. Jacobikirchen Chor; Stadtmusikcorps; Theodor Schneider, cond. Bach, arr. Esser, Passacaglia: Alessandro Stradella [now attr. to François-Joseph Fétis], Kirchenarie [Se i miei sospiri]; Mendelssohn, St. Paul: Gott, sei mir gnädig; Ein deutsches Requiem Festschrift zur . . . Singakademie zu Chemnitz, 30; MW 2, no. 16 (April 14, 1871): 252, 254; NBM 25, no. 15 (April 12, 1871): 118; NZfM 67, no. 16 (April 14, 1871): 154, no. 17 (April 21, 1871): 162.

Cologne, April 7, 1871, Gürzenich-Saale (Good Friday) For the benefit of workmen returning home from the war Gürzenichconcert; Friedrich Gernsheim, cond. Bach, Liebster Gott, wann werd ich sterben: excerpts; Ein deutsches Requiem AmZ 6, no. 21 (May 24, 1871): 330–32; MW 2, no. 18 ( April 28, 1871): 287, no. 19 (May 5, 1871): 298; NBM 25, no. 19 (May 10, 1871): 148.

Darmstadt, April 7, 1871 (Good Friday) Musikverein; Carl Amand Mangold, cond. Voltz, 21.

Mosbach, April 16, 1871, Stadtkirche Verein für geistlichen Gesang; Karl Nüssle, cond. MW 2, no. 19 (May 5, 1871): 303, no. 20 (May 12, 1871): 316.

Wiesbaden, 1871 In memory of those fallen in battle Cäcilienverein; Julius Buths, cond. Mozart, Masonic Funeral Music; Ein deutsches Requiem Sietz, 3:56–57; MW 2, no. 19 (May 5, 1871): 303, no. 21 (May 19, 1871): 332, 333; NBM 25, no. 32 (Aug. 9, 1871): 253.

Krefeld, May 14, 1871 Musical-patriotic commemoration and victory celebration . . . for the benefit of the families of the conscripted soldiers and reservists Singverein; Liedertafel; August Grüters, cond. Müller-Reuter, 37–38, Zweite Abteilung: VIII.

London, July 7, 1871, private performance at the home of Lady Thompson, née Kate Loder approximately 30-member choir; Kate Loder and Cipriani Potter performed Brahms’s version for four-hand piano as the sole accompaniment with emendations; Julius Stockhausen, cond. Edwards, 20; Macfarren, 52; Musgrave (1987), 6; Musgrave (2015); Pascall, 296, 313; Struck (2014), 122–28; The Academy 2 (Aug. 1, 1871): 374.

Stuttgart, October 31, 1871 (Eve of All Saints’ Day) Hofcapelle; Verein für classiche Kirchenmusik; conservatory students; J. J. Abert, cond. Mendelssohn, Symphony No. 4; Ein deutsches Requiem Abert (1983), 87; MW 2, no. 49 (Dec. 1, 1871): 786; Signale 29, no. 49 (Nov. 8, 1871): 779.

Stralsund, November 26, 1871 (Todtenfest) Dornheckter’sche Gesangverein; Robert Dornheckter, cond. MW 2, no. 50 (Dec. 8, 1871): 803, 804.

1872

Elberfeld (Wuppertal), March 1872 Kalbeck, 2:285.

Munich, March 10, 1872, Odeon Musikalische Akademie; Franz Wüllner, cond. Ein deutsches Requiem; Beethoven, Symphony No. 5 BB, 15:44n3; AmZ 7, no. 22 (May 29, 1872): 354–55; MW 3, no. 15 (April 5, 1872): 235; NBM 26, no. 13 (March 27, 1872): 102, no. 15 (April 10, 1872): 119; NZfM 68, no. 19 (April 26, 1872): 184; Signale 30, no. 17 (March 18, 1872): 265, no. 22 (April 17, 1872): 346.

Breslau (Wrocław), March 12, 1872 Singakademie; Julius Schaeffer, cond. Lotti, Crucifixus for 6 voices / Crucifixus for 8 voices; Bach, St. Matthew Passion: alto aria; Ein deutsches Requiem: 1, 2, 4, 7; Beethoven, Mass in C major BB, 3:187; Subel, 409, 417; MW 3, no. 12 (March 15, 1872): 188, no. 16 (April 12, 1872): 247; NZfM 68, no. 13 (March 22, 1872): 137.

Giessen, March 15, 1872, Stadtkirche Akademische Concert- und Gesangverein; Wilhelm Mickler, cond. Signale 30, no. 20 (March 30, 1872): 309.

St. Petersburg, March 21, 1872, Palace Eduard Nápravník, cond. Signale 30, no. 25 (May 6, 1872): 391.

Berlin, March 26, 1872, Garnison-Kirche (Tuesday of Holy Week) Benefit Cäcilienverein; Berliner Symphonie-Kapelle; Alexis Holländer, cond. AmZ 7, no. 17 (April 24, 1872): 276; MW 3, no. 14 (March 29, 1872): 219, 221, no. 22 (May 24, 1872): 344; NBM 26, no. 14 (April 3, 1872): 107; NZfM 68, no. 14 (March 29, 1872): 146; Signale 30, no. 19 (March 27, 1872): 298, no. 21 (April 6, 1872): 330.

Hamburg, March 26, 1872, Michaeliskirche (Tuesday of Holy Week) Benefit Singakademie; Julius von Bernuth, cond. Ludwig Meinardus, Passionslied; Bach, bass aria from passion; Ein deutsches Requiem Feldtmann, 38–39; MW 3, no. 14 (March 29, 1872): 221, no. 15 (April 5, 1872): 236; NBM 26, no. 14 (April 3, 1872): 110; NZfM 68, no. 21 (May 17, 1872): 212.

Weimar, March 28, 1872, Stadtkirche (Maundy Thursday) Singakademie; Kirchenchor; Theaterchor; Grossherz. Hof-Kapelle Orchester; Carl Müller- Hartung, cond. Joachim Raff, De profundis; Ein deutsches Requiem AmZ 7, no. 18 (May 1, 1872): 294; MW 3, no. 14 (March 29, 1872): 221, no. 15 (April 5, 1872): 236; NBM 26, no. 15 (April 10, 1872): 119; NZfM 68, no. 15 (April 5, 1872): 155, no. 33 (Aug. 9, 1872): 330; Urania 29, no. 5 (1872): 74.

Königsberg (Kaliningrad), March 29, 1872 (Good Friday) Neue Gesangverein; Völkerling, cond. Bach, passacaglia (arr. for orch.); Ein deutsches Requiem Horstmann, 155; NBM 26, no. 33 (Aug. 14, 1872): 260; Signale 30, no. 25 (May 6, 1872): 390.

Lübeck, March 29, 1872 (Good Friday) Gesangverein; Gottfried Herrmann, cond. Stahl, 47.

Mannheim, March 29, 1872 (Good Friday) Musikverein; Johann Naret-Koning, cond. Orel, 78; MW 3, no. 14 (March 29, 1872): 222, no. 15 (April 5, 1872): 237.

Riga, March 29, 1872 (Good Friday) Friedrich Wilhelm Bergner Jr., cond. Signale 30, no. 25 (May 6, 1872): 395.

Stuttgart, 1872 Gluck, Iphigenia in Aulis: Overture; Hugo Wehrle, Violin Concerto in G minor; Ein deutsches Requiem MW 3, no. 16 (April 12, 1872): 251; NZfM 68, no. 17 (April 19, 1872): 176, no. 22 (May 24, 1872): 223.

St. Petersburg, May 1872, Hotel Demuth Hall Singakademie; Theodor Beggrow, cond. Ferdinand Hiller, Loreley; Ein deutsches Requiem Kalbeck, 2:286; AmZ 7, no. 28 (July 10, 1872): 454; MW 5, no. 4 (Jan. 23, 1874): 48; Signale 30, no. 32 (June 25, 1872): 502.

Utrecht, June 7, 1872, Tivoli Concert Hall Maatschappij tot Bevordering der Toonkunst (Society for the Advancement of Music); Richard Hol, cond. Beethoven, Corolian: Overture; Ein deutsches Requiem; Handel, Ode for St. Cecilia’s Day De Standaard (Amsterdam), June 9 and 10, 1872; Caecilia 29, no. 10 (May 15, 1872): 88, no. 13 (July 1, 1872): 109–10; Le Guide musical 18, no. 21 (May 23, 1872): 165; MW 3, no. 25 (June 14, 1872): 396; NBM 26, no. 24 (June 12, 1872): 191; NZfM 68, no. 26 (June 21, 1872): 266; Signale 30, no. 29 (June 4, 1872): 461.

Halle, June 18, 1872 Singakademie; Felix Voretzsch, cond. Ein deutsches Requiem: 4 movements; Ferdinand Hiller, Volkslied / Mailied; Mendelssohn, Hymne; Adolf Bergt, Sonata for two pianos; Carl Reinecke, La belle Grisélidis (Improvisation on a French Folksong for Two Pianos) Abert (1908), 102–3; MW 3, no. 28 (July 5, 1872): 442, no. 29 (July 12, 1872): 461; NZfM 68, no. 28 (July 5, 1872): 283.

Berlin, November 14, 1872, Domkirche Cäcilienverein; Alexis Holländer, cond. Signale 30, no. 54 (Nov. 20, 1872): 857.

Breslau (Wrocław), November 23, 1872 (Eve of Todtenfest) Singakademie Mozart, Requiem; Bach, choruses; Ein deutsches Requiem: choruses MW 3, no. 49 (Nov. 29, 1872): 775; NZfM 68, no. 51 (Dec. 13, 1872): 515; Signale 30, no. 54 (Nov. 20, 1872): 857.

Halle, November 23, 1872, Marktkirche (Eve of Todtenfest) Singakademie; Felix Voretzsch, cond. Abert (1908), 102; AmZ 7, no. 49 (Dec. 4, 1872): 787; MW 3, no. 50 (Dec. 6, 1872): 792; NBM 26, no. 49 (Dec. 4, 1872): 389; NZfM 68, no. 49 (Nov. 28, 1872): 491; Signale 30, no. 57 (Dec. 4, 1872): 905.

Berlin, November 29, 1872, Domkirche Cäcilienverein; Alexis Holländer, cond. AmZ 8, no. 1 (Jan. 1, 1873): 12; NZfM 68, no. 48 (Nov. 21, 1872): 479; Signale 31, no. 1 (Jan. 1873): 11.

Lübeck, 1872 Benefit for the victims of the Baltic Sea flood, Nov. 12–13 Gesangverein; Gottfried Herrmann, cond. Mendelssohn, Lauda Sion; Ein deutsches Requiem NZfM 69, no. 7 (Feb. 7, 1873): 70; Signale 31, no. 5 (Jan. 1873): 65.

1873

Leipzig, March 14, 1873, Thomaskirche (Busstag) Riedel’sche Verein; Carl Riedel, cond. Schumann, Fugue for Organ in B-flat, op. 60, no. 4; Johannes Eccard, Maria bracht’ Ihr Kindelein; Bach, Ich habe genug; Bach, St. John Passion: Ach Herr, laß dein lieb’ Engelein; Ein deutsches Requiem Forner, 62–63; Göhler, 35; MW 4, no. 11 (March 14, 1873): 171, no. 12 (March 21, 1873): 181– 83, no. 13 (March 28, 1873): 198–99; NZfM 69, no. 12 (March 14, 1873): 125, no. 14 (March 28, 1873): 143–44; Signale 31, no. 17 (March 1873): 265.

Düsseldorf, March 27, 1873 Allgemeine Musikverein; Julius Tausch, cond. Bach, Orchestral Suite No. 2 in B minor; Ein deutsches Requiem Städtischer Musikverein zu Düsseldorf, 66; MW 4, no. 14 (April 4, 1873): 219; NBM 27, no. 15 (April 9, 1873): 119; NZfM 69, no. 16 (April 11, 1873): 165; Signale 31, no. 22 (April 1873): 348.

London, April 1, 1873, Hanover Square Rooms public rehearsal students of the Royal Academy of Music; John Hullah, cond. Ein deutsches Requiem: 1, 2, 5, 6; Schumann, Concerstück, op. 92; Mendelssohn, St. Paul: Be thou faithful unto death; Mendelssohn, Violin Concerto: 2nd and 3rd movements; William Cusins, Gideon: The people that are with thee / The Lord, He it is; Beethoven, Choral Fantasy; Mozart, Le Nozze di Figaro: Act I finale Edwards, 20; Musgrave (1987), 6; Musgrave (2015), 3; The Musical World 51, no. 14 (April 5, 1873): 213.

London, April 2, 1873, St. James’s Hall Philharmonic Society; William Cusins, cond. Ein deutsches Requiem; Henry Vieuxtemps, Violin Concerto in E major: Adagio and Rondo; Mendelssohn, The First Walpurgis Night Edwards, 20–21; Musgrave (2015); Pascall, 313; The Athenaeum, April 5, 1873, 448; The Morning Post, April 3, 1873; The Pall Mall Gazette, April 9, 1873; MMR 3 (May 1, 1873): 66; The Musical Standard 4 (April 12, 1873): 232; MT 16 (May 1, 1873): 75; MW 4, no. 16 (April 18, 1873): 245; NBM 27, no. 19 (May 7, 1873): 148; The Orchestra 20 (April 10, 1873): 25–26; Signale 31, no. 21 (April 1873): 328.

Bielefeld, April 8, 1873, Saale der “Ressource” (Tuesday of Holy Week) Musikverein; Maximilian Nachtmann, cond. Mozart, Masonic Funeral Music; Ein deutsches Requiem: 1–3; Bach, St. Matthew Passion: Wie wohl mein Herz in Thränen schwimmt / Ich will dir mein Herz schenken; Ein deutsches Requiem: 4–7 AmZ 8, no. 21 (May 21, 1873): 331–32; MW 4, no. 16 (April 18, 1873): 242; NBM 27, no. 16 (April 16, 1873): 127; NZfM 69, no. 16 (April 11, 1873): 164, no. 19 (June 2, 1873): 196; Signale 31, no. 20 (April 1873): 314.

Lübeck, April 11, 1873 (Good Friday) Gesangverein; Gottfried Hermann, cond. Handel, Messiah: Part Two; Ein deutsches Requiem NZfM 69, no. 19 (June 2, 1873): 197; Signale 31, no. 1 (January 1873): 8.

Mannheim, April 11, 1873, Schlosskirche (Good Friday) Musikverein; Johann Naret-Koning, cond. NZfM 69, no. 19 (June 2, 1873): 197; Signale 31, no. 22 (April 1873): 345.

Wiesbaden, April 12, 1873 (Holy Saturday) Cäcilienverein MW 4, no. 18 (May 2, 1873): 275.

Frankfurt am Main, April 21, 1873 Rühl’sche Gesangverein; Franz Friedrich, cond. Mozart, Misericordias Domini; Bach, Ein fest Burg ist unser Gott; Ein deutsches Requiem MW 4, no. 20 (May 16, 1873): 299.

Bielefeld, May 22, 1873 Musikverein; Maximilian Nachtmann, cond. Beethoven, Egmont: Overture; Beethoven, Ah! perfido; Max Bruch, Violin Concerto; Ein deutsches Requiem MW 4, no. 18 (May 2, 1873): 277, no. 22 (May 30, 1873): 332; NBM 27, no. 22 (May 28, 1873): 175; NZfM 69, no. 22 (May 23, 1873): 231.

Kassel, November 1, 1873, Lutheran church (All Saints’ Day) Benefit for the pension fund of the Royal Orchestra Weidt’sche Gesangverein; Royal Orchestra; Carl Reiss, cond. Caecilia 31, no. 4 (Feb. 15, 1874): 41; Signale 31, no. 56 (Dec. 1873): 887, Signale 32, no. 9 (Feb. 1874): 135.

Leipzig, November 13, 1873, Gewandhaus In memory of the late King of Saxony Gewandhaus orchestra and chorus; Carl Reinecke, cond. Mendelssohn, Mitten wir im Leben; Bach (spurious), Schlage doch, gewünschte Stunde; Handel, Saul: Trauermarsch; Mendelssohn, Elijah: Sei stille dem Herrn; Spohr, Symphonie “Die Weihe der Töne”: Begräbnissmusik / Trost in Thränen; Ein deutsches Requiem Forner, 64; AmZ 8, no. 48 (Nov. 26, 1873): 762; MMR 4 (Jan. 1, 1874): 5–6; MW 4, no. 46 (Nov. 14, 1873): 654, no. 47 (Nov. 21, 1873): 663; NZfM 69, no. 49 (Nov. 28, 1873): 495–96; Signale 31, no. 50 (Nov. 1873): 787.

Leipzig, November 21, 1873, Thomaskirche (Busstag) In memory of the late King of Saxony Riedel’sche Verein; Gewandhaus orchestra; Carl Riedel, cond. Johann Ernst Eberlin, fugue for organ; Pergolesi (orch. Wilhelm Joseph von Wasielewski), Qui tollis; Bach, Ich hatte viel Bekümmernis: Seufzer, Thränen; Bach, Liebster Gott, wenn werd ich sterben?: Herrscher über Tod und Leben; Ein deutsches Requiem Forner, 64; Göhler, 37; AmZ 8, no. 48 (Nov. 26, 1873): 762; MMR 4 (Jan. 1, 1874): 5–6; MW 4, no. 47 (Nov. 21, 1873): 665, no. 48 (Nov. 28, 1873): 673; NZfM 69, no. 48 (Nov. 21, 1873): 491, no. 50 (Dec. 5, 1873): 507–8; Signale 31, no. 48 (Nov. 1873): 756; Urania 31, no. 1 (1874): 12.

Elberfeld (Wuppertal), November 22, 1873 (Eve of Todtenfest) Liedertafel Ein deutsches Requiem; Max Bruch, Frithjof: Szenen aus der Frithjof-Sage Le Guide musical 20, no. 2 (Jan. 8, 1874): 16; Le Ménestrel 40, no. 6 (Jan. 11, 1874): 46; NBM 28, no. 1 (Jan. 1, 1874): 5.

Kassel, November 28, 1873 Weidt’sche Gesangverein; Royal Orchestra; Carl Reiss, cond. Caecilia 31, no. 4 (Feb. 15, 1874): 41; NZfM 69, no. 52 (Dec. 19, 1873): 534; Signale 31, no. 56 (Dec. 1873): 887.

1874

Brünn (Brno), March 29, 1874 (Palm Sunday) Musikverein; Otto Kitzler, cond. Haydn, Symphony in B-flat major; Beethoven, Ah! perfido; Bach, Air for string orchestra; Ein deutsches Requiem: 1, 2, 3 Nouza, 410; Caecilia 31, no. 15 (July 1, 1874): 138; MW 5, no. 16 (April 17. 1874): 202; NZfM 70, no. 15 (April 10, 1874): 150, no. 28 (July 10, 1874): 282–83.

Dresden, March 29, 1874 (Palm Sunday) Königliche Capelle Caecilia 31, no. 4 (Feb. 15, 1874): 41; MW 5, no. 6 (Feb. 6, 1874): 76.

Hildesheim, March 31, 1874, Michaeliskirche (Tuesday of Holy Week) Oratorienverein; Winand Nick, cond. Bach, Wenn ich einmall soll scheiden; Mendelssohn, St. Paul: bass aria; Ein deutsches Requiem MW 5, no. 17 (April 24, 1874): 215, no. 20 (May 15, 1874): 251; NBM 28, no. 17 (April 23, 1874): 131–32; NZfM 70, no. 16 (April 17, 1874): 161.

Erfurt, April 3, 1874 (Good Friday) Singakademie Signale 32, no. 24 (May 1874): 379.

Hanover, April 3, 1874, Marktkirche (Good Friday) Gesangverein; H. Engel, cond. Ein deutsches Requiem; Rossini, Stabat mater MW 5, no. 15 (April 10, 1874): 190; NZfM 70, no. 16 (April 17, 1874): 161; Signale 32, no. 24 (May 1874): 375.

Königsberg (Kaliningrad), April 3, 1874 (Good Friday) Neue Gesangverein; Constanz Bernecker, cond. Bach, passacaglia (arr. for orch.); Ein deutsches Requiem Horstmann, 156; AmZ 9, no. 23 (June 10, 1874): 365; Signale 32, no. 26 (May 1874): 405.

Liegnitz (Legnica), April 3, 1874, Leibfrauenkirche (Good Friday) Singakademie; Wilhelm Fritze, cond. Caecilia 31, no. 15 (July 1, 1874): 138; MW 5, no. 15 (April 10, 1874): 190, no. 18 (May 1, 1874): 226; NZfM 70, no. 16 (April 17, 1874): 161.

Stralsund, April 3, 1874, St. Nicholai-Kirche (Good Friday) Dornheckter’sche Gesangverein; Kappelle of the 14th Infantry-Regiment; Robert Dornheckter, cond. Carl Reinecke, In memoriam; Ein deutsches Requiem Stralsundische Zeitung, April 2 and 5, 1874; Caecilia 31, no. 15 (July 1, 1874): 138; MW 5, no. 17 (April 24, 1874): 216, no. 19 (May 8, 1874): 239; NZfM 70, no. 17 (April 24, 1874): 173.

Brünn (Brno), April 26, 1874, Redoutensaal Musikverein; Otto Kitzler, cond. Schumann, Overture to Julius Caesar; Brahms, Die Mainacht / Von ewiger Liebe; Schumann, Ich grolle nicht; Robert Volkmann, Serenade No. 2 for String Orchestra; Ein deutsches Requiem: 4, 5, 6, 7 AmZ 9, no. 20 (May 20, 1874): 315; MW 5, no. 20 (May 15, 1874): 250; NBM 28, no. 21 (May 21, 1874): 167; NZfM 70, no. 19 (May 8, 1874): 192, no. 28 (July 10, 1874): 282–83.

Dordrecht, April 30, 1874 Maatschappij tot Bevordering der Toonkunst (Society for the Advancement of Music); piano accompaniment; Ferdinand Böhme, cond. Ein deutsches Requiem; Ferdinand Hiller, Loreley Caecilia 31, no. 14 (June 15, 1874); 127; Le Guide musical 20, no. 21 (May 21, 1874): 165; MW 5, no. 19 (May 8, 1874): 240; NZfM 70, no. 20 (May 15, 1874): 201; Signale 32, no. 28 (June 1874): 442.

Essen, June 14, 1874 Musikverein; Georg Hendrik Witte, cond. Georg Hendrik Witte, Concert Overture; Mozart, The Marriage of Figaro: soprano recitative and aria; Beethoven, Violin Concerto: 1st movement; Weber, Euryanthe: baritone scene and aria; Ein deutsches Requiem MW 5, no. 27 (June 26, 1874): 331; NZfM 70, no. 27 (July 3, 1874): 273.

Frankfurt am Main, November 11, 1874 Rühl’sche Gesangverein; Franz Friedrich, cond. Ein deutsches Requiem; Mendelssohn, Lobgesang Horstmann, 156; MW 5, no. 48 (Nov. 27, 1874): 589, no. 51 (Dec. 18, 1874): 633; NZfM 70, no. 49 (Dec. 4, 1874): 507, 509.

Halle, November 21, 1874, Marktkirche (Eve of Todtenfest) Singakademie; Felix Voretzsch, cond. Abert (1908): 104; AmZ 9, no. 49 (Dec. 9, 1874): 780; NBM 28, no. 49 (Dec. 3, 1874): 390; NZfM 70, no. 48 (Nov. 27, 1874): 497; Signale 32, no. 56 (Nov. 1874): 890.

Magdeburg, November 22, 1874 (Todtenfest) Kirchengesangverein; Gustav Rebling, cond. MW 5, no. 49 (Dec. 4, 1874): 602, 604–5; NBM 29, no. 10 (March 11, 1875): 77; NZfM 70, no. 48 (Nov. 27, 1874): 497.

Manchester, November 26, 1874 Hallé Orchestra; Charles Hallé, cond. Ein deutsches Requiem; Beethoven, Fidelio: Overture; Mozart, Die Zauberflöte: Ach ich fühl’s; Henry Smart, The Bride of Dunkerron: Here may we dwell; Mendelssohn, The First Walpurgis Night Batley, 224; Manchester Courier and Lancashire General Advertiser, Nov. 28, 1874; The Musical World 52, no. 49 (Dec. 5, 1874): 803.

Berlin, December 11, 1874, Domkirche Cäcilienverein; Alexis Holländer, cond. Le Guide musical 21, no. 1 (Jan. 7, 1875): 7; MW 5, no. 50 (Dec. 11, 1874): 622; NZfM 70, no. 51 (Dec. 18, 1874): 533; Signale 32, no. 57 (Dec. 1874): 904, Signale 33, no. 5 (Jan. 1875): 69.

1875

Krefeld, 1875 Singverein; August Grüters, cond. partial performance Müller-Reuter, Zweite Abteilung: II.

Rotterdam, January 29, 1875, Doelezaal Maatschappij tot Bevordering der Toonkunst (Society for the Advancement of Music); Friedrich Gernsheim, cond. Mendelssohn, Athalie: Overture; Friedrich Gernsheim, Salve Regina; Ein deutsches Requiem Caecilia 32, no. 4 (Feb. 15, 1875): 32–33; MW 6, no. 6 (Feb. 5, 1875): 71.

Posen (Poznań), February 26, 1875, Lambert’sche Concert-Saale (Busstag) Hennig’sche Gesangverein; C. R. Hennig, cond. NBM 29, no. 20 (May 20, 1875): 156–57.

Vienna, February 28, 1875, Großer Musikvereins-Saal (Brahms conducting) Singverein der Gesellschaft der Musikfreunde; Hofoperntheater Orchester; Johannes Brahms, cond. Bach, orch. Bernhard Scholz, Prelude in E-flat major, BWV 552; Mozart, Davidde penitente: Bei der Stürme brausendem Schmettern; Ein deutsches Requiem Program: B-I. Hofmann and Hofmann, 151; Fremden-Blatt, March 3, 1875; Neue freie Presse, March 4, 1875; Die Presse, March 2, 1875; MMR 5 (April 1, 1875): 52; NBM 29, no. 12 (March 25, 1875): 93; Signale 33, no. 16 (March 1875): 243–44.

Bonn, March 11, 1875, Beethoven-Halle Städtischer Gesang-Verein; Wilhelm Joseph von Wasielewski, cond. Ein deutsches Requiem; Beethoven, Symphony No. 5 Bonner Zeitung, March 10, 1875; NZfM 70, no. 43 (Oct. 23, 1874): 439.

Münster, March 14, 1875 Musikverein; Julius Otto Grimm, cond. all Brahms program: Variations on a Theme by Haydn; Liebestreu, op. 3, no. 1; Heimweh II, op. 63, no. 8; Heimweh III, op. 63, no. 9; Magelone-Lieder: So willst du des Armen; Ein deutsches Requiem Werra, 393.

Gera, March 22, 1875 (Monday of Holy Week) Musikalische Verein Mendelssohn, Symphony No. 5 (“Reformation”); Haydn, The Creation: bass recitative and aria; Beethoven, Gellert Lieder: Bitten; Johann Wolfgang Franck, Sei nur still; Ein deutsches Requiem NZfM 71, no. 14 (April 2, 1875): 143; Signale 33, no. 21 (April 1875): 330.

Paris, March 26, 1875, Cirque Napoléon (Good Friday) Concerts Populaires de Musique Classique; Jules Pasdeloup, cond. Mendelssohn, Athalie: Overture; Ein deutsches Requiem: 1, 2, 3 (lacking finale), 5, 6; Beethoven, Symphony No. 5: 2nd movement; Cherubini, Ave Maria; Mozart, Requiem: Rex tremendae / Confutatis / Lacrymosa; Alessandro Stradella [now attr. to François- Joseph Fétis], Air d’église [Se i miei sospiri]; Gounod, Gallia Journal des débats, April 17, 1875; La Chronique musicale 8, no. 44 (April 15, 1875): 81–83; Le Guide musical 21, no. 12 (March 25, 1875): 95; NZfM 71, no. 14 (April 2, 1875): 143; La Revue et gazette musicale 42, no. 13 (March 28, 1875): 98–100; Signale 33, no. 23 (April 1875): 359.

Prenzlau, April 9, 1875, Marienkirche Gesangverein; orchestra of the 64th Infantry Regiment; Ernst Flügel, cond. MW 6, no. 17 (April 23, 1875): 213, 6, no. 18 (April 30, 1875): 229.

Celle, May 9, 1875, Stadtkirche For the benefit of the poor Singverein “Union”; orchestra of the 77th Infantry Regiment; Friedrich Meymund, cond. Bach, orch. Abert, prelude and fugue; Ein deutsches Requiem Müller, 43–44; MW 6, no. 22 (May 28, 1875): 275; NZfM 71, no. 23 (June 4, 1875): 233.

Posen (Poznań), May 9, 1875, Garnison-Kirche Hennig’sche Gesangverein; C. R. Hennig, cond. Horstmann, 156; NBM 29, no. 20 (May 20, 1875): 156–57.

Brunswick, May 30, 1875, Egidienkirche repetition of an earlier concert Chorgesangverein; Hofkapelle; Franz Abt, cond. Ein deutsches Requiem; Mendelssohn, Lobgesang Signale 33, no. 31 (June 1875): 486.

Gotha, June 9, 1875 Musikverein; Hermann Tietz, cond. Ein deutsches Requiem; Mendelssohn, Elijah: So ihr mich von ganzem Herzen suchet; Mendelssohn, Incidental Music to Athalie AmZ 10, no. 26 (June 30, 1875): 412; MW 6, no. 25 (June 18, 1875): 314, no. 27 (July 2, 1875): 339; NBM 29, no. 25 (June 24, 1875): 197; NZfM 71, no. 25 (June 18, 1875): 254; Signale 33, no. 31 (June 1875): 488.

Leiden, June 10, 1875, Hooglandsche Kerk Leidsche Zangvereeniging (Leiden Singing Society); A. J. Wetrens, cond. Caecilia 32, no. 14 (July 1, 1875): 114–16.

Munich, July 31, 1875 Königliche Musikschule; Franz Wüllner, cond. Ein deutsches Requiem; Beethoven, Piano Concerto No. 4: 1st movement; Max Meyer- Olbersleben, Der blumen Rache; Joachim Raff, Violoncello Concerto: Adagio and Allegro; Handel, Messiah: Hallelujah! (Augsburger) Allgemeine Zeitung, Aug. 25, 1875, quoted in BB, 19:63–67; BB, 15:58, 60; AmZ 10, no. 39 (Sept. 29, 1875): 621–23.

Prenzlau, September 28, 1875, St. Marienkirche Gesangverein; Pestalozzi-Verein of Brandenburg Province; orchestra of the 64th Infantry Regiment; Ernst Flügel, cond. MW 6, no. 42 (Oct. 15, 1875): 525, MW 7, no. 38 (Sept. 1, 1876): 495.

Innsbruck, November 30, 1875, National-Theater Musikverein; Joseph Pembaur, cond. Joseph Rheinberger, Die sieben Raben: Prelude; Elias Parish Alvars, Fantasy for Harp; Ein deutsches Requiem Bote für Tirol und Vorarlberg, Nov. 26 and Dec. 4, 1875; Innsbrucker Nachrichten, Nov. 26 and Dec. 4, 1875; MW 6, no. 52 (Dec. 24, 1875): 671; Signale 33, no. 61 (Dec. 1875): 967, Signale 34, no. 2 (Jan. 1876): 29.

St. Petersburg, December 16, 1875, St. Katharinenkirche Singakademie; Theodor Beggrow, cond. Bach, Fugue for Organ in G minor; Bach, Bleib bei uns, denn es will Abend werden: opening chorus; Mendelssohn, St. Paul: aria; Johann Schneider, Andante for Organ, Nos. 1 and 4; Schubert, Psalm 23 for women’s chorus; Ein deutsches Requiem MW 7, no. 2 (Jan. 7, 1876): 24; Signale 34, no. 7 (Jan. 1876): 103.

1876

Amsterdam, January 18, 1876, Parkzaal (Brahms conducting) Maatschappij tot Bevordering der Toonkunst (Society for the Advancement of Music); Johannes Verhulst, cond. Johannes Verhulst, Psalm 145; Ein deutsches Requiem Brooijmans, 13, 16; Hofmann and Hofmann, 155; Nieuwe Amsterdamsche Courant: Algemeen Handelsblad, Jan. 15, 1876; Caecilia 33, no. 5 (March 1, 1876): 43–44; MW 7, no. 6 (Feb. 4, 1876): 72; NBM 30, no. 5 (Feb. 3, 1876): 38.

Berlin, February 12, 1876, Saale der Singakademie Stern’sche Gesangverein; Julius Stockhausen, cond. Bernhard Hopffer, Pharao; Bach (spurious), Schlage doch gewünschte Stunde; Ein deutsches Requiem NBM 30, no. 5 (Feb. 3, 1876): 36, no. 7 (Feb. 17, 1876): 52; NZfM 72, no. 8 (Feb. 18, 1876): 79; Signale 34, no. 13 (Feb. 1876): 198.

Berlin, February 26, 1876, Reichshalle For the benefit of the Schumann Monument in Bonn Stern’sche Gesangverein; Julius Stockhausen, cond. Bernhard Hopffer, Pharao; Schubert, An die Musik; Schumann, Aus der Heimath / Blondel’s Lied / Symphonic Etudes; Ein deutsches Requiem MW 7, no. 11 (March 10, 1876): 138; NBM 30, no. 10 (March 9, 1876): 74–75.

Göttingen, March 9, 1876 Akademische Concert; Singakademie; Eduard Hille, cond. Schubert, Symphony in B minor (“Unfinished”); Ein deutsches Requiem AmZ 11, no. 16 (April 19, 1876): 252–54; MW 7, no. 19 (May 5, 1876): 245.

Graz, March 12, 1876, Rittersaale Grazer Singverein; Grazer Männergesang-Verein; Leopold Wegschaider, cond. Grazer Volksblatt, March 12 and 18, 1876; MW 7, no. 14 (March 31, 1876): 179; NZfM 72, no. 13 (March 24, 1876): 136.

Graz, March 19, 1876, Rittersaale Grazer Singverein; Grazer Männergesang-Verein; Leopold Wegschaider, cond. Grazer Volksblatt, March 19 and 21, 1876; MW 7, no. 14 (March 31, 1876): 179.

London, April 6, 1876, St. James’s Hall Philharmonic Society; William Cusins, cond. Ein deutsches Requiem; Spohr, Concerto for Violin No. 7 in E minor; Beethoven, Symphony No. 2; Alberto Randegger, Save Me, O God; Brahms and Joseph Joachim, Hungarian Dances for Violin and Piano: 1, 3, 6; Mendelssohn, Ruy Blas Overture Pascall, 313; The Academy, April 15, 1876, 370–71; The Athenaeum, April 15, 1876, 543; The Standard, April 10, 1876; MMR 6 (May 1, 1876): 82–83; The Musical Standard 10 (April 15, 1876): 238–39; MT 17 (May 1, 1876): 460; The Musical World 54, no. 16 (April 15, 1876): 273; The Orchestra 2, no. 22 (May 1, 1876): 299–300; Signale 34, no. 33 (April 1876): 518.

Cologne, April 14, 1876, Pantaleonskirche (Good Friday) Verein für Kirchenmusik; Eduard Mertke, cond. Bernhard Scholz, Trauermarsch für einen deutschen Helden; Handel, Messiah: recitative and aria; Ein deutsches Requiem AmZ 11, no. 23 (June 7, 1876): 363; MW 7, no. 19 (May 5, 1876): 248; NBM 30, no. 16 (April 20, 1876): 125.

Königsberg (Kaliningrad), April 14, 1876 (Good Friday) Musikalische Akademie; Neue Gesangverein; Constanz Bernecker, cond. MW 7, no. 30 (July 21, 1876): 401.

Liegnitz (Legnica), April 14, 1876, Liebfrauenkirche (Good Friday) Singakademie; Wilhelm Fritze, cond. Wilhelm Fritze, Sanctus / Benedictus / Agnus Dei; Heinrich Graun, Der Tod Jesu: aria; Ein deutsches Requiem MW 7, no. 19 (May 5, 1876): 249; NZfM 72, no. 18 (April 28, 1876): 184, 186.

Meissen, April 14, 1876, Domkirche (Good Friday) Königliche Kapelle; Christian Gottfried Hartmann, cond. Emil von Urach, Vater unser; Bach, Christmas Oratorio: aria; Gustav Adolf Merkel, Adagio for Violoncello; Mendelssohn, St. Paul: aria; Ein deutsches Requiem MW 7, no. 19 (May 5, 1876): 249; NZfM 72, no. 18 (April 28, 1876): 184, no. 24 (June 9, 1876): 245.

Riga, April 14, 1876, Domkirche (Good Friday) Benefit for the singers, musicians, widows, and orphans fund Bachverein; Friedrich Wilhelm Bergner Jr., cond. NZfM 72, no. 28 (July 7, 1876): 281.

Karlsruhe, April 26, 1876, Saal der Gesellschaft “Eintracht” Philharmonische Verein; Otto Dessoff, cond. Draheim and Jahn, eds., 97, 183.

St. Petersburg, 1876 Singakademie Kalbeck, 2:286; MW 7, no. 20 (May 12, 1876): 264.

Erfurt, May 18, 1876, Predigerkirche Musikverein; Singakademie Robert Volkmann, Offertorium, op. 47; Bach, Ach wie flüchtig, ach wie nichtig: An irdische Schätze das Herze zu hängen; Ein deutsches Requiem MW 7, no. 24 (June 9, 1876): 310; NZfM 72, no. 23 (June 2, 1876): 236, no. 24 (June 9, 1876): 244; Signale 34, no. 39 (May 1876): 611.

Cambridge, May 23, 1876, Guildhall Cambridge University Musical Society; Charles Villiers Stanford, cond. Ein deutsches Requiem; Beethoven, Symphony No. 5 Pascall, 313; The Academy (May 13, 1876), 472, (May 27, 1876), 523, (June 3, 1876), 547; Signale 34, no. 38 (May 1876): 604.

Schneeberg, October 29, 1876 Bruno Dost, cond. MW 7, no. 51 (Dec. 1, 1876): 693.

Plauen im Vogtland, October 30, 1876 Musikverein Bach, orch. Abert, prelude for organ; Handel, aria; Ein deutsches Requiem MW 7, no. 49 (Nov. 17, 1876): 660.

Leipzig, November 24, 1876, Thomaskirche (Busstag) Riedel’sche Verein; Gewandhaus orchestra; Carl Riedel, cond. Ernst Friedrich Richter, Prelude for Organ in C minor, op. 24, no. 2; Heinrich Schulz-Beuthen, Der 42. und 43. Psalm ; Carl Piutti, Interlude for Organ, op. 3, no. 1; Ein deutsches Requiem Göhler, 43; AmZ 11, no. 50 (Dec. 13, 1876): 798; MW 7, no. 48 (Nov. 10, 1876): 645, no. 50 (Nov. 24, 1876): 675, no. 51 (Dec. 1, 1876): 689–90; NZfM 73, no. 4 (Jan. 19, 1877): 35– 36; Signale 34, no. 65 (Nov. 1876): 1030, no. 68 (Dec. 1876): 1076.

Altona, November 28, 1876, Großer Saale des Altonaer Bürgervereins Singakademie; John Böie, cond. Bach, Concerto for Two Violins; Mendelssohn, Elijah: soprano aria; Ein deutsches Requiem Feldtmann, 39–42; Altonaer Nachrichten, Nov. 30, 1876.

Haarlem, December 12, 1876 Maatschappij tot Bevordering der Toonkunst (Society for the Advancement of Music); Leander Schlegel, cond. Ein deutsches Requiem; Max Bruch, Schön Ellen Het nieuws van den dag: kleine courant, Dec. 13, 1876; Caecilia 34, no. 1 (Jan. 1, 1877): 8–9.

The Hague, December 12, 1876 Maatschappij tot Bevordering der Toonkunst (Society for the Advancement of Music) Ein deutsches Requiem; Niels Gade, Erlkönigs Tochter Caecilia 34, no. 1 (Jan. 1, 1877): 2–3.

1877

Lübeck, 1877 Gesangverein; Gottfried Herrmann, cond. Stahl, 47.

New York, March 15, 1877, Steinway Hall Oratorio Society; Philharmonic Society; Leopold Damrosch, cond. Bach, Gottes Zeit ist die allerbeste Zeit; Gluck, Orfeo ed Euridice: Orpheus at the gates of Hades / Dance of the Blessed Spirits / Che farò senza Euridice?; Ein deutsches Requiem Johnson, 86; New York Times, March 16, 1877; New York Tribune, March 16, 1877; Dwight’s Journal of Music 37, no. 1 (April 14, 1877): 4; NZfM 73, no. 17 (April 20, 1877): 183, no. 21 (May 18, 1877): 222.

Prague, March 27, 1877, Sophieninsel-Saale (Tuesday of Holy Week) Tonkünstler-Gesellschaft; orchestras of the Landestheater and Konservatorium; Ludwig Slansky, cond. Nouza, 408; Prager Abendblatt, March 22, 1877; NBM 31, no. 13 (March 29, 1877): 101; NZfM 73, no. 28 (July 6, 1877): 290–91.

Lüneburg, April 5, 1877, Parterre-Saale des Stadt-Theaters Musikverein; Militair- und Vereins-Capellen; Carl Uellners, cond. Plath, 120.

Oldenburg, April 23, 1877 Singverein; Albert Dietrich, cond. Bach, orch. Bernhard Scholz, Prelude for Organ in E-flat; Ein deutsches Requiem MW 8, no. 21 (May 18, 1877): 304, no. 25 (June 15, 1877): 354; NZfM 73, no. 20 (May 11, 1877): 214.

Hildesheim, 1877 Oratorienverein; Winand Nick, cond. Bach, Ich hatte viel Bekümmernis; Ein deutsches Requiem MW 8, no. 18 (April 27, 1877): 258.

Glogau (Głogów), 1877 Singakademie; Otto Droenewolff, cond. Brahms, Schicksalslied; Ein deutsches Requiem; Mendelssohn, bass aria; Woldemar Bargiel, Adagio for Violoncello and Orchestra, op. 38 Festschrift . . . Singakademie zu Glogau, 18; MW 8, no. 22 (May 25, 1877): 318, no. 25 (June 15, 1877): 354.

Edinburgh, May 29, 1877, Freemasons’ Hall Waddell’s Choir Ein deutsches Requiem; Wagner, Tannhäuser: 2 scenes Edinburgh Evening News, May 30, 1877.

Gloucester, September 6, 1877, Cathedral Three Choirs Festival; Charles Harford Lloyd, cond. Arthur Sullivan, In Memoriam; Bertram Luard-Selby, Kyrie; Ein deutsches Requiem; Gounod, There is a green hill far away; S. S. Wesley, The Wilderness; Mendelssohn, Lobgesang Lysons et al., 269–70, 325; The Athenaeum, Sept. 8, 1877, 315; (London) Daily News, Sept. 7, 1877; MMR 7 (Oct. 1, 1877): 152; The Musical Standard 13 (Sept. 15, 1877): 160; MT 18 (Oct. 1, 1877): 479; The Musical World 55, no. 37 (Sept. 15, 1877): 615; NZfM 73, no. 41 (Oct. 5, 1877): 431.

Altenburg, September 22, 1877 Kirchenchor; Hermann Franke, cond. Schumann, BACH Fugue No. 4 for Organ; Ein deutsches Requiem MW 8, no. 41 (Oct. 5, 1877): 551.

1878

Stettin (Szczecin), January 15, 1878, Abendhalle Musikverein; orchestra of the 34th Regiment; Carl Adolf Lorenz, cond. Gluck, Orfeo ed Euridice: scene; Handel, Semele: aria; Ein deutsches Requiem Horstmann, 157; MW 9, no. 8 (Feb. 15, 1878): 98; NBM 32, no. 5 (Jan. 31, 1878): 37; NZfM 74, no. 6 (Feb. 1, 1878): 60, no. 14 (March 29, 1878): 157.

Darmstadt, April 19, 1878 (Good Friday) Musikverein; Carl Amand Mangold, cond. Voltz, 23.

Dortmund, April 19, 1878 (Good Friday) Verein für Kirchenmusik Carl Heinrich Graun, Der Tod Jesu: organ prelude; Mendelssohn, aria; Chopin, Funeral March; Ein deutsches Requiem MW 9, no. 19 (May 3, 1878): 234.

Stralsund, April 19, 1878 (Good Friday) Dornheckter’sche Gesangverein; Robert Dornheckter, cond. Graun, Johannes Eccard, and Bach, chorales; Mozart, Ave verum corpus; Bach and Handel, arias; Ein deutsches Requiem: 1, 4, 7 Horstmann, 157; MW 9, no. 19 (May 3, 1878): 235.

Leiden, June 3, 1878, Hooglandsche Kerk Memorial on the first anniversary of the death of Queen Sophie of the Netherlands Leidsche Zangvereeniging (Leiden Singing Society); A. J. Wetrens, cond. Beethoven, Symphony No. 3: 2nd movement; Ein deutsches Requiem Bataviaasch Handelsblad, July 22, 1878; Rotterdamsch Nieuwsblad, June 1 and 5, 1878; Caecilia 35, no. 13 (July 1, 1878): 119.

Schaffhausen, June 9, 1878 Kirchengesangverein; orchestra of the Zurich Tonhalle; Richard Gervais, cond. Horstmann, 157; MW 9, no. 27 (June 24, 1878): 330.

Cincinnati, June 19, 1878, Price’s Hill Choral Society Mendelssohn, As the Hart Pants; Ein deutsches Requiem: 1, 2; Ciro Pinsuti, I Fear No Foe; Luigi Ricci, Ah si, si marito mio; George Alexander Macfarren, The Last Wild Rose; Luigi Luzzi, Ave Maria; Henry Leslie, Nature’s Lullaby; Schumann, Scenen aus Goethes Faust: chorus; Wallace, Serenade; Ein deutsches Requiem: 4; Luigi Venzano, La Zingarella; Ciro Pinsuti, The Sea Hath Its Pearls; Gounod, quartet and chorus; Ein deutsches Requiem: 7. Cincinnati Daily Gazette, June 17, 1878.

Dresden, November 14, 1878 Dreyssig’sche Singakademie Seemann, ed., 52.

Dresden, November 22, 1878, Frauenkirche (Busstag) Dreyssig’sche Singakademie; Neustädter Chorgesangverein; Robert Schumann’sche Singkademie; Mannsfeldt’sche Capelle; Adolf Reichel, cond. Mendelssohn, Psalm 42; Felix Draeseke, Adventlied; Carl Grammann, Trauer-Cantate: Tröstet Euch, die ihr Leid tragt um mich; Ein deutsches Requiem Seemann, ed., 52; Caecilia 36, no. 1 (Jan. 1, 1879): 2; Signale 36, no. 60 (Nov. 1878): 954, no. 62 (Nov. 1878): 987.

Breslau (Wrocław), November 26, 1878 Buths’sche Gesangverein; Julius Buths, cond. Beethoven, Egmont: Overture; Ein deutsches Requiem MW 10, no. 3 (Jan. 10, 1879): 37, no. 4 (Jan. 17, 1879): 47; NZfM 75, no. 3 (Jan. 10, 1879): 26, no. 5 (Jan. 24, 1879): 53.

Rostock, November 28, 1878 Singakademie; Hermann Kretzschmar, cond. MW 9, no. 50 (Dec. 6, 1878): 610, MW 10, no. 1 (Dec. 27, 1878): 7, no. 2 (Jan. 3, 1879): 25.

Frankfurt am Main, November 29, 1878 (Buss- und Bettag) Caecilien-Verein; Carl Müller, cond. Mozart, Misericordias Domini; Mendelssohn, Psalm 98; Bach, Fürchte dich nicht; Ein deutsches Requiem Hundert Jahre Cäcilien-Verein, 37; MW 10, no. 5 (Jan. 24, 1879): 57; NZfM 75, no. 9 (Feb. 21, 1879): 89.

Celle, December 8, 1878, Stadtkirche Singverein “Union”; orchestra of the 77th Infantry Regiment; Friedrich Meymund, cond. Bach, orch. Abert, prelude and fugue; Ein deutsches Requiem Müller, 44–45 (with program); MW 10, no. 3 (Jan. 10, 1879): 34, no. 4 (Jan. 17, 1879): 47; NZfM 75, no. 5 (Jan. 24, 1879): 53.

Rostock, December 10, 1878 Singakademie; Hermann Kretzschmar, cond. MW 10, no. 1 (Dec. 27, 1878): 7, no. 2 (Jan. 3, 1879): 25.

Leeds, December 11, 1878 Leeds Philharmonic Society; James Broughton, cond. Mendelssohn, A Midsummer’s Night Dream; Mendelssohn, Psalm 95; Ein deutsches Requiem The Leeds Mercury, Dec. 12, 1878.

1879

Krefeld, 1879 Singverein; August Grüters, cond. Müller-Reuter, Zweite Abteilung: II.

Bingen, January 4, 1879 Caecilien-Verein; Carl Heymann, cond. Bach, Gottes Zeit ist die allerbeste Zeit; Ein deutsches Requiem: 4 choruses; Ferdinand Hiller, Abendlied (women’s voices); Mendelssohn, chorus; Moritz Hauptmann, chorus MW 10, no. 5 (Jan. 24, 1879): 58.

Cologne, January 18, 1879, Gürzenich-Saale (Brahms conducting) Gürzenichconcert; Ferdinand Hiller, cond. Mendelssohn, Athalie: Overture; Handel, Alexander’s Feast: Töne sanft; Ein deutsches Requiem; Brahms, Symphony No. 2 Hofmann and Hofmann, 177.

Löbau, March 14, 1879 (Busstag) Seminaristenchor; Richter, cond. MW 10, no. 16 (April 11, 1879): 198, no. 20 (May 9, 1879): 247.

Bremen, April 11, 1879, St. Petri Domkirche (Good Friday) (Brahms conducting) Benefit for orchestra pension fund Singakademie; Karl Reinthaler, cond. Mendelssohn, St. Paul: Overture; Bach, Mass in B minor: Et incarnatus est / Crucifixus; Bach, St. Matthew Passion: Er hat uns allen wohlgethan! / Aus Liebe will mein Heiland sterben; Handel, Dettingen Te Deum: Verleih’ uns, Herr; Ein deutsches Requiem Hofmann and Hofmann, 178; MW 10, no. 19 (May 2, 1879): 233, no. 22 (May 23, 1879): 269.

Chemnitz, April 11, 1879, St. Jacobikirche (Good Friday) Singakademie; St. Jacobikirchen Chor; Theodor Schneider, cond. Ein deutsches Requiem; Mendelssohn, Psalm 42 Festschrift zur . . . Singakademie zu Chemnitz, 31; MW 10, no. 19 (May 2, 1879): 233; NZfM 75, no. 20 (May 9, 1879): 208.

Mönchen-Gladbach, 1879 Gesangverein “Caecilia”; Julius Lange, cond. Ein deutsches Requiem; Beethoven, Symphony No. 5 MW 10, no. 18 (April 25, 1879): 219, no. 22 (May 23, 1879): 269.

Minden, May 9, 1879, Martinikirche Musik-Verein; Julius Janssen, cond. Minden-Lübbecker Kreisblatt, May 6, 1879; MW 10, no. 23 (May 30, 1879): 278, no. 27 (June 27, 1879): 323.

Minden, May 10, 1879, Martinikirche Musik-Verein; Julius Janssen, cond. MW 10, no. 23 (May 30, 1879): 278.

Frankfurt am Main, May 14, 1879 Cäcilien-Verein; Carl Müller, cond. Hundert Jahre Cäcilien-Verein, 37.

Vienna, November 2, 1879, Hofoperntheater (All Souls’ Day) (Brahms conducting) Benefit for pension fund Hofopera; Singverein der Gesellschaft der Musikfreunde; Philharmoniker Orchester; Hans Richter, cond. Mendelssohn, Athalie: Overture; Ein deutsches Requiem; Beethoven, Symphony No. 3 Hofmann and Hofmann, 182–83; Neue freie Presse, Oct. 24, Nov. 1, and Nov. 11, 1879 [Nov. 11 trans. in The Musical World 57, no. 47 (Nov. 22, 1879): 742]; Die Presse, Nov. 3 and Nov. 11, 1879; Le Guide musical 25, no. 45 (Nov. 6, 1879): 289; MMR 9 (Dec. 1, 1879): 187; NBM 33, no. 45 (Nov. 6, 1879): 359; Signale 37, no. 61 (Nov. 1879): 963–64.

Vienna, November 3, 1879, Hofoperntheater (Brahms conducting) Hofopera; Singverein der Gesellschaft der Musikfreunde; Philharmoniker Orchester; Hans Richter, cond. Mendelssohn, Athalie: Overture; Ein deutsches Requiem; Beethoven, Symphony No. 3 Hofmann and Hofmann, 183; Neue freie Presse, Nov. 11, 1879 [trans. in The Musical World 57, no. 47 (Nov. 22, 1879): 742]; Die Presse, Nov. 11, 1879; NBM 33, no. 45 (Nov. 6, 1879): 359; Signale 37, no. 61 (Nov. 1879): 963–64.

Halle, November 22, 1879, Domkirche (Eve of Todtenfest) Singakademie; Felix Voretzsch, cond. Abert (1908): 111; MW 10, no. 50 (Dec. 5, 1879): 586, MW 11, no. 1 (Dec. 26, 1879): 9; NBM 33, no. 49 (Dec. 4, 1879): 391; NZfM 75, no. 50 (Dec. 5, 1879): 515, no. 51 (Dec. 12, 1879): 527.

Basel, November 27, 1879 Gesangverein; Alfred Volkland, cond. Mendelssohn, Psalm 42; Ein deutsches Requiem Festschrift zur Feier des . . . Basler Gesangvereins, 44.

Cincinnati, November 30, 1879, Maennerchor Hall Maennerchor Friedrich Schneider, The Last Judgment: quartet; Ein deutsches Requiem: 3 choruses Cincinnati Daily Gazette, Dec. 1, 1879.

1880

Hanover, January 3, 1880, Konzerthaus an der Goethebrücke (Brahms conducting) Singverein; Carl Herner, cond. Ein deutsches Requiem; Mendelssohn, Die erste Walpurgisnacht Hofmann and Hofmann, 184; Deutschen Volkszeitung, Jan. 8, 1880, repr. in BB, 19:131–33.

Cologne, January 13, 1880, Gürzenich-Saale (Brahms conducting) Gürzenichconcert; Ferdinand Hiller, cond. (due to Hiller’s illness, Brahms conducted the entire concert) Mendelssohn, Athalie: Overture; Handel, Alexander’s Feast: Töne sanft; Ein deutsches Requiem; Brahms, Symphony No. 2 Hofmann and Hofmann, 185; Pulver, 235; MW 11, no. 5 (Jan. 23, 1880): 59, 61; NZfM 76, no. 5 (Jan. 23, 1880): 50, no. 6 (Jan. 30, 1880): 62; Signale 38, no. 12 (Feb. 1880): 188.

Essen, 1880 Musikverein; Georg Hendrik Witte, cond. Beethoven, Symphony No. 3; Ein deutsches Requiem MW 11, no. 11 (March 5, 1880): 135.

Manchester, 1880 St. Cecilia Society Ein deutsches Requiem; Schumann, Das Paradies und die Peri The Musical Standard 18 (April 3, 1880): 212.

London, March 16, 1880, St. James’s Hall The Bach Choir; Otto Goldschmidt, cond. John Goss, Lift Up Thine Eyes; Ein deutsches Requiem; Palestrina, Pope Marcellus Mass: Gloria; Bach, Magnificat in D Keen, 208; The Athenaeum, March 20, 1880, 387; The Era, March 21, 1880; The Examiner, March 20, 1880; MMR 10 (April 1, 1880): 57–58; MT 21 (April 1, 1880): 174–75; The Musical World 58, no. 12 (March 20, 1880): 190; The Orchestra 6 (April 1880): 269; Signale 38, no. 29 (April 1880): 454, no. 32 (April 1880): 503.

Prague, March 23, 1880, Saale der Sophieninsel (Tuesday of Holy Week) Benefit for the widows and orphans institute of the Tonkünstler-Gesellschaft Tonkünstler-Gesellschaft; pupils of the opera school of Jan Ludvík Lukes and the conservatory; orchestras of the Deutsches Königliches Landestheater and the conservatory; Ludwig Slansky, cond. Prager Abendblatt, March 22, 1880; Prager Tagblatt, March 20 and 25, 1880.

Basel, March 26, 1880 (Good Friday) Gesangverein; Alfred Volkland, cond. Bach, St. Matthew Passion: O Haupt voll Blut und Wunden; Bach, Ich will den Kreuzstab gerne tragen; Ein deutsches Requiem: 1, 2, 3, 7; Bach, St. Matthew Passion: Am Abend, da es kühle war; Bach, St. John Passion: O hilf Christe Festschrift zur Feier des . . . Basler Gesangvereins, 44.

Liegnitz (Legnica), March 26, 1880 (Good Friday) Singakademie; Eduard von Welz, cond. MW 11, no. 17 (April 16, 1880): 210; NBM 34, no. 15 (April 8, 1880): 117; NZfM 76, no. 16 (April 9, 1880): 172, no. 18 (April 23, 1880): 192.

Hamburg, April 2, 1880, St. Petrikirche Benefit for the clinic of the Patriotic Women’s Aid Association Cäcilien-Verein; Julius Spengel, cond. Bach, Prelude and Fugue in B minor for Organ; Ein deutsches Requiem Program: B-I. Feldtmann, 43–49; AmZ 15, no. 14 (April 7, 1880): 220–22; MW 11, no. 24 (June 4, 1880): 292, no. 28 (July 2, 1880): 337; Signale 38, no. 33 (May 1880): 516.

London, June 19, 1880, Lecture Theatre, South Kensington Museum The Bach Choir; Otto Goldschmidt, cond. Keen, 208.

Leipzig, November 19, 1880, Thomaskirche (Busstag) Riedel’sche Verein; Gewandhaus orchestra; Carl Riedel, cond. Bach, Christmas Oratorio: Part Two; Bach, Organ Fantasie in C minor; Ein deutsches Requiem Göhler, 52; AmZ 15, no. 51 (Dec. 22, 1880): 812; MW 11, no. 49 (Nov. 26, 1880): 581, 583, no. 50 (Dec. 3, 1880): 592; NZfM 76, no. 48 (Nov. 19, 1880): 506, no. 52 (Dec. 17, 1880): 551, NZfM 77, no. 6 (Feb. 4, 1881): 61; Signale 38, no. 68 (Nov. 1880): 1076, 1083.

Dessau, November 21, 1880 (Todtenfest) MC 1, no. 6 (Feb. 11, 1881): 58.

Magdeburg, November 21, 1880 (Todtenfest) Rebling’sche Kirchengesang-Verein; Gustav Rebling, cond. MW 11, no. 51 (Dec. 10, 1880): 605, no. 52 (Dec. 21, 1880): 618; NBM 34, no. 50 (Dec. 9, 1880): 398; NZfM 76, no. 51 (Dec. 10, 1880): 541.

Berlin, December 4, 1880 Hochschule für Musik; Joseph Joachim, cond. Schumann, Symphony No. 2; Ein deutsches Requiem Musik-Welt 1, no. 8 (Dec. 11, 1880): 100; MW 11, no. 51 (Dec. 10, 1880): 607, no. 52 (Dec. 21, 1880): 617, MW 12, no. 2 (Jan. 6, 1881): 17, 20; NZfM 76, no. 52 (Dec. 17, 1880): 549; Signale 39, no. 2 (Jan. 1881): 26.

1881

Barmen (Wuppertal), 1881 Singverein Festschrift zum Jubiläumsjahr 1936 . . . Städtischer Singverein Barmen, 99.

The Hague, February 8, 1881 Maatschappij tot Bevordering der Toonkunst (Society for the Advancement of Music); August Seiffert, cond. Ein deutsches Requiem; Schubert, orch. J. A. van Eyken, Mirjams Siegesgesang; Max Bruch, Schön Ellen Caecilia 38, no. 4–5 (Feb. 15, 1881): 37.

Strassburg (Strasbourg), February 9, 1881, Église St-Pierre-le-vieux Städtische Chor und Orchester; Franz Stockhausen, cond. Honegger, 38.

Rostock, February 16, 1881 Singakademie; Hermann Kretzschmar, cond. Carl Reinecke, In memoriam; Bach, Ich habe genug; Ein deutsches Requiem MW 12, no. 9 (Feb. 23, 1881): 111, no. 13 (March 24, 1881): 160.

Strassburg (Strasbourg), February 16, 1881 Städtische Chor und Orchester; Franz Stockhausen, cond. Cherubini, Der Wasserträger: Overture; Mendelssohn, Elijah: duet; Ein deutsches Requiem MC 1, no. 8 (Feb. 25, 1881): 84, 86; MW 12, no. 10 (March 3, 1881): 124, no. 14 (March 31, 1881): 173; NZfM 77, no. 18 (April 29, 1881): 194; Signale 39, no. 22 (March 1881): 347.

Neustrelitz, February 24, 1881 Singakademie; August Klughardt, cond. Ein deutsches Requiem: 1, 2, 4; Cherubini, Requiem MW 12, no. 11 (March 10, 1881): 135, no. 17 (April 21, 1881): 210.

Graz, March 13, 1881 Singverein Grazer Volksblatt, March 12, 1881.

London, April 6, 1881, St. James’s Hall The Bach Choir; Otto Goldschmidt, cond. Bach, Sanctus in D; Handel, Alexander’s Feast; Ein deutsches Requiem Keen, 209; The Morning Post, April 7, 1881; The Standard, April 12, 1881; MMR 11 (May 1, 1881): 87; The Musical Standard 20 (April 16, 1881): 246; MT 22 (May 1, 1881): 244; The Musical World 59, no. 16 (April 16, 1881): 242–43.

Copenhagen, April 15, 1881, Schlosskirche (Good Friday) Koncertforening (Concertverein); Otto Malling, cond. La Renaissance musicale 1, no. 10 (May 8, 1881): 10; AmZ 16, no. 20 (May 18, 1881): 318; MC 1, no. 16 (April 21, 1881): 164, no. 20 (May 19, 1881): 201; MW 12, no. 21 (May 19, 1881): 263; NZfM 77, no. 18 (April 29, 1881): 191.

Frankfurt am Main, April 15, 1881 (Good Friday) Cäcilien-Verein; Carl Müller, cond. Bach, Gottes Zeit ist die allerbeste Zeit; Bach, Komm, Jesu, komm; Ein deutsches Requiem Hundert Jahre Cäcilien-Verein, 37; NZfM 77, no. 36 (Sept. 2, 1881): 368; Signale 39, no. 34 (April 1881): 538.

Mannheim, April 15, 1881 (Good Friday) Musikverein Schlage, 91.

Helsingfors (Helsinki), May 10, 1881 Gesangverein; Richard Faltin, cond. MW 12, no. 24 (June 9, 1881): 293, no. 28 (July 7, 1881): 341.

Elbing (Elbląg), June 3, 1881, Marienkirche Kirchenchor; Robert Theodor Odenwald, cond. Festpräludium; Grieg, Foran sydens kloster; Ein deutsches Requiem AmZ 16, no. 39 (Sept. 28, 1881): 622; MC 1, no. 41 (Oct. 13, 1881): 368; NZfM 77, no. 25 (June 17, 1881): 268.

Quedlinburg, September 28, 1881, Blasiikirche Kohl’sche Gesangverein; Kohl, cond. MW 12, no. 42 (Oct. 13, 1881): 498, no. 43 (Oct. 20, 1881): 511; NBM 35, no. 40 (Oct. 6, 1881): 318; NZfM 77, no. 41 (Oct. 7, 1881): 418; Signale 39, no. 65 (Nov. 1881): 1034.

Dresden, November 20, 1881, Johanniskirche (Todtenfest) Ein deutsches Requiem: 1, 4, 5 MW 13, no. 9 (Feb. 23, 1882): 104.

Elbing (Elbląg), November 20, 1881 (Todtenfest) Kirchenchor; Robert Theodor Odenwald, cond. MC 1, no. 45 (Nov. 10, 1881): 411.

Meiningen, November 20, 1881 (Todtenfest) For the benefit of the private widows and orphans fund Hofkapelle; Hilpert’sche Chorgesangverein; Hans von Bülow, cond. Ein deutsches Requiem; Beethoven, Symphony No. 5 BB, 17:23n2; MW 12, no. 48 (Nov. 24, 1881): 572, no. 51 (Dec. 15, 1881): 618, MW 13, no. 5 (Jan. 26, 1882): 58; NBM 35, no. 48 (Dec. 1, 1881): 381; NZfM 77, no. 48 (Nov. 25, 1881): 491, no. 49 (Dec. 2, 1881): 504, no. 52 (Dec. 23, 1881): 540; Signale 39, no. 70 (Nov. 1881): 1114.

Jena, December 12, 1881 Akademische Gesangverein; Ernst Naumann, cond. Gluck, De profundis; Ferdinand Hiller, Saul: O du, den meine Seele liebet; Mendelssohn, Entsagung; Ein deutsches Requiem MC 1, no. 48 (Dec. 1, 1881): 446; MW 12, no. 52 (Dec. 22, 1881): 630, MW 13, no. 5 (Jan. 26, 1882): 58; NZfM 78, no. 1 (Jan. 1, 1882): 8; Urania 39, no. 1 (1882): 15.

Innsbruck, December 13, 1881, Großer Redoutensaale Musikverein; Josef Pembaur Sr., cond. Gluck, Iphigenia in Aulis: Overture; Ein deutsches Requiem Bote für Tirol und Vorarlberg, Dec. 12 and 14, 1881; Innsbrucker Nachrichten, Dec. 10, 1881; MW 13, no. 2 (Jan. 5, 1882): 22, no. 8 (Feb. 16, 1882): 91.

Innsbruck, December 18, 1881, Universitätskirche Benefit for the victims of the fire at the Ring Theatre in Vienna, Dec. 8 Musikverein; Josef Pembaur Sr., cond. Gluck, Iphigenia in Aulis: Overture; Ein deutsches Requiem Bote für Tirol und Vorarlberg, Dec. 14 and 17, 1881; Innsbrucker Nachrichten, Dec. 19 and 20, 1881; NBM 36, no. 1 (Jan. 5, 1882): 7.

The Hague, December 20, 1881 Memorial to Prince Frederik of the Netherlands Koninklijke Zangvereeniging Cecilia (Royal Singing Society “Cecilia”); Richard Hol, cond. Beethoven, Symphony No. 3; Ein deutsches Requiem Caecilia 39, no. 1 (Jan. 1, 1882): 4–5, 8.

1882

Kiel, January 28, 1882 Gesangverein; Hermann Stange, cond. Mendelssohn, St. Paul: Overture; Mendelssohn, Elijah: the widow scene with the chorus “Wohl dem, der den Herrn fürchtet”; Ein deutsches Requiem MW 13, no. 7 (Feb. 9, 1882): 78, no. 11 (March 9, 1882): 128, no. 32 (Aug. 3, 1882): 372–73; NZfM 78, no. 16 (April 14, 1882): 174.

Würzburg, March 11, 1882, Königliche Musikschule Königliche Musikschule; Karl Kliebert, cond. MC 2, no. 35 (Aug. 31, 1882): 330; MW 13, no. 13 (March 23, 1882): 152; NZfM 78, no. 14 (March 31, 1882): 150.

Bern, April 2, 1882 (Palm Sunday) Cäcilienverein; Adolf Reichel, cond. Ehrismann, 197–98.

Bern, April 4, 1882 (Tuesday of Holy Week) Cäcilienverein; Adolf Reichel, cond. Ehrismann, 197–98.

Münster, April 4, 1882 (Tuesday of Holy Week) Musikverein; Julius Otto Grimm, cond. Beethoven, Symphony No. 4; Ein deutsches Requiem Program: Stadtarchiv Münster. Münsterischer Anzeiger, April 3, 1882; MW 13, no. 17 (April 20, 1882): 200, no. 21 (May 18, 1882): 252.

Weimar, April 6, 1882, Schlosscapelle (Maundy Thursday) Singakademie; Carl Müller-Hartung, cond. NZfM 78, no. 20 (May 12, 1882): 215.

Hamburg, April 7, 1882, Stadttheater (Good Friday) (Brahms conducting) Bach-Gesellschaft; Stadttheater Orchester; Adolf Mehrkens, cond. Méhul, Joseph: Overture; Schubert, Lazarus: aria; Handel, Samson: Kommt, all’ ihr Seraphim; Méhul, Joseph: recitative and aria; Mendelssohn, Elijah: Höre, Israel; Ein deutsches Requiem Feldtmann, 50–55; Hofmann and Hofmann, 213; AmZ 17, no. 15 (April 12, 1882): 236–38; MC 2, no. 20 (May 18, 1882): 201; MW 13, no. 18 (April 27, 1882): 210, no. 21 (May 18, 1882): 245, no. 22 (May 25, 1882): 264; NZfM 78, no. 24 (June 9, 1882): 261; Signale 40, no. 35 (May 1882): 548.

Königsberg (Kaliningrad), April 7, 1882 (Good Friday) Musikalische Akademie; Heinrich Julius Laudien, cond. MC 2, no. 16 (April 20, 1882): 168; MW 13, no. 19 (May 4, 1882): 224, no. 23 (June 1, 1882): 273, no. 33 (Aug. 10, 1882): 385; NBM 36, no. 17 (April 27, 1882): 134; NZfM 78, no. 26 (June 23, 1882): 284; Signale 40, no. 29 (April 1882): 453–54, 461.

Meiningen, April 7, 1882 (Good Friday) Hofkapelle; Franz Mannstädt, cond. BB, 17:72n4.

Utrecht, April 20, 1882 Maatschappij tot Bevordering der Toonkunst (Society for the Advancement of Music); Richard Hol, cond. Beethoven, Symphony No. 3; Ein deutsches Requiem Het nieuws van den dag: kleine courant, April 15, 1882; Caecilia 39, no. 14 (June 15, 1882): 124; MW 13, no. 19 (May 4, 1882): 224, no. 23 (June 1, 1882): 273.

Wismar, April 20, 1882 Musikverein MC 2, no. 18 (May 4, 1882): 186.

London, May 15, 1882, St. James’s Hall Hans Richter, cond. Dvořák, Symphony No. 6; Benjamin Godard, Concerto romantique [scheduled but not performed]; Bach, Sonata for Solo Violin in C major, BWV 1005: Prelude and Fugue [substituted for Godard]; Weber, Der Freischütz: Softly sighs; Ein deutsches Requiem The Athenaeum, May 20, 1882; The Era, May 20. 1882; The Standard, May 17, 1882; MT 23 (June 1, 1882): 326; The Musical World 60, no. 20 (May 20, 1882): 306; MC 2, no. 22 (June 1, 1882): 221; NZfM 78, no. 23 (June 2, 1882): 251; Signale 40, no. 37 (June 1882): 580.

Brussels, August 21, 1882, Palais des Beaux Arts Nouvelle Société de Musique de Bruxelles; Henri Warnots, cond. Gluck, Iphigenia en Aulide: Overture; Ein deutsches Requiem Haine, 245–47, 275; Le Guide musical 28, no. 33 (Aug. 17, 1882): 205–6, no. 34 (Aug. 24 and 31, 1882): 210–11; MT 23 (Sept. 1, 1882): 497; NBM 36, no. 36 (Sept. 7, 1882): 287; NZfM 78, no. 36 (Sept. 1, 1882): 385, no. 39 (Sept. 22, 1882): 416; La Renaissance musicale 2, no. 35 (Aug. 27, 1882): 278; Signale 40, no. 43 (Aug. 1882): 678.

Cottbus, November 26, 1882 (Todtensonntag) Schramke’sche Gesangverein; Hermann Schramke, cond. Mendelssohn, Lobgesang: Adagio religioso; Chopin, Funeral March (arr. for orch.); Hermann Schranke, Das ist ein köstlich Ding; Ein deutsches Requiem MW 13, no. 51 (Dec. 14, 1882): 608, MW 14, no. 4 (Jan. 18, 1883): 48; NBM 36, no. 49 (Dec. 7, 1882): 389–90; NZfM 78, no. 50 (Dec. 7, 1882): 546, NZfM 79, no. 5 (Jan. 26, 1883): 57; Signale 40, no. 66 (Dec. 1882): 1049.

Meiningen, November 26, 1882 (Todtensonntag) Hofkapelle; Franz Mannstädt, cond. all-Brahms program: Nänie, Ein deutsches Requiem, Symphony No. 1 BB, 17:72n4; MW 13, no. 52 (Dec. 21, 1882): 624, MW 14, no. 6 (Feb. 1, 1883): 75; Signale 40, no. 65 (Dec. 1882): 1035.

Hermannstadt (Sibiu), December 9, 1882 Musikverein; Ján Levoslav Bella, cond. MW 14, no. 2 (Jan. 4, 1883): 23, no. 6 (Feb. 1, 1883): 75; NZfM 79, no. 1 (Jan. 2, 1883): 10.

Supplement D

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Supplement D

Index of Performances by Cities

Aachen Brünn May 1, 1870 March 29, 1874 Altenburg April 26, 1874 September 22, 1877 Brunswick Altona May 30, 1875 November 28, 1876 Brussels Amsterdam August 21, 1882 January 18, 1876 Cambridge Barmen May 23, 1876 November 13, 1869 Celle 1881 May 9, 1875 Basel December 8, 1878 February 27, 1869 Chemnitz March 24, 1869 September 17, 1869 November 27, 1879 September 19, 1869 March 26, 1880 April 7, 1871 Berlin April 11, 1879 March 26, 1872 Cincinnati November 14, 1872 June 19, 1878 November 29, 1872 November 30, 1879 December 11, 1874 Cologne February 12, 1876 February 16, 1869 February 26, 1876 November 10, 1870 December 4, 1880 April 7, 1871 Bern April 14, 1876 April 2, 1882 January 18, 1879 April 4, 1882 January 13, 1880 Bielefeld Copenhagen April 8, 1873 April 15, 1881 May 22, 1873 Cottbus Bingen November 26, 1882 January 4, 1879 Darmstadt Bonn April 15, 1870 March 11, 1875 April 7, 1871 Bremen April 19, 1878 April 10, 1868 Dessau April 28, 1868 March 26, 1869 April 7, 1871 June 4, 1869 April 11, 1879 June 13, 1869 Breslau November 21, 1880 March 12, 1872 Dordrecht November 23, 1872 April 30, 1874 November 26, 1878 Dortmund April 19, 1878 55

Dresden Hainichen November 18, 1870 December 13, 1869 March 29, 1874 Halle November 14, 1878 June 18, 1872 November 22, 1878 November 23, 1872 November 20, 1881 November 21, 1874 Düsseldorf November 22, 1879 March 27, 1873 Hamburg Edinburgh March 23, 1869 May 29, 1877 March 26, 1872 Elberfeld April 2, 1880 March 1872 April 7, 1882 November 22, 1873 Hanover Elbing April 3, 1874 June 3, 1881 January 3, 1880 November 20, 1881 Helsinki Erfurt May 10, 1881 April 3, 1874 Hermannstadt May 18, 1876 December 9, 1882 Essen Hildesheim June 14, 1874 March 31, 1874 1880 1877 Frankfurt am Main Innsbruck April 21, 1873 November 30, 1875 November 11, 1874 December 13, 1881 November 29, 1878 December 18, 1881 May 14, 1879 Jena April 15, 1881 November 21, 1869 Gera December 12, 1881 March 22, 1875 Karlsruhe Giessen March 9, 1869 March 15, 1872 May 12, 1869 Glogau April 5, 1871 1877 April 26, 1876 Gloucester Kassel September 6, 1877 November 1, 1873 Gotha November 28, 1873 June 9, 1875 Kiel Göttingen January 28, 1882 March 9, 1876 Koblenz Graz November 3, 1869 March 12, 1876 March 29, 1870 March 19, 1876 Königsberg March 13, 1881 March 29, 1872 Haarlem April 3, 1874 December 12, 1876 April 14, 1876 Hague, The April 7, 1882 December 12, 1876 February 8, 1881 December 20, 1881 56

Krefeld Meiningen April 14, 1870 November 20, 1881 May 14, 1871 April 7, 1882 1875 November 26, 1882 1879 Meissen Leeds April 14, 1876 December 11, 1878 Minden Leiden May 9, 1879 June 10, 1875 May 10, 1879 June 3, 1878 Mönchen-Gladbach Leipzig 1879 February 18, 1869 Mosbach March 14, 1873 March 29, 1871 November 13, 1873 April 16, 1871 November 21, 1873 Munich November 24, 1876 March 10, 1872 November 19, 1880 July 31, 1875 Liegnitz Münster April 3, 1874 March 18, 1869 April 14, 1876 March 14, 1875 March 26, 1880 April 4, 1882 Löbau Neustrelitz March 14, 1879 February 24, 1881 London New York July 7, 1871 March 15, 1877 April 1, 1873 Oldenburg April 2, 1873 December 9, 1870 April 6, 1876 April 23, 1877 March 16, 1880 Paris June 19, 1880 March 26, 1875 April 6, 1881 Pest May 15, 1882 1870 Lübeck Plauen im Vogtland March 29, 1872 October 30, 1876 1872 Posen April 11, 1873 February 26, 1875 1877 May 9, 1875 Lüneburg Prague April 5, 1877 March 27, 1877 Magdeburg March 23, 1880 November 21, 1869 Prenzlau November 22, 1874 April 9, 1875 November 21, 1880 September 28, 1875 Manchester Quedlinburg November 26, 1874 September 28, 1881 1880 Mannheim Riga March 29, 1872 March 29, 1872 April 14, 1876 April 11, 1873 April 15, 1881 57

Rostock The Hague. See Hague, The November 28, 1878 Utrecht December 10, 1878 March 17, 1871 February 16, 1881 June 7, 1872 Rotterdam April 20, 1882 January 29, 1875 Vienna Schaffhausen December 1, 1867 June 9, 1878 March 5, 1871 Schneeberg February 28, 1875 October 29, 1876 November 2, 1879 St. Petersburg November 3, 1879 March 21, 1872 Weimar May 1872 March 25, 1869 December 16, 1875 March 28, 1869 1876 March 28, 1872 Stettin April 6, 1882 January 15, 1878 Wiesbaden Stralsund 1871 November 26, 1871 April 12, 1873 April 3, 1874 Wismar April 19, 1878 April 20, 1882 Strassburg Würzburg February 9, 1881 March 11, 1882 February 16, 1881 Zurich Stuttgart March 26, 1869 October 31, 1871 March 28, 1869 1872