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The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and infomation derived from it should be acknowledged.

The Music of Sir Alexander Campbell Mackenzie (1847-1935): A Critical Study

Duncan James Barker

A thesis submitted for the degree of Doctor of Philosophy (Ph.D.)

Music Department University of Durham

1999

Volume 2 of 2

23 AUG 1999 Contents

Volume 2 Appendix 1: Biographical Timeline 246 Appendix 2: The Mackenzie Family Tree 257 Appendix 3: A Catalogue of Works 260 by Alexander Campbell Mackenzie

List of Manuscript Sources 396 Bibliography 399 Appendix 1: Biographical Timeline

Appendix 1: Biographical Timeline

NOTE: The following timeline, detailing the main biographical events of Mackenzie's life, has been constructed from the composer's autobiography, A Musician's Narrative, and various interviews published during his lifetime. It has been verified with reference to information found in The Musical Times and other similar sources. Although not fully comprehensive, the timeline should provide the reader with a useful chronological survey of Mackenzie's career as a musician and composer.

ABBREVIATIONS: ACM Alexander Campbell Mackenzie MT The Musical Times RAM

1847 Born 22 August, 22 Nelson Street, . 1856 ACM travels to with his father and the of the Theatre Royal, Edinburgh, and visits and the Thames Tunnel. 1857 Alexander Mackenzie admits to ill health and plans for ACM's education (July). ACM and his father travel to in August: Edinburgh to Hamburg (by boat), then to Hildesheim (by rail) and Schwarzburg-Sondershausen (by Schnellpost). His father visits Alexis Bad for a few weeks to receive medical treatment. ACM lodges with the Bartel family in Sondershausen. Alexander Mackenzie dies within a fortnight of his return to Edinburgh (7/10? October 1857) and his death is reported in The Scotsman on 12 October. August Bartel becomes ACM's mentor in Germany; Oberlehrer Haesler is the schoolmaster to the ducal orchestra; Conzertmeister Wilhelm Uhlrich is ACM's master at the court orchestra; the Kappellmeister is Eduard Stein. 1859 ACM takes a trip to Hamburg en route to a month at home in Edinburgh during the summer. He returns through Holland (Rotterdam).

246 Appendix 1: Biographical Timeline

1860 ACM meets a friend and his aunt in . He suffers from gastric 'flu on his return to Sondershausen. 1861 ACM attends performances of Tannheiuser and . Liszt visits Sondershausen from to hear . 1862 Performances are given in Sondershausen of Offenbach's Orphèe, , Liszt's (the last piece which ACM performs there) and the Prelude to Tristan. ACM's Festmarsch is scored by Stein and performed by the orchestra before he leaves Germany. ACM returns to London. He visits Manns at the Crystal Palace, then approaches Sainton for lessons and enrols at the RAM on his advice. He is taught by and Sainton, lodging initially at Walworth with family friends. He wins the King's Scholarship on 23 December (Agnes Zimmermann is elected to the scholarship at the same time). 1864 ACM is engaged to play in the orchestra at the Festival under Costa. His early choral work, A fragment from Moore 's La/la Rookh, is performed at RAM concert (17 December, according to interview in MT, 1898). 1865 ACM leaves the RAM in London and moves back to family home at 41 Heriot Row, Edinburgh. He is engaged as a violinist for the Triennial Handel Festival at the Crystal Palace under Costa. During his time in Edinburgh, ACM establishes and performs in the Classical Chamber Concerts with William Adlington (Paterson & Sons); he conducts The Scottish Vocal Association and a large Tonic Sol-fa Society; he teaches at The Ladies' College (one of the Merchants' schools) and the Church of Scotland Normal School Training College. 1867 ACM is engaged as a violinist for the Birmingham Festival under Costa. 1870 On 1 October, ACM is appointed Precentor of St George's Church, Charlotte Square. ACM is again engaged for the Birmingham Festival. 1873 November, ACM is elected conductor of the Scottish Vocal Association. ACM is again engaged for the Birmingham Festival.

247 Appendix I: Biographical Timeline

1874 On 28 July ACM marries Mary Malina Burnside. They settle at 2 Darnaway Street, almost opposite the Mackenzie family home in Heriot Row. 1875 ACM travels to Sondershausen with a group of Dtisseldorfers and Friedrich Niecks. On the return journey he hears Die Meistersinger at Munich. Billow visits Edinburgh. He seeks out ACM, having seen the proofs of his Piano Quartet at the offices of the publisher C. F. Kahnt in . The Piano Quartet is performed at St George's Hall, London, by William Coenen (4 March). 1876 ACM's orchestral Overture to a Comedy is performed in Dusseldorf by Tausch. 1877 Billow is engaged as the conductor of the Choral Union Concerts, of which the orchestra visits Edinburgh each week. The orchestra performs ACM's orchestral work, Cervantes. Billow persuades ACM to conduct for the first time and in order to do so he borrows a dress suit from the Glasgow critic, Stillie. 1878 On 25 January Billow performs ACM's Piano Quartet in Hanover. ACM's Scherzo for orchestra is produced at the Crystal Palace on 18 October, under Tausch in Glasgow on 20 November' and under Mackenzie in Edinburgh on 2 December. 1879 ACM [probably] meets in Edinburgh. ACM is advised by doctors to take a rest-cure abroad. He has to choose between Italy and Australia. ACM and his family leave for Italy (on Billow's advice) for eight months to recuperate from illness and rest from public engagements. He is recommended to the care of Billow's pupils, Buonamici and George F. Hatton, in Florence. At first they rent an apartment near to the Teatro dell Pergola and soon move to the mezzanino beneath the Hillebrands (Billow's friends) on the Via de Tornabuoni at the end of the Lung'Arno Nuovo. 1880 The Rhapsodie tcossaise is performed under Manns in Edinburgh on 5 January. ACM works on 'Burns': Second Scottish Rhapsodie in Florence and finishes the score on 26 September. The initial finale of the work is returned by Manns as 'much too wild' and ACM supplies another movement.

'Walter Stock recorded that this performance was conducted by Jansen (see MS catalogue in the RAM library).

248 Appendix 1: Biographical Timeline

ACM spends a month at Innsbruck, , where he completes The Bride and offers it for publication to Novello & Co. 1881 'Burns': Second Scottish Rhapsodic is premiered by Maims in Glasgow (January) and at the Crystal Palace (March). ACM decides to move to Florence on a permanent basis. He returns to Scotland in order to make suitable arrangements in his business affairs. The Bride is performed at the Worcester Festival under ACM. is in the orchestra. 1882 Jason is performed at Bristol under Halle (19 October). The orchestra and chorus are seriously under-rehearsed. ACM stays with the Littleton family in Sydenham. 1883 Colomba is premiered at Drury Lane Theatre (9 April) and taken on a tour of Great Britain and Ireland by the Company. The orchestral ballad La belle dame sans merci is written at the request of the Philharmonic Society during ACM's stay with the Littletons. The work is performed by the Philharmonic under ACM on 9 May before he leaves London. ACM is approached by C. L. Dodgson (Lewis Carroll) to collaborate on an opera based on the popular Alice stories. The project is abandoned because Dodgson failed to write the libretto. ACM visits with Alfred Littleton and Carl Rosa and attends a performance of Lakme. ACM is elected a Fellow of the Royal Academy of Music. 1884 ACM meets Emma Nevada in Paris on the way to London and asks her to sing extracts from the part of the Sulanite in The Rose of Sharon. The Rose of Sharon is premiered at the Norwich Festival (16 October) to huge success. A subsequent performance takes place in London (22 November). ACM visits Davison (music critic) at Margate after the Norwich Festival. Following a performance of Colomba at the Court Theatre (29 April), ACM is awarded the Gold Medal for Art and Science, Hesse-Darmstadt. 1885 ACM meets Liszt at a dinner party given by the Hillebrands in Florence on 24 January. There is an outbreak of cholera in Italy during the summer months. ACM and his family spend the summer at the castle in Borgo alla Collina, near Florence.

249 Appendix I: Biographical Timeline

Sarasate premieres the at the Birmingham Festival (26 August). ACM is made the conductor of the reinstated Novello Concerts (1869— 75) and moves to Sydenham. He is made an Honorary Member of the Glasgow Society of Musicians. 1886 Liszt visits London (3 April) for a fortnight and stays with the Littletons at Westwood House in Sydenham. St Elizabeth is produced at St James's Hall (5 April) and at the Crystal Palace (17 April). The Troubadour is premiered at Drury Lane Theatre (8 June) and is given two performances. The Austrian music critic, Eduard Hanslick, visits London and attends performance of The Troubadour as well as other concerts. ACM is awarded an honorary MusD by the University of St Andrew's and dedicates The Story of Sayid to the University Senate. The Story of Sayid is produced at the Festival (13 October). 1887 A Jubilee Ode is commissioned by the Crystal Palace and performed there under Manns and around the Empire on 22 June. Randegger takes over from ACM as conductor of the Novello Choir. ACM and his family return to Florence. The summer months are passed in Ver sur Mer in Calvados, . Sir George Macfarren dies on 31 October. Before a new Principal of the RAM is elected the duties are shared between Walter Macfarren, Prosper Sainton and Charles Steggall. 1888 ACM is elected Principal of the Royal Academy of Music on 22 February. The other candidates were and Walter Macfarren. On the day of the election ACM conducts the Novello Choir in a performance of Sullivan's Golden Legend. The Mackenzies move to Dunedin House, Sydenham, near Grove, the Littletons and Charles Ainsley Barry ('C. A. B.'). More permanent accommodation is soon found at 15 Regent's Park Road, NW. Ode: The New Covenant to words by Buchanan is performed at the Glasgow International Exhibition (8 May). Overture to Shakespeare's Comedy, Twelfth Night is performed by Richter (4 June).

250 Appendix 1: Biographical Timeline

Three of the Six Violin Pieces, Op. 37, are played by Lady Halle at the Pops (12 November). ACM arranges the Benedictus for small orchestra over the summer. ACM is awarded an honorary MusD degree by Cambridge University. Stanford is granted the same degree at the ceremony. ACM conducts Parry's Judith with the Novello Choir at St James's Hall and the Crystal Palace (6 and 15 December). 1889 The Dream of Jubal is performed at the Liverpool Philharmonic Society's Jubilee Concert (5 February), with Charles Fry as the reciter. ACM, Grove and Parry found the Associated Board of the Royal Schools of Music despite opposition from professors at both the RAM and the RCM. A month before his death in Paris, Carl Rosa suggests that ACM should rewrite the finale of Act III of Colomba with a view to an immediate revival of the opera which never took place. The Pibroch, suite for violin and orchestra, is performed by Sarasate at the Leeds Festival (10 October). The Cotter's Saturday Night is produced by the Edinburgh Choral Union (?16 December). ACM publishes and edits his father's The National Dance Music of Scotland. ACM becomes the first President and founder member of the RAM Club. 1890 ACM appoints as Curator of the RAM. This move is attacked in the press. (ACM's other reforms of the RAM are carried through with the support of the younger professors, including Corder, Oscar Beringer, , Emile Sauret and Hans Wessley.) ACM's music to Ravenswood accompanies Irving's production of the Merivale play at the Lyceum (September 1890). The music is performed as a suite at the Norwich Festival (15 September). ACM is awarded an honorary Mus. Doc. degree by Edinburgh University. 1891 ACM's music to Marmion accompanies a production at the Theatre Royal, Glasgow (April). The cantata Veni, Creator Spiritus is performed at the Birmingham Festival (6 October).

251 Appendix 1: Biographical Timeline

1892 ACM is offered and accepts the conductorship of the Philharmonic Society. He holds the post for seven consecutive seasons till 1899. 1893 The first Philharmonic Concert under ACM takes place on 9 March. ACM meets Tchaikovslcy and performs his Symphony No. 4 at the Philharmonic. ACM attends the Cambridge Jubilee celebrating the 50th anniversary of the CUMS. Honorary degrees are given to Boito, Saint-Saens, Bruch, and Tchaikovsky. At a celebratory dinner in King's College, ACM gives a speech on behalf of the absent Sullivan. ACM is created a Member of the Order of Art and Sciences, Saxe-Coburg and Gotha and Pencerdd Alban' in Wales. 1894 Billow dies in Cairo (January). ACM gives the British premiere of Tchaikovsky's Pathetique at the Philharmonic on 28 February; this is repeated on 14 March. The oratorio Bethlehem is performed at the Albert Hall by the Royal Choral Society (12 April). The 70th anniversary of the RAM celebrated (2 years late); the overture, Britannia, is performed at the Commemoration Concert (?17 May). 1895 ACM is created a Knight Bachelor of Great Britain. From the North: Three Scottish Pieces for Orchestra are performed by the Philharmonic Society (3 April). Hall6 dies; ACM takes over his last concerts in , Leeds and Liverpool. 1896 ACM is attacked in the press, principally by The London Figaro (16 January). An apology appears in on 6 February, but ACM sues the papers before the Lord Chief Justice and a special jury on 30 July, winning damages. The incident affects ACM's health adversely. Barnby dies within four months of Halle. ACM is asked to take over his duties at the Royal Albert Hall for the rest of the season and initially refuses until a concert is respectfully moved from the day of Barnby's funeral. is subsequently appointed permanent conductor. At Richter's suggestion, ACM persuades the Philharmonic Directors to adopt the lower pitch for tuning already in general use on the Continent.

252 Appendix I: Biographical Timeline

1897 Paderewski premieres the Scottish Concerto at a Philharmonic Concert. ACM's music accompanies a production of Barrie's The Little Minister at the Haymarket Theatre (6 November); ACM's daughter, Mary, plays Jean in this production. ACM's , His Majesty, or the Court of Vingolia, is produced at the (20 February). The music from the opera was performed at a RAM concert (24 March). 1898 ACM writes music for Irving's projected production of Manfred. ACM is made a Member of the Royal Swedish Academy. 1899 appears at a Philharmonic Concert to conduct Death and Transfiguration. ACM retires as the conductor of the Philharmonic Society and is succeeded by Frederic Cowen.

The Manfred music is first performed (nos. 2 & 3) as part of the London Musical Festival (12 May). 1900 Sir dies. 1901 ACM presents a series of lectures at the Royal Institution on the music of Sullivan. ACM's music accompanies Irving's production of Coriolanus at the Lyceum (15 April); the music is conducted at a concert by in London(?). ACM is awarded an honorary DCL by Glasgow University. 1902 The opera The Cricket on the Hearth is completed though it is not produced for twelve years. The librettist, Julian Sturgis, does not live to see the work performed. The Overture to the opera is given by the Philharmonic Society (2 July). The Coronation March is performed at the Alhambra Theatre, London (13 May). The Suite: London, Day by Day is premiered at the Norwich Festival (22 October). 1903 ACM undertakes a tour of Canada at the request of Dr Charles Harriss of Ottawa. This raises the profile of (British) music in the colony and musical groups are set up to cope with the gruelling round of concerts conducted by Mackenzie.

253 Appendix 1: Biographical Timeline

ACM is awarded an honorary DCL by McGill University, Canada, a Mus. Doc. by Toronto University and other Canadian honours. 1904 ACM composes his Canadian Rhapsody as a result of his tour the previous year. ACM is awarded an honorary LL. D. by Leeds University. The Witch's Daughter is performed at the Leeds Festival (5 October). 1905 The The Knights of the Road is produced at the Palace Theatre (27 February) as an attempt to stimulate interest in the genre on the music-hall stage. It was supported by Herman Finck's orchestra and ran for one month. The Canadian Rhapsody is performed by the Philharmonic (15 March). The Funeral March from Coriolanus played at Irving's funeral in Abbey (20 October); Mackenzie was one of the pall-bearers. 1907 The Suite for Violin, Op. 68, is commissioned by the Worshipful Company of Musicians, London, and, after a private hearing, is publicly premiered by at the Queen's Hall (18 February). 1909 The Third Congress of the Internationale Musik-Gesellschaft (International Music Society, IIVIS) is held in (May) as a celebration of Haydn's death and Mendelssohn's birth. Having recently been elected President of the IMS, ACM acted as president of the congress. Colomba is given a concert performance by students of the RAM (December). 1910 A ceremony is held for the laying of the foundation stone by Lord Strathcona of the new RAM buildings at Marylebone; ACM's partsong, My soul would drink those echoes, is first performed. ACM attends the Centenary Fetes (6-16 July) The Sun-god's Return is produced at the Cardiff Festival (21 September). The revised version of The Rose of Sharon is performed at the Alexandra Palace (5 November). 1911 The Sun-god's Return receives its Continental premiere in a German translation at the Vienna Singakademie (16 January), organised with the help of Eisner von Eisenhof. The Invocation for orchestra commissioned and performed by the Philharmonic Society for their centenary celebrations (21 March). La savannah, air de ballet for orchestra is performed at Bournemouth (6 April).

254 Appendix I: Biographical Timeline

The Fourth Congress of the Internationale Musik-Gesellschaft is held at the . British music and performers are promoted during the congress; ACM's Tam o' Shanter: Third Scottish Rhapsody is performed complete with bagpipe chanter. The Coronation of King takes place on 22 June. ACM's An English Joy-Peal is performed before the ceremony in . 1912 Having been delayed by the completion of the Duke's Hall, the postponed official opening of the RAM's new buildings takes place. HRH Prince Arthur presides in the absence of the RAM's President of 25 years, HRH Duke of Connaught and Strathearn. A revised, three-act version of Colomba by ACM and Claude Aveling is produced by the RCM Opera Class at His Majesty's Theatre under Stanford. 1913 ACM gives a spoken tribute to Saint-Saens at the Queen's Hall (2 June). ACM is made an Honorary Member of the Academia di S. Cecilia, Rome. 1914 Outbreak of War. The RAM loses most of its male students and younger professors to the armed forces. The Cricket on the Hearth is premiered in a student production at the RAM for six performances (6 June). 1917 Maimie (Mary) Mackenzie marries Marcel Mitzakis. 1918 dies; this loss deeply affects ACM. ACM is offered a Fellowship of the RCM, never before given to any non-student. 1919 ACM lectures on Parry's music at the Royal Institution. ACM reads the list of men killed for their country from the pulpit of Southwark Cathedral on behalf of the Incorporated Society of Musicians. A service is held at the Temple Church in memory of lost students from the music schools. Music is provided by the joint choirs of the RCM and Temple (under and Walford Davies). Parry's 'There is an old belief' from the Songs of Farewell is sung, violinists from the RAM play Corder's Elegy and ACM's Postlude: In Memoriam. 1922 The RAM celebrates its Centenary, the last public event in which ACM took a conspicuous part. A Thanksgiving Service is held in St Paul's and the celebrations end with a Pageant and Masque written by Louis N. Parker. ACM's

255 Appendix 1: Biographical Timeline

Overture, Youth, Sport, Loyalty is performed (20 July). ACM receives the honour of Knight Commander of the Victorian Order from the King. The Royal Philharmonic Society gives ACM the Gold Medal; his association with the Society dates from 1883. 1923 Sir James Dewar dies (April); ACM knew him through his devotion to the Royal Institution. 1924 The Eve of St John, to a libretto by , is given by the British National Opera Company at Liverpool (16 April). The Committee of the Carnegie Trust provided financial help with copyists' fees. ACM retires from the RAM and simultaneously names his successor as fellow countryman John Blackwood McEwen. ACM is given an honorary degree by the University of . 1925 Lady Mackenzie dies (October). 1927 ACM publishes A Musician's Narrative. 1928 Maimie officially divorces Mitzakis and returns to her maiden name, Mrs Mary Campbell Mackenzie. ACM is involved in motoring accident near his home on 25 June. He is left in state of severe shock and his mobility is impaired. 1929 ACM and Maimie move to 20, Taviton Street, Gordon Square (by May). 1933 ACM is presented with a silver plate engraved with facsimile signatures of many musicians and colleagues. 1935 Sir Alexander Campbell Mackenzie, K.C.V.O. dies at home on 28 April at the age of 87. His funeral is held on 2 May at St Marylebone Parish Church and he is buried in Golders Green cemetery. A well-attended Memorial Service is held at St Paul's Cathedral on 9 May. 1955 Death of Mary Campbell Mackenzie.

256 Appendix 2: The Mackenzie Family Tree

Appendix 2: The Mackenzie Family Tree

The following family tree is based primarily on a similar document supplied by Mrs Alison Selford, the great niece of Sir Alexander Campbell Mackenzie, and shows Mackenzie's relations on both sides of his family, whilst concentrating on his siblings. Most of the dates have been added by the author following research carried out at the Scottish Registry and City Library in Edinburgh. The family tree is only a working document and is therefore not as complete as it could be. The endnotes give supplementary information on the people who appear in the family tree.

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I-4 in •._., 00,_, I I c-4 9, .....j. ._ az cn s....., Le-) C•1 oo •..-. NI ,--1 tfl ..1 00 0 Il I, s.... Appendix 2: The Mackenzie Family Tree

' Of Banochrae or Balinbrig, Burgess of Perth. 2 Sister of John Anderson of the Foundry, Anderson's Place, Leith Walk. 3 Skinner and tanner, Cannon Mills, Edinburgh. 4 Born in Durham. Settled in Edinburgh in 1831. 5 Lace Merchant. 6 Portrait reproduced in A.C.Mackenzie's A Musician's Narrative (1927). 7 Married in Penicuik, 29 August 1843. 8 Musician and director of music at Edinburgh's Theatre Royal. 9 Married in Edinburgh, 4 June 1846. ° Married in Edinburgh, 5 November 1843. I I Seamstress in the employment of Mrs J. Mackenzie, proprieter of Campbell & Co.'s Lace Shop, 65 George Street, Edinburgh, until her marriage on 28 July, 1874. 12 Subject of this thesis. 13 Sometime actress. Reverted to her maiden name after her divorce from Mitzakis in the late 1910s, and adopted 'Campbell' as a middle name. 14 Also known as the novelist and writer Rebecca West, DBE.

259 Appendix 3: Catalogue of Works.

Appendix 3: A Catalogue of Works by Alexander Campbell Mackenzie

Section Page Notes 261 Abbreviations 263 A Choral Works 264 B Church Music 280 C Opera 284 D Theatre Music 294 E Concertos 299 F Orchestral Works 305 G Chamber Works 319 H Piano Solo 333 I Part-songs/Carols 341 J Solo Songs 354 K Recitations 383 L Miscellaneous Collections 385 M Books 386 N Articles 387 O Public Lectures 388 P Manuscripts in the RAM 390 Q Compositions by opus number 393 R List of Honours 395

260 Appendix 3: Catalogue of Works.

Notes: In general, the categories in this catalogue adhere to those given in J. C. Dibble, C. Hubert H. Parry: His Life and Music, (Oxford, 1992), Appendix 2. The information for each entry is taken from three main sources: Catalogue of Printed Music in the British Library; Walter H. Stock, ed., Alexander Campbell Mackenzie: Catalogue of Works (Library of the Royal Academy of Music, London: Unpublished Typewritten Manuscript, 1948); and the on-line catalogue of the RAM Library. Unless indicated otherwise with a conventional library siglum, manuscript scores are held in the Library of the Royal Academy of Music (GB-Lam), to which they were bequeathed in the year after his death by the composer's daughter, Miss Mary Campbell Mackenzie. Brief descriptions of manuscripts are only given where they are particularly interesting or relevant to the dating of a work, otherwise further details may be found in Music Collection of the Royal Academy of Music, London, Part Three, Microfilm reels 58-64, and 66, and the card catalogues in the RAM Library. Following the discussion in the main body of the thesis itself, the music described in the catalogue is sub-divided into different sections depending on genre, and, as far as is possible, within each section works are listed in chronological order, based on the date of composition rather than publication. One exception to this rule is Section J: Solo Songs; the first part of this section is a chronological list of song collections and songs allotted opus numbers by the composer, and the second part is a chronological list of songs published individually. Projected, incomplete or unproduced works are listed chronologically wherever possible within the relevant section. The Title of each work is as it appears on the published score or the main manuscript source, with preference given to the former. Any relevant subheadings are also included, for example, The Rose of Sharon, A dramatic oratorio. The Date refers to the date the composition was completed when this is available from manuscript sources or elsewhere. Any publication dates are given separately under the section headed Publication details, and where it has been impossible to ascertain the date of composition then the publication date is also used under the earlier heading. Opus numbers are taken from published and manuscript sources as well as lists of Mackenzie's output made by contemporary writers (such as those which appear in Grove2 and Grove3). The Instrumentation/Arrangement field gives brief details of performing

261 Appendix 3: Catalogue of Works. forces and, where possible, information has been included on the First Performance of a

• work, including subsequent performances where these are particularly noteworthy. Additional publications taken from Mackenzie's larger scores are listed under the Notes section of each entry, together with any interesting or relevant biographical details and cross-references. In the interests of economy, not every individual entry contains the same number of information fields and these vary according to the nature of the genre. However, care has been taken to provide as frill an entry for each work as is possible at the time of writing.

262 Appendix 3: Catalogue of Works.

Abbreviations: The abbreviations given below follow the style used by The New Grove.

MS(S) Manuscript(s) orch orchestra, orchestral Add. Additional Pf pianoforte C. circa org organ vs Vocal Score vn violin fs Full score vc violoncello No. Number str strings vol. volume arr. arranged/arrangement S [voice] acc. accompaniment, C accompanied by A Alto [voice] inc. incomplete T ACM Alexander Campbell B Mackenzie S, A, T, B solo voices MT The Musical Times SATB chorus .1VIN Mackenzie, A Musician's v voice Narrative (London, spkr speaker 1927)

263 Appendix 3: Catalogue of Works Section A: Choral Works

Section A: Choral Works

Title: Olympus in Babylon Date: No date Manuscript: MS 1191 (inc. sketches, short score) Librettist: Unknown Publication details: Unpublished Notes: The MS consists of sketches for a dramatic work, on one side of the paper only. The versos have crossed out excerpts of other works.

Title: A Fragment from Moore's 'LAN Rookh' Date: 1865 Manuscript: MS 1201 (chorus parts) MSS 1202 and 1203 (scores of 'It is this') MS 1223 (fs), dated at end, 'Fine 71 Stanhope St 26th Nov 1865.' Librettist: Thomas Moore Publication details: Unpublished Instrumentation: A, T, SATB, pf First Performance: Unknown. Possibly performed at the RAM while ACM was a student. Notes: This choral work is made up of four numbers: 1. Alto Solo, 2. Chorus, 3. Tenor Solo, 4. Chorus.

It is noted in the interview with ACM published in the MT, xxxix (1898), 369-74, that this work was performed at a RAM concert in December 1864.

For further details of 'It is this' see Seven partsongs, Op. 8 in Section I: Partsongs/Carols.

264 Appendix 3: Catalogue of Works Section A: Choral Works

Title: Ye righteous, in the Lord rejoice

Date: ?1865

Manuscript: MS 1224 (fs)

MS 1140 (fs); sketches of 3 pages for orch and chorus in ACM's father's notebook Librettist: Text from the Bible (Psalm 33) Publication details: Unpublished Instrumentation: S, A, B, SATB, orch Notes: This piece is an unfinished sacred choral work. There are three numbers extant: 1. Chorus: 'Ye righteous in the Lord Rejoice', 2. Recit. (A): 'Upon a ten string'd instrument Make ye sweet melody', Aria: Tor right is God's word, all his works are done in verity', 3. Duetto (S and B): 'The heavens by the word of God did their beginning take'.

Mackenzie has written on p. 48 of the MS: 'Evidently unfinished. I do

not remember what this piece is or when written ACM 1927. Probably at the RAM.'

265 Appendix 3: Catalogue of Works Section A: Choral Works

Title: The Bride Date: 1881 Opus: 25 Manuscript: MS 1112 (fs), dated at end, 'Fine June 22 1881, 1 South Charlotte St. Edinr.' Librettist: R. Hamerling Publication details: Novello; vs (1881), fs (1883); orch parts (?1883); tonic sol-fa version by W. G. McNaught (1885) Instrumentation: S, T, SATB, Orchestra Dedication: 'To his friend John Whitehead' First Performance: Tuesday evening, 6 September 1881, College Hall, Worcester [Three Choirs] Festival.

Anna Williams (soprano) Joseph Maas (tenor) Mackenzie (conductor) Leeds Festival Choir

Notes: The published fs was taken from the MS score. This work was initially drafted in piano/vocal score, now lost, before it was orchestrated.

Additional publications: - Now Dawneth the bright wedding morn (?1881)

266 Appendix 3: Catalogue of Works Section A: Choral Works

Title: Jason Date: 1882 Opus: 26 Manuscript: MS 1113 (fs), dated on f. 48r: 'Fine Marzo 25th 1881 Edinr.'; at end: 'Fine Dec 12th 1881, Florence' MS 1206 (sketch): 'Florence 1882' Librettist: William E. Grist Publication details: Novello; vs (1882), fs (1882) Instrumentation: S, T, Bar, SATB, Orchestra Dedication: None First Performance: Thursday evening, 19 October 1882, Colston Hall, Bristol Festival

Anna Williams (Medeia, soprano) (, tenor) (Jason, ) Mackenzie (conductor)

Notes: Additional publication: - Intermezzo. On the Waters, fs (1882), string parts (1882), pf 4 hands (1882)

267 Appendix 3: Catalogue of Works Section A: Choral Works

Title: The Rose of Sharon. A dramatic oratorio. Date: 1884; revised 1910 Opus: 30 Manuscript: MS 1114, dated at end, 'Fine Op. 30 Marzo 111884, 50 Lucy[?] A. C. Mackenzie' Librettist: , based on words from the Bible (The Song of Songs, The Book of Psalms, Isaiah) Publication details: Novello & Co.; vs (1884 twice; second time without epilogue), fs [without epilogue] (1884), tonic sol-fa (arr. W. G. McNaught) (1885), acc. arr. for pf or harmonium (K. Hall) (1886)

Revised edition: Novello; vs (1910), separate chorus parts (1910), tonic sol-fa (W. G. McNaught) (1911) Instrumentation: S, C, T, Bar, B, B, SATB, Orchestra Dedication: 'To her Imperial and Royal Highness, The Crown Princess of Germany. This work is, with her Imperial and Royal Highness's permission, dedicated by her Imperial and Royal Highness's most devoted humble servant, A. C. Mackenzie.' First Performances: Thursday Morning 16 October 1884, St Andrew's Hall, Norwich Festival

Emma Nevada (The Sulamite, soprano) Janet Patey (A Woman, contralto) Edward Lloyd (The Beloved, tenor) Charles Santley (Solomon, baritone) Herbert 'Thorndike (An Elder/An Officer of the Court, bass) Mackenzie (conductor)

Subsequent performance at Crystal Palace, London, 22 November 1884 with the Sacred Harmonic Society at which Emma Albani replaced Nevada who was indisposed.

Cont./

268 Appendix 3: Catalogue of Works Section A: Choral Works

First perfomances Revised version performed on 5 November 1910 by the Alexandra (Cont.) Palace Choral Society at the Alexandra Palace, London.

Esta d'Argo (The Sulamite, soprano) Gwladys Roberts (A Woman, contralto) Webster Millar (The Beloved, tenor) Joseph Farrington (Solomon, baritone) Reginald Gooud (An Elder/An Officer of the Court, bass) Allen Gill (conductor)

Notes: Additional publications: - Blessed is he that readeth. Choral Recit. and Chorus, Novello's Collection of Anthems, vol. xiv, No. 292 - For lo! the Winter is past. Air, (1884) - Hearken, 0 Lord. Anthem for Bass Solo and Chorus, vs MT (1885), tonic sol-fa (1885) - Intermezzo, arr. organ (J. E. West) (1904) - The Lord is my Shepherd. Air, (1884) - Make a Joyful Noise. Chorus, Novello's Collection of Anthems, vol. xiv, No. 290 - The Procession of the Ark, Op. 30: choral scene, vs (1901), tonic sol- fa (1886), tonic sol-fa (W. G. McNaught) (1901) - Sing, 0 Heavens. Anthem for Chorus and Quartet, Novello's Collection of Anthems, vol. xiv, No. 291 - We shall not hunger nor thirst. Quartet and Chorus, Novello's Collection of Anthems, No. 387

269 Appendix 3: Catalogue of Works Section A: Choral Works

Title: The Story of Sayid, a dramatic cantata Date: 1886 Opus: 34 Manuscript: GB-Lbm, Add. 65509 (fs) Librettist: Joseph Bennett Publication details: Novello, Ewer & Co; vs (1886), fs (1886) Instrumentation: S, T, T, Bar, Bar, SATB, orch Dedication: 'To the reverend and learned the members of the Senatus Academicus of the University of St Andrews this work is respectfully dedicated by Alexander Campbell Mackenzie, Mus. Doc., St And.' First Performance: Wednesday evening 13 October 1886, [Victoria Hall,] Leeds Festival

Emma Albani (limas, soprano) Barton McGucicin (Sayid, tenor) Watkin Mills (Sawa, baritone) Iver McKay (A Watchman, tenor) Dan Billington (A Horseman, baritone) Mackenzie (conductor)

Notes: Additional publications: - Solemn March, arr. organ (G. C. Martin) (1886) - Funeral March [Solemn March], arr. military band (Manuel Bilton), fs and parts (1897) - Sweet the balmy Days of Spring. Chorus, Novello's Collection of Trios, No. 203; sol-fa version, Novello's Tonic Sol-fa Series, No. 1105

270 Appendix 3: Catalogue of Works Section A: Choral Works

Title: The Lord of Life Date: c.1886-90 Opus: Manuscript: MS 1193 (sketch of fs entitled 'Miriam') MS 1286 (vs sketch entitled 'Moses') MS 1287 (fs sketch entitled 'Moses') Librettist: Joseph Bennett, after the Bible (Books of Moses) Publication details: Unpublished Instrumentation: Soli, SATB, orch Dedication: None First Performance: None Notes: This oratorio was never completed although Mackenzie seems to have worked on the project for a considerable time with Bennett. The work was intended to be a large oratorio for performance at the Birmingham Festival of 1888 and is mentioned in the MT as being currently in production (1 August 1886, 481). However, Mackenzie was released from his commission when the Birtningham Committee realised that it would be too much for their audience if the work were included on the same programme as Parry's Judith. The title, Lord of Life, is taken from the name given the work in letters between Mackenzie and Bennett.

271 Appendix 3: Catalogue of Works Section A: Choral Works

Title: A Jubilee Ode Date: 1887 Opus: 36 Manuscript: MS 1116 (fs); dated '1887' Librettist: Joseph Bennett Publication details: Novello, Ewer & Co.; vs (1887) Instrumentation: S, T, SATB, orch Dedication: None First Performance: 22 June 1887, Crystal Palace, London, and simultaneously in Canada, Australia, Trinidad, Cape Colony

London performance at which Mackenzie was present: Emma Albani (soprano) Edward Lloyd (tenor) August Matins (conductor) Orchestra and chorus numbered over 3000.

Notes: Additional publications: - Lord of Life. Prayer, Novello's Collection of Anthems, No. 566; tonic sol-fa version, Novello's Tonic Sol-fa Series, No. 959; published as Extra Musical Supplement to MT, 1 Jan 1897 -More than Crown ofMonarch Precious. Solo (1887)

272 Appendix 3: Catalogue of Works Section A: Choral Works

Title: The New Covenant, An Ode Date: 1888 Opus: 38 Manuscript: GB-Lbm, Add. 65510 (fs, only partly autograph) Librettist: Robert Buchanan Publication details: Novello, Ewer & Co.; vs (1888) Instrumentation: SATB, military band, organ Dedication: 'Written for the opening ceremony of the Glasgow International Festival, May, 1888.' First Performance: 8 May 1888, Glasgow International Exhibition, Mackenzie (conductor) Notes:

273 Appendix 3: Catalogue of Works Section A: Choral Works

Title: The Dream of Jubal, A Poem with Music Date: 1889 Opus: 41 Manuscript: MS 1118 (fs) MS 1196 (sketches) Librettist: Joseph Bennett Publication details: Novello, Ewer & Co.; vs (1889), tonic sol-fa [choruses only] (W. G. McNaught) (1897) Instrumentation: S, T, spkr, SATB, orch Dedication: [Written for the Liverpool Philharmonic Society's Jubilee, 18891 First Performance: 5 February 1889, Liverpool Philharmonic Society Concert.

Miss Macintyre (soprano) Edward Lloyd (tenor) Charles Fry (speaker) Mackenzie (conductor)

Notes: Additional publications: - Introduction and Melodrama, arr. organ (G. J. Bennett, organ transcriptions No. 1) (1905) - Weep for the glorious dead (funeral march and chorus), MT, vol. lvi (July 1915) - The Song of the Sickle. Tenor Solo (1924)

274 Appendix 3: Catalogue of Works Section A: Choral Works

Title: The Cotter's Saturday Night Date: 1889 Opus: 39 Manuscript: MS 1117 (fs); dated at end 'Sept 19th 1889 Penarth Cardiff' Librettist: Publication details: Novello, Ewer & Co.; vs (1889), tonic sol-fa (W. G. McNaught) (1892) Instrumentation: SATB, orch Dedication: None First Performance: Edinburgh Choral Union, ?16 December 1889, Edinburgh Notes: This was first offered to the Committee of the Leeds Festival in 1889 but was not accepted since they wanted to secure the incomplete Birmingham commission, The Lord of Life.e.

Title: Veni Creator Spiritus Date: 1891 Opus: 46 Manuscript: GB-Lbm, Add. 65511 (fs) Librettist: Paraphrased by John Dryden Publication details: Novello, Ewer & Co.; vs (1891) Instrumentation: [Optional solo quartet (SATB),] SATB, orch Dedication: None First Performance: Tuesday 6 October 1891, Town Hall, Birmingham Festival Richter (conductor) Notes:

275 Appendix 3: Catalogue of Works Section A: Choral Works

Title: Bethlehem, A Mystery Date: 1894 Opus: 49 Manuscript: MS 1119 (fs), two volumes. Vol. 1 dated 'Xmas Day 1892'; vol. 2 dated 'Fine September 1892. West Malvern' GB-Lcm Novello Collection Ms 5137a (fs, copyist) Librettist: Joseph Bennett Publication details: Novello, Ewer & Co.; vs (1894) Instrumentation: S, A, T, Bar, Bar, SATB, arch Dedication: None First Performance: 12 April 1894, Royal Choral Society, Albert Hall, London

Marian Mackenzie (soprano) Ella Russell (contralto) Barton McGuckin (tenor) [replacing Edward Lloyd at last minute] Arthur Barlow (baritone) (baritone) Mackenzie (conductor) Joseph Barnby (chorus master)

Notes: Additional publications: - 0 holy Babel Christmas Anthem for Soprano Solo and Chorus, MT (?1897), Novello's Tonic Sol-fa Series, No. 1002

276 Appendix 3: Catalogue of Works Section A: Choral Works

Title: The Witch's Daughter Date: 1904 Opus: 66 Manuscript: MS 1121 (fs), dated: 'Fine March 1904 15 Regent's Park Road, ACM.' Librettist: John Greenleaf Whittier Publication details: Novello & Co.; vs (1904), string parts (1904), chorus parts (1904) Instrumentation: S, Bar, SATB, orch Dedication: None First Performance: 5 October 1904 [Victoria Hall?] Leeds Festival

Mdme Sobrino (soprano) David Ffrangcon-Davies (baritone) Mackenzie (conductor)

Notes:

277 Appendix 3: Catalogue of Works Section A: Choral Works

Title: The Sun-God's Return Date: 1910 Opus: 69 Manuscript: MS 1122 (fs), dated at end of scene 1 (p. 34): 'Aug 1908'; at end of score: 'Finished May 27th 1908. 15 Regent's Park Road NW.' MS 1147 (fs) Librettist: Joseph Bennett Publication details: Bosworth & Co.; vs under English and German title (Des Sonnengotts Heimkehr, 1910) Instrumentation: S, C, T, SATB, orch Dedication: None First Performance: 21 September 1910, Cardiff Festival

Miss Perceval Allen (Friga, soprano) Dilys Jones (Queen, contralto) Walter Hyde (Hermodur, tenor) Mackenzie (conductor)

Notes: Subsequent performances: 17 November 1910 Sheffield; Vienna Singakademie 16 January 1911.

Orchestral material held in the RAM Orchestral Library.

278 Appendix 3: Catalogue of Works Section A: Choral Works

Title: The Temptation Date: c.1909-14 Opus: Manuscript: GB-Lbm, Add. 65517 (draft vs & fs) GB-Lbm, Add. 65518 (fs, part of scene 1) GB-Lbm, Add. 65519 (libretti, seven full versions and partial drafts) Librettist: Alfred Lyttelton and Mackenzie, after Milton, Paradise Regained Publication details: Unpublished Instrumentation: Soli, SATB, orch Dedication: None First Performance: None Notes: Incomplete. See Mackenzie, MN, p. 243-4.

279 Appendix 3: Catalogue of Works Section B: Church Music

Section B: Church Music

Title: The Lord is Gracious (Psalm 165) Date: 1870 Manuscript: MS 1221; dated 'Dec 5th 1870 ACM' Publication details: [Not known] Arrangement: SATB and kybd accomp. Notes: Full anthem. Two printed pages are inserted in the MS, on one of them is written, 'Compressed [?] version but where published I do not know ACM 1927'.

Collective title: Three Anthems Anthem titles: 1. I will lay me down in Peace (Psalm iv. 9) 2. The Lord gave and the Lord hath taken away (Job i.21) 3. The Blessing of the Lord, it maketh rich (Proverbs x. 22, 24) Date: 1876 Opus: 19 Publication details: Novello (1876).

1.Novello's Tonic Sol-fa Series, No. 2220; MT, vol. xxi, September 1880, 453 2. Novello's Collection of Anthems, vol. x, No. 193 3. Novello's Collection of Anthems, vol. x, No. 194 Arrangement: SATB and kybd/organ acc. Notes:

280 Appendix 3: Catalogue of Works Section B: Church Music

Title: On Christmas Morn Date: 1892 Poet: G. Weatherby Manuscript: Publication details: Novello (1892); Novello's Christmas Carols, No. 224 Arrangement: SATB and kybd accomp. Notes: Published in MT, vol. xxxiii, November (1892), together with carols by Barnby, Martin, and Stainer.

Title: Christmas Carol: A Christmas Morn Date: 1893 Manuscript: Publication details: Cocks & Co. (1893). R. Cock's & Co.'s Christmas Carols, No. 2 Arrangement: SATB Notes: Text: 'An angel came to Bethlehem'

Title: Joy fills our inmost Heart (Noel) Date: 1894 Poet: W. C. Dix Manuscript: Publication details: Novello (1894); Novello's Christmas Carols, No. 220 Arrangement: ?SATB Notes:

281 Appendix 3: Catalogue of Works Section B: Church Music

Title: Blessing and Grace (St Andrews) Date: 1896 Manuscript: St Andrews University Library msLF1119.G8 and G8C6, dated at end: 'Aug. 20th 1896, Park Farm Northwood, ACM' Publication details: Unpublished Arrangement: SATB Notes: ACM's correspondence about this with Sir Peter Scott Lang is held by St Andrews University Library.

Title: From the deep heart of our people, Hymn Date: 1897 Poet: W. St. H. Bowie Manuscript: Publication details: Novello (1897); in Twelve hymns in honour of the Queen by various composers Arrangement: Dedication: [to ] Notes: To commemorate the Queen's long reign.

282 Appendix 3: Catalogue of Works Section B: Church Music

Title: Recessional — God of our fathers Date: 1901 Manuscript: MS 1253; dated 'ACM Dec 18 1901' Publication details: Unpublished Arrangement: Notes: Small piece of paper. Text: 'God of our fathers, known of old, Lord of our far flung battle line....'

Title: Amen Date: 1922 Manuscript: Publication details: ?Novello (1922) Arrangement: ?SATB First Performance: St Paul's Cathedral, 17 July 1922 Notes: Composed for RAM Centenary Celebrations, Service in St Paul's Cathedral.

283 Appendix 3: Catalogue of Works Section C: Opera

Section C: Opera

Title: Colomba. A lyrical drama in four acts Date: 1882-3 Revised: 1889 (Act 3 Finale); 1912 (condensed to 3 acts) Opus: 28 Manuscript: MS 1106 (fs, incorporating later revisions dated '1910') MS 1290 (sketches, vs) GB-Lcm Novello Collection MS 5137a (fs, copyist) Librettist: Francis Hueffer, after Prosper Merimêe; Revised by Claude Aveling (1912) Publication details: Novello; vs (1883), vs (German, trans. E. Frank) (1883) Revised version: Novello; vs (3rd edn, 1912) Instrumentation: Solists, SATB, orch Dedication: 'Written for, and produced by, the at the Theatre Royal, Drury Lane, on Monday evening, April 9, 1883.' (published vs) First Performances: Monday 9 April 1883, Carl Rosa Opera Company, Drury Lane Theatre, London

Henry Pope (Count) Barton McGuckin (Orso) Mr Novara (SaveIli) Mr Ludwig (Giuseppe Barracini) Wilfred Esmond (Antonio Barracini) Mr B. Davies (Sergeant) Alwina Valleria (Colomba) Mlle Baldi (Lydia) Clara Perry (Chilina) Ella Collins (Market Woman)

Augustus Harris (mise-en-scêne) Mackenzie (conductor) Cont./

284 Appendix 3: Catalogue of Works Section C: Opera

First performances Projected revival of 1883 version in 1889 (Cont.):

Revival performance of 1883 version: 11 December 1909, RAM Concert Hall, London (unstaged)

Revised version: 9 December 1912, His Majesty's Theatre, London

Percy Thomas (Count) George Macklin (Orso) William Green (SaveIli) Joseph Ireland (Giuseppe) Jacob Williamson (Antonio and Sergeant) Olive Sturgess (Colomba) Idwen Thomas (Lydia) Lillie Chip (Chilina) Clara Simons (Market Woman) Marjorie Hamilton (Peasant Girl)

Notes: Additional publications (instrumental): - Prelude, fs (1884), orchl parts (?1884), organ (arr. G. J. Bennett, Organ Transcriptions No. 8) (1905) - Ballet Music and Rustic March, fs (1884), orchl parts (?1884), military band parts (arr. D. Godfrey, Jnr) (1894), pf 4 hands (arr. E. Silas) (1884)

Additional publications (vocal): - Ah, well I call to Mind. Duet, (1883) - Corsican Love Song, Will she come from the hill', (1883) - Gentle Dove thy Voice is sad. Vocero, (1883) -Here often have I sat. Arietta, (1883) - Let the Past be dead, MT, 1 May 1883, 271 - Old Corsican Ballad, 'So he thought of his love', (1883) - Siori, buy, Siori, buy, Novello's Opera Choruses, No. 104 (?1895)

285 Appendix 3: Catalogue of Works Section C: Opera

Title: The Troubadour. A lyrical drama in four acts Date: 1886 Opus: 33 Manuscript: MS 1107 (`Guillem the Troubadour', fs), dated: 'Fine Jan 20th 1886. The Limes, Lower Sydenham'. Vol. 1 signed 'A. C. M. Sept. 16 1886'. Vol. 2 stamped by Novello's and dated 27 May 1898 MS 1115 (`The Minstrel', draft vs), Act 1 dated: `Borgo alla Collina, Aug. 16th 1884' MS 1255 (sketch of Margarita: 'Vainest regretting', Act II) Librettist: Francis Hueffer Publication details: Novello & Co.; vs (1886) Instrumentation: Soloists, SATB, orch Dedication: 'Written and composed expressly for the Carl Rosa Opera Company.' (published vs) First Performance: Tuesday 8 June 1886, Carl Rosa Opera Company, Drury Lane Theatre, London

Alwina Valleria (Margarida) Marion Burton (Azalais) Barton McGuckin (Guillem) Leslie Crotty (Raimon) Barrington Foote (Robert) Mlle Vadini and Mr Beaumont (Peasants)

Notes: Additional publications: - Wine Song, Tor wine gladdens the heart of man', (?1886) - The Sunray's shine, (?1886) - In the places of lightless sorrow, (1886) - To Liet, (?1886) -Morning Song, 'Beneath a Hawthorn', (?1886) - Drinking Song, 'Pour forth Noble wine', (?1886)

286 Appendix 3: Catalogue of Works Section C: Opera

Title: The Duke of Alva and the Netherlands [] Date: ?c.1890 Manuscript: MS lost Librettist: Unknown Publication details: Unpublished First Performance: No production Notes: Mentioned by ACM in MN, p. 243. A large part of this opera was sketched but it was abandoned when no possible production was forthcoming.

Title: Phoebe [Comic opera, ?2 acts] Date: 1893-4 Opus: 51 Manuscript: MS lost Librettist: B. C. Stephenson Publication details: Unpublished First Performance: No production Notes: See Mackenzie, MN, 243, where he mentions the opera but not by name. The opera is also mentioned in Willeby (1893), 171, and ACM's interview in M7', 1898.

287 Appendix 3: Catalogue of Works Section C: Opera

Title: Le Luthier de Cremone [opera, 1 act] Date: c.1894 Manuscript: MS 1281 (sketches) MS 1285 (sketch vs) Librettist: Sutherland Edwards, after F. Coppee Publication details: Unpublished First Performance: No production Notes:

Title: The Cornish Opera [1 act] Date: c.1896 Manuscript: MS 1195 (sketch vs) Librettist: Frederick Corder Publication details: Unpublished First Performance: No production Notes: See Mackenzie, MN, P. 243. The opera was almost fully sketched and then given to to look at, not many weeks before his death. This sketch was subsequently lost. Presumably the MS in the RAM's collection is a pre-cursor to the MS that was lost.

288 Appendix 3: Catalogue of Works Section C: Opera

Title: His Majesty, or The Court of Vingolia [Comic opera, 2 acts] Date: 1897 Manuscript: MS 1197 (sketch vs) MS 1198 (vs, No. 1: Chorus) MS 1199 (vs, No. 7: Trio) MS 1244 (vs, Act II, Nos. 5 and 7) Librettist: F. C. Burnand and R. C. Lehmann, additional lyrics A. Ross Publication details: J. Williams; vs (1898) Instrumentation: Soloists, SATB, orch Dedication: First Performance: 20 February 1897, Savoy Theatre, London

George Grossmith (Ferdinand/Oswe) (Boodel) Ilka Palmay (Felice) Herbert Workman (Adam) Bessie Bonsall (Gertrude) (Lucilla Chloris) Charles Kenningham (Max) Fred Billington (King of Osturia)

Mackenzie, conductor

Music from opera performed at the RAM Concert on 24 March 1897

Notes: Additional publications: - The Mistress we adore (female chorus), A Collection of Two-part Songs for Treble Voices, First Series, No. 42. (1898) - One who never smiled. Song, (1897) - Quadrilles, arr. pf (Conrad Huber) (1897) - Who goes Home? Quartet, A Collection of Four-Part Songs, No. 13 (?1899)

289 Appendix 3: Catalogue of Works Section C: Opera

Title: The Cricket on the Hearth [Opera, 3 acts] Date: 1901 Opus: 62 Manuscript: MS 1110 (vs) MS 1111 (fs), dated 'Jan 1900' MS 1247 (libretto) MS 1249 (libretto) Librettist: Julian Sturgis, after Publication details: Bosworth & Co.; vs (English and German, Das Heimchen am Heerd) (1901) Instrumentation: Soloists, SATB, orch Dedication: First Performance: Overture, 2 July 1902, Philharmonic Society, London

6 June 1914, RAM, London. (6 performances 011 6, 8, 9, 10, 11 and 12 June)

Two alternate casts: Robert Pitt, Cecil Simmons (John Peerybingle, Bar.) Raymond Ellis, Ernest Butcher (Caleb Plummer, Bar.) Gerald Harris, Willie Michael (Edward, T) Mr Ferncourt, Leonard Hubbard (Mr Tackleton, Bar.) Lilly Twiney, May Purcell (Dot, Mezzo) Nellie Evans, Louise Brooks (Bertha, S) Muriel Crowdy, May Keene (Tilly Slowboy, Mezzo) Winifred Burnand (May Fielding, S) Nellie R. Jones (Cricket Fairy, S) Cairns James, producer Mackenzie and Edgardo Levi, conductors Cont./

290 Appendix 3: Catalogue of Works Section C: Opera

Notes: Also performed as part of the RAM Centenary celebrations on 12 and 19 July 1922, The Duke's Hall, RAM, London.

Revived once more in 1936 by the RAM.

Libretto (typescript) in RAM library collection

A copy of the vs in the RAM library, owned by Edward Crowther, has sketches of the stage designs for Acts 1 and 2.

Additional publications: - Overture, fs (1902), pf (1901). [One copy of the overture (fs) with many performance markings is held in the RAM library. It is signed by ACM and dated April 1902.]

291 Appendix 3: Catalogue of Works Section C: Opera

Title: The Knights of the Road [Operetta, 1 act] Date: 1905

Opus: 65 Manuscript: None Librettist: Henry A. Lytton Publication details: Metzler & Co.; vs (1905) Instrumentation: Soloists, SATB, orch Dedication: First Performance: 27 February 1905, Palace Theatre, London

Miss B. Gaston Murray (Rose Merton) Henry Claff (Will O'Dene) Walter Hyde (Rupert Wilde) Leslie Stiles (Jack Shadbolt) Cairns James (Tim Fearless) Alec Davidson (Sergeant Slowe) Mackenzie, conductor

Notes: Additional publication:

- Who'll serve the King. Song, (1905)

292 Appendix 3: Catalogue of Works Section C: Opera

Title: The Eve of St John [Opera, 1 act] Date: ?c.1916-1920 Opus: 87 Manuscript: MS 1151 (vs) MS 1173 (Tinker's Song) MS 1186 (Ballet: Nixies and woodrtymphs), dated at end: 'A. C. M. July 19th 1919 ("Peace" day). 15 Regents Park Road, NW!' MS 1225 (fs) MS 1248 (libretto) Librettist: Eleanor Farjeon Publication details: Ascherberg, Hopwood & Crew; vs (1923) Instrumentation: 4 soloists, SATB, orch Dedication: First Performance: 16 April 1924, British National Opera Company, Liverpool

Doris Lemon (Sylvana, a dryad) (Sabrina, a naiad) William Michael (Tim, a tinker) Walter Hyde (Dan, a poacher) (producer)

Notes: The Ballet Music from the opera was produced by Henry Wood at on 27 September 1923. (See Wood, My Life ofMusic, 368).

293 Appendix 3: Catalogue of Works Section D: Theatre Music

Section D: Theatre Music

Title of production: A Blot on the 'Scutcheon (Robert Browning) Type of music: 'There's a woman like a dewdrop' (song) Date: 1885 Opus: Manuscript: MS 1264 Dated at end f. 2. r. 'Florence 2 Via Leopardi March 7 1885' Publication details: Novello; voice and harp (1885) Dedication: First Performance: St George's Hall, May 1884 Notes:

Title of production: Ravenswood (H. Merivale, after Scott's The Bride of Lammermoor) Type of music: Music to Herman Merivale's drama, Ravenswood: Prelude, First Entr'acte, Second Entr'acte (Lucy), Third Entr'acte (Courante) Date: ?1890 Opus: 45 Manuscript: None Publication details: Novello; arr. pf duet (B. Haynes, 1891); orch suite (1899) Entr'actes II and II for pf solo; Courante (orch); Courante (military band parts, arr. D. Godfrey, Junr) Dedication: 'Produced at the Lyceum Theatre, September 1890, and published by kind permission of , Esq.' First Performance: Lyceum, London, Sept 1890. Orch Suite: Norwich Festival, 15 Sept 1890 Notes:

294 Appendix 3: Catalogue of Works Section D: Theatre Music

Title of production: Marmion (R. Buchanan, after Scott) Type of music: Overture, entr'acte, Pilgrims' song (for SATB), Two songs with orch acc.: 1. 'Where shall the lover rest', 2. `Lochinvar' Date: 1891 Opus: 43 Manuscript: GB-Lbm Add. 50774 ('Lochinvar', fs) MSS 1240 (melodrama), 1246 (overture, fs; 'Where shall the Lover rest', fs; entr'act, fs; Pilgrims' song, fs); Pilgrims' song dated at end: 'West Malvern March 30th 1891 ACM' Publication details: Novello; songs (voice and pf) (1891) Dedication: First Performance: Theatre Royal, Glasgow, April 1891 Notes: The text of the Pilgrims' song begins: 'The Earth is happy. Happy is God's Heaven'.

295 Appendix 3: Catalogue of Works Section D: Theatre Music

Title of production: The Little Minister (J. M. Barrie) Type of music: Overture and three dances (Lilt, Pastoral Dance, tcossaise) Date: 1897 Opus: 57 Manuscript: GB-Lbm Add. 65512-3 (overture and three dances, fs) MSS 1108, 1239 (Band parts), Overture signed 'A. C. Mackenzie Sept. 8th 1897 Ilkley' Publication details: Novello; overture: pf (1897), pf 4 hands (1897), orch parts (1897); dances: pf (1897), orch parts (1897) Dedication: First Performance: Haymarket, 6 Nov 1897 Notes: Mary Mackenzie, the composer's daughter, played Jean in the 1897 production.

MS 1108 has From the North No. 2 (orch version) sewn into the score as an entr'acte. MS 1239 has From the North Nos. 2 & 3 plus a printed score of MacCunn's Highland Memories Op. 30.

296 Appendix 3: Catalogue of Works Section D: Theatre Music

Title of production: Manfred (Byron) Type of music: Three Preludes: Astarte [to Act I], Pastorale [to Act II], The Flight of the Spirits [to Act III] Date: 1898 Opus: 58 Manuscript: MS 1109 (fs); No. 1 signed 'A. C. Mackenzie March 1898'; No. 2 signed 'A. C. Mackenzie Florence Feb 1898'; No. 3 signed 'A. C. Mackenzie March 1898' MS 1194 (scraps, short score) Publication details: Novello; orch parts (1899) Dedication: First Performance: Planned for Lyceum production in 1898, though this never took place. No. 1 performed in Arthur Newstead's Concert 12 Dec 1904; Nos. 2 and 3 performed in London Musical Festival (Henry Wood??? see p. 355) 12 May 1899 Notes:

Title of production: Richard II (Shakespeare) Type of music: [Not known.] Date: ?c.1898-99 Opus: Manuscript: MSS 1241-43 Notes: Proposed for a Lyceum production by Henry Irving although no production occurred (see Manfred, above). Some of the music (in manuscript) may have been used again in the music for Coriolanus two years later and also in An English Joy Peal (1911) (see Section F: Orchestral Works),

297 Appendix 3: Catalogue of Works Section D: Theatre Music

Title of production: Coriolanus (Shakespeare) Type of music: Incidental music; although more music must have been written only four movements survive in the published orchestral suite: Overture, Alla Marcia, Marche Funebre and Entr'acte (Voces Populi) Date: 1901 Opus: 61 Manuscript: [?MSS 1241-3 (Richard II), see entry above.] Publication details: Bosworth & Co.; Coriolanus, suite dramatique, orch (Leipzig, 1901) Dedication: First Performance: Lyceum, 15 April 1901. Performed by Henry Wood in 1901 (see Wood, My Lift ofMusic, 357). Notes: The Funeral March was played at Irving's funeral at Westminster Abbey, 20 October 1906, at which Mackenzie was a pall-bearer. It was also played at the memorial service given for Mackenzie himself at St Paul's Cathedral in 1935.

298 Appendix 3: Catalogue of Works Section E: Concertos

Section E: Concertos

Title: Larghetto and Allegretto Date: ?1875 Opus: 10 Manuscript: MS 1273 (vc and pf) GB-Lbm, Add. 54416 (ye and orch) Publication details: Stanley, Lucas Weber & Co. (vc and pf, 1878) Augener (fs of orchestral version, 1903), (vc and pf, 1903) Instrumentation: Vc solo, orch Dedication: 'To his friend Hugo Daubert' First Performance: Dauber( 1875 [Information from Stock] Notes: Orchestral material in RAM orchestral library

See also Section G: Chamber Works.

299 Appendix 3: Catalogue of Works Section E: Concertos

Title: Violin Concerto in C sharp minor Date: 1884-5 Opus: 32 Manuscript: MS 1133 (fs); dated '2 Via Leopardi Firenze Jan 1885' MS 1289 (sketches) Publication details: Novello; fs (1885), vn and pf, arr. Battison Haynes (1885) Instrumentation: Vn solo, orch Dedication: 'Dedicated to Sei-"or Sarasate' First Performance: 26 August 1885, Birmingham Festival. Pablo Sarasate (vn), Mackenzie (conductor) Notes: MS 1133 was originally in the possession of Joseph Bennett before entering the RAM's collection. It carries the dedication in ACM's hand: `To Joseph Bennett from A. C. Mackenzie July 11th 1886'. Presumably ACM gave this to Bennett as a gift.

Orchestral material in the RAM orchestral Library

RAM copy of vn and pf score has holograph: `To Charles A. Barry from his friend A. C. Mackenzie. The Limes, Lower Sydenham, Sept 27 1885.'

300 Appendix 3: Catalogue of Works Section E: Concertos

Title: Pibroch: Suite for Violin and Orchestra Date: 1889 Opus: 42 Manuscript: MS 1124 (fs); dated 'Braemar, Aug. 10th 1889' Publication details: Novello; vu and pf (1889) Instrumentation: Vn solo, orch Dedication: No dedication. Written on the published score, 'Played for the first time at Leeds Musical Festival, 1889, by .' First Performance: Thursday evening, 10 October, Victoria (Town) Hall, Leeds Notes: Written during the summer of 1889 while ACM was on holiday in Braemar, Scotland.

301 Appendix 3: Catalogue of Works Section E: Concertos

Title: Highland Ballad Date: 1891 Opus: 47, No. 1 Manuscript: MS 1176 (vn and pf) GB-Lbm Add. 50775 (fs); dated: 'Fine April 1891, West Malvern.' Publication details: Novello; vn and pf (1891) Instrumentation: Vn solo, orch Dedication: 'Dedicated to his Friend Pablo de Sarasate' First Performance: 17 May 1893, St James's Hall, London. Hans Wessely (vn), Mackenzie (cond.), Westminster Orchestral Society Notes: This work was originally entitled, 'Northern Ballad', but this was crossed out on the MS. Composed initially for vn and pf, the Highland Ballad was published with the Two Pieces: Barcarola and Villanella,

Op. 47, No. 2 in 1891 (see Section G: Chamber Works). Mackenzie later produced an of the pf part. Orchestral parts from Novello's Hire Catalogue

302 Appendix 3: Catalogue of Works Section E: Concertos

Title: Scottish Concerto Date: 1897 Opus: 55 Manuscript: MS 1148A (fs) MS 1148B (short score, third movement) Publication details: Fr. Kistler, Leipzig, fs (Sehottishes Concert flir Pianoforte, 1899), arr. 2 pfs by [J.] B. McEwen (one takes the solo part, the other an orchestral reduction) (1899) Reprinted by Anglo-French Music Co. Ltd, fs (1931), 2 pfs (?1931) Instrumentation: Pf solo, orch Dedication: 'Seiner Freundin Frau Angelina Goetz'. In reprint this was changed to 'To his friend the late Mrs Angelina Goetz.' First Performance: 24 March 1897, Philharmonic Society, London, Paderewski (pt), Mackenzie (cond.) Notes: Orchestral material is in the RAM orchestral library.

303 Appendix 3: Catalogue of Works Section E: Concertos

Title: Suite for Violin Date: 1907 Opus: 68 Manuscript: [None] Publication details: Charles Avison; fs (1907), vn and pf, each movement separately and as a set (1907) Instrumentation: Vn solo, orch Dedication: 'Dedicated to William H. Ash Esq. and the Worshipful Company of Musicians, London.' First Performance: 18 February 1907, Queen's Hall, London, LSO, Mischa Elman (vn), Richter (cond.); Bournemouth 1907 ?Hans Wessely Notes: There is no extant manuscript for this work, yet the full score of the work was published as well as the pf reduction.

Orchestral material is in the RAM orchestral library.

304 Appendix 3: Catalogue of Works Section F: Orchestral Works

Section F: Orchestral Works

Title: Festmarsch Date: 1862 Opus: Manuscript: MS 1238; dated `Sondershausen 1862' Publication details: Unpublished Dedication: None First Performance: See Notes Notes: Student work. MS has the note, 'Scored by Eduard Stein in Sondershausen, 1862 — and performed there before I left in that year'.

Title: Concert Ouverture Date: 1864 Opus: Manuscript: MS 1296 Publication details: Unpublished Dedication: None First Performance: See Notes Notes: Student work. Note on the MS, 'Written in 1864 while at the RAM Performance refused by the Principal and justly so!'

305 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: Overture to a Comedy Date: 1869 Opus: Manuscript: MS 1226 (fs); dated 'July 9th 1869' MS 1295 (fs); dated 'July 9th 1869'

Both MSS are addressed '41 Heriot Row Edinburgh'. Publication details: Unpublished Dedication: None First Performance: 1876 Dusseldorf, under Julius Tausch Notes: A pf version of the piece in inserted in the centre of MS 1226.

Title: Cervantes: Overture Date: 1876 Opus: Manuscript: MS 1131 (fs); dated at end, 'Fine Sept 1st 1876'; pinned to p. iv 'The Property of ACM' with a Novello stamp dated `Jul. 6 1887'. Publication details: Unpublished Dedication: None First Performance: 2 September 1877, Sondershausen, conducted by Max Ermannsdorfer; 1 December 1877, Glasgow, conducted by Mackenzie (his first appearance as a conductor — Billow took the rehearsals) Notes: Billow insisted on a perfomance of this work as a condition of his conductorship of the Glasgow Choral Union (Willeby, Masters of English Music (London, 1893), 125).

306 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: Scherzo for Orchestra Date: 1878 Opus: Manuscript: MS 1132 (fs); dated at end 'Fine July 29 1878, Edinburgh' Publication details: Unpublished Dedication: First Performance: 18 October 1878, Crystal Palace, London, conducted by Maims; 20 November 1878, Glasgow, conducted by Jansen; 2 December 1878 Edinburgh, conducted by Mackenzie. Notes:

Title: Rhapsodie Ecossaise Date: 1879 Opus: 21 Manuscript: MS 1123 (fs); dated at end, '17 Morningside Edinr. Sept. 1879' Publication details: Neumeyer & Co.; fs (1880), pf (1881). Later reissued by Novello. Dedication: 'A son maitre estime Monsieur Prosper Sainton.' First Performance: 5 January 1880, Edinburgh Choral Union (Maims); 2 and 9 April 1880, Wiesbaden (Lustner); 1881 Magdeburg (Nikisch) Notes: Based on Scottish melodies; 'Muirland Willie', 'Braw, braw lads', 'There was a lad was born in Kyle'.

307 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: Burns, Second Scotch Rhapsodie Date: 1880 Opus: 24 Manuscript: MS 1123 (fs); dated at end, 'ACM Florence Sept 26 1880' Publication details: Neumeyer & Co.; fs (1880). Novello, Ewer & Co.; fs (1880), pf (1880), pf 4 hands (1880), 2 pf (arr. G. Alibrancli, 1884) Dedication: 'Dedicated to Madame J. Hillebrand in Florence.' First Performance: January 1881, Glasgow (Maims); 25 February 1881, Wiesbaden (Lustner); March 1881, Crystal Palace, London (Manns) Notes: Mackenzie prefaced each of the three movements with verses from Burns' poetry; 'Scots! wha hae wi' Wallace bled', 'She's fair and fause that causes my smart', 'I coft a stane o' haslock woo".

One copy of the fs in RAM has the holograph: 'To his friends Dr Dundas Grant from A. C. Mackenzie Xmas 1909.'

Title: Overture 'Tempo di Ballo' Date: 1880 Opus: Manuscript: MS 1231 (fs); dated at end, 'Fine June 12th 1897' (see Notes) Publication details: Unpublished Dedication: See Notes First Performance: Uncertain. See Notes Notes: Written on MS, 'This piece was written by request for the Royal Albert Hall Orchestral Society never played & returned ACM.' Stock believes this was performed in Scotland c.1880, but notes that it was referred to in the interview with ACM which appeared in MT, June 1898. The MS, however, has the slightly incorrect date of 1897.

308 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: La belle dame sans merci Date: 1883 Opus: 29 Manuscript: MS 1288 (short score, 4 pp) Publication details: Novello, Ewer & Co.; fs (1884), pf 4 hands (arr. E Silas, 1884) Dedication: Composed for and dedicated to the Philharmonic Society. First Performance: 9 May 1883, Philharmonic Society, London (Mackenzie); 10 November 1883, (Thomas) Notes: This work is based on and prefaced by Keats' poem.

Orchestral material in the RAM orchestral Library

Title: Symphony [1st and 4th Movements] Date: c.1887 Opus: Manuscript: MS 1283 (sketched short score) Publication details: Unpublished Dedication: None First Performance: Not performed Notes: This work has only two movements in E major (Allegro, quasi pastorale and minim= 100) sketched in short (pf) score. It is mentioned by ACM in letters to friends (Bennett) around the summer of 1887 when he was on vacation in Ver sur mer, France.

309 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: Benedictus [from Six pieces for Violin with pianoforte accompaniment] Date: 1888 Opus: 37, No. 3 Manuscript: Publication details: Novello, fs (1888) Dedication: First Performance: ?1888 by Maims Notes: See also Section G: Chamber Works.

Orchestral material is in the RAM orchestral Library.

Title: Overture to Shakespeare's Comedy, Twelfth Night Date: 1888 Opus: 40 Manuscript: MS 1192 (fs); dated 'April 1888 Westwood House, Sydenham' Publication details: Novello, Ewer & Co.; fs (1888) Dedication: None First Performance: 4 June 1888, Richter Concerts, London Notes:

310 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: Britannia, A Nautical Overture Date: 1894 Opus: 52 Manuscript: GB-Lbm Add. 35026 (fragment in short score in an Album begun by Eliza Wesley). Reproduced under entry for ACM in Musik in Geschichte und Gegenwart. Publication details: Joseph Williams; fs (1895), pf (arr. B. Haynes, 1894; revised version, 1919), pf 4 hands (arr. B. Haynes, 1895), organ (arr. H. Fricker, No. 22 of "Selected Pieces for the Organ", 1902) Dedication: Dedicated by permission to His Royal Highness the Duke of Saxe Coburg and Gotha, K. G. First Performance: 17 May 1894, RAM Commemoration Concert Notes: Written for the RAM 70th anniversary commemoration concert.

Orchestral material is in the RAM orchestral Library.

311 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: From the North. Three Scottish pieces for Orchestra Date: 1894 Opus: 53 Manuscript: MS 1245 (fs) Publication details: Joseph Williams; fs (1895) Dedication: First Performance: 3 April 1895, Philharmonic Society, London (Mackenzie) Notes: Composer's note on the published score. 'These pieces are based upon very old airs and dances, mostly of undoubted Scottish origin or at least in use in Scotland at a remote period. A. C. M.' A programme note to accompany an orchestral performance of these pieces notes that the originals for violin and piano were composed at Marlotte, near Fontainebleau in France during 1894.

These are orchestrated versions of the original pieces for vn and pf. 1. Andantino (A minor) [vn and pf, Bk 2, No. 3] 2. Allegro (E major) [vn and pf, Bk 3, No. 2] 3. Vivace (A major) [vn and pf, Bk 3, No. 3]

See also Section G: Chamber Works. Orchestral material is in the RAM orchestral Library.

312 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: Processional March Date: 1898 Opus: Manuscript: GB-Lbm, Add. 65515; dated 'Ilkley September 1898' Publication details: Novello & Co.; string parts (1899), pf (arr. Mackenzie, 1899) Dedication: First Performance: ?1899 Notes: At end of the MS is written, 'Segue Morris Dance'.

Title: Coronation March Date: 1902 Opus: 63 Manuscript: MS 1125 (fs); dated at end, 'July 8 1901, A. C. Mackenzie Op. 63 — For Orchestra.' Publication details: Bosworth & Co.; fs (1902), pf (1902) Dedication: [For Edward VII] First Performance: 13 May 1902, Alhambra Theatre, London (Mackenzie) Notes: The British Library fs copy of this work has an autograph dedication to Edward VII by the composer dated 9 August 1902.

313 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: London, Day by Day, Suite Date: 1902 Opus: 64 Manuscript: MS 1126 (fs) Publication details: Bosworth & Co.; fs (1902), pf (1902), vn and pf (No. 3 Song of Thanksgiving, 1903) Dedication: No. 3 A Song of Thanksgiving refers to the recovery of Edward VII from illness. No. 4 Hampstead Heath is dedicated to Albert Chevalier. First Performance: 22 October 1902, Norwich Festival; 12 March 1903, Philharmonic Society, Cond. Mackenzie Notes: No. 1 Under the Clock No. 2 Merry Mayfair: Valse No. 3 Song of Thanksgiving (June 1, 1902) No. 4 Hampstead Heath

The date of the Song of Thanksgiving refers to the recovery of Edward VII from illness.

On the fly leaf of the MS is written, 'produced at Norwich, October 1902'. No. 3's title page is stamped with, 'F. M. Geidel Leipzig 7 JULI [19] 02'.

The British Library copy of the fs has MS additions and alterations.

314 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: Canadian Rhapsody Date: 1904 Opus: 67 Manuscript: MS 1134; dated, 'Oct 1904 London ACM.' Publication details: Breitkopf & Hartel (as Canadische Rhapsodie); fs (1905), pf (1905) Dedication: First Performance: 15 March 1905, Philharmonic, London (Mackenzie) Notes: The Canadian Rhapsody is based on the following traditional melodies: First movement: `Tenaouich! tenaga, Ouich'ka (C'etait un vieux sauvage)', 'C'est la belle Francoice [sic]'; Second movement: `Bytown', `1..1n Canadien errant'; Third movement: `Alouette, gentille alouette'.

Title: La Savannah, air de ballet Date: 1910 Opus: 72 Manuscript: GB-Lbm, Add. 65516; dated 'May 1910 ACM' Publication details: Novello & Co.; fs (1912); orch parts (1911), military band parts (arr. D. Godfrey, 1914), pf (1912), vn and pf (1911) Dedication: First Performance: 6 April 1911, Bournemouth Notes:

315 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: Tam o' Shanter. Humoresque. Third Scottish Rhapsodie Date: 1911 Opus: 74 Manuscript: MS 1127; dated 'March 1911. 15 Regent's Park Road. A. C. Mackenzie Op. 74.' Publication details: Novello & Co.; string parts (1911) Dedication: First Performance: 20 May 1911, International Musical Congress; 4 December 1911, London Symphony Orchestra, Queen's Hall Notes: Mackenzie originally included a bagpipe chanter in the orchestra for this piece, but it was later crossed out in the MS.

Title: An English Joy-Peal Date: 1911 Opus: 75 Manuscript: MS 1184 (pf score) Publication details: Novello & Co.; string parts (1911), pf (arr. Mackenzie, 1911) Dedication: [For the coronation of King George V] First Performance: 22 June 1911, Westminster Abbey Notes:

316 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: Invocation Date: 1911 Opus: 76 Manuscript: MS 1128, MS 1149; both MSS are dated 23 October 1911 Publication details: Novello & Co.; string parts (1912), vn and pf (arr. Mackenzie, 1913) Dedication: First Performance: 21 March 1912, Philharmonic Society, London Notes:

Title: Ancient Scots Tunes Date: 1915 Opus: 82 Manuscript: MS 1228 (No. 1); dated 'Aug 1915' Publication details: Hawkes & Son; fs and parts (1915) Dedication: Dedicated to W. W. Cobbett. First Performance: According to Henry Wood these pieces were performed in 1906 (see Wood, My Life of Music, 360). RAM Magazine notes that these pieces were first performed in the 1916 season of Promenade Concerts. Notes: Written for or string orchestra.

No. 1 'Lett Never Crueltie' is based on a melody taken from the Skene MS written for mandore (En Adv.MS.5.2.15, pp.200-01). It also employs another Scottish melody entitled `Omnia vincit Amor' from the same MS (pp. 58-59). No. 2 'Honest Luckie' is based on a melody from a MS of 1692 written in tablature for da gamba. It is also mentioned in Scott's novel Redgauntlet.

317 Appendix 3: Catalogue of Works Section F: Orchestral Works

Title: Youth, Sport, Loyalty. Overture Date: 1922 Opus: 90 Manuscript: Publication details: Joseph Williams; fs (1922) Dedication: Written for the RAM centenary. First Performance: 20 July 1922, RAM, London Notes:

318 Appendix 3: Catalogue of Works Section G: Chamber Works

Section G: Chamber Works

Title: Intrata and Valse Chromatic for violoncello Date: No date Manuscript: MS 1284 (vc and pf, sketches) Publication details: Unpublished Instrumentation: Vc and pf First Performance: Notes: Sketches only

Title: Adagio for violin and piano Date: No date Manuscript: MS 1271 and 1272 (vn and pf) Publication details: Unpublished Instrumentation: Vn and pf First Performance: Notes: Incomplete work

319 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Dueft on Scotch Airs Date: No date. [c.18741 Manuscript: MS 1268 Publication details: Unpublished Instrumentation: Two vns First Performance: Notes: Holograph in blue pencil on MS: Tor two played with F. Niecks at Dumfries ACM Could never again!'

Title: Introduction and Romanza Date: No date Manuscript: MS 1207 Publication details: Unpublished (Augener?) Instrumentation: Vc and pf First Performance: Notes: Noted on MS score: 'Publisher Augener's property now'

320 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Drei Stticke ftir das Piano-Forte und die Violine Date: 1862 Manuscript: MS 1293; dated `Sondershausen 1861-62' Publication details: Unpublished Instrumentation: Vn and pf First Performance: Notes: Holograph on MS in blue pencil: `Sondershausen 1861-62. These pieces helped me to the King's Scholarship.' These pieces are mentioned in Charles Willeby, Masters of English Music (London, 1893), 115.

Title: Etude for Violin Date: 1862 Manuscript: MS 1141C; dated on ff. 5-6 'August 31st [1862] London' Publication details: Unpublished Instrumentation: Vn First Performance: Notes:

321 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Sonata for the Pianoforte and Violin Date: 1864 Manuscript: MS 1298; dated '1864' Publication details: Unpublished Instrumentation: Vn and pf First Performance: Holograph in blue pencil on MS: 'Performed by Miss Rosa Brinsmead and myself at an R.A.M. Concert 1864?' Notes: Three movements in C minor: Allegro con brio; Adagio; Allegro con spirito

See MX 54.

Title: Trio in B flat Date: 1867 Manuscript: MS 1294; dated 'Fine December 7th 1867' Publication details: Unpublished Instrumentation: Vn, vc and pf First Performance: Notes: Four movements. Holograph on MS: 'Played by W. Adlington, Hugo Daubed and myself.'

322 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Fantasia on Scottish Airs Date: 1867/1868 Manuscript: MS 1205 (fs and vn part); dated 'Probably 1867 or 68' Publication details: Unpublished Instrumentation: Pf and Vn First Performance: Notes: Full title: 'Fantasia on Scottish Airs introducing "The Nameless Lassie, Auld Rob Morris, Muirland Willie and Auld Lang Syne" At the end is written, 'G. Dutchman copied this ACM'. ACM added the MS date later.

Title: String Quartet in G Date: 1868 Manuscript: MS 1129 (fs); dated 'Juni 19th 1868 41 Heriot Row' MS 1130 (parts); dated on vn 1 part 'Juni 18th 1868 41 Heriot Row'; dated on vn 2 part: 'Juni 19th 1868' Publication details: Unpublished Instrumentation: 2Vn, va and vc Dedication: First Performance: Edinburgh Classical Chamber Concerts, 15 March 1869 (Kiichler, Mackenzie, [?Niecks], Daubert) Notes:

323 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Piano Quartet in E flat major Date: 1873 Opus: 11 Manuscript: MS 1292 (fs, incomplete, published finale missing); dated 'Fine 10th July' MS 1292B (fs, alternative finale movement) Publication details: C. F. Kahnt, Leipzig (1873); OUP (reprint, 1931) Instrumentation: Pf, vn, va and vc Dedication: `Dedie a Monsieur Charles HaHO.' First Performance: London, 4 March 1875 (Wm Coenen pf); Munich, 25 Jan 1878 (Billow piano quartet); Edinburgh Classical Chamber Concerts 1878 (Ha116 pe Notes: On MS 1292, 'The Finale is not here. Probably played from this copy at its production' (blue pencil) The Canzonetta con Variazioni of MS 1292 has an extra variation which is not in the published version of the Quartet. MS 1292B is a different finale movement to the one published. A copy of the OUP reprint in the RAM Library has the following holograph on the pf score, 'To his very good friend William Wallace with A. C. Mackenzie's best wishes. First published by C. F. Kahnt (Leipzig) in 1875 and now reprinted — after 56 years — in October 1931. October 21st 1931, 20 Taviton Street, W.C. I.'

324 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Trio in D Major (Mvt in A major) Date: ?1874 Manuscript: MS 1297 (incomplete sketch) Publication details: Unpublished Instrumentation: Pf, vn and vc Dedication: First Performance: ?1874 Edinburgh Classical Concerts (probable artists: Walter Bache, Adolf Kuchler, Hugo Dauber* information from Stock Notes: The incomplete manuscript comprises only three folios.

Title: Larghetto and Allegretto Date: 1878 Opus: 10 Notes: See Section E: Concertos

Title: Three Pieces (Baptism, Wedding and Burial) Date: 1882 Opus: 27 Manuscript: MS 1217 (1-3) Publication details: Novello (1882) Dedication: Notes: No. 7 of Original Compositions for the Organ [Novello]

325 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Six Pieces for Violin with pianoforte accompaniment Date: 1888 Opus: 37 Manuscript: None Publication details: Novello, Ewer & Co. (1888); Benedictus published separately All arr. for vc and pf by J. B. Krall Instrumentation: Vn and pf Dedication: 'To Madame Norman-Neruda.' First Performance: Halle Concerts, London (Madame Neruda) 8 June 1888 (Nos. 1 and 6 excepted — No. 1 given as an encore?); Monday Popular concerts, London (Lady Halle) 12 Nov 1888 (Nos. 2, 3, and 5 only) Notes: 1. Gavotte 2. Berceuse 3. Benedictus 4. Zingaresca 5. Saltarello 6. Tema con Variazioni

Version for vc and pf, Benedictus, Zingaresca and Saltarello published separately.

326 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Arietta Date: 1890 Opus: Manuscript: MS 1250; dated 'Dec 13th 1890' Publication details: Unpublished Instrumentation: Vn and pf Dedication: First Performance: Notes: 'Never Published'

Title: Two Pieces for Violin: Barcarola and Villanella Date: 1891 Opus: 47/2 Manuscript: MS 1177 (vn and pf, Barcarola) MS 1178 (vn and pf, Villanella) MS 1277 (fs, Barcarola and Villanella, vn and stgs) Publication details: Novello, Ewer & Co. (1891) Instrumentation: Vn and pf Dedication: 'Dedicated to his friend, Pablo de Sarasate First Performance: Notes: MS 1277 is scored for solo vn and 5-part strings.

327 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: From the North. Nine pieces for the violin Date: 1894 Opus: 53 Manuscript: Publication details: J. Williams, published in three books (1894) Instrumentation: Vn and pf Dedication: First Performance: Notes: Book 1: 1. Andante, ma non troppo lento 2. Andantino 3. Allegretto giocoso Book 2: 1. Non troppo lento, espressivo 2. Allegretto, non troppo presto 3. Andantino Book 3: 1. Andante cantabile 2. Allegro 3. Vivace

Three of these pieces were subsequently orchestrated (see Section F: Orchestral Works). A programme note to accompany the orchestral versions notes that the pieces for violin and piano were composed at Marlotte, near Fontainebleau in France. Bk 1 No. 2 transcribed and transposed for vc by Ernst de Munck. RAM copy of this has holograph: 'To Bertie Withers from A. C. Mackenzie Jan 10 1900.'

328 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Larghefto religioso Date: 1905 Manuscript: Publication details: Augener? Instrumentation: Vn and pf First Performance: Notes: See F. Hermann, Morceaux Favoris, No. 163.

Title: Four Dance Measures (Quatre Mesures de Danses) Date: 1915 Opus: 80 Manuscript: MS 1180 (vn and pf, Valse); dated 'Nov 1914' MS 1181 (vn and pf, Polka); dated 'Dec 1914' MS 1182 (vn and pf, Sarabande); dated 'Dec 1914' MS 1183 (vn and pf, Gigue); dated 'Dec 1914 ACM' Publication details: Joseph Williams Instrumentation: Vn and pf First Performance: Notes: 1. Waltz (Valse) (Animato) 2. Polka (Polka) (Allegretto) 3. Sarabande (Sarabande) (Maestoso) 4. Jig (Gigue) (Allegro vivo)

Violin parts in the RAM Orchestral Library

329 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Six Easy Impromptus for Violin and Piano Date: 1918 Opus: 86 Manuscript: Publication details: Joseph Williams, published as two books (1918) Instrumentation: Vn and pf Dedication: 'To his friend Miss Joy Agnew' First Performance: Notes: Book 1: 1. Remembrance (Andante, non troppo lento) 2. Alla Marcia 3. Dance (Lively) Book 2: 1. A Morning Song (Andantino) 2. Little Story (Andantino Semplice) 3. Something Wayward (Allegretto)

Two Books, each containing three impromptus

Title: Postlude (In Memoriam) Date: 1920 Manuscript: Publication details: Novello & Co., organ and vns (1920); organ solo (1920) Instrumentation: Organ and vns ad lib. Dedication: 'Written for the Memorial Service held in Temple Church on March 19, 1919, for those of the Royal Academy of Music and the who fell in the war.' First Performance: 19 March 1919, Temple Church, London Notes: Vn parts in the RAM Orchestral Library

330 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Distant Chimes Date: 1922 Opus: 89 Manuscript: Publication details: Novello & Co (1922) Instrumentation: Vn and pf Dedication: 'To Lady Dewar (August 8th, 1921).' First Performance: Notes: The copy in the RAM Library has the following holograph: `A.C.M. Jan. 1922'.

Title: Gipsy Dance for Violin and Piano Date: 1924 Opus: Manuscript: MS 1179; dated 'ACM June 12th 1924' Publication details: Unpublished Instrumentation: Vn and pf First Performance: Notes:

331 Appendix 3: Catalogue of Works Section G: Chamber Works

Title: Andante espressivo, for Violoncello and Piano Date: 1928 Opus: 91/1 Manuscript: MS 1233 (1-3) (fs and parts); dated on pf part 'Jan 10th 1928' Publication details: Augener Instrumentation: Vc and pf Dedication: 'To his friend, Herbert Walenn.' First Performance: Saturday March 24th 1928 (3.15pm) at Annual Students' Concerts of London Violoncello School (cond. Mr ) at Wigmore Hall. Notes:

Title: Valse Humoresque, for Violoncello and Piano Date: 1928 Opus: 91/2 Manuscript: MS 1234 (fs and parts); dated at end pf part 'Feb 9th 1927' Publication details: Augener Instrumentation: Vc and pf Dedication: First Performance: Saturday April 2nd 1928 (3.15pm) at Annual Students' Concerts of London Violoncello School (dir. Herbert Walenn FRAM) at Wigmore Hall Notes:

332 Appendix 3: Catalogue of Works Section H: Piano Solo

Section H: Piano Solo

Title: Variationen fiir Piano-Forte Date: No date Manuscript: MS 1232 Publication details: Unpublished Notes: In E minor. Adagio: Thema Andante: Variations 1-4, Finale Brillante. Written while ACM lived at Heriot Row in Edinburgh.

Title: Nocturne fiir Piano-forte Date: 1861 Manuscript: MS 1230; dated `Sondershausen 1861' Publication details: Unpublished Notes: Unfinished

333 Appendix 3: Catalogue of Works Section H: Piano Solo

Title: Sehnsucht fiir das Piano-forte Date: 1862 Manuscript: MS 1141A; dated `... von A. Mackenzie Juni 9 1862 "London" Publication details: Unpublished Notes:

Title: Ungarish fiir das Piano-Forte Date: 1862 Manuscript: MS 1141D; dated 'Oct 22 1862.' Publication details: Unpublished Notes:

Title: Romance Date: 1873 Opus: 1 Manuscript: None Publication details: Unpublished Dedication: Notes: No MS or published score exists; title and date from Stock.

334 Appendix 3: Catalogue of Works Section H: Piano Solo

Title: Rustic Scenes Date: 1876 Opus: 9 Manuscript: None Publication details: ?Unknown (1876); Augener & Co. (1892) Dedication: 'Dedicated to George Lichtenstein Esq.' Notes: 1. Rustic Dance: Rondino (Tempo di Minuetto) 2. Forester's Song 3. Curfew 4. Harvest Home (Allegro vivace)

Title: Five Pieces for the Pianoforte Date: 1877 Opus: 13 Manuscript: MS 1259 (not No. 5); dated No. 2 'March 21st 1869'; No. 3 'April 4th 1869'; No. 4 'May 25 1869' Publication details: Novello & Co. (1877) Also published as part of Novello's Pianoforte Album No. 35 together with Trois Morceaux, Op. 15. Dedication: 'Dedicated to his friend Giinther Bartel' Notes: 1. Impromptu (Allegretto moderato) 2. Gigue (Allegro) 3. Saga (Larghetto) 4. La Coquette (Quasi Valse) 5. Evening in the Fields (Allegretto tranquillo)

No. 3 has the following quotation from a poem by Longfellow: "Sing, 0 Scald, your song sublime, / Your Ocean rhyme" / Cried King Olaf; "it will cheer me".'

335 Appendix 3: Catalogue of Works Section H: Piano Solo

Title: Trois Morceaux pour Piano Date: 1877 Opus: 15 Manuscript: MS 1260 (No. 1); dated 'Fin March 8th 1877' Publication details: Witt & Co. (1878); R. Sulzer, Bielefeld (1878) No. 2 'Nocturne' — Novello (c.1910) Also published as part of Novello's Pianoforte Album No. 35 together with Five Pieces for the Pianoforte, Op. 13. Dedication: 'Composes et dedies a son ami, Walter Bache.' Notes: 1. Valse Serieuse (Molto moderato) 2. Nocturne (Allegretto amorevole) 3. Ballade (Presto inquieto)

Title: Six Compositions Date: 1879 Opus: 20 Manuscript: None Publication details: Neumeyer & Co., separately (1879); later reprinted by Novello [from same plate]. Also published as part of Novello's Pianoforte Album No. 36 together with Scenes in the Scottish Highlands, Op. 23. Dedication: 'Dedicated to Miss May Rose Gillespie' Notes: 1. Hymnus (Maestoso) 2. Ritornello (Allegretto grazioso) 3. Reminiscence (Andante) 4. Chasse aux papillons (Allegro leggiero) 5. Reverie (Larghetto espressivo) 6. Dance (Con spirito)

No. 1: Hytnnus arr. for Organ by J. E. West (1912)

336 Appendix 3: Catalogue of Works Section H: Piano Solo

Title: Scenes in the Scottish Highlands Date: 1880 Opus: 23 Manuscript: None Publication details: Novello (1880) separately. Also published as part of Novello's Pianoforte Album No. 36 together with Six Compositions, Op. 20. Dedication: `To Esq.' Notes: 1. On the Hillside (Tempo di Marcia) 2. On the Loch (Lento, molto tranquillo e placido) 3. On the Heather (Allegretto giojoso)

Title: Morris Dance Date: 1899 Opus: Manuscript: GB-Lbm Add. 65514 (fs, orch version) Publication details: Novello; pf (1899); stg pts (1899), wind and percussion pts (1909) Dedication: Notes: First written for the pf and orchestrated the same year. Early printed copies of this work bear 'Op. 2' which was dropped in later reprints.

337 Appendix 3: Catalogue of Works Section H: Piano Solo

Title: Processional March/Processional Dance in E flat Date: 1899 Opus: Manuscript: GB-Lbm Add. 65515 (fs, orch version); dated 'Ilkley September 1898' Publication details: Novello; pf (1899); stg pts (1899) Dedication: Notes: At end of MS is the direction, 'segue Morris Dance'. Later arranged for pf solo by ACM.

Title: Fantasia Date: 1909 Opus: 70 Manuscript: MS 1185; dated 'Ilkley 17th Sept 1909' Publication details: G. Ricordi & Co. (1910) Dedication: 'Dedicated to his friend, Philip L. Agnew.' Notes:

Title: English Air with Variations Date: 1915 Opus: 81 Manuscript: MS 1227; dated 'May 1915' Publication details: Joseph Williams (1915) Dedication: Notes:

338 Appendix 3: Catalogue of Works Section H: Piano Solo

Title: Odds and Ends — Par ci, par lk Date: 1916 Opus: 83 Manuscript: Publication details: G. Ricordi & Co.; 2 bks (1916) Dedication: Notes: Book 1: a. Refrain (Andantino) b. High Spirits (Humeur folic, Allegro vivace) Book 2: a. Telling a Story (On raconte, Lento espressivo) b. Pavane and Musette (Allegretto, molto moderato)

Title: Jottings. Six cheerful little pieces Date: 1916 Opus: 84 Manuscript: MS 1278 Publication details: Joseph Williams; 2 bks (1916) Dedication: 'Dedicated to his friend, Samuel Aitken.' Notes: Book 1: a. On the Village Green (Allegretto moderato) b. Gossiping (Andantino) c. Drums and Trumpets (Moderato (maestoso)) Book 2: a. Humours (Andante) b. A Game in the Garden (Allegretto) c. Heave-ho! (A Sea Song, Allegro non troppo)

339 Appendix 3: Catalogue of Works Section H: Piano Solo

Title: Varying Moods Date: 1921 Opus: 88 Manuscript: Publication details: Joseph Williams (1921) Dedication: 'To his friend Myra Hess.' Notes: 1. Revery (Lento (quasi recit.)) 2. Ariel (Moderato) 3. Varying Moods (In slow waltz time) 4. Grotesque Dance (Allegro)

340 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Section I: Part-songs/Carols

Title: Robin Adair Date: None Manuscript: MS 1274 (inc. short score) Publication details: Unpublished. Notes: Text: 'What's this dull town to me Robin not near What wast I wished to see? ...'

Title: I Saw the Moon rise clear (T. Moore) Date: 1865 Opus: 8? Manuscript: MS 1145A (short score); dated 'June 12 [18651 Monday 11 o'clock'. MS 1145B (fs) Publication details: Unpublished Vocal Arrangement: SATB and pf Notes:

Title: May (N. P. Willis) Date: 1873 Manuscript: MS 1143; dated 'Fine May 7th 1873' Publication details: Unpublished Notes:

341 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Collective title: Seven Partsongs [Eight Partsongs]

Partsong titles: 1. 'It is this' (T. Moore, from LaIla Rookh) 2. 'How I love the Festive Boy — Anacreontic' (T. Moore) 3. 'Autumn' (Haven) 4. 'When Spring begems the dewy Scene' (T. Moore) 5. 'The Day of Love' (T. Moore) 6. 'A Franklynne's Dogge leped over a Style' (T. Barham) 7. 'The Stars are with the Voyager' (T. Hood) Date: 1876-9 Opus: 8 Manuscript: MS 1144 (No. 7); dated 'April 15 12 o'clock' [no year] Publication details: Novello, as follows: 1.MT, xvii (1876), supplement. 2. Novello's Part-Song Book, vol. xii, No. 352 3. Novello's Part-Song Book, vol. xii, No. 353 4. Novello's Part-Song Book, vol. xii, No. 354 5. Novello's Part-Song Book, vol. xii, No. 355 6. Novello's Part-Song Book No. 1262; tonic sol-fa Nos. 757 and 2100. The Orpheus, No. 10; later version in MT, liv (1913) — see notes 7. Novello's Part-Song Book, vol. xii, No. 356 Vocal Arrangement: SATB and variants Notes: This set of partsongs was originally advertised in the musical press as 'Eight Partsongs'. No. 1 published in the MT, xvii (1876), supplement. See also Section A: Choral Works. No. 6 has two versions: one in 'Tudor' style for male voices and one in humorous style for eight parts. The latter was published in the MT, liv (1913).

342 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Title: The Evening Star (J. Leydon) Date: 1881 Publication details: Novello Vocal Arrangement: SATB Dedication: 'To W. Done, Esq., Worcester.' Notes: Appeared in MT, vol. xxii, 637-41.

Collective title: Three Trios for Female Voices (E. Oxenford)

Partsong titles: 1. 'Waken, waken! Day is dawning' (E. Oxenford) 2. 'Distant Bells' (E. Oxenford) 3. 'Come, Sisters, come' (E. Oxenford) Date: 1881 Opus: 22 Manuscript: GB-Lcm MS 5137d (Novell° Collection, [1881]) Publication details: Novello (1881)

1. Novello's Collection of Trios, vol. iv, No. 83; Novello's Tonic Sol-fa Series, No. 1291 2. Novello's Collection of Trios, vol. iv, No. 84; Novello's Tonic Sol-fa Series, No. 1018; published in the MT, vol. xlv (1904), No. 84 (extra supplement) 3. Novello's Collection of Trios, vol. iv, No. 85; Novello's School Songs [book 165] (ed. W. G. MacNaught), No. 811; string parts published (1899) Vocal Arrangement: SSA and other instruments Notes:

343 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Title: Great Orpheus was a Fiddler, Humorous Part-Song (adapted J. Oxenford) Date: 1885 Manuscript: Publication details: Novello (1885); The Orpheus, New Series, vol. iv, no 164. Vocal Arrangement: Male voices Notes: Written for the Orpheus Society 1885.

Title: Hark! 'Tis the Horn of the Hunter (R. Neil) Date: 1885 Manuscript: Publication details: Novello (1885); Novello's Tonic Sol-fa Series, No. 343; MT, vol. xxvi (1885), No. 510, 469-74 Vocal Arrangement: SATB Notes:

344 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Title: The Empire Flag, A Patriotic Song (S. Reid and W. A. Barrett) Date: 1887 Opus: Manuscript: GB-En Acc. 9509 Orchestral arrangement by Q. P. [?] GB-Lcm MS 5137f (Novello Collection, 1887) Publication details: Novello (1887 and 1900) SATB version: published in the M7', vol. xxviii (1887), 221-8; Novello's Tonic Sol-fa Series, No. 548 (1887); string parts (1890) Vocal Arrangement: Solo and SATB; SATB Notes:

Title: The Three Merry Dwarfs (E. Oxenford) Date: 1887 Manuscript: Publication details: Novello (1887); Novello's Part-song Book, Second Series, No. 538; Novello's Tonic Sol-fa Series, No. 681 First Performance: Notes:

Title: Bonnie Bell (R. Burns) Date: 1888 Manuscript: Publication details: Novello (1888); Novello's Part-Song Book, Second Series. No. 545; Novello's Tonic Sol-fa Series, No. 622 Vocal Arrangement: SATB First Performance: 8 December 1888, Glasgow Select Choir (according to Stock) Notes:

345 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Title: To a Brother Artist. Part-song (S. S. Stratton) Date: 1889 Manuscript: Publication details: Novello (1889); Novello's Part-song Book, Second Series, No. 579; The Orpheus, New series No. 218 Vocal Arrangement: Male voices Notes: The first of two Toasts for male voices, see `To the Ladies' (1893) below.

Collective title: Two Choral Odes from The Bride of Love (R. Buchanan)

Partsong titles: 1. 'Rejoice, for love is lord' 2. '0 thou divine' Date: 1891 Opus: 48 Manuscript: Publication details: Novello (1891)

1. Novello's Collection of Trios, No. 257 (acc. arr, for pf duet by Battison Haynes, 1891) 2. Novello's Collection of Trios, No. 258 (acc. arr. for pf duet by Battison Haynes, 1891) Vocal Arrangement: Duet for female voices and orch; or harp/pf and two flutes; or pf duet, triangle and cymbals Notes:

346 Appendix 3: Catalogue of Works Section 1: Part-songs/Carols

Title: The Ladies, Toast No. 1 (S. S. Stratton) Date: 1893 Opus: Manuscript: MS 1279; dated 'Aug 2nd 1889' Publication details: Novello (1893); The Orpheus, New Series, No. 216 Vocal Arrangement: Male Voices [TTBB] Notes: Text: 'The Ladies! God bless them, for they are the beacons that shine on our way ...'

Title: Firm in her Native Strength (A. C. Ainger) Date: 1899 Opus: Manuscript: MS 1120 (fs); dated 'Ilkley. April 1899' Publication details: Novello (1899); Novello's Part-Song Book, Second Series, No. 837; string parts (1900) Vocal Arrangement: SATB and orch/pf Notes: Later adapted to be 'Empire Song'.

Title: With Wisdom, Goodness, Grace (A. Austin) Date: 1899 Opus: Manuscript: Publication details: Macmillan (1899) Vocal Arrangement: Notes: In Choral songs by various writers and composers in honour of Her Majesty Queen Victoria, 3-10. This collection was based on the Triumphs of Oriana written almost three hundred years earlier for . Other contributions made by Parry, Stainer, Stanford, Goodhart etc.

347 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Title: The Singers — In Memoriam, Arthur Sullivan (Longfellow) Date: 1901 Opus: Manuscript: Publication details: Novello (1901); Novello's Part-Song Book, second series, No. 870; published in the MT, vol. xliii (1902); Novello's Tonic Sol-fa Series No. 17460 (1909) Vocal Arrangement: Notes:

Title: An Empire Song (S. Wensley) Date: 1908 Opus: Manuscript: Publication details: Novello (1908); Novello's Part-Song Book, second series, No. 1074; Novello's Tonic Sol-fa Series, No. 2214 (1915) Vocal Arrangement: SATB and pf Dedication: First Performance: Notes: Based on 'Firm in her native strength' (see above). Written for Empire Day (1908).

348 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Collective title: Four Partsongs

Partsong titles: 1. 'My soul would drink those echoes' (Byron, from Manfred) 2. 'Midnight by the Sea' (N. Paton) 3. 'Qui vive' (G. Parker) 4. 'A song of love's coming' (E. Clifford) Date: 1910 Opus: 71 Manuscript: MS 1190 (No. 4); dated `Jan 23 1905' Publication details: Novello

1. Novello's Part-Song Book, Second Series, No. 1197; Novello's Tonic Sol-fa Series, No. 2049 2. Novello's Part-Song Book, Second Series, No. 1198 3. Novello's Part-Song Book, Second Series, No. 1199; Novello's Tonic Sol-fa Series, No. 1918 4. Novello's Part-Song Book, Second Series, No. 1200; Novello's Tonic Sol-fa Series, No. 1989 Vocal Arrangement: Dedication: First Performance: No. 1 was first performed at the laying of the foundation stone of the new RAM Marylebone buildings by a choir of over a hundred voices on 10 June 1910 (see 'Royal Academy of Music — Foundation Stone Laid', MT, 1 August 1910, 514-16). Notes: The text for No. 1 is taken from Manfred, Act I, Sc. ii, 11. 52-6.

349 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Collective title: Three trios for female voices

Partsong titles: 1. 'The earth and man' (S. A. Brookes) 2. 'A song of morning' (E. Clifford) 3. 'The rhyme of four birds' (D. Mapleson) Date: 1910 Opus: 73 Manuscript: Publication details: Novello (1910)

1. Novello's Collection of Trios, No. 414 2. Novello's Collection of Trios, No. 415; Novello's Tonic Sol-fa Series, No. 1940 3. Novello's Collection of Trios, No. 416 Vocal Arrangement: SSA Notes:

Title: Perfection, Sinfonia domestica choralis Date: 1913 Opus: 77 Manuscript: Publication details: Novello (1913); Novello's Part-Song Book, No. 1285 Vocal arrangement: SSAATTBB Notes:

350 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Collective title: Four Partsongs

Partsong titles: 1. 'Is the moon tired?' (C. Rossetti) 2. 'A motherless soft lambkin' (C. Rossetti) 3. 'The Fisherman's song' (J. Baillie) 4. 'A broken web' (W. H. Ogilvie) Date: 1914 Opus: Manuscript: Publication details: Year Book Press (1914)

3. The Year Book Press Series of Unison and Part-Songs (ed. R. F. M. Akerman), No. 101 4. The year Book Press Series of Unison and Part-songs (ed. R. F. M. Akerman), No. 100 Vocal Arrangement: 1. Unison; 2. Unison; 3. Two-part female voices; 4. Three-part female voices Notes:

351 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Collective title: Three School Songs

Partsong titles: 1. 'The bonnie bumie' (C. Mackay) 2. 'What the birds say' (S. T. Coleridge) 3. 'The fountain' (T. Moore) Date: 1918 Opus: 85 Manuscript: Publication details: ?E. Arnold (1918)

1. Singing Class Music (ed. T. F. Dunhill), No. 9 2. Singing Class Music (ed. T. F. Dunhill), No. 109 3. Singing Class Music (ed. T. F. Dunhill), No. 110 Vocal Arrangement: Notes: 1. Unison song 2. Two-part song 3. Unison song, with second part ad lib.

Title: Schola Regiae Edinensis (Dr Marshall) Date: 1925 Opus: Manuscript: Publication details: ?Bruce Clement & Co. (1925) Vocal Arrangement: Dedication: Written for the Royal High School, Edinburgh. Notes:

352 Appendix 3: Catalogue of Works Section I: Part-songs/Carols

Collective title: Two Graces (Robert Burns)

Partsong titles: 1. 'Some hae meat and canna eat' (The Selkirk Grace) 2. '0 Thou in whom we live and move' Date: 1931 Opus: 92 Manuscript: MS 1256 (1 and 2); dated (No. 1) 'A. C. Mackenzie July 2nd 1930'; (No. 2) 'July 16th 1930' Publication details: Oxford University Press (1931)

1. The Oxford Choral Songs, No. 737 2. The Oxford Choral Songs, No. 738 Vocal Arrangement: Dedication: No. 1 'dedicated to The Worshipful Company of Musicians' (written on MS) First Performance: Notes:

353 Appendix 3: Catalogue of Works Section J: Solo Songs

Section J: Solo Songs

Songs with Opus numbers: Collective title: Two Songs

Song titles: 1. 'Jamie, dear Jamie' 2. 'Sailor boy' Date: 1876 Opus: 3 Manuscript: None Publication details: White-Smith Music Publishing Co., Vocal Arrangement: Solo voice and SATB Notes:

354 Appendix 3: Catalogue of Works Section J: Solo Songs

Collective title: Three Songs

Song titles: 1. Tormi Jesu. The Virgin's Cradle Hymn.' 2. 'While my lady sleepeth. Serenade.' (J. G. Lockhart) 3. 'In our boat: "Stars shining o'er us" (Miss Muloch) Date: 1877-92 Opus: 12 Manuscripts: MS 1280 (No. 1) MS 1270 (No. 2) MS 1216 (No. 3); dated at end: `Jan 11th 1873' Publication details: Novello; 1892 (No. 1); 1878 (No. 2); 1877 (No. 3) Vocal Arrangement: Solo voice and pf; Nos. 1 and 3 with vn/vc obbligato Dedication: No. 3: `To his friend Fr. Niecks' Notes: No. 1, `Dormi Jesu', published in Musica Britannica, vol. lvi, Songs 1860-1900, ed. G. Bush (1989). No. 2: on the manuscript ACM mentions asking permission to reproduce the words. This song was also published as part of Eighteen Songs, Op. 31.

355 Appendix 3: Catalogue of Works Section J: Solo Songs

Collective title: Eight Songs

Song titles: 1. 'As the flower clings to the vine' 2. 'Blessed are the lowly of the earth' 3. `Dar's a new coon weddin' 4. 'Gates of Glory' 5. 'Little Mary Kelly' 6. 'One comfort sweet is mine' 7. 'White horse inn' 8. 'Within thine eyes' Date: 1878 Opus: 6 Manuscript: None Publication details: White-Smith Music Publishing Co., Boston; (1878) Vocal Arrangement: Dedication: No. 4: 'to Francis Fischer Powers' No. 6: 'Dedicated by permission to Mde Adelina Murio-Celli' No. 7: 'Mr Gwilym Miles' Notes:

Title: The Song of Love and Death (A. Tennyson) Date: 1878 Opus: 7 Manuscript: MS 1208 Publication details: Chappell [Novello] Notes: The manuscript is prefaced with Tennyson's lines: 'And in those days she made a little song and called her song...'. Also added in ACM's hand, 'Published by Chappell / Out of print'. The song was later published as part of Eighteen Songs, Op. 31.

356 Appendix 3: Catalogue of Works Section J: Solo Songs

Collective title: Drei Lieder (H. Heine)

Song titles: 1. 'Wenn du mir voriber wandelst' 2. 'Die Wellen blinIcen' 3. 'Es treibt dich fort' Date: c.1878-9 Opus: 14 Manuscript: None Publication details: C. F. Kahnt, Leipzig; (?1878) First Performance: Missed first performance recorded in MT , April 1888, 236 Notes:

Title: Three Songs (J. Logie Robertson)

Song titles: 1. `Up with the Sail' 2. '0 roaming wind' 3. 'Something Sad' Date: 1878 Opus: 16 Manuscript: None Publication details: ?Novello; (1878) Notes:

357 Appendix 3: Catalogue of Works Section J: Solo Songs

Collective title: Three Songs (C. Rossetti)

Song titles: 1. 'The first Spring' 2. 'When I am dead' 3. 'A Birthday' Date: 1878 Opus: 17 Manuscript: MSS 1261-3 Publication details: ?Novello; (1878) Notes: No. 2: ACM comments on MS 'One of my best songs ACM 1927'. This song was appears as a sketch (without words) in ACM's father's musical scrapbook (MS 1140).

The set was published in Musica Britannica, vol. lvi, Songs 1860-1900, ed. G. Bush (1989).

Collective title: Three Songs

Song titles: 1. Tdenland' (Miss Muloch) 2. 'At her Window' (F. Locker) 3. 'There sits a bird on yonder tree' (T. Ingoldsby) Date: 1878 Opus: 18 Manuscript: MS 1215 (No. 1) MS 1222 (No. 2) MS 1212 (No. 3) Publication details: Weekes & Co.; (1878/1883) Notes: No. 1 appears as a sketch in ACM's father's musical scrapbook (MS 1140).

No. 2: a note on the MS reveals that the lyrics are taken from F. Locker's London Lyrics, (Ibchester[?] and Co., 56 Ludgate Hill, London).

358 Appendix 3: Catalogue of Works Section J: Solo Songs

Collective title: Contributions to The Popular Songs of Scotland (ed. G. F. Graham; ed. and rev. J. Muir Wood)

Song titles: 1. `Ah thou were my am thing' (Anon., adapted Ramsay, 1724) 2. 'When the King comes owre the water' (Anon., Jacobite song) 3. 'Tam Glen' (R. Burns) 4. 'The wee wee German Lairdie' (Anon., Jacobite with additions by A. Cunningham) 5. 'The maid that tends the goats' (W. Dudgeon) 6. 'The Braes o' Gleniffer' (R. Tannahill) 7. 'There are twa bonnie maidens' (from the Gaelic by the mouth of Betty Cameron, adapted Hogg) 8. 'Jeanie Morrison' (W. Motherwell) 9.'I heard a wee bird singing' (W. Jerdan) 10. 'Castles in the air' (J. Ballantine) 11. 'The nameless lassie' (J. Ballantine) 12. `Ilka blade o' grass' (J. Ballantine) 13. `Annie's tryste' (W. E. Aytoun) 14. 'The bonnie Earl o' Murray' (Anon., adapted Ramsay, 1724) 15. 'Willie's rare and Willie's fair' (a 'Yarrow song', Anon.) 16. 'The Bonnie Banks o' Loch Lomond' (Traditional) Date: 1884/1891 Publication details: Bayley & Ferguson (1884); revised (1891)

No. 7 published separately. Boosey (1906) No. 9 published separately. Muir Wood (1885) No. 11 published separately. Cooks (1894) Notes:

359 Appendix 3: Catalogue of Works Section J: Solo Songs

Collective title: Eleven Songs [Originally published as Eighteen Songs together with Opp. 7, 12 (No. 2), 16 and 17]

Song titles: 1. 'Phyllis the fair' (R. Burns) 2. 'It was a time of roses' (T. Hood) 3. 'Light slumber is quitting' (F. Locker) 4. '0 hush thee my babie' (W. Scott) 5. 'The earth below' (C. Grant) 6. 'If love were what the rose is' (A. Swinburne) 7a. 'What does the little birdie say' (version 1) (A. Tennyson) 7b. 'What does the little birdie say' (version 2) (A. Tennyson) 8. 'Of all sweet birds' (P. Vidal, 1175-1215) 9. 'Lift my spirit up to thee' (C. Grant) 10. 'Russian love song' (J. A. Blaikie) Date: 1885 Opus: 31 Manuscript: GB-Lbm Add. 65520 (orch version of No. 9, 1902) GB-Lcm MS 5137g (1902, Novello Collection), version of No. 9 Publication details: Novello Dedication: 'To Signorina Adelaida Placci, Florence' (published score) Notes: No. 9 'Lift up my Spirit to Thee' orchestrated (1902). No. 7 'What does the little birdie say?' published separately (1892).

A copy of this collection in the RAM Library has the holograph: 'To Miss Louise Phillips with A. C. Mackenzie's kind regards. March 29th 1893.'

360 Appendix 3: Catalogue of Works Section J: Solo Songs

Collective title: Three Songs (W. Shakespeare)

Song titles: 1. 'It is thy will' 2. 'Fair is my love' 3. 'Pedlar's Song' Date: 1887 Opus: 35 Manuscript: None Publication details: Chappell & Co.; (1887) Notes: 1. Sonnet lxi 2. (The Passionate Pilgrim) 3. [Unknown]

Collective title: Spring Songs (A. P. Graves)

Song titles: 1. 'The First Rose' 2. 'Hope' 3. 'Spring's Secrets' 4. 'Spring is not Dead' 5. 'April Weather' 6. 'A May Song' 7. 'Summer at last' Date: 1890 Opus: 44 Manuscript: None Publication details: Novello; (1890) Dedication: `To his esteemed friend, Mrs .' Notes:

361 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: Two Songs from Marmion (W. Scott) Date: 1891 Opus: 43 Notes: See infra Section D: Theatre Music.

Collective title: Three of Shakespeare's Sonnets

Song titles: 1. 'When in Disgrace' (xxix) 2. 'The Forward Violet' (xcix) 3. 'Shall I compare thee' (xviii) Date: 1893-4 Opus: 50 Manuscript: GB-Lbrn Add. 54416 (Orch version, 1901) Publication details: R. Cocks & Co.! Augener's Edition First Performance: Notes: Orchestral parts held in the RAM Orchestral Library (2 sets)

Collective title: Three Songs (J. Hay)

Song titles: 1. 'Love, Song, Wine — Student song' 2. 'The light of Love' 3. 'She comes to me — Expectation' Date: 1894 Opus: 54 Manuscript: Publication details: Joseph Williams; (1894) Notes: Published as No. 80 of J. Williams Albums.

362 Appendix 3: Catalogue of Works Section J: Solo Songs

Collective title: Six Rustic Songs (H. Boulton)

Song titles: 1. 'The first leaf has fallen' 2. 'In leafy June' 3. 'Solitude' 4. 'The time for wooing' 5. 'The bird that sings in winter' 6. 'We'll all make holiday' Date: 1898 Opus: 60 Manuscript: Publication details: G. Ricordi & Co.; (1898) Notes: The copy in the RAM Library was presented by Mde Albanesi, October 1926.

Collective title: Four Canadian Folk-Songs (Adapted by N. Carlton Hill)

Song titles: 1. The Exile (Un Canadien Errant) 2. Canadian Girls (Vive la Canadienne) 3. Bytown (Old name for Ottawa) 4. Tenaouiche tenaga ouich'ka! (Children's Song) Date: 1907 Manuscript: MS 1138 (fs of No. 2); dated 'ACM April 1910' Publication details: Boosey & Co. Notes: No. 1 'sung by Miss Edith Miller' Orchestral parts for No. 2 in RAM Orchestra Library.

363 Appendix 3: Catalogue of Works Section J: Solo Songs

Collective title: Four Songs by Tennyson

Song titles: 1. 'Beat upon mine, little Heart' 2. 'Love flew in at the Window' 3. 'The Milkmaid's Song' 4. 'The Bee buzz'd in the Heat' Date: 1913 Opus: 79 Manuscripts: MS 1168; dated 'ACM April 1913' MS 1169; dated 'April 9th 1913 ACM' MS 1170; dated 'April 17th 1913 ACM' MS 1171; dated 'April 1913' Publication details: Novello; published in 2 books (1913) Notes: 1. From 'Romney's Remorse' 2. From 'The Foresters' 3. From 'Queen Mary' 4. From 'The Foresters'

Title: The Walker of the Snow (C. D. Shanly) Song for Baritone Date: 1913 Opus: 78 Manuscript: MS 1139 (v & orch); dated 'April 8th 1915 ACM' MS 1150 (v & pf); dated 'March 18th 1913. ACM' Publication details: Novello; (1913) Vocal Arrangement: Dedication: 'Dedicated to George Henschel' First Performance: Notes: A Canadian Folksong is introduced on p. 5 of the vs. (See Boughton, 'Modern British Song-Writers — 1. Alexander Campbell Mackenzie,' The Music Student, v (1913), 331-2.)

364 Appendix 3: Catalogue of Works Section J: Solo Songs

Songs without Opus numbers: Title: The Maid of Annandale (W. H. Davey) Date: No date Manuscript: MS 1267 Publication details: Unpublished Dedication: `...dedicated to his Grace the Duke of Argyll' (MS holograph) Notes: Text: 'As o'er the hill in lordly guise one morn I took my way, resolved to know if Beauty's eyes could on another stray ...'

Title: Boat Song Date: No date Manuscript: MS 1237 (sketch only) Publication details: Unpublished Notes: Text: 'Ho my bonny boat, Thou bonny boatie mine! ...'

Title: The Two [Meek] Margarets, Ballad (J. S. Blackie) Date: No date Publication details: Paterson & Sons Notes: Some copies leave out the word 'meek' in the title.

Title: I once had a sweet little doll, dears (C. Kingsley) Date: No date Manuscript: MS 1254 Publication details: Unpublished Notes: At the end is the text of the poem with 'From the Water Babies by Charles Kingsley (Macmillan & Co.)'.

365 Appendix 3: Catalogue of Works Section .1: Solo Songs

Title: Rose: Though love's a rose. Song Date: No date Manuscript: MS 1188 Publication details: Unpublished Notes:

Title: The Knight of the Holy Grail Date: No date [c.187?] Publication details: White-Smith Music Publishing Co., Boston Dedication: 'Dedicated to U. S. Kerr' Notes:

Title: In the Garden (R. Buchanan) Date: No date Manuscript: MS 1282 (sketches) Publication details: Unpublished Notes: Sketches for 'In the Garden R. Buchanan. Never completed ACM' [difficult to decipher.]

Title: The Mountain (E. Oxenford) Date: No date [c.mid-1880s] Manuscript: MS 1269 Publication details: Unpublished Notes: In blue pencil on MS 'Not published Thank God! ACM' Text: 'With snow-clad crest, where eagles rest, but mankind fears to tread ...'

366 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: Breathe but a prayer for me Date: 1862 Manuscript: MS 1141B; dated `... London 18 June 1862' Publication details: Unpublished Dedication: 'Dedicated to C?. N. by XX London 18 June 1862' Notes:

Title: We have met and we have parted (J. Roby) Date: 1869 Manuscript: MS 1213; dated: 'Nov. 15th 1869' Publication details: Czerny & Co. Notes: On MS, 'Published, I think, by Czemy & Co., 1869, London. The firm closed down long ago. ACM.'

Title: I saw thee weep (Byron) Date: 1870 Publication details: Czerny (1870), Patey & Willis (1886) Notes:

Title: Sunlight on the Waters (W. H. Davey) Date: [c.1870] Manuscript: MS 1266 Publication details: Unpublished Notes: Text: 'Sunlight on the waters gaily shed thy golden rays ...'

367 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: Turn, Fortune, turn thy wheel. Song (A. Tennyson) Date: 1873 Manuscript: MS 1209 Publication details: ?Chappell (1873) Notes: Text from Tennyson's Idylls of the King On MS: 'Published by Chappell / Out of Print ACM'

Title: Sabbath Morning and Evening (J. Leyden and Edmeston) Date: 1877 Manuscript: MS 1275 (Morning); dated 'Fin Oct 2nd 1877' MS 1276 (Evening); dated 'Oct 3rd 1877' Publication details: Unpublished Dedication: No. 1 `To Miss Helene Armini [1' Notes:

Title: Staunch and True. Song (E. Oxenford) Date: 1879 Publication details: Chappell Notes: Text: 'There is a lass'

Title: The Old Grenadier. Song (E. Oxenford) Date: 1879 Manuscript: MS 1136 (fs, v and orch); dated 'Fine July 26th 1879' Publication details: Novello, Ewer & Co. Notes:

368 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: The Knight's Vow (E. Oxenford) Date: 1879 Publication details: Chappell (1879) Notes: Text: '0 maiden mine'

Title: Cross and Crown (E. Oxenford) Date: 1881 Publication details: [?Novello (1881)] Notes: Text: 'Thy burden may be hard to bear'

Title: I heard a wee bird singing (W. Jerdan) Date: 1885 Publication details: J. Muir Wood & Co., Glasgow Notes: Composed in part and arranged by ACM.

Title: There's a woman like a dew drop (R. Browning) Date: 1885 Manuscript: MS 1264; dated on f. 2r 'Florence 2 Via Leopardi March 7 1885' Publication details: Novello; voice and harp (1885) First Performance: St George's Hall, 1884 Notes: From Browning's tragedy The Blot on the 'scutcheon — see Section D: Theatre Music.

369 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: The Pearly Brow. Song (J. Ballantine) Date: 1885 Publication details: Paterson & Sons, Edinburgh (1885) Notes: From The Border Series ofModern Scottish Songs. Published with 'John Frazer', 'We're a' ae father's bairns' and 'The Chevalier's Lament'.

Title: Turn the Blue Bonnet wha can! Old Scotch Song Date: 1885 Publication details: J. Muir Wood & Co., Glasgow (1885) Notes: Arranged by ACM.

Title: Linton Lowrie (J. Ballantine) Date: 1885 Publication details: Paterson (1885) Notes:

Title: We're a' ae Father's Bairns Date: 1885 Publication details: Paterson (1885) Notes: From The Border Series ofModern Scottish Songs. Published with 'The Pearly Brow', 'John Frazer' and 'The Chevalier's Lament'.

370 Appendix 3: Catalogue of Works Section .I: Solo Songs

Title: Love lost on Earth. Scena for Tenor (T. Spencer) Date: 1885 Manuscript: MS 1135 (fs); dated 'ACM Fine June 26 1885 The Limes' Publication details: Novello, Ewer & Co.; v and pf (1885) Dedication: 'Dedicated to his friend Edward Lloyd.' Notes: Composed for Birmingham Festival of 1885, sung by Edward Lloyd.

Title: The Way of Wooing (W. S. Gilbert) Date: 1886 Manuscript: MS 1214; dated 'Dec 23 Florence 1886' Publication details: Unpublished/?George Routledge & Sons Notes: On MS 'Published by George Routledge & Sons, Broadway, Ludgate Hill. Florence 1886. Never published ACM.' [Slightly conflicting evidence.] Text from Gilbert's The .

Title: A Dear Wifey (W. Dunbar) Date: 1887 Publication details: Boosey & Co. (1887) Notes:

Title: An OuId Irish Wheel. Song (A. P. Graves) Date: 1887 Publication details: Boosey & Co. (1887) Notes:

371 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: Grandfather (W. E. Weatherby) Date: 1887 Manuscript: MS 1251; dated on f.3 r 'Sept 23 1887 34 Via Gino Capponi Florence' Publication details: Unpublished Notes: On MS 'Never published. Words by F. E. Weatherby' Copy of printed poem with manuscript Two sketch endings for verses I and II. 'Which ending is better?' 'This copy is for Mezzo Soprano, but the song will be more effective as a Contralto Song say in C[natural]'.

Title: In loving thee (Rev. J. Troutbeck) Date: 1889 Publication details: Novello, Ewer & Co. (1889) Dedication: 'To H. E. M.' Notes:

Title: Robin Sly. A Country Ballad (H. E. Boulton) Date: 1891 Publication details: The Leadenhall Press (in a collection) (1891); Novello, Ewer & Co. (separately) Notes: Published in Twelve New Songs by British Composers (The Leadenhall Press).

Title: Old Friends. Song (Sir James Crichton-Browne) Date: 1893 Publication details: R. Cocks & Co. (1893) Notes: Harmonised by ACM. Three versions in different keys (C, D and F).

372 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: The Two Angels (J. G. Whittier)

Date: 1894

Publication details: J. Williams (1894) Notes:

Title: I cannot tell what you say (C. Kingsley)

Date: 1894

Publication details: J. Williams (1894); revised (1910) Notes:

Title: My Bark and I (J. Oxenford)

Date: 1894

Publication details: J. Williams (1894) Notes:

Title: Earl of Haldane's Daughter (C. Kingsley) Date: 1894 Publication details: J. Williams (1894) Notes:

373 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: You meaner Beauties of the Night. Song (H. Wotton) Date: 1894 Publication details: J. Williams (1894) Notes:

Title: The Nameless Lassie. Song (J. Ballantine) Date: 1894 Publication details: Robert Cocks & Co. (1894) Notes: Arranged by ACM from his father's original song.

Title: Dunolly's Daughter. Ballad (Marquis of Lorne) Date: 1896 Manuscript: MS 1142 Publication details: Boosey & Co. (1896) Notes:

Title: Fire that must flame (T. Campion) Date: 1896 Publication details: See Notes Notes: Words from T. Campion's Third Book of Aires Published in J. C. R. Gale and C. T. Speer, An English Series of Songs, No. 1

374 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: John Frazer. Ballad (J. S. Blackie) Date: 1897 Publication details: Paterson & Son (1897); reproduced Boosey 1903 Notes: From The Border Series ofModern Scottish Songs. Published with 'The Pearly Brow', 'We're a' ae father's bairns' and 'The Chevalier's Lament'.

Title: Follow your saint. Song (T. Campion) Date: 1897 Manuscript: MS 1146 Publication details: Boosey & Co. (1897) Notes:

Title: The Chevalier's Lament (R. Burns) Date: 1897 Publication details: Paterson & Sons (1897) Notes: From The Border Series ofModern Scottish Songs. Published with 'John Frazer', 'We're a' ae father's bairns' and 'The Chevalier's Lament'.

Title: Pretty Peg of Pegwell Bay. Song (F. C. Burnand) Date: 1897 Publication details: J. Williams (1897) Notes:

375 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: In miei saluti (E. Mackay) Date: 1899 Publication details: See Notes Notes: Published in Sir Herbert B. Tree, Souvenir of the Charing Cross Hospital Bazaar etc., 133-7.

Title: I ne'er could any lustre see (Sheridan) Date: 1899 Publication details: Boosey & Co. (1899) Notes:

Title: The Willow Song, from Shakespeare's Othello (W. Shakespeare) Date: 1899 Publication details: Novello & Co. (1899) Dedication: 'Dedicated to and sung by Miss Ellen Terry.' Notes: Text from Othello IV.iii.39ff.

Title: Bonnie Jeanie Gordon (A. King) Date: 1899 Publication details: J. Williams (1899) Notes:

376 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: Things of Beauty (Anon.) Date: 1901 Publication details: Novello (1901) Notes: This unison song is one of two which Mackenzie composed for inclusion in The Children's Souvenir Song-book. See W. G. MacNaught, Novello's School Songs No. 639.

Title: Through love to light (R. W. Gilder) Date: 1901 Publication details: Novello (1901) Notes: This unison song is one of two which Mackenzie composed for inclusion in The Children's Souvenir Song-book.

Title: A Reverie of the East. Song (0. Seaman) Date: 1903 Manuscript: MS 1137 (fs); dated 'Dec. 1903 ACM' Publication details: Novello & Co. (1903) Notes: Also published in Punch or the London Charivari (Durbar Number), January 7, 1903.

Title: 0 blessed Hour! Song (A. P. Graves) Date: 1903 Publication details: Boosey & Co. (1903) Notes: Musical arrangement by ACM from an old melody.

377 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: Here's a health unto His Majesty (A. P. Graves) Date: 1903 Publication details: Novello & Co. (1903) Notes: Arranged by ACM

Title: The Last loAd hoam (A. Tennyson) Date: 1904 Manuscript: MS 1175; dated 'Sep 6th 1904. Ilkley' Publication details: Unpublished Notes:

Title: The Sound of the Drum (E. Nesbit) Date: 1905 Publication details: Amalgamated Press Notes: The Carmelite Music No. 11

Title: Ring out, wild Bells. Song (A. Tennyson) Date: 1905 Publication details: See Notes Notes: Published in Alexandra, Queen Consort of Edward VII, The Queen's Carol, pp. 13-15.

378 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: The Gypsy Woman. Song Date: 1905 Manuscript: MS 1189; dated on MS: 'Jan 12th 1905' Publication details: Unpublished Notes:

Title: Roslin Castle. Old Scotch Song (R. Hewitt) Date: 1906 Publication details: Boosey & Co. (1906) Notes:

Title: Up in the Morning Early. Old Scotch Song (R. Burns and J. Hamilton) Date: 1906 Publication details: Boosey & Co. (1906) Notes: Arranged by ACM The first and third verses of text are by Burns, the second by Hamilton.

Title: The Ewie wi' the Crooked Horn. Old Scotch Song (J. Skinner) Date: 1906 Publication details: Boosey & Co. (1906) Notes: Arranged by ACM

379 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: Marion. Will ye go to the Ewe-Bughts, Marion? Old Scotch Song Date: 1906 Publication details: Boosey & Co. (1906) Notes: Arranged by ACM

Title: The Winter is Past. Old Scotch Song (R. Burns) Date: 1906 Publication details: Boosey & Co. (1906) Notes: Arranged by ACM. The second verse is by Burns.

Title: There are twa bonnie Maidens. Old Scotch Song Date: 1906 Publication details: Boosey & Co. (1906) Notes: Arranged by ACM

Title: Selene on Latmos, from "Endymion" (I. N. Harwood) Date: 1907 Manuscript: MS 1236; dated 'Feb 9th 1907' Publication details: Unpublished Notes:

380 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: To Crown my Love. Song (M. Byron) Date: 1908 Publication details: J. Williams (1908) Notes:

Title: The Auld Meal-Mill (E. G. Jamieson) Date: 1913 Manuscript: MS 1172; dated '1913[1' Publication details: Novello and Co. (1913) Notes:

Title: Chant National Beige (F. Campenhaut) Date: 1913 Manuscript: GB-Lbm Add. 65520A; dated 'arranged by ACM May 1913' Publication details: Unpublished Notes:

Title: One who never turned his Back. Song (R. Browning) Date: 1914 Manuscript: MS 1187; dated 'for King Albert's Book" Dec 15th 1914' Publication details: Daily Telegraph Notes: Pages 34-5 of King Albert's Book

381 Appendix 3: Catalogue of Works Section J: Solo Songs

Title: Afterwards. Adieu! Heroes all (C. I. Pocock) Date: 1915 Publication details: G. Ricordi & Co. (1915) Dedication: 'In Memory of the Brave who have fallen in the Great War.' Notes:

Title: Barbara of Golder's Green (D. C. Calthorpe) Date: 1921 Manuscript: MS 1252; dated 'April 8 1921' Publication details: Unpublished Notes: There are two versions of this; one mentions it being by Gay and Arne. Written by ACM at the Garrick Club.

Title: Tell me where is Fancy bred (Ding Dong Bell), Unison Song (W. Shakespeare) Date: 1924 Publication details: J. B. Cramer & Co. (1924) Notes: Text from The Merchant of Venice 111.2.63-72 Orchestral parts held in the RAM Orchestra Library Cramer's Library of Unison and Part-songs, No. 17

Title: Pals of Yesterday. A Song of the British Legion (R. Mansfield) Date: 1925 Manuscript: MS 1174; dated 'ACM December 12th 1924' Publication details: Chappell & Co. (1925) Notes:

382 Appendix 3: Catalogue of Works Section K: Recitations

Section K: Recitations

Title: Ellen McJones (W. S. Gilbert) Date: 1890 Manuscript: MS 1257; dated 'ACM May 1890' Publication details: Unpublished Vocal Arrangement: Spkr and pf Notes: Text from Gilbert's Bab Ballads

Collective title: Recitations Set to Music for Piano Recitation titles: 1. 'Jabberwocky' (L. Carroll) 2. 'The Dream of Eugene Aram' (T. Hood) 3. 'The Confession' (T. Ingoldsby) 4. 'Queen Mab' (T. Hood) 5. 'Faithless Nelly Gray' (T. Hood) Date: 1895/99 Opus: 59 Manuscript: MS 494 (No. 4) Publication details: J. Williams (1899); each published separately (1908) Vocal Arrangement: Spkr and pf Dedication: First Performance: No. 2 performed by Henry Wood with orch in 1895 (see Wood, My Life ofMusic, 353). Notes:

383 Appendix 3: Catalogue of Works Section K: Recitations

Title: Dickens in Camp (B. Harte) Date: 1911 Opus: Manuscript: MS 1258 (two versions); first dated 'December 1911'; second 'Dec 19th 1911' Publication details: Unpublished Vocal Arrangement: Dedication: First Performance: At Dickens centenary at Colisseum 1916 Notes: Text: 'Above the pines the moon was slowly drifting, the river sang below

384 Appendix 3: Catalogue of Works Section L: Miscellaneous Collections

Section L: Miscellaneous Collections

Title: The Vocal Melodies of Scotland Date: 1867, 2/1876 Publication details: Paterson and Sons, Edinburgh; 4 bks (1867-70); 6 bks (1876) Instrumentation: Pf Dedication: Notes:

Title: The Popular Songs of Scotland Date: 1884 Publication details: Instrumentation: Pf Notes: Arranged by ACM See G. F. Graham, The Popular Songs of Scotland

Title: Scottish Melodies Date: 1897 Publication details: Novello; 2 bks (1897) Instrumentation: Pf or Harmonium Notes: See The Holyrood Series of Albums No. 6

385 Appendix 3: Catalogue of Works Section M: Books

Section M: Books

Tre Letture sopra il di fatte alla Royal Institution of Great Britain (Milano: G. Ricordi & Co., ?1893).

Verdi (London, 1913).

Liszt (London, 1922).

A Musician's Narrative (London, 1927).

386 Appendix 3: Catalogue of Works Section N: Articles

Section N: Articles

Various minor articles and transcriptions of lectures appear in MT and the RAM Club Magazine.

'Aspects and Prospects of Music in ,' The Quarterly Musical Review, iii/9 (1887), 38- 50.

'The Life-work of Arthur Sullivan,' Sammelbande der Internationalen Musikgesellschaft, iii (1901-1902), 539-64.

'The Bohemian School of Music,' Sarnmelbande der Internationalen Musikgesellschafi, vii (1905-1906), 145-72. [Extract of this article published as 'Friedrich Smetana' in the RAM Magazine, No. 18 (May 1906)1

'A Day in my Life,' The Tatler (20 February 1907), 150.

'The Beginnings of the Modern Orchestra,' The Music Student, ix (1917), cxix-cxx, 237-40.

'Hubert Hastings Parry: His Place among British Composers,' Proceedings of the Royal Institution of Great Britain, xxii (1922), 542-9.

'Sir Charles Stanford — A Tribute,' Royal College of Music Magazine, xx (1923-4), 37ff.

'Preface,' in Schumann, , ed. (London, 1924), pp. vii-ix.

'Value of Chamber Music,' Cobbett's Cyclopedic Survey of Chamber Music, ii (1930), 604-05.

387 Appendix 3: Catalogue of Works Section 0: Public Lectures

Section 0: Public Lectures

The lectures listed below were given at the Royal Institution (RI), the Royal Academy of Music (RAM), the Royal College of Organists (RCO) and elsewhere. Mackenzie also gave speeches at the annual prize-givings of the RAM and RCO which were sometimes reported in the musical press. Unfortunately no manuscript notes or records of any of the following are extant and, as a result, the only information it is possible to find out about the lectures is contained within reports in The Musical Times and the RAM Magazine. The majority of this list is based on Stock's Catalogue and Charles Maclean, 'Sir Alexander Campbell Mackenzie — A Biographical Sketch,' The Music Student, viii, No.10 (1916), 277-82.

The aspects and prospects of music in England (15 December 1886, National Society of Profession Musicians, Prizegiving, Manchester)

The Orchestra and the Development of the Overture (21 & 28 May, 4 & 11 June 1891, RI)

Verdi's Falstaff (27 May, 3 & 10 June 1893; later translated into Italian and published by Ricordi — see Section M: Books)

Music from Ambrose to the Renaissance (3, 10, 17 & 24 October? 1894, RAM)

The Traditional and National in Music (9, 16 & 23 February 1895, RI)

Franz Liszt (21 January 1899, RI)

Tchaikovsky (28 January 1899, RI)

Brahms (4 February 1899, RI)

The Early History of Music (26 September, 3, 10 & 17 November 1900, RAM)

Sir Arthur Sullivan (2, 9 & 16 May 1901, RI)

The Life and Work of Liszt (10 November 1902, Albert Hall, Sheffield)

388 Appendix 3: Catalogue of Works Section 0: Public Lectures

The Bohemian school of music (4, 11 & 18 February 1905, RI)

On Scholarships and Competition Prizes (November 1905, after-dinner speech at the Musicians' Company)

The latest phases of modern music (21 & 28 January 1907)

Brahms (10 December 1908, London Institute?)

Mendelssohn (6 & 13 February 1909, RI — translated into German for the Haydn Festival of the International Music Society in Vienna)

Chamber Music (20 February 1909, RI)

Chamber Music (10 November 1910, London Institution)

Russian Music (3 February 1912, RI)

Liszt (10 & 17 February 1912, RI)

Training and the creative faculty (24 July 1915, Prize-giving RCO)

The beginnings of the orchestra and its early combinations (25 May 1916, RI — summary of this printed in the Music Student April 1917, illustrated)

The revival of Chamber Music (1 & 8 June 1916, RI)

War Music (7, 14 & 21 March 1918, RI)

Parry (23 May 1919, RI)

Quartets of Beethoven (9 June 1921, RI)

389 Appendix 3: Catalogue of Works Section P: List of Manuscripts in the Mackenzie Collection, Royal Academy of Music

Section P: List of Manuscripts in the Mackenzie Collection, Royal Academy of Music

Manuscript Title

1106 Colomba 1134 Canadian Rhapsody 1107 Guillem the Troubadour 1135 Love Lost on Earth (scena) 1108 The Little Minister 1136 The Old Grenadier 1109 Manfred 1137 A Reverie of the East 1110 The Cricket on the Hearth 1138 Vive la Canadiennel 1111 The Cricket on the Hearth 1139 The Walker of the Snow 1112 The Bride 1140 [ACM's father's scrapbook] 1113 Jason 1141 Early piano pieces 1114 The Rose of Sharon 1142 Dunnolly's Daughter 1115 The Minstrel [The Troubadour] 1143 May 1116 Jubilee Ode 1144 The Stars are with the voyager 1117 The Cotter's Saturday Night 1145 I Saw the Moon Rise Clear 1118 The Dream of Jubal 1146 Follow your saint 1119 Bethlehem 1147 The Sun-God's Return 1120 Firm in her native strength 1148 Scottish Concerto 1121 The Witch's Daughter 1149 Invocation 1122 The Sun-God's Return 1150 The Walker of the snow 1123 Scottish Rhapsodies Nos. 1 & 2 1151 St John's Eve 1124 Pibroch 1168 Beat upon mine little heart 1125 Coronation March 1169 Love flew in at the window 1126 London, Day by Day 1170 The milkmaid's song 1127 Tam o' Shanter 1171 The bee buzz 'd up in the heat 1128 Invocation 1172 The auld meal-mill 1129 String Quartet (score) 1173 Tinker's Song [Eve of St John] 1130 String Quartet (parts) 1174 Pals of Yesterday 1131 Cervantes Overture 1175 The Last Load Hodm 1132 Scherzo 1176 Highland Ballad 1133 Violin Concerto 1177 Barcarola

390 Appendix 3: Catalogue of Works Section P: List of Manuscripts in the Mackenzie Collection, Royal Academy of Music

1178 Villanella 1214 The Way of Wooing 1179 Gipsy Dance 1215 Edenland 1180 Four Dance Measures: Valse 1216 In our Boat 1181 Four Dance Measures: Polka 1217 Three piece for organ 1182 Four Dance Measures: Sarabande 1218 Der Falke 1183 Four Dance Measures: Jig 1219 Der Traum 1184 An English Joy-Peal 1220 Lebewohl 1185 Fantasia 1221 The Lord is gracious 1186 Nixies etc. [Eve of St John] 1222 At her window 1187 One who never turned his back 1223 Lalla Rookh 1188 Though love's a rose 1224 Ye righteous in the Lord rejoice 1189 The gypsy woman 1225 The Eve of St John 1190 A song of love's coming 1226 Comedy Overture 1191 Olympus in Babylon 1227 English Air with variations 1192 Overture: Twelfth Night 1228 Ancient Scots Tunes 1193 Miriam (oratorio) 1229 Dickens in Camp 1194 Manfred [sketches] 1230 Nocturne flir Pianoforte 1195 The Cornish Opera 1231 Tempo di Ballo 1196 Dream ofJubal [sketches] 1232 Variationen far das Pianoforte 1197 His Majesty [sketches] 1233 Andante espressivo [vc] 1198 His Majesty [sketches] 1234 Valse Humoresque [vc] 1199 His Majesty [sketches] 1235 Piano piece [no name] 1201 Lalla Rookh 1236 Selene on Latmos 1202 It is this [Lalla Rookh] 1237 Boat song 1203 It is this [Lalla Rookh] 1238 Festmarsch 1204 Breathe but a prayer for me 1239 The Little Minister [band parts] 1205 Fantasia on Scottish Airs 1240 Marmion 1206 Jason [sketch] 1241 Richard II (Coriolanus) 1207 Introduction and Romanza 1242 Richard II 1208 Song of Love and Death 1243 Richard II 1209 Turn, Fortune, turn thy wheel 1244 His Majesty [sketches] 1210 Little Minister Overture [parts] 1245 From the North [orch] 1211 We 're a' ae father's bairns 1246 Marmion 1212 There sits a bird on yonder tree 1247 Cricket on the Hearth [libretto] 1213 We have met and we have parted 1248 St John's Eve [libretto]

391 Appendix 3: Catalogue of Works Section P: List of Manuscripts in the Mackenzie Collection, Royal Academy of Music

1249 Cricket on the Hearth [libretto] 1284 Intrata and Valse chromatique 1250 Arietta 1285 Le Luthier de Cremone [sketch] 1251 Grandfather 1286 Moses 1252 Barbara of Golder 's Green 1287 Moses 1253 Recessional 1288 La belle dame sans merci 1254 I once had a sweet little doll 1289 Violin Concerto [sketches] 1255 The Troubadour [sketches] 1290 Colomba [sketches] 1256 Two Graces 1291 Studies with Eduard Stein 1257 Ellen McJones 1292 Piano Quartet 1258 Dickens in Camp 1293 Three pieces for piano and violin 1259 Five Pieces Op. 13 1294 Piano Trio in B flat major 1260 Trois Morceaux Op. 15 1295 Overture to a Comedy 1261 The first spring day (Rossetti) 1296 Concert Overture 1262 When Jam dead (Rossetti) 1297 Piano Trio in D major 1263 A birthday (Rossetti) 1298 Sonata for violin and piano 1264 There's a woman like a dewdrop 1265 Song ofMeg Merrilies 1266 Sunlight on the waters 1267 The Maid of Annandale 1268 Duett on Scotch Airs 1269 The Mountain 1270 Serenade 1271 Adagio (vn & pf) 1272 Adagio (vn & pf) 1273 Larghetto and Allegretto 1274 Robin Adair 1275 Sabbath Morning 1276 Sabbath Evening 1277 Barcarola and Villanella 1278 Jottings Op. 84 1279 The ladies 1280 Dormi Jesu 1281 Luthier de Cremone [sketches] 1282 In the Garden 1283 Symphony

392 Appendix 3: Catalogue of Works Section Q: A List of Mackenzie's compositions by opus number

Section Q: A List of Mackenzie's compositions by opus number

Opus Title

[Grove2 lists opp. 1-7 as songs & pf pieces] 32 Concerto for the Violin 2 Lochinvar 33 The Troubadour 3 Two Songs (with chorus) 34 The Story of Sayid 6 Eight Songs 35 Three songs (Shakespeare) 7 Song of Love and Death 36 Jubilee Ode 8 Seven Partsongs 37 Six Pieces for Violin 9 Rustic Scenes (pianoforte) 37/3 Benedictus 10 Larghetto and Allegretto 38 Ode: The New Covenant 11 Piano Quartet in Eb major 39 The Cotter's Saturday Night 12 Three Songs (with obbligato) 40 Overture: Twelfth Night 13 Five Pieces for the Pianoforte 41 The Dream ofJubal 14 Drei Lieder von Heine. 42 Pibroch: Suite for violin and orch 15 Trois Morceaux pour Piano 43 Two Songs from the music to 16 Three Songs (J. L. Robertson) Marmion 17 Three Songs (C. Rossetti) 44 Spring Songs 18 Three Songs 45 Music to Ravenswood 19 Three Anthems 46 Veni Creator Spiritus 20 Six Compositions for the Pianoforte 47/1 Highland Ballad for Violin & Piano 21 Rhapsodie Ècossaise 47/2 Two Pieces: Barcarolle and 22 Three Trios for female voices Villanella 24 'Burns' Second Scotch Rhapsody 48 Two Choral Odes from R. 25 The Bride Buchanan's Bride of Love 26 Jason 49 Bethlehem 27 Three Pieces for organ 50 Three of Shakespeare's Sonnets 28 Colomba 51 Phoebe 29 La Belle Dame sans Merci 52 Britannia, A Nautical Overture 30 The Rose of Sharon 53 From the North (vn/orch) 31 Five Songs (published as Eighteen 54 Three Songs (J. Hay) Songs with earlier sets) 55 Scottish Concerto

393 Appendix 3: Catalogue of Works Section Q: A List of Mackenzie's compositions by opus number

56 His Majesty 88 Varying Moods, for the pianoforte 57 Music to The Little Minister 89 Distant Chimes 58 Music to Manfred 90 Overture: Youth, Sport, Loyalty 59 Five Recitations 91 Two pieces for vc and pf 60 Six Rustic Songs 92 Two Graces 61 Coriolanus, Suite Dramatique. 62 The Cricket on the Hearth 63 Coronation March 64 Suite: London, Day by Day 65 The Knights of the Road 66 The Witch's Daughter 67 Canadian Rhapsody 68 Suite for Violin Solo, with Orchestra 69 The Sun-God's Return 70 Fantasia for Pianoforte 71 Four Partsongs 72 La Savannah (Air de Ballet) 73 Three Trios 74 Tam o' Shanter: 3rd Scottish Rhapsodic 75 An English Joy-Peal 76 Invocation 77 Perfection, Sinfonia domestica choralis. 78 The Walker of the Snow (baritone) 79 Four Songs (Tennyson) 80 Four Dance Measures (vn) 81 English Air with Variations 82 Ancient Scots Tunes (strings) 83 Odds and Ends, Par ci, par la (pf) 84 Jottings. Six cheerful little pieces for piano 85 Three Songs 86 Three Easy Impromptus (vn & pf) 87 The Eve of St John

394 Appendix 3: Catalogue of Works Section R: List of Honours

Section R: List of Honours

1883 Fellow, Royal Academy of Music 1884 Gold Medal for Art and Science, Hesse Darmstadt 1885 Honorary Member of the Glasgow Society of Musicians 1886 Doctor of Music, Hon. Causa, St Andrews University 1888 Doctor of Music, Hon. Causa, Cambridge University 1889 First President of the RAM Club (Founder Member) 1890 Mus. Doc., Hon. Causa, Edinburgh University 1893 Member of Order of Art and Sciences, Saxe-Coburg and Gotha Pencerdd Alban, Wales 1895 Knight Bachelor of Great Britain 1898 Member of Royal Swedish Academy 1901 DCL, Glasgow University 1903 DCL, McGill University, Canada Mus. Doc., Toronto University, Canada [Other Canadian honours] 1904 LL.D., Leeds University 1913 Honorary Member, Academia di S. Cecilia, Rome 1918 Fellow, Royal College of Music 1922 Knight Commander of the Mus. Doc., Causa honoris, Oxford University 1923 Gold Medal, Royal Philharmonic Society

395 List of Manuscript Sources

List of Manuscript Sources

NOTE: Listed below are the sources of manuscript letters, documents and scores consulted as part of the research for this thesis. Where possible, the shelfmark of each manuscript collection is given, however many of the collections are uncatalogued or without shelfmarks, and these are merely identified by their location. The extensive collection of manuscript scores from the Mackenzie bequest of 1936 now held in the Library of the RAM is not included, but each individual manuscript score is detailed briefly under the relevant entry in Appendix 3: A Catalogue of Works by Alexander Campbell Mackenzie (see above). Not all of the literary manuscript collections below are referred to specifically in the text of the thesis and manuscript letters reproduced as facsimiles in published books are not included. The sources are listed alphabetically by library, location or owner.

Personal collection of Dr Ian Barclay. Bath Reference Library, Bath: AL 931. The Bodleian Library, Oxford: MS Eng.misc. c652 f. 155-6. BBC Written Archives Centre, Caversham, Reading: Composer file on Mackenzie. The British Library, London: Egerton 3305, ff. 87-118; Add. MS 41077, f. 108; Add. MS 46061, f. 255; Egerton 3095, ff. 153-4, 177-8; Egerton 3096, fl 72, 206-7, 228-9, 230; Add. MS 46912M; Add, MS 62121, f 113-4, 120, 121; Loan 48, 13/21.1 2-235; Loan 48, 13/38. f. 181-96; Loan 48, 2/11. f 11. The Brotherton Library, University of Leeds, Leeds: the Stoker Collection. Personal collection of Dr Christopher Fifield: Richter documents; Ibbs and Tillett file. The Ellen Terry Memorial Museum, Smallhythe Place, Kent: Letters from Ellen Terry. Edinburgh University Library, Edinburgh: Dk. 6. 19/4. Music & Theatre Collection, University and City Library, Frankfurt am Main, Germany. Archives Department, Glasgow University, Glasgow. Glasgow University Library, Glasgow: MS Gen 1520/69-76; Cb.13—y.5(13)1-20.

396 List of Manuscript Sources

Institut fur Musikforschung, , Germany: Joachim NachlaB, SM12/1957-2863-5. Theaterwissenschaftliche Sammlung, Universitat zu Kôln, Germany: Au 11449. Personal collection of Stephen Lloyd: letters to Sir . Mills Memorial Library, McMaster University, Hamilton, Ontario, USA: Pieter Tas Collection; English Composers Collection. Museo Teatrale alla Scala, Milan, Italy: C. A. 3424-25, 3427-45, 3447-49. National Library of Canada, Ottawa, Canada: Harriss and Scholes Collections. National Library of Scotland, Edinburgh: MS 10695, f. 128; MS 3071 f. 63, 146-8; MS 2636, f. 138, 189-90; MS 2637, ff. 120-21, 305; MS 2638 f. 4; MS 10164, f. 232; MS 10291, f. 20; MS 10014, ff. 111-12; MS 21501, ff. 95-127; Uncatalogued Accession 9698; Uncatalogued Accession 8333. Music Library, Northwestern University Library, Evanston, Illinois, USA: Eisner- Eisenhof Collection. Pierpont Morgan Library, New York, USA: Bennett Collection, MFC M156.A311(1-2); MFC M156.A3115(1-4); MFC M156.B4715; MFC M156.A4716(1-81); MFC M156.L781 Archive, Pierpont Morgan Library, New York, USA. Personal collection of Dr John Purser: Schloesser to ACM; Novello-Littleton Collection (Sotheby's Sale, May 1996); miscellaneous letters (Sotheby's Sale, Dec. 1997). Library, Royal College of Music, London. Portraits Department, Royal College of Music, London. Library, Royal Academy of Music, London: RAM Collection; Eyers Collection; RAM Archives, Box 2, Letters File 7 (1891-1899); Uncatalogued letters box; miscellaneous letters found in the Mackenzie Collection of manuscript scores and also in various published scores. St Andrews University Library, St Andrews: ms30283; msLF1119.G8L3; Donaldson Correspondence ms 7567-9, ms 7637-8, ms 7830, 7007-11. Personal collection of Mrs Alison Selford. Staatsbibliothek zu Berlin, Germany: von Billow nachlaB, M.1921.145 ACM1-10; Busoni nachlaB. Record Office, County Hall, Kingston upon Thames, Surrey: Papers of Lucy Etheldred Broadwood, 2185/LEB/1/35a—b, 36a—b, 132a—b.

397 List of Manuscript Sources

The Theatre Museum, , London: Mackenzie Collection RP941718. Theatre Museum, Hamburg University, Germany. University Archives, , Canada: Loudon Papers, B72- 0031/004(04).(04).

398 Bibliography

Bibliography

NB: Articles and books by Alexander Campell Mackenzie are included in Section M and Section N of Appendix 3: A Catalogue of Works by Alexander Campbell Mackenzie, above.

Gerald Abraham, A Hundred Years of Music, 2nd ed. (London, 1949).

Dante Alighieri, The Divine Comedy (Oxford, 1995).

Julio Altadill, Memorias de Sarasate (, , 1909).

'A Mackenzie Story,' The Scottish Musical Monthly, i, 12 (1894), 208.

'Mackenzie's "Bethlehem": Bennett's Bathos,' The Scottish Musical Monthly, i, 9 (1894), 145-6.

'Scottish Composers and Musicians: II. A.C.Mackenzie,' The Scottish Musical Monthly, i, 6 (1894), 82-4.

'Mackenzie as a Lecturer,' The Scottish Musical Monthly, ii, 18 (1895), 137.

'Sir Alexander Campbell Mackenzie,' The Musical Times, xxxix (1898), 369-74.

The Inauguration of the University of Leeds: Being a Special Issue of the Gryphon, The Journal of the University of Leeds (Leeds, 1904).

'Dr Charles Harriss,' The Musical Times, 1(1 April 1909), 225-29.

International Musical Congress of the International Musical Society. London: May 29— June 3 1911 (London, 1912).

'The R.A.M. and its Heroes,' The Royal Academy of Music Club Magazine, lxiv (October 1922), 45-47.

'A talk with Sir Alexander Mackenzie,' The Musical Times, lxv (1 March 1924), 209— 11.

'Mackenzie, Sir Alexander Campbell,' Encyclopedia Britannica (1929), 587.

Obituary: 'Sir Alexander Campbell Mackenzie,' The Times (1935).

'Alexander Campbell Mackenzie,' The Musical Times, lxxvi (1935), 497-502.

Aristotle, On the Art of Poetry (London, 1965).

399 Bibliography

Edwin Arnold, Pearls of the Faith (London, 1883).

Constance Bache, Brother Musicians: Reminiscences of Edward and Walter Bache (London, 1901).

Cyril Bailey, Hugh Percy Allen (Oxford, 1948).

J. Percy Baker, 'Sir Alexander Mackenzie and his work at the Royal Academy of Music, London,' Musical Quarterly, xiii (1927), 14-28.

J. Percy Baker, 'The Present Principal of the Royal Academy of Music,' The Royal Academy of Music Club Magazine, i (October 1900), 19-21.

J. Percy Baker, 'Revival of "Colomba",' The Royal Academy of Music Club Magazine, xxxviii (February 1913), 5-6.

J. Percy Baker, 'The Cricket on the Hearth,' The Royal Academy of Music Club Magazine, xliii (November 1914), 17-19.

Theodore Baker, ed., Biographical Dictionary of Musicians (New York, 1900).

Stephen Banfield, 'British Chamber Music at the turn of the century,' The Musical Times, cxv (1974), 211.

Stephen Banfield, 'The Early Renaissance: Mackenzie, Smyth and Stanford,' in British Opera in Retrospect, British Music Society, ed. (London, 1985), 63-68.

Stephen Banfield, 'British Opera in Retrospect,' The Musical Times, cxxvii (1986), 205— 7.

Stephen Banfield, Sensibility and English Song: Critical Studies of the Early Twentieth Century (Cambridge, 1988).

David Baptie, A Handbook of Musical Biography (London, 1883).

David Baptie, Musical Scotland Past and Present (Edinburgh and Glasgow, 1894).

David Baptie, Sketches of the Glee Composers (London, 1896).

John Francis Barnett, Musical Reminiscences and Impressions (London, 1906).

J. M. Barrie, The Little Minister (London, 1891).

J. M. Barrie, The Plays off. M Barrie (London, 1928, rev. 1942).

Arnold Bax, Farewell My Youth (London, 1943).

Max Beerbohm, A Book of Caricatures (London, 1907).

400 Bibliography

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Francesco Berger, Reminiscences, Impressions and Anecdotes (London, n.d.).

Paul Blackburn, ed., Proensa: An Anthology of Troubadour Poetry (Berkeley and Los Angeles, 1978).

John Stuart Mackie, Scottish Song (Edinburgh and London, 1889).

Raymond Blathwayt, 'The Art of Caricature: A Talk with Mr Max Beerbohm,' Cassell' s Magazine (February 1903), 275-79.

Giovanni Boccaccio, The Decameron (London, 1972).

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J. B. Booth, The Days We Knew (London, 1943).

J. B. Booth, Palmy Days (London, 1957).

Rutland Boughton, 'Modern British Song-Writers: 1. Alexander Campbell Mackenzie,' The Music Student, v(1913), 331-2.

Austin Brereton, The Life of Henry Irving (London, 1908).

A. Herbert Brewer, Memories of Choirs and Cloisters (Fifty Years of Music) (London, 1931),

Frederick Bridge, A Westminster Pilgrim (London, 1919).

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Wallace Cable Brown, 'Thomas Moore and English Interest in the East,' Studies in Philology, xxxiv (1937), 576-88.

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Donald Burrows, 'Victorian England: an Age of Expansion,' in The Late Romantic Era, Jim Samson, ed. (London, 1991), 266-94.

401 BibliographY

Moir Carnegie, 'Mackenzie, Sir Alexander Campbell,' Dictionary of National Biography, 1931-1940 (1950), 576-78.

Francois Cellier and Cunningham Bridgeman, Gilbert Sullivan and D'Oyly Carte Reminiscences of the Savoy and the Savoyards (London, 1927).

J. Daniel Chamier, of Covent Garden and the B.B.C. (London, 1938).

Eric Coates, Suite in Four Movements (London, 1953).

Walter Willson Cobbett, ed., Cobbett's Cyclopedic Survey of Chamber Music (London, 1930).

Peter Cogman, Mêrimee: Colomba and Carmen (London, 1992).

Morton N. Cohen, ed., The Letters of Lewis Carroll (London, 1979).

H. C. Colles, 'Modern British Instrumental Music,' The Music Student, vii (1915), 119— 24.

H. C. Cones, Voice and Verse (London, 1928).

H. C. Colles, The Oxford History of Music: Symphony and Drama, 1850-1900, vii (London, 1934).

Edward T. Cone, The Composer 's Voice (London, 1974).

Francois Edouard Joachim Coppee, Le Luthier de Cremone (London, 1882).

Frederick Corder, A History of the Royal Academy of Music 1822-1922 (London, 1922).

Frederick Corder, 'Mackenzie, Sir Alexander Campbell,' in Cobbett's Cyclopedic Survey of Chamber Music, Walter Willson Cobbett, ed. (London, 1930), ii, 108-09.

W. L. Courtney, The Literary Man's Bible, 4th ed. (London, 1908).

Frederic Cowen, My Art and My Friends (London, 1913).

F[rederic] C[owen], 'Mackenzie, Sir Alexander Campbell,' A Dictionary of Modern Music and Musicians (1924), 309-10.

David Cox, The Henry Wood Proms (London, 1980).

Carl Dahlhaus, Foundations of Music History (Cambridge, 1983).

Carl Dahlhaus, Nineteenth—Century Music (Berkeley and Los Angeles, California, 1989).

William Dauney, Ancient Scotish Melodies (Edinburgh, 1838).

402 Bibliography

Cedric Thorpe Davie, Scotland's Music (Edinburgh, 1980).

Peter Dawson, Fifty Years of Song (London, 1951).

Jeremy Dibble, 'The RCM Novello Library,' The Musical Times, cxxiv (1983), 99-101.

Jeremy Dibble, 'Parry and Elgar: A New Perspective,' The Musical Times cxxv (1984), 639-43.

Jeremy Dibble, C. Hubert H. Parry: His Life and Music (Oxford, 1992),

Charles Dickens, 'The Cricket on the Hearth,' in The Christmas Books Volume 2, Michael Slater, ed. (London, 1845), Penguin Classics ed., 21-120.

Sir James Donaldson, 'A Scottish Academy of Music for Scotland,' The Dunedin Magazine, ii, 1 (November 1913), 5-10.

W. D. Downey, Cabinet Portrait Gallery Reproduced from Original Photographs, v (London, 1890-94).

Bridget Duckenfield, 0 Lovely Knight (London, 1991).

Kenneth Eastaugh, Havergal Brian, the Making of a Composer (London, 1976).

F. G. Edwards, 'Frederick Niecks,' The Musical Times, xl (1 September 1899), 585-93.

H. Sutherland Edwards, Personal Recollections (London, 1900).

Margarita Egan, ed., The Vidas of the Troubadours (New York, 1984).

Cyril Ehrlich, First Philharmonic: A History of The Royal Philharmonic Society (Oxford, 1995).

A. Einstein, ed., Hugo Riemanns Musik—Lexicon, 10th ed. (Berlin, 1922).

Edward Elgar, 'The College Hall,' The Three Pears Magazine (1931), 4-5.

Robert Elkin, Queen's Hall: 1893-1941 (London, 1942?).

Robert Elkin, Royal Philharmonic: The Annals of the Royal Philharmonic Society (London, 1946).

K. Elliot and F. Rimmer, A History of Scottish Music (London, 1973).

Louis Engel, A Portrait Gallery: Dr Mackenzie, Principal of the Royal Academy of Music (London, 1888).

Henry George Farmer, History of Music in Scotland (London, 1947).

403 Bibliography

Henry George Farmer, Cavaliere Zavertal and the Royal Artillery Band (London, 1950).

Henry George Farmer, `(Sir) Alexander Campbell Mackenzie,' Die Musik in Geschichte und Gegenwart (1960), 1401-3.

Edmund H. Fellowes, English Cathedral Music from Edward VI to Edward VII (London, 1914).

Christopher Fifield, : His Life and His Works (New York, 1988).

Christopher Fifield, True Artist and True Friend: A Biography of (Oxford, 1993).

Herman Finck, My Melodious Memories (London, 1937).

Roger Fiske, Scotland in Music: A European Enthusiasm (Cambridge, 1983).

Ford Madox Ford, 'Selected Memories,' in The Bodley Head , Graham Greene, ed. (London, 1962), i, 223-356.

Ford Madox Ford, 'Memories and Impressions,' in The Bodley Head Ford Madox Ford, Michael Killigrew, ed. (London, 1971), v, 31-468.

Lewis Foreman, Bax: A Composer and his Times (London, 1983).

Lewis Foreman, From Parry to Britten: British Music in Letters 1900-1945 (London, 1987).

Lewis Foreman, ed., Farewell, My Youth and Other Writings by Arnold Box (London, 1992).

Lewis Foreman, ed., Music in England 1885-1920 as recounted in Hazell's Annual (London, 1994).

Myles Birket Foster, History of the Philharmonic Society of London, 1813-1912 (London, 1912).

J. A. Fuller Maitland, 'Wanted — An Opera,' The Nineteenth Century, xliii (June 1898), 977-84.

J. A. Fuller Maitland, English Music in the XIXth Century (London, 1902).

J. A. Fuller Maitland, A Door—Keeper of Music (London, 1929).

H. Garland and M. Garland, eds., The Oxford Companion to German Literature, 2nd ed. (Oxford, 1986).

404 Bibliography

J. Murray Gibbon, Canadian Folk Songs (Old and New) (London and Toronto, 1927).

Victoria Glendinning, Rebecca West: A Life (London, 1987).

Sir Dan Godfrey, Memories and Music: Thirty—five Years of Conducting (London, 1924).

Charles L. Graves, The Life and Letters of Sir (London, 1903).

Charles L. Graves, Hubert Parry (London, 1926).

Roger Lancelyn Green, ed., The Diaries of Lewis Carroll (London, 1953).

H. Plunkett Greene, Charles Villiers Stanford (London, 1935).

Arthur Groos and Roger Parker, eds., Reading Opera (New Jersey, 1988).

Wilibald Gurlitt, 'Mackenzie, (Sir) Alexander Campbell,' in Riernann Musik Lexicon, Wilibald Gurlitt, ed. (Mainz, 1961), 124.

Sir Henry Hadow, Music, 2nd ed. (Oxford, 1946).

Sir W. H. Hadow, English Music (London, 1931).

Robert Hamerling, Hamerlings Werke, iv (Leipzig, 1916).

Eduard Hanslick, '1889: Orchesterconcerte,' in Der Moderne Oper': Aus dem Tagebuch eines Musikers, (1892), (reprint Farnborough, 1971), vi, 270-6.

Eduard Hanslick, 'Schottische Rhapsodie (NI. 2, Op. 24, von Mackenzie),' in 'Der Moderne Oper Aus dem Tagebuch eines Musikers, (1892), (reprint Farnborough, 1971), vi, 183-5.

Eduard Hanslick, Music Criticisms 1846-99 (London, 1963).

Jane Harington, 'Angelina Goetz,' The Royal Academy of Music Magazine, ccxliii (Spring, 1987), 2-7.

Augustus Harris, 'The opera in England: some notes and reminiscences,' New Review, ix, 52 (September 1893), 257-67.

Augustus Harris, 'The opera in England: some more notes and reminiscences,' New Review, ix, 53 (October 1893), 343-52.

Rupert Hart—Davis, ed., A Catalogue of Caricatures of Max Beerbohm (London, 1972).

Archibald Martin Henderson, Musical Memories (London & Glasgow, 1938).

Sir George Henschel, Musings & Memories of a Musician (London, 1918).

405 Bibliography

Raymond Thompson Hill and Thomas Goddard Bergin, Anthology of the Provencal Troubadours (New Haven, 1941).

Paul Hindmarsh, 'Mackenzie, Alexander Campbell,' in A Companion to Scottish Culture, D. Daiches, ed. (London, 1981), 235.

Graham S. Holton, 'Alexander Campbell Mackenzie,' in Four Nineteenth Century Scottish Composers, (Edinburgh, 1972).

Frank Howes, The English Musical Renaissance (London, 1966).

Frank Howes, 'Parry, Sir (Charles) Hubert (Hastings),' The New Grove Dictionary of Music and Musicians (1980).

Frederick Hudson, 'Stanford, Sir Charles Villiers,' The New Grove Dictionary of Music and Musicians (1980).

Francis Hueffer, and the Music of the Future (London, 1874).

Francis Hueffer, The Troubadours: A History of Provencal Life and Literature in the Middle Ages (London, 1878).

Francis Hueffer, Colombo, A Lyrical Drama in four acts, founded on Prosper Mêrimee's tale (London, 1883).

Francis Hueffer, Half a Century of Music in England 1837-1887, Essays towards a History (London, 1889).

Gervase Hughes, Composers of Operetta (London, 1962).

Alan Hyman, Sullivan and his Satellites (London, 1978).

International Music Society, ed., International Music Congress of the International Music Society — London: May 29—June 3, 1911 (London, 1911).

Ethel Ireland, 'The Royal Academy of Music by a Student,' The Scottish Musical Monthly, ii, 17 (1895), 99-100 and supplement.

Ernest Irving, Cue for Music (London, 1910?).

Sir Henry Irving, 'Shakespeare as Playwright,' in The Works of Shakespeare: the Henry Irving Edition, Sir Henry Irving and Frank A. Marshall, eds. (London, 1906), i, [pp.] lxxxv—xix.

Arthur Jacobs, Henry J.Wood — Maker of the Proms (London, 1992).

Arthur Jacobs, Arthur Sullivan, A Victorian Musician, 2nd ed. (Aldershot, England, 1992).

406 Bibliography

John Julian, A Dictionary of Hymnology (London, 1892, rev. 1907).

Michael Kennedy, Portrait of Elgar (Oxford, 1968).

Michael Kennedy, 'Music,' in The Cambridge Guide to the Arts in Great Britain: 7 — The Later Victorian Age, Boris Ford, ed. (Cambridge, 1989), 268-95.

Michael Kennedy, 'Prometheus Unbound,' in Fairest Isle: BBC Radio 3 Book of British Music, David Fraser, ed. (London, 1995), 65-76.

Christopher Kent, 'Periodical Critics of Drama, Music, & Art 1830-1914: A Preliminary list,' Victorian Periodicals Review, xiii, 1 (1980), 31-55.

Joseph Kerman, Opera as Drama (London, 1989).

William Kinderman, 'Directional tonality in Chopin,' in Chopin Studies, Jim Samson, ed. (Cambridge, 1988), 59-75.

Herman Klein, Thirty Years of Musical Life in London 1870-1900 (London, 1907).

Herman Klein, Musicians and Mummers (London, 1925).

Herman Klein, The Golden Age of Opera (London, 1933).

Rom Landau, Paderewski (London, 1934).

Dan H. Laurence, ed., Shaw's Music (London, 1981).

Mary Lawton and Ignacy Jan Paderewslci, The Paderewski Memoirs (London, 1939).

Robin H. Legge and W. E. Hansell, Annals of the Norfolk and Norwich Triennial Musical Festivals MDCCCXXIV — MDCCCXCIII (London, 1896).

Stephen Lloyd, Sir Dan Godfrey: Champion of British Composers (London, 1995).

Alfred Loewenberg, Annals of Opera 1597-1940, 3rd ed. (London, 1978).

Rey M. Longyear, Nineteenth—Century Romanticism in Music, 3rd ed. (Englewood Cliffs, New Jersey, 1988).

Henry Lytton, A Wandering Minstrel (London, 1933).

Walter Macfarren, Memories: An Autobiography (London, 1905).

Alexander Campbell Mackenzie, A Musician's' Narrative (London, 1927).

Charles Maclean, 'Mackenzie's "Colomba",' Zeitschrift der International Musikgesellschaft, xi (1910), 142-45.

407 Bibliography

Charles Maclean, 'London Notes,' Zeitschrift der International Musikgesellschaft, xiii (1912), 236-39.

Charles Maclean, 'Sir Alexander Campbell Mackenzie — A Biographical Sketch,' The Music Student, viii, 10 (1916), 277-82.

Blanche Marchesi, Singer 's Pilgrimage (London, 1923).

Florence A. Marshall, 'Alexander Campbell Mackenzie,' in Famous Composers and their Works (Illustrated), J.B.Millet Company, ed. (Cambridge, Massachusetts, 1891), iv, 902-06.

Marian C. McKenna, Myra Hess: A Portrait (London, 1976).

Diana M. McVeagh, Edward Elgar: His Life and Music (London, 1955).

Prosper Merimee, Carmen and Other Stories (Oxford, 1989).

Prosper Merimee, Colombia et Autres Nouvelles (Paris, 1993).

Herman C. Merivale, Ravenswood (London, 1890).

MM, 'Cycle of Music Festivals of the Dominion of Canada,' in Encyclopaedia of Music in Canada, Helmut Kallmann and Gilles Potvin, eds. (Toronto, 1992), 247-48.

Jerrold Northrop Moore, Edward Elgar: Letters of a Lifetime (Oxford, 1990).

Thomas Moore, lalla Rookh: An Eastern Romance,' in The Poetical Works of Thomas Moore, A. D. Godley, ed. (London, 1910), 340-451.

Ernest Newman, Hugo Wolf (London, 1907).

Frederick Niecks, Frederick Chopin as a Man and Musician (London, 1888).

Frederick Niecks, Programme Music in the Last Four Centuries: A Contribution to the History of Musical Expression (London, 1907).

Frederick Niecks, (London, 1925).

Gerald Norris, Stanford, The Cambridge Jubilee and Tchaikovsky (Newton Abbot, 1980).

T. P. O'Connor, In the Days of my Youth (London, 1901).

Norman O'Neill, 'Music to Stage Plays,' Proceedings of the Royal Musical Association, xxxvii (1910-11), 85-102.

Ovid, Metamorphoses (London, 1955).

408 Bibliography

John Knowles Paine, ed., Famous Composers, ii (Boston, c1891).

Peter Pine, The English Musical Renaissance (London, 1979).

Michael Pope, 'King Olaf and the English Choral Tradition,' in Elgar Studies, Raymond Monk, ed. (London, 1990), 46-80.

John Purser, "Scotland's Music", BBC Radio Scotland, Programme No. 24.

John Purser, Scotland's Music (Edinburgh, 1992).

Charles Rigby, Sir Charles Halle (Manchester, 1952).

Paul Rodmell, 'The of Sir Charles Villiers Stanford' (Ph.D. Dissertation, University of Birmingham, 1995).

John Mackenzie Rogan, Fifty Years of Army Music (London, 1926).

Landon Ronald, Myself and Others, Written Lest I Forget (London, 1931).

Carl Rosa, 'English Opera,' Murray 's Magazine, i (1887), 460-70.

Sybil Rosenfeld, 'Alma—Tadema's Designs for Henry Irving's Coriolanus,' Deutsche Shakespeare—Gesellschaft West Jahrbuch (1974), 84-95.

Matthew Rye, 'Music and Drama,' in The Twentieth Century — The Blackwell History of Music in Britain, Stephen Banfield, ed. (Oxford, 1995), 343-401.

Stanley Sadie, ed., The New Grove Dictionary of Music and Musicians (London, 1980).

Stanley Sadie, ed., The New Grove Dictionary of Opera (London, 1992).

Jim Samson, 'Music and Society,' in The Late Romantic Era — From the mid-19th century to World War I, Jim Samson, ed. (London, 1991), 1-49.

John Edwin Sandys, 'Honorary Degrees, November 8, 1888 ... A. C. Mackenzie,' Cambridge University Reporter (20 November 1888), 182-83.

Percy Scholes, The Listener 's History of Music, ii (London, 1929).

Percy Scholes, The Oxford Companion to Music, 9th ed. (Oxford, 1965).

Percy Scholes, The Complete Book of the Great Musicians, 8th ed. (London, 1940).

Percy Scholes, The Mirror of Music 1844-1944 (London, 1947).

Percy Scholes, The Appreciation of Music by means of the Tianola' and 'Duo—Art': A course of lectures (London, 1925).

409 Bibliography

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William Shakespeare, Twelfth Night, Arden Shakespeare ed. (London, 1975).

William Shakespeare, Coriolanus, World's Classics ed. (Oxford, 1994).

G. B. Shaw, Music in London 1890-94 (London, 1932).

G. B. Shaw, London Music in 1888-89 (London, 1937).

G. B. Shaw, How to become a Music Critic (London, 1960).

Watkins Shaw, The Three Choirs Festival: The Official History of the Meetings of the Three Choirs of Gloucester, and Worcester, c. 1713-1953 (Worcester and London, 1955).

William A. Shaw, ed., The Knights of England (London, 1971).

Edgar Shelton, Recollections of an Old Orchestral Player ... late Musician in Ordinary to H.M. The King (Royal College of Music, Portraits Department, date not known).

Sophocles, Antigone, Oedipus the King, and Electra (Oxford, 1994).

Frederick R. Spark and Joseph Bennett, History of the Leeds Musical Festivals 1858— 1889 (London, 1892).

Jennifer Spencer, 'Mackenzie, Sir Alexander (Campbell),' The New Grove Dictionary of Music and Musicians (1980).

Charles Villiers Stanford and Cecil Forsyth, A History of Music (London, 1916).

Charles Villiers Stanford, Studies and Memories (London, 1908).

Charles Villiers Stanford, Pages from an Unwritten Diary (London, 1914).

Charles Villiers Stanford, Interludes, Records and Reflections (London, 1922).

Walter H. Stock, ed., Alexander Campbell Mackenzie: Catalogue of Works (Library of the Royal Academy of Music, London, 1948).

Bram Stoker, Dracula, Penguin Popular Classics ed. (London, 1897).

410 Bibliography

Bram Stoker, 'Sir Henry Irving: An Appreciation,' in The Works of Shakespeare: the Henry Irving Edition, Sir Henry Irving and Frank A. Marshall, eds. (London, 1906), i, [pp.] xi—xvi.

Bram Stoker, Personal Reminiscences of Henry Irving, 2nd ed. (London, 1907).

Richard Stradling and Meirion Hughes, The English Musical Renaissance 1860-1940: Construction and Deconstruction (London, 1993).

E. van der Straeten, The History of the Violin (London, 1933).

Oliver Strunk, Source Readings in Music History: The Romantic Era (New York, 1965).

Julian Sturgis, The Cricket on the Hearth, Libretto, 3 vols typescript in RAM Library.

Nicholas Temperley, ed., The Romantic Age 1800-1914, The Athlone History of Music in Britain, v (Oxford, 1988).

Nicholas Temperley, ed., : Essays in Victorian Music (Indiana, 1989).

Sir Richard Terry, On Music's Borders (London, 1927).

Lionel Tertis, My Viola and I (London, 1974).

Pedro Tillett, Memoirs (Royal College of Music, Portraits Department, date not known).

Selwyn Tillett, and His Majesty: A study of two Savoy Operas (Coventry, 1996).

Nadia Turbide, 'Charles A. E. Harriss,' in Encyclopaedia of Music in Canada, Helmut Kallmann and Gilles Potvin, eds. (Toronto, 1992), 417-18.

Mathilde Verne, Chords. of Remembrance (London, 1936).

Ernest Walker, A History of Music in England, 1st ed. (Oxford, 1907); rev. J. A. Westrup (Oxford, 1952).

William Wallace, ed., The Poetical Works of Robert Burns (Edinburgh, 1990).

John Warrack and Ewan West, eds., The Oxford Dictionary of Opera (Oxford, 1992).

J. P. Wearing, The London Stage: A Calendar of Plays and Players (Metuchen, 1976).

Ben Weinreb and Christopher Hibbert, eds., The London Encyclopaedia (London, 1983).

Rebecca West, Family Memories (London, 1987).

Eric Walter White, The Rise of English Opera (London, 1951).

411 Bibliography

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Eric Walter White, A History of English Opera (London, 1983).

John Greenleaf Whittier, 'The Witch's Daughter,' in The Complete Poetical Works of John Greenleaf Whittier, (London, 1886), 267-70.

Charles Willeby, Masters of English Music (London, 1893).

Henry J. Wood, My Life of Music (London, 1938).

Grange Woolley, 'Pablo de Sarasate: His Historical Significance,' Music and Letters, xxxvi, (1955), 236-52.

H. Saxe Wyndham, and the Saturday Concerts: A Memoir and a Retrospect (London, 1909).

Percy M. Young, A History of British Music (London, 1967).

Percy M. Young, ed., A Future for English Music and other lectures by Edward Elgar (London, 1968).

Percy M. Young, George Grove 1820-1900: A Biography (London, 1980).

412