DOCSLIB.ORG

£225,000 Conservatory, Shower Room, Single Garage and Driveway for Two Vehicles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
£225,000 Conservatory, Shower Room, Single Garage and Driveway for Two Vehicles Helping move 51 Edward German Drive, Whitchurch, SY13 1TL Asking Price Of DON'T MISS OUT on this three bedroom detached property within walking distance of amenities and schools. The property benefits from two reception rooms, £225,000 conservatory, shower room, single garage and driveway for two vehicles. Gas Central Heating and Double Glazing throughout. www.barbers-online.co.uk T 01948 667272 51 Edward German Drive, Whitchurch, Helping move SY13 1TL Overview Three Bedroom Detached House Two Reception Rooms Kitchen/Breakfast Room Conservatory, Cloakroom Shower Room Private Garden with Large Patio Integral Singe Garage Driveway for two vehicles Gas Central Heating & Double Glazed “This three bedroom modern detached house is situated in a popular residential area of Whitchurch and is within easy walking distance of the town centre and local schools. The accommodation briefly comprises Lounge opening into Dining Room, Kitchen/Breakfast Room, Conservatory, Three Bedrooms and Shower Room. Outside there is a good size rear garden which has a large paved patio and gravel area, which we feel could easily be put back to lawn if so desired. The property also benefits from a single garage and two off road parking spaces.” LOCATION The property is situated in the busy market town of Whitchurch which sits on the Shropshire/Cheshire/Clwyd borders and benefits from a variety of local independent shops, schools, three large supermarkets and other major retailers. The renowned Hill Valley Hotel, Golf & Spa is located on the outskirts of the town which offers great recreational facilities. Whitchurch train station is on a direct line between Crewe and Shrewsbury with onward connections to Manchester, London and Birmingham plus other major cities. The larger centres of Chester, Shrewsbury, Telford, Wrexham and Crewe are all within 16 to 22 miles approximately. www.barbers-online.co.uk Helping move TENURE We are advised that the property is Freehold and this will be confirmed by the Vendors Solicitor during the Pre- Contract Enquiries. Vacant possession upon completion. LOCAL AUTHORITY Council tax enquiries, Revenues & Benefit, Shropshire Council, Shirehall, Shrewsbury, SY2 6ND. Tel: 0345 678 9002 PROPERTY INFORMATION We believe this information to be accurate, but it cannot be guaranteed. The fixtures, fittings, appliances and mains services have not been tested. If there is any point which is of particular importance please obtain professional confirmation. All measurements quoted are approximate. These particulars do not constitute a contract or part of a contract. SERVICES We are advised that mains gas, electricity and drainage are available. Barbers have not tested any apparatus, equipment, fittings etc or services to this property, so cannot confirm that they are in working order or fit for purpose. A buyer is recommended to obtain confirmation from their Surveyor or Solicitor. ENERGY PERFORMANCE CERTIFICATE EPC TBC. The full energy performance certificate (EPC) is available for this property upon request. VIEWING/PRE SALES MARKETING ADVICE By arrangement with the Agents Office at 34 High Street, Whitchurch, Shropshire, SY13 1BB: Tel: 01948 667272 whitchurch@barber s-online.co.uk DIRECTIONS Upon entering the town with the Rugby Club on the right, proceed along taking the second exit from the mini roundabout onto Newport Road. Take the next right onto Edward German Drive. Follow the road round and the property can be found on the left hand side AML REGULATIONS To ensure compliance with the latest Anti Money Laundering Regulations all intending purchasers must produce identification documents prior to the issue of sale confirmation. To avoid delays in the buying process please provide the required documents as soon as possible. We may use an online service provider to also confirm your identity. A list of acceptable ID documents is available upon request. METHOD OF SALE For Sale by Private Treaty. WH27409 09092020 www.barbers-online.co.uk Helping move SPACE FOR FLOORPLAN LOUNGE BEDROOM ONE OUTSIDE 13' 4" x 13' 0" (4.06m x 3.96m) 12' 2" x 9' 7" (3.71m x 2.92m)(Exc fitted To the front of the property there is a lawned wardrobes) area and driveway for two vehicles. To the rear there is a large paved patio, steps down to a DINING ROOM gravel area with mature borders. The gravel 10' 8" x 10' 5" (3.25m x 3.18m) BEDROOM TWO area could be put back to lawn if so desired. 10' 4" x 10' 1" (3.15m x 3.07m) There is also a shed and dog kennel. CONSERVATORY 9' 8" x 8' 9" (2.95m x 2.67m) BEDROOM THREE GARAGE 8' 7" x 6' 8" (2.62m x 2.03m) 17' 8" x 7' 3" (5.38m x 2.21m) Integral with KITCHEN/DINER light and power 14' 0" x 10' 7" (4.27m x 3.23m) SHOWER ROOM 7' 6" x 5' 8" (2.29m x 1.73m) Selling your home? If you are considerin g selling your ho me please contac t us today for your no obligation free market appraisal. BRANCH NAME Our dedicated and friendly team will assist you 6 days a week. Branch Address | Tel: 01948 667272 Get in touch today! Email: [email protected] IMPORTAN T: we would like to inform prospective purch asers that thes e sales particulars have b een p rep ared as a gen eral guid e only. A d etailed survey h as not been carried out, no r the servic es, appliances and fittings tested. Roo m sizes should not be relied upon for furnishing purposes and are approximate. If floor plans are included , they are for guidanc e purposes only and illustration purposes only and may not b e to scale. If there are any important matters likely to affect your d ecision to but, please contact us before viewing th e prop erty. www.barbers-online.co.uk .
Load more

Recommended publications
  • Vol. 17, No. 4 April 2012
    Journal April 2012 Vol.17, No. 4 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2012 Vol. 17, No. 4 President Editorial 3 Julian Lloyd Webber FRCM ‘... unconnected with the schools’ – Edward Elgar and Arthur Sullivan 4 Meinhard Saremba Vice-Presidents The Empire Bites Back: Reflections on Elgar’s Imperial Masque of 1912 24 Ian Parrott Andrew Neill Sir David Willcocks, CBE, MC Diana McVeagh ‘... you are on the Golden Stair’: Elgar and Elizabeth Lynn Linton 42 Michael Kennedy, CBE Martin Bird Michael Pope Book reviews 48 Sir Colin Davis, CH, CBE Lewis Foreman, Carl Newton, Richard Wiley Dame Janet Baker, CH, DBE Leonard Slatkin Music reviews 52 Sir Andrew Davis, CBE Julian Rushton Donald Hunt, OBE DVD reviews 54 Christopher Robinson, CVO, CBE Richard Wiley Andrew Neill Sir Mark Elder, CBE CD reviews 55 Barry Collett, Martin Bird, Richard Wiley Letters 62 Chairman Steven Halls 100 Years Ago 65 Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: Arthur Sullivan: specially engraved for Frederick Spark’s and Joseph Bennett’s ‘History of the Leeds Musical Festivals’, (Leeds: Fred. R. Spark & Son, 1892). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this.
    [Show full text]
  • MERRIE ENGLAND Music by Edward German
    Press Information The Finborough Theatre is now fully air conditioned Summer Season | April to July 2012 Part of the Finborough Theatre's Celebrating British Music Theatre series Citric Acid in association with Neil McPherson for the Finborough Theatre presents The first professional London production for 52 years MERRIE ENGLAND Music by Edward German. Libretto by Basil Hood. Directed by Alex Sutton. Musical Direction by Eamonn O’ Dwyer. Designed by Philip Lindley. Lighting by Miguel Vicente. Produced by Luke Holbrook. Costume Design by Sophia Anastasiou. Cast: Sammy Andrews. Alexander Beck. Jamie Birkett. Daniel Cane. Luke Courtier. Stephen Darcy. Virge Gilchrist. Tom Giles. Stuart Hickey. Rachel Holbrook. Nichola Jolley. Christopher Killik. Ruth Leavesley. Brendan Matthew. Michael Riseley. Jody Ellen Robinson. Gemma Sandzer. Rhys Saunders. Originally written for the Savoy Theatre in 1902 and a longtime British musical classic, this rediscovery celebrates both the Queen’s Diamond Jubilee as well as the 150th anniversary of the birth of composer Edward German. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012 (Press Night: Monday, 28 May 2012 at 7.30pm). Edward German's patriotic pageant deals with love and rivalries at the court of Queen Elizabeth I as the monarch visits the townsfolk of Windsor to celebrate May Day. With a plot that includes such historical personages as Sir Walter Raleigh and the Earl of Essex, murder plots and tales of witchcraft unravel to the background of the May Day revels... An English light opera in the style made famous by Gilbert and Sullivan, Merrie England features a prominent chorus and a range of principal numbers including ballads, patter songs, duets and quintets.
    [Show full text]
  • MIDLANDS CHORALE Conductor Oliver Walker
    MIDLANDS CHORALE Conductor Oliver Walker with The Concert for Clara Orchestra Leader Julia Johnson present Some Messiah! Some Enchanted Evening! (A Concert for Clara) Sunday 6th November 7.45pm at Shrewsbury RC Cathedral, Town Walls ***************************** Messiah Merrie England The Pirates of Penzance South Pacific Chess ***************************** Tickets £10 (Children and Students £5) from Theatre Severn Box Office 01743-281281 Thank you to our Sponsors Midlands Chorale, founded in 1978, draws its singers from all corners of the West Midlands. The choir has performed with distinction a wide repertoire across the country, and made several recordings. The choir has given acclaimed performances of many major works in Birmingham, Leicester, Shrewsbury, and across the West Midlands. In association with the Leicester Bach Choir in recent years, they have performed Brahms German Requiem, Vaughan Williams’ Dona Nobis Pacem, and Elgar’s The Music Makers, accompanied by full orchestra. The choir’s concerts generate several thousand pounds a year for different charities. Midlands Chorale is Registered Charity No. 1108506. Visit www.midlandschorale.co.uk for more information. The Concert for Clara Orchestra, led by Julia Johnson, includes professional and experienced amateur players from across Shropshire, who have all given their time and talent to make this a special musical event. Oliver Walker is the Organist and Choirmaster at Solihull School, where he oversees the busy programme of choral and organ music within the School Chapel, and is the Musical Director of the Midlands Chorale and Warwickshire Singers. He held the Organ Scholarship at Keble College, Oxford, where he also directed College Choral Society and Orchestra.
    [Show full text]
  • December 8, 2009 (XIX:15) Mike Leigh TOPSY-TURVY (1999, 160 Min)
    December 8, 2009 (XIX:15) Mike Leigh TOPSY-TURVY (1999, 160 min) Directed and written by Mike Leigh Produced by Simon Channing Williams Cinematography by Dick Pope Film Editing by Robin Sales Art Direction by Helen Scott Set Decoration by John Bush and Eve Stewart Costume Design by Lindy Hemming Allan Corduner...Sir Arthur Sullivan Dexter Fletcher...Louis Sukie Smith...Clothilde Roger Heathcott...Banton Wendy Nottingham...Helen Lenoir Stefan Bednarczyk...Frank Cellier Geoffrey Hutchings...Armourer Timothy Spall...Richard Temple (The Mikado) Francis Lee...Butt Kimi Shaw...Spinner William Neenan...Cook Toksan Takahashi...Calligrapher Adam Searle...Shrimp Akemi Otani...Dancer Martin Savage...George Grossmith (Ko-Ko) Kanako Morishita...Samisen Player Jim Broadbent...W. S. Gilbert Theresa Watson...Maude Gilbert Lesley Manville...Lucy Gilbert Lavinia Bertram...Florence Gilbert Kate Doherty...Mrs. Judd Togo Igawa...First Kabuki Actor Kenneth Hadley...Pidgeon Eiji Kusuhara...Second Kabuki Actor Keeley Gainey...Maidservant Ron Cook...Richard D'Oyly Carte Naoko Mori...Miss 'Sixpence Please' Eleanor David...Fanny Ronalds Eve Pearce...Gilbert's Mother Gary Yershon...Pianist in Brothel Neil Humphries...Boy Actor Katrin Cartlidge...Madame Vincent Franklin...Rutland Barrington (Pooh-Bah) Julia Rayner...Mademoiselle Fromage Michael Simkins...Frederick Bovill Jenny Pickering...Second Prostitute Alison Steadman...Madame Leon Kevin McKidd...Durward Lely (Nanki-Poo) Cathy Sara...Sybil Grey (Peep-Bo) Sam Kelly...Richard Barker Angela Curran...Miss Morton Charles Simon...Gilbert's Father Millie Gregory...Alice Philippe Constantin...Paris Waiter Jonathan Aris...Wilhelm David Neville...Dentist Andy Serkis...John D'Auban Matthew Mills...Walter Simmonds Mia Soteriou...Mrs. Russell Shirley Henderson...Leonora Braham (Yum-Yum) Louise Gold...Rosina Brandram (Katisha) Nicholas Woodeson...Mr.
    [Show full text]
  • Precious Nonsense
    Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY June 2001 -- Issue 63 Of course, you will understand that, as Chancellor of the Exchequer, I am bound to see that due economy is observed. There's nothing like a bargain. W ith the postal rate on letters weighing more than an ounce going up on July 1, it seemed like a good idea to try to get a "fat" newsletter out before the change. So here we are. Although we're lacking any play synopses this time around, we do have the answers to last year's Big Quiz, plenty of news of G&S productions, and some interesting insights from Arthur Robinson. So let's see how it goes. Oh, Members, How Say You, What is it You've Light Opera at (330) 263-2345 / www.wooster.edu/OHIOLIGHTOPERA/ . Or e-mail Done? [email protected]. And their address is The We were saddened and pleased to learn that MGS College of Wooster, Wooster, OH 44691. member and frequent G&S lead performer David Michaels is leaving the Chicago area for Seattle. Sad because he’s Although Light Opera Works isn't presenting any G&S going, and glad because he’ll be seeing more of his family this season, they do have an interesting program for youth, (and able to report on G&S activity in Washington State)! featuring, among other things, an opportunity to work on a Best wishes for his move and his future! production of The Pirates of Penzance. Their Musical Theater Summer Workshops (“for kids 8 to 18") this year By the way, someone asked what our membership include Annie (July 9-14, 2001), Pirates of Penzance (July statistics are, after the renewals were returned.
    [Show full text]
  • GILBERT and SULLIVAN: Part 1
    GILBERT AND SULLIVAN: Part 1 GILBERT AND SULLIVAN Part 1: The Correspondence, Diaries, Literary Manuscripts and Prompt Copies of W. S. Gilbert (1836-1911) from the British Library, London Contents listing PUBLISHER'S NOTE CONTENTS OF REELS CHRONOLOGY 1836-1911 DETAILED LISTING GILBERT AND SULLIVAN: Part 1 Publisher's Note "The world will be a long while forgetting Gilbert and Sullivan. Every Spring their great works will be revived. … They made enormous contributions to the pleasure of the race. They left the world merrier than they found it. They were men whose lives were rich with honest striving and high achievement and useful service." H L Mencken Baltimore Evening Sun, 30 May 1911 If you want to understand Victorian culture and society, then the Gilbert and Sullivan operas are an obvious starting point. They simultaneously epitomised and lampooned the spirit of the age. Their productions were massively successful in their own day, filling theatres all over Britain. They were also a major Victorian cultural export. A new show in New York raised a frenzy at the box office and Harper's New Monthly Magazine (Feb 1886) stated that the "two men have the power of attracting thousands and thousands of people daily for months to be entertained”. H L Mencken's comments of 1911 have proved true. Gilbert & Sullivan societies thrive all over the world and new productions continue to spring up in the West End and on Broadway, in Buxton and Harrogate, in Cape Town and Sydney, in Tokyo and Hong Kong, in Ottawa and Philadelphia. Some of the topical references may now be lost, but the basis of the stories in universal myths and the attack of broad targets such as class, bureaucracy, the legal system, horror and the abuse of power are as relevant today as they ever were.
    [Show full text]
  • Merrie England
    MERRIE ENGLAND THE BAND OF THE GRENADIER GUARDS DIRECTOR OF MUSIC: LIEUTENANT-COLONEL G.J. MILLER, MVO, MBE REMASTERED HISTORICAL RECORDINGS 1923 -1934 1. MERRIE ENGLAND (SIR EDWARD GERMAN) 27th June 1927 2. SAVOY HUNTING MEDLEY (ARR. DEBROY SOMERS) 12th March 1934 3. LO! HERE THE GENTLE LARK (SIR HENRY BISHOP) 25th January 1929 4. W.H. SQUIRE’S POPULAR SONGS (WILLIAM HENRY SQUIRE) 17th September 1926 5. ETON MEMORIES (ARR. A.M. GOODHART) 1st March 1934 6. A PRINCESS OF KENSINGTON (SIR EDWARD GERMAN) 27th June 1927 7. SONGS OF THE SEA 26th November 1931 8. THE BEGGAR'S OPERA (JOHN GAY) 19th March 1923 9. THE ROSE - ENGLISH SELECTION (ARR. WILLIAM HENRY MYDDLETON) 11t h A p r i l 1927 10. POST HORN GALOP (HERMANN KOENIG) 27th November 1930 11. TOM JONES (SIR EDWARD GERMAN) 22nd June 1927 THE GRENADIER GUARDS The Grenadier Guards was raised in Bruges as a bodyguard to King During the First World War the Guards bands did much to help Charles II while he was in exile, and moved to England after the recruitment and morale at home and took turns for three-month Restoration of the British monarchy in 1661 following the brief tours to France and Belgium to play for the soldiers serving at the flirtation with parliamentary rule under Oliver Cromwell. The front. regimental band traces its history back to a warrant signed by the King in 1685 authorising its formation, and can therefore claim to Post World War Two one of the musicians to serve in the band was have been ‘born’ in the same year as Bach and Handel.
    [Show full text]
  • The Music of Sir Alexander Campbell Mackenzie (1847-1935): a Critical Study
    The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and infomation derived from it should be acknowledged. The Music of Sir Alexander Campbell Mackenzie (1847-1935): A Critical Study Duncan James Barker A thesis submitted for the degree of Doctor of Philosophy (Ph.D.) Music Department University of Durham 1999 Volume 2 of 2 23 AUG 1999 Contents Volume 2 Appendix 1: Biographical Timeline 246 Appendix 2: The Mackenzie Family Tree 257 Appendix 3: A Catalogue of Works 260 by Alexander Campbell Mackenzie List of Manuscript Sources 396 Bibliography 399 Appendix 1: Biographical Timeline Appendix 1: Biographical Timeline NOTE: The following timeline, detailing the main biographical events of Mackenzie's life, has been constructed from the composer's autobiography, A Musician's Narrative, and various interviews published during his lifetime. It has been verified with reference to information found in The Musical Times and other similar sources. Although not fully comprehensive, the timeline should provide the reader with a useful chronological survey of Mackenzie's career as a musician and composer. ABBREVIATIONS: ACM Alexander Campbell Mackenzie MT The Musical Times RAM Royal Academy of Music 1847 Born 22 August, 22 Nelson Street, Edinburgh. 1856 ACM travels to London with his father and the orchestra of the Theatre Royal, Edinburgh, and visits the Crystal Palace and the Thames Tunnel. 1857 Alexander Mackenzie admits to ill health and plans for ACM's education (July). ACM and his father travel to Germany in August: Edinburgh to Hamburg (by boat), then to Hildesheim (by rail) and Schwarzburg-Sondershausen (by Schnellpost).
    [Show full text]
  • Style in the Music of Arthur Sullivan: an Investigation
    Open Research Online The Open University’s repository of research publications and other research outputs Style in the Music of Arthur Sullivan: An Investigation Thesis How to cite: Strachan, Martyn Paul Lambert (2018). Style in the Music of Arthur Sullivan: An Investigation. PhD thesis The Open University. For guidance on citations see FAQs. c 2017 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000e13e Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk STYLE IN THE MUSIC OF ARTHUR SULLIVAN: AN INVESTIGATION BY Martyn Paul Lambert Strachan MA (Music, St Andrews University, 1983) ALCM (Piano, 1979) Submitted 30th September 2017 for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences Open University 1 Abstract ABSTRACT Style in the Music of Arthur Sullivan: An Investigation Martyn Strachan This thesis examines Sullivan’s output of music in all genres and assesses the place of musical style within them. Of interest is the case of the comic operas where the composer uses parody and allusion to create a persuasive counterpart to the libretto. The thesis attempts to place Sullivan in the context of his time, the conditions under which he worked and to give due weight to the fact that economic necessity often required him to meet the demands of the market.
    [Show full text]
  • H.M.S. Pinafore
    H.M.S. PINAFORE or, The Lass that loved a Sailor An entirely Original Nautical Comic Opera Written by W.S. Gilbert Composed by Arthur Sullivan Rescued from Obscurity A Reprint series of Definitive Libretti of the „Savoy‟ and related operas. Edited by Ian C. Bond. Other Libretti in this Series AN ITALIAN STRAW HAT, or, “Haste to the Wedding” W.S. Gilbert, George Grossmith, et al. COX AND BOX - F.C. Burnand and Arthur Sullivan CREATURES OF IMPULSE - W.S. Gilbert and Alberto Randegger THE EMERALD ISLE - Basil Hood, Arthur Sullivan and Edward German FALLEN FAIRIES - W.S. Gilbert and Edward German THE GONDOLIERS - W.S. Gilbert and Arthur Sullivan “HASTE TO THE WEDDING” - W.S. Gilbert and George Grossmith JANE ANNIE - J.M. Barrie, Arthur Conan Doyle and Ernest Ford NO CARDS - W.S. Gilbert and Thomas German Reed THE PIRATES OF PENZANCE - W.S. Gilbert and Arthur Sullivan PRINCESS TOTO - W.S. Gilbert and Frederic Clay THE ROSE OF PERSIA - Basil Hood and Arthur Sullivan RUDDYGORE - W.S. Gilbert and Arthur Sullivan UTOPIA (LIMITED) - W.S. Gilbert and Arthur Sullivan THE VICAR OF BRAY - Sydney Grundy and Edward Solomon THE ZOO - B.C. Stephenson and Arthur Sullivan Vocal Scores AN ITALIAN STRAW HAT, or, “Haste to the Wedding” W.S. Gilbert, George Grossmith, et al. THE EMERALD ISLE - Basil Hood, Arthur Sullivan and Edward German THE ROSE OF PERSIA - Basil Hood and Arthur Sullivan (facsimile of a cued conductors score) In Preparation THE BEAUTY STONE - Arthur Wing Pinero, J. Comyns Carr and Arthur Sullivan THE BRIGANDS - H.
    [Show full text]
  • Elgarian Birthdays
    Elgarian Birthdays A miscellany of notes, from contemporary sources, on how Elgar spent some of his birthdays. THE YEAR OF HIS BIRTH - 1857 You know, since you compel me to begin at the beginning, that I 'began' in Broadheath, a little village three miles from Worcester, in which city my father was organist of St George's Catholic Church, a post he held for thirty-seven years. Edward Elgar The little house where he was born is three and a half miles from Worcester, and his father - who had come to Worcester from Dover to tune the pianos for the Dowager Queen Adelaide, who was living in the county at Witley Court - had to drive in and out in a pony cart. Carice Elgar-Blake How well I remember the day he was born. The air was sweet with the perfume of flowers, bees were humming and all the earth was lovely. There seemed to us little ones to be a lot of unnecessary running about in the house, and Father came tearing up the drive with a strange man in a carriage. And before that, an old lady whom we had never seen before arrived with a large bag, and we were told by the younger maid there was a baby in that bag! That was good enough for our weak comprehension, and so we were taken a scamper across the heath to be out of the way. Lucy Elgar COMING OF AGE - 1878 Aged 21 and seeking work as a musician. To Musical Catholic Noblemen, Gentlemen, Priests, Heads of Colleges, etc., or Professors of Music.
    [Show full text]
  • Vol. 17, No. 1 April 2011
    Journal April 2011 Vol.17, No. 1 The Society President Julian Lloyd Webber FRCM Vice-Presidents Ian Parrott Sir David Willcocks, CBE, MC Diana McVeagh Michael Kennedy, CBE Michael Pope Sir Colin Davis, CH, CBE Dame Janet Baker, CH, DBE Leonard Slatkin Sir Andrew Davis, CBE Donald Hunt, OBE Christopher Robinson, CVO, CBE Andrew Neill Chairman Steven Halls Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary Helen Petchey The Elgar Society Journal 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2011 Vol. 17, No. 1 Editorial 3 Tales from the Complete Edition - 5: 4 Pageant of Empire John Norris Tales from the Complete Edition - 6: 15 Music for Strings Julian Rushton A Letter and a Poem Unmasked: Two Documents from John Bridcut’s film 18 Elgar: The Man behind the Mask18 Kevin Allen A very good idea at the time: 22 Sir Edward Elgar - Principal Conductor, London Symphony Orchestra Martin Bird Did Elgar achieve a century? 37 Stephen Lloyd Book reviews 41 J.P.E. Harper-Scott, Martin Bird, Jane Bird, Andrew Neill Music reviews 47 J.P.E. Harper-Scott, Julian Rushton DVD reviews 54 Martin Bird, Frank Beck CD reviews 57 Kevin Mitchell, Andrew Neill, Martin Bird, Barry Collett, Paul Adrian Rooke Letters 68 Norman Rosenberg 100 Years Ago 69 Geoffrey Hodgkins The Editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Elgar and Vera Hockmann at a Union of Graduates in Music dinner, March 1933 Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format.
    [Show full text]