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508642 VOL2.Pdf This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Lord Berners : Aspects of a Biography Gifford, Mary The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 23. Sep. 2021 LORD BERNERS: ASPECTS OF A BIOGRAPHY Name: MARY GIFFORD College: KING'S COLLEGE LONDON, UNIVERSITY OF LONDON Examination: PhD VOLUME2 Selected bibliography 186 Published music by Berners 200 Recorded music 204 Tables (working documents) 1. Letters by Berners to his mother from school (S) 206 2. Letters by Berners to his mother from abroad (9) 209 3. Various letters by Berners to his mother (*) 218 4. Letters and notes amalgamatedfrom collection 14 224 5. Miscellaneous letters and documents 251 6. Dates of composition and publication of Berners' music 255 7. Performancesof Bemers' music, 1919 - 1929 259 8. Performances of Berners' ballets 264 9. Combined newspaper and periodical entries, 1869-1950 266 10 Printed from the Archive by other composers 280 . music mainly Appendices. 1. Bemers' unpublished writings about music: i) Room and Music 285 ii) The Time Element in Music -a plea for brevity 287 iii) English Music 289 iv) Ronald Firbank 291 2. Berners' unpublished autobiography, part 4, Dresden 294 3. Biographical reference dates 327 185 BIBLIOGRAPHY Selected bibliography Aberconway, Christabel. A Wiser Woman? A Book ofMemories. London: 1966. Acton, Harold. Memoirs of an Aesthete. London: 1948. Acton, Harold. More Memoirs of an Aesthete. London: 1970. Aeolian Hall Programmes. The Goossens Chamber Concerts, 1924. London: 1924. Amory, Mark. Ed. The Letters of Evelyn Waugh. London: 1980. Amory, Mark. Lord Berners: The Last Eccentric. London: 1998,1999. Anon. Miniature Essay: Lord Berners. London: [ 1922]. Anon. Miniature Essay: Aýfredo Casella. London: [1923]. Anon. Miniature Essay: Eugene Goossens. London: [ 192 1 Ansermet, Ernest et J.-Claude Piguet. Entretiens sur la musique. Neuchdtel: 1963. Apollonio, Umbro, ed. Futurist Manifestos. London: 1973. Auric, Georges, Jean Cocteau. Correspondance: Georges Auric - Jean Cocteau. Montpellier: 1999. Austin, William W. Music in the 20'h Centuryftom Debussy through Stravinsky. London: 1966. Avery, Kenneth. 'Lord Bemers' in Grove's Dictionary ofMusic and Musicians. 5th edn., ed. Eric Blom. London: 1954,1961. i, 680-682. Ayrton, Michael. Golden Sections. London: 1957. Baker, David. Ideology of Obsession: AK Chesterton and British Fascism. London: 1996. Balanchine, George. Choreography by George Balanchine. New York: 1984 Banfield, Stephen, ed. Music in Britain: The Twentieth Century. Oxford: 1995. Banfield, Stephen. Sensibility and English Song. Cambridge: 1985. Banister, Hugh and others. JosefHolbrooke: Various Appreciations by Many Authors. London: 1937. Baron, Wendy. Miss Ethel Sands and Her Circle. London: 1977. Bax, Arnold. Farewell my Youth. London: 1943. Beach, Syliva. Shakespeare and Company. London: 1960. Beaton, Cecil. Ashcombe: The Story of a Fifteen-Year Lease. London: 1949. Beaton, Cecil. Ballet London: [23 April 1951 - British Museum date.] Beaton, Cecil. SeýfPortrait with Friends: The Selected Diaries of Cecil Beaton 1926-1974. Ed. Richard Buckle. London: 1979. Beaton, Cecil. The Book ofBeauty. London: 1930. Beaton, Cecil. The Wandering Years: Diaries 1922-1939. London: 1961. Beaumont, Cyril W. Complete Book ofBallets. London: 1937. Beaumont, Cyril W. The Diaghilev Ballet in London. London: 1940,195 1. 186 BIBLIOGRAPHY Beaumont, Cyril W. Vic Wells Ballet. London: 1935. Beerbohm, Max. Things New and Old. London: 1923. Benewick, Robert. Political Violenceand Public Order: A Study ofBritish Fascism. London: 1969. Benkovitz, Miriam J. Ronald Firbank A Biography. London: 1970. Benois, Alexandre. Reminiscencesof the RussianBallet. Trans. Mary Britnieva. London: 1941. Berlioz, Hector. Memoirs ofHector Berlioz. London: 1884. Berners, Lord. The Camel. London: 1936,1999. Berners, Lord. Le Chameau. [The Camel] Trans. Jean Barre. Paris: 195 1. Berners,, Lord. Chdteau de Resenlieu. New York: [2000]. Berners, Lord. The Collected Musicfor Solo Piano. ed. Peter Dickinson. Foreword, Sir John Betjeman. London: 1982,2000. Berners, Lord. The Collected Vocal Music. ed. Peter Dickinson. Foreword, Sir John Bet eman. London: 1982 2000. Berners, Lord. Collected Tales and Fantasies. New York: 1999. Berners, Lord. Count Omega. London: 1941,1999. Berners, Lord. A Distant Prospect. London: 1945. Berners, Lord. Farftom the Madding War. London: 1941,1999. Berners, Lord. First Childhood. London: 1934. Berners, Lord. The Girls ofRadcliffHall. [under pseudonym Adela Quebec. Private publication? 1935. ] Ed. John Byrne. London: 2000. Berners, Lord. Percy Wallingford and Mr Pidger. Oxford: 1941,1999. Berners, Lord. The Romance of a Nose. London: 1941,1999. Berners,, Lord. Review: Psychology of a Musical Prodigy by Professor G. Revesz. Nation and Athenaeum. April 18,1925. Berners, Lord. Ronald Firbank. - Memoirs and Critiques. Ed. Mervyn Horder. London: 1977. Bliss, Arthur. Bliss on Music: Selected Writings ofArthur Bliss 1920-1970. Ed. Gregory Roscow. Oxford: 199 1. Blom, Eric Peter Ward Jones. 'J. W. Chester.' New Grove 2001,5 87. and and 55 Blom, Eric. Music in England. Harmondsworth: 1942. Blyth, Alan. Remembering Britten. London: 1981. Botstein, Leon. 'Modernism. ' New Grove 2001,16,868-874. Boughton, Rutland. The Reality ofMusic. London: 1934. Boxer, Andrew. The Rise ofItalian Fascism. London: 2000. Bradbury, Malcolm and James McFarlane, eds. Modernism 1890-1930. Harmondsworth: 1976. 187 BIBLIOGRAPHY Bradford, Sarah. SacheverellSitwell: Splendours and Miseries. London: 1993. Britten, Benjamin. Lettersftom a Life: The SelectedLetters and Diaries of Benjamin Britten 1913-1976. Ed. Donald Mitchell. London: 1991. Brooke, Jocelyn. Ronald Firbank. London: 1951. Brooks, Jeanice 'Nadia Boulanger and the Salon of the Princessede Polignac', Journal of the American Musicological Society, vol. XLVI, 3 (1993). Bryars, Gavin. 'Berners, Rousseau,Satie. ' Studio International 192,Nov/Dec 1976. Bryars, Gavin. 'Satie and the British. ' Contact: A Journal of Contemporary Music. Autumn 1982. Buckland, Sidney and Myriarn Chimenes,eds. Francis Poulenc: Music, Art and Literature. Aldershot: 1999. Buckland, Sidney, ed. Francis Poulenc. SelectedCorrespondence 1915-1963: Echo and Source. London: 1991. Buckle, Richard. Diaghilev. London: 1979. Burger, Peter. The Decline ofModernism. Trans. Nicholas Walker. Cambridge: 1992. Burger, Peter. The Theory of the Avant-Garde. Minnesota: 1984. Bush,,Alan. In Eighth Decade Other Essa London: 1980. my and Ys. Butler, Christopher. Early Modernism: Literature, Music and Painting in Europe - 1900-1916. Oxford: 1994. Caldwell, John. The Oxford History of English Music. Oxford: 1999. Calinescu, Matei. Faces ofModernity. Indiana, London: 1977. Calinescu, Matei and Douwe Fokkema. Exploring Postmodernism. Paris: 1985. Calloway, Stephen. Baroque Baroque: The Culture of Excess. London: 1994, 2000. Calvocoressi, Michael Dimitri. Music and Ballet Recollections. London: 1933. Carey, Hugh. A Duetfor Two Voices. Cambridge: 1979. Carpenter, Humphrey. The Brideshead Generation: Evelyn Waugh and His Friends. London: 1989. Carroll, Lewis (Charles Lutwidge Dodgson). The Hunting of the Shark, anAgony in Eight Fits... London: 1876. Casella, Alfredo. Music in My Time. Trans. Spence Norton. Oklahoma: 1955. Casella, Alfredo. LEvoluzione della musica a traverso la storia della cadenza History Perfect perfetta. The Evolution ofMusic: Throughout the of the Cadence. London: 1924. Cecil, David. Max: A Biography. London: 1964. Chesterian, The. I st Series 1915-1919, New Series 1919-1961. Child, William. 'New music piano duets.' The Musical Times, May 1920,335. 188 BIBLIOGRAPHY Clarke, Mary. Dancers ofMercury. - The Story ofBallet Rambert. London: 1962. Clarke, Mary. The Sadler's Wells Ballet: A Histor y and an App reciation. London: 1955. Clough, Paul. Paintings and Drawings by Christopher Wood. Cambridge: 1974. Cocteau,Jean. A Call to Order. Trans. Rollo H. Myers. London: 1926. Preface: 1923. Cocteau, Jean. Cock and Harlequin. Trans. Rollo H. Myers. London: 1921. Cohen, Harriet. Music's Handmaid. London: 1936. Cohen, Harriet. A Bundle of Time: The Memoirs ofHarriet Cohen. London: 1969. Cohen- Stratyner, Barbara Naomi. Biographical Dictionary ofDance. New York and London: 1982. Collins, Brian. Peter Warlock The Composer. Aldershot: c 1996. Colonna, Vittoria. Duchess
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